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Hidden Gems: Second-hand clothing stores

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Peak Web
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The interior of a store with a large selection of clothing.
PHOTO: wildlifethrift.com

By: Nercya Kalino, Staff Writer

There’s something about thrift stores that takes you out of your own mind and into an enthralling experience of hunting down unique gems. Thrifting is like rummaging through someone’s old wardrobe to put together your eclectic style. With winter in full swing, here are some great spots for building a unique wardrobe and stumbling upon perfect holiday gifts, all the while supporting important causes and fast fashion alternatives. 

Front & Company 
Location: 3772 Main St., Vancouver
Hours: Monday–Wednesday 11a.m.–6:00p.m., Thursday–Sunday 11a.m.–6:30p.m. 

Front & Company is a contemporary consignment store. With this store’s modern, minimalist design, it doesn’t feel like being in a second-hand store, especially if you are used to vintage thrift stores like I am. The store does a great job at upscaling second-hand, mostly brand-name items, ranging from pants, sweaters, shoes, bags, and jackets. The prices of winter items are similar in price to buying new items, but in terms of style and reducing demand for fast fashion, it’s a great alternative shopping experience.

My Sister’s Closet
Location: 1830 Commercial Dr and 3958 Main St, Vancouver
Hours: Monday–Sunday 11:00 a.m.– 6:00 p.m.

One of the things I love about this store is that it’s a social enterprise created by the Battered Women’s Support Services. This means their profits help “fund violence prevention and intervention services.” It also “stands behind zero waste, eco fashion, and the thrift movement,” which makes it a great choice. Their items range from artisan, vintage, and designer, including pants, dresses, and tops. This is a great store to support, especially when you are looking to make a big purchase like a winter item.

Wildlife Thrift Store 
Location: 1295 Granville St, Vancouver
Hours: Monday–Sunday 10:00 a.m.– 8:00p.m. 

This store works with charities that advocate for mental health, such as Coast Mental Health and The Gathering Place. You’ll be sure to find yourself excited over the large, colorful space and eclectic selection. There are so many clothes to look through that it’s hard not to find something that suits your taste.

What type of soup are you?

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A stock photo of soup. Meatballs and radishes are arranged on its surface to look like a smiley face.

By: Olivia Visser, Opinions Editor

Fall is upon us. We’re reminded of the changing seasons every time we step into the crisp autumn air on Burnaby Mountain. Nothing goes better with the season than warmth — warm jackets, warm drinks, warm food. I’m talking about soup. 

Have you ever noticed that soup is such a perfect representation of humankind? The sheer variety of flavour and texture is astounding. Savoury or sweet, noodle or stew — there are endless ways to be soup. Trust me, you could stand to be more soup-erb. And, being the soup connoisseur I clearly am, I’ve compiled a groundbreaking six-question quiz that will uncover your secret “soup style.”

Question 1

What’s your favourite thing about soup?

  1. It’s so low maintenance! You can whip a soup together with little care, and use it to meal prep for the upcoming week.
  2. It’s delicious. There are so many creative and innovative ways to make a delectable soup.
  3. It’s nostalgic. Always reminds me of childhood lunches.
  4. It’s okay.

Question 2

Pick a non-soup dish (I know, I’m sorry).

  1. Spaghetti. Nostalgic and easy to make, I respect it!
  2. Filet mignon. Ooooooh, how fancy. 
  3. Homemade mac n’ cheese. Ah, so comforting, what a classic!
  4. Clams. You sinner.

Question 3

What’s your favourite thing about university?

  1. It’s a lot easier than I expected, course-wise! Lots of room to procrastinate.
  2. There’s so many prestigious awards to win and clubs to join.
  3. I just like meeting awesome new people.
  4. Nothing.

Question 4

If you were to give yourself from five years ago advice — what would you say?

  1. Learn to slow down and enjoy things!
  2. There’s always room for improvement, and always new things to learn.
  3. Don’t forget about your past and the people who made you who you are today.
  4. I don’t know you. 

Question 5 

How would your friends describe you, in 3 words or less?

  1. Easygoing.
  2. Showy.  
  3. Wholesome.
  4. Terrible.

Question 6

What do you picture your future looking like? 

  1. Honestly, I’m not too concerned as long as I’m happy.
  2. I hope to excel at something important.
  3. I want to be close with my loved ones.
  4. I don’t know. 

If you got mostly A’s

Congrats! You’re tomato soup. Nothing special, but well-loved nonetheless. You enjoy routine and simplicity, and you’ll be happiest in life sticking to your gut. 

If you got mostly B’s

You’re French onion soup! Everyone loves you as well, but you can be a bit pretentious at times. Such is the life of a classy soup like yourself. 

If you got mostly C’s

You didn’t think I’d leave chicken noodle soup out, did you? Pat yourself on the back and take pride in knowing you’re everyone’s favourite comfort soup. Your gentle demeanor makes you a go-to in times of trouble. 

If you got mostly D’s

…You’re clam chowder. Not many people’s first choice. Few people enjoy the thought of seafood soup (and I’m sure fewer people like the thought of being it). BUT there’s certainly people out there for you — those with a distinguished palette.

Social media platforms need censorship

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Peak Web
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Illustration of multiple social media app icons in a cage
ILLUSTRATION: Raissa Sourabh / The Peak

By: Olivia Visser, Opinions Editor

Social media companies don’t owe you unmoderated speech. While Elon Musk galvanizes his fanbase into believing content moderation is tyranny, most tech companies have caught onto the fact that no one really wants a platform free from censorship. I’m not really talking about political censorship — I believe people have a right to speech that doesn’t incite violence. But hate speech and harassment makes websites unusable for consumers, and undesirable for advertisers. Platforms that have tried their hand at looser content moderation styles have failed repeatedly, and it seems like Elon Musk is set on bringing Twitter down with them.

We’ve likely all seen Twitter descend into chaos over the past few weeks. After Musk followed through with his deal to purchase the social media platform, there was an “immediate, visible, and measurable spike” in hate speech, according to CBS News. Researchers found that hateful speech targeting people for their identity, like the use of slurs, increased by 4.7 times the day after he became CEO. Nevermind the fact that he bans parody accounts criticizing him, and fires employees who express concerns, Musk has been a vocal proponent of free speech for some time now. Disguising himself as a “free speech absolutist,” he lures bored internet users into an echo chamber of right-wing talking points, one of which being the idea that social media platforms should favour free speech over user satisfaction.

The Verge’s Editor-in-Chief wrote an article titled “Welcome to hell, Elon” that argued most users don’t want to “participate in horrible unmoderated internet spaces full of shitty racists.” Hard to disagree. Nevertheless, free speech absolutists often believe that their words, however depraved, should be free from consequences. Offline, someone would face repercussions if they walked around harassing people for their identities — outcomes ranging from losing friends to job opportunities. These are real-life consequences stemming from actions any rational person would view as unsavoury — not the result of some shadowy “woke mob.” Most companies understandably don’t want to platform this type of behaviour. 

As users flee Twitter in search of a less hostile platform, Elon Musk will either realize censorship is necessary, or go down with his ship. Right-wing media platforms that have attempted to be censorship-free have either failed, or become safe-havens for hate and conspiracies. Social media sites like Gab, Parler, and Truth Social, which branded themselves as conservative safe spaces, were financial failures because they didn’t appeal to anyone besides extremists. These apps were used to coordinate the Capitol riot in the US, before being banned by app stores for refusing to moderate their content. Alex Shephard at The New Republic argued “right-wing shitposters don’t actually need or want a safe space to play together,” and instead “they want to be a part of a battlefield.” 

It seems like Elon Musk is content with Twitter becoming a battlefield. And all for what — some awful hate tweets made from anonymous accounts? Advertisers are quickly cutting their ties to the site for its failure to moderate parody accounts spreading hate and misinformation. Private companies don’t have an obligation to host your hateful conduct. The “terms of service” function of social media platforms is what keeps these sites afloat for users and advertisers alike — if you loosen it too much, it’ll lose its meaning. We’ll see if Musk figures that out.

Elon Musk does not need your defense

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Peak Web
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exaggerated linework illustration of Elon Musk’s face
ILLUSTRATION: Alyssa Umbal / The Peak

By: Kelly Chia, Humour Editor

If you’ve been on Twitter the last two weeks, you bore witness to Elon Musk reducing the platform to his tantrum sandbox in the name of “free speech,” even protesting that activism is what’s driving people away from the site. No, Musk: it’s your rampant moves to fire or ban anyone who questions you, while making it difficult for officials to verify themselves with an $8 fee that’s rushing people out like a landslide. 

Musk was never a good guy. Evidently, he’s not the invincible genius that his fans believe he is. He’s a man who has made empty claims time and time again. Like the time he said he would build a “hyperloop” tunnel linking New York and Washington, then later took the project off the company website. His fans rush to comment sections to defend every mistake he makes. But, Musk is not a hero, nor your friend.

Musk is, in fact, a billionaire permanently stuck in 2014 meme humour, yucking it up for the Redditors and fanboys who worship his intelligence. I promise he will be okay if you don’t idolize him. This man has undeniable power and wealth and chooses to use it for spreading mass disinformation about vaccines and COVID-19, while decrying the loss of free speech. In fact, Musk doesn’t care about free speech. He cares about being adored. 

In the last week alone, this man has moved more swiftly against his impersonators and critics through bans and blocks, instead of providing solutions for the loss of user privacy after 50% of his workforce was illegally laid off. So protect your private information and delete any personal details — the Tony Stark wannabe is intent on barging down a road of poor decisions, and you should not go with him. 

Rain is that girl

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Peak Web
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Illustration of the rain, personified as a snooty character.
ILLUSTRATION: Andrea Choi / The Peak

By: Maya Beninteso, Peak Associate

Hello my repentant subjects,

Sorry to rain on your parade, but it’s me, Rain! I know you’ve missed me. I thought I’d arrive fashionably late this season seeing as everyone loves to hate me. Lucky for you, I love the infamy (and the infamy loves me). Tell me, did you enjoy the sweltering sun in your concrete building you call a university? Did you enjoy shedding layers, in addition to tears, in your lecture halls? Did the tears that streamed down your blood-rushed cheeks make you think about . . . me? 

You know what I enjoyed during my absence? How you all begged . . . so much for “rain, rain [to] go away.” Oh, how the times — and climate — have changed. It’s about time you thank me for saving you from the unseasonably hot October. Nooo, climate action can totally wait, that’s why you were wearing shorts and the air quality was just peachy. Oh, you know you love me, so why pretend otherwise?

And, if you fail to repay me properly, that is to say, voting in candidates that prioritize climate protections, maybe next year I’ll wait until November to make my appearance! Or maybe I simply won’t come back to teach you a lesson. I wonder how much you’ll miss me then. After all, you never know what you have until it’s gone. I’ll give you something to miss other than your once intact mental health and reasonable climate. Appreciate me, or learn to miss me, heathens.

If you enjoy the heat, oh my, am I going to bring it, especially now that I’m in the spotlight. Oh, you didn’t know? You didn’t know that the myth, the legend, Taylor Swift wrote a song for me called “Midnight Rain?” This proves one thing, my fellow subjects, I am the main character — written by a main character, herself. Don’t mind me, I’m just making my own name, chasing that fame or, rather, that infamy. It’s oh so lonely at the top. 

Regardless, my dear subjects, I am here to stay and I’ve come prepared. Revenge is a dish best served cold . . . I hope you bundle up this winter.

xoxo,

Rain

The Peak’s special curriculum

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Illustrations of the covers of Glee, The Legend of Zelda: Animated Series, Mamma Mia, and The Fault in Our Stars
ILLUSTRATION: Hayeon Gil / The Peak

By: Petra Chase, Arts and Culture Editor, Kelly Chia, Humour Editor, Hannah Kazemi, Staff Writer, Olivia Visser, Opinions Editor

Professors,

You’ve kindly taken your time to study and deconstruct theory after theory, assigning us only the best — or most standardized — works academia can offer. Now, it’s our turn to return the favour. You see, these recommendations you will hear about today have shaped us irrevocably as human beings, and therefore, how we approach your subjects. Whether for worse or for better, The Peak assigns you this essential guide to understanding culture, and therefore, us. We’re so considerate!

PHIL 101: The Ingenuity of The Fault in Our Stars
By: Petra Chase, AKA Starry-Eyed Arts & Culture Editor

The Fault in Our Stars

Fellow readers on this ephemeral Canvas syllabus page!

The Fault in Our Stars was a beacon for a generation of teenagers struggling to find a semblance of meaning in the abyss. Hazel — the bluntly realistic, esoteric protagonist one could have never guessed was written by 40-year-old John Green — introduced me to nihilism (a philosophical outlook which is somewhat advanced for this first-year course, but I digress). Augustus, arguably the most thought-provoking (and dreamy) characters of our time, proved that even though love is a “shout in the void,” it matters. (So what if he spoke like a pretentious hipster? He read Hazel’s favourite book. What Tumblr girl wouldn’t be smitten?) If you see me with a soggy un-lit cigarette in my mouth in class, do not fear, for it’s clearly a metaphor that exposes the harrowing complexities of our agency over life’s greatest turmoil.

While many of you cite Infinite Jest or The Bell Jar as your philosophical inspiration, none of these encapsulate the complexities of life the way Hazel and Augustus did with their text exchange: “Okay?” “Okay.” One simple word and two punctuations contains an infinity that exists within the larger infinities of the universe. So to answer, “Why did you join Philosophy 101?,” I would be remiss not to mention the YA novel that changed my outlook on life.

CA 135: Introduction to (True) Cinema
By: Kelly Chia, AKA Loser Likes Glee Humour Editor

Glee, Seasons 1-6 (including the Muppets episode)

For a class on cinema, there is only one cinematic experience you need to have in my opinion. Six seasons of Matthew Morrison. Professor, you must understand Glee’s hypnotic impact on the top 40 hit songs from the 2010’s, or any Journey song. Simply hearing the “da-da-da” notes wrenches anyone into an acapella cover of “Don’t Stop Believin’” It’s truly a feat of mankind. Glee was a special TV show that teased enough progressive ideals to make a younger Kelly feel seen while simultaneously raking the same ideals through the mud. What this tells you about me is that if you so much as murmur a song that has been covered, I would be willing to write you a five to six page, MLA-cited essay on how much this show adored queerbaiting Faberry. That’s a term I use unironically. Be afraid of me.

ENGL 113: The Cultural Revolution of Amanda Seyfried and Meryl Streep, but in Musical
By: Hannah Kazemi, AKA wannabe Donna and the Dynam-ic Staff Writer

Mamma Mia

Dear English prof,

I learned the power of the “dot dot dot,” otherwise known as the ellipsis, from the most spectacular, flawless, groovy-dance-move-inducing film, otherwise known as Mamma Mia. Teach me grammar and the effect some good punctuation can have via theatrical performance instead of a boring lecture. Watching Sophie and her girlfriends prance around all over some random Greek island while singing about the mystery behind the “dot dot dot” really impacted me the first time I watched the film, and has the same punch to it every time. Teach me literary theory using song and dance! Break out into a musical theatre number during class! I promise it’s more entertaining, and it’ll blast us all to Kalokairi (even if the island doesn’t actually exist).

PSYC 101: Triforce Tales
By: Olivia Visser, AKA HYAAH-rule’s heroic Opinions Editor

The Legend of Zelda: Animated Series

Every so often, a children’s television show will have an impact so profound it attracts children and adult fans alike. The Legend of Zelda animated TV series will probably go down in history books as one of the most influential cartoon series of all time. 

What makes this TV adaptation of such a well loved video game so superior is its ability to make the protagonist, Link, an effective antihero. Yes, all the games portray him as a quiet and humble hero, but who does a little creativity hurt? In this series, he cares little for his peers, and it’s so dreamy. 

Fun fact: Link says some version of the phrase, “excuuuuse me, princess,” at least 29 times across all 13 episodes. Talk about iconic. I don’t know about you, but I’ve always wanted to see one of my favourite Nintendo characters depicted as a whiny, unlikeable, self-serving oaf. Incredible writing. Truly a masterpiece in depicting the psychology and fullness of mankind, except Link is a small elf.

First year reflections with soccer’s Matt Hobson

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horizontal shot of the men’s soccer team in a huddle pre-game.
PHOTO: Paul Yates / SFU Athletics

By: Simran Sarai, Sports Writer

After being projected to finish first this season, the men’s soccer season has come to a close after failing to advance to the National Collegiate Athletic Association (NCAA) Division II soccer championships. SFU boasted an impressive record this season, finishing second in the Great Northwest Athletic Conference (GNAC), with a record of 11–5–1. First-place finishers, Northwest Nazarene, automatically clenched a playoff spot by clenching the division. While the three points separating SFU from Northwest Nazarene, kept the Red Leafs from holding  a ticket to the playoffs.

Unlike women’s soccer, there isn’t any GNAC championship that sets the stage for the men’s NCAA championship. Instead, it’s a race from the start for the 206 competing NCAA teams to nab a top 10 spot in one of the four super regions. On November 7, the list of 10 teams from each super region were announced, with SFU failing to be voted in to a playoff spot. Now that the season is over, The Peak sat down with first-year team member, Matt Hobson, to discuss his journey to SFU, and his first season as a Red Leaf.

Hobson, a third-year molecular biology and biochemistry major, joined SFU last spring. Although listed as a defender, Hobson says he “plays a little bit of [everything],” stepping in to play as a striker, winger, and full back this season.

“Striker’s new,” he joked. “I hadn’t played there before this year, so that was a surprise, because that wasn’t planned either.”

Hailing from Surrey, BC, Hobson embarked on his soccer journey when he was four-years-old. He played for the Surrey United Soccer Club while attending Fleetwood Park Secondary school. Much like Hobson’s playing style, the soccer swiss army knife was an all-around athlete in high school, competing as a member of his school’s track, cross country, and soccer team. He set his running aside, and went his own way, in fall 2018 to join UVIC’s soccer team, playing out of the USPORTS league that SFU was once a member of. 

Just three games into his first preseason as a Vike, Hobson tore his meniscus, sidelining him for the majority of his freshman year. After two years with UVIC, Hobson transfered to SFU at the start of the COVID-19 pandemic. Determined to continue playing soccer, Hobson joined the Vancouver Metro Soccer League (VMSL) with club team, Inter EDC.

Despite his movement between teams, his soccer experience has been “pretty similar, in a lot of ways,” throughout high school and university. “You have a decent team, and good guys on the team. That part’s always gonna be the same,” he explained. What separates the two is getting to play on Canada’s only NCAA school. “The biggest difference I noticed coming to SFU is the professionalism of it all.” 

No stranger to injuries, Hobson also spent his first year as a Red Leaf dealing with a persistent hamstring injury. “For that kind of injury, it’s just what can I do to get it to a point where I’m physically able enough to play.” Half the challenge for Hobson was his mindset. “You can’t stop to think that this is an injury,” he said. “I think if you treat any injury like it’s crushing or the end of the world, it’s the end of your season. That’s the worst thing you can do.”

Talking more broadly about the team’s 2022 season, Hobson expressed the team’s disappointment with having no more games to play. “We wanted to be in the tournament. We wanted to make a run in the tournament, and show the quality of this team and what we were capable of.” SFU’s 11–5–1 finish is a huge step up from the squad’s 9–7 record last season. But Hanson is most proud of the team’s ability to rally in some pretty adversarial conditions. This included the last weekend of games at SFU which were postponed and moved due to a combination of snow and fog atop Burnaby Mountain.

“The last weekend, we had games cancelled or rescheduled three times — we only played two games. Tell me how that works!” 

Now that his first season is done, Hobson is already looking forward to the 2023 season, which will also be his last, due to eligibility regulations. In the meantime, he’s ready to wrap up the fall 2022 academic semester and start his next season in the VMSL. “That’s probably the biggest thing, more soccer.”

Film Review: Aftersun captures the complexity of father-daughter relationships

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Peak Web
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Film cover with a dad and young daughter sitting on a beach looking at the ocean.
PHOTO: A24

By: Kiara Co, SFU Student

Charlotte Wells has brilliantly crafted her directorial debut with tender love and care. Released on October 28, Aftersun has been screening in film festivals like the Cannes Film Festival and the Toronto Film Festival. Produced by A24, the company has a track record of releasing films that tackle one-on-one family relationships, from grandchild and grandmother in The Farewell (2019) to father and son in C’mon C’mon (2021). Alas, we now have Aftersun, which shows the complex dynamic between a father and daughter. 

Aftersun is about a girl named Sophie (Frankie Corio) who looks back at her vacation twenty years ago with her father, Calum (Paul Mescal) through flashback memories and recorded footage on a camcorder. With this simple premise, it conveyed plenty of emotions to the screen. 

The film begins lighthearted and heartwarming but becomes intensely melancholic. Many of us can relate to not being able to comprehend what’s going through our parents’ minds, and looking back at family vacations can bring up mixed emotions. Sometimes it feels like our parents have hidden something best left unknown. Despite the heartwarming bond between parent and child, it’s difficult to detach the feeling of being lost.

What stood out with this film is the cinematography. Wells not only captured the emotional bond between Sophie and her father, but also conveyed the feelings associated with spending time with a loved one on vacation. The film captured fresh, breezy, and warm tones, which allowed me to feel the warmth these characters felt. It also included plenty of grain in capturing past memories. The film shifts back and forth from the memory lapse and present time as we see Sophie trying to recollect memories of her father. 

Both Corio and Mescal had natural chemistry bouncing off each other through their line delivery. Corio brought an impressive acting debut performance and was able to carry the story with her humorous, curious, and substantial on-screen presence. In addition, she brought out a perfect amount of cute, childlike innocence with the role of Sophie. 

On the other hand, Mescal, notably known for his Emmy-nominated role in Normal People, struck an emotionally fleshed-out performance once again. He convincingly conveyed a young father struggling to hide his internal struggles from his young daughter to preserve her innocence. His performance hit the mark on how fathers often close themselves off emotionally from their children, which leads to children questioning who their parents really are.

Aftersun is one of the best films of 2022. Immerse yourself in a summertime holiday in an hour and forty-one minutes: it’s sure to make you laugh and shed some tears.

Need to Know, Need to Go: Events happening in December

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Peak Web
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Illustration of a blue calendar, with "Need to Know, Need to Go" written on top
Arts & Culture events to catch around the city. Image courtesy of Brianna Quan

By: Petra Chase, Art & Culture Editor

Flourish Together: A QTBIPoC Arts Market
When: December 17, 11:00 a.m.–5:00 p.m.
Where: Massy Arts Gallery, at 23 East Pender Street (in person and online vendors)

Massy Arts Society, Massy Books, and JotikaArt present this exciting holiday arts market with the purpose of uplifting artists through “community building and resistance.” Whether you’re joining online or in-person, there are tons of queer, trans, Black, and people of colour artists to support. From jewelry and visual art to illustrations and textiles, this is the perfect chance to find that special holiday gift! Learn more about the artists, their stories of resistance and resilience, and how you can support them on their webpage. Entry is pay-what-you-can ($0–$10). They are also looking for volunteers. Email [email protected] to help.

Anti-Carceral Day, Volume III: A Pop-Up Market Fundraiser
When: December 4, 12:00 p.m.–5:00 p.m.
Where: Massy Arts Gallery, at 23 East Pender Street

Hosted by Massy Arts Society, this fundraiser supports “land defenders and abolitionist organizers,” including “Unist’ot’en Healing Center, Gidimt’en Checkpoint, Tsastilqualus and the rematriation of Hiladi Village, and abolitionist work in so-called Vancouver.” There will be snacks, zines, stickers, art, clothing and accessories, and more! Masks are mandatory and available at the door. The gallery is wheelchair accessible and has a gender neutral washroom. Find out more about COVID-19 protocols, accessibility, and community care on their community care page.

“You Touch Me” performance
When: December 8–10, 8:00 p.m.
Where: Scotiabank Dance Centre

Dance artists Arash Khakpour and SFU alumna Emmalena Fredriksson present You Touch Me, a performance ensemble hosted by The Dance Centre as part of their Global Dance Connections 2022–2023 series. The performance features duets from six performers from diverse backgrounds in which they “dance, entertain, question and challenge each other, touching on universal themes from togetherness, aging and love, to climate change and migration.” Student tickets are $25. Watch the trailer on The Dance Centre’s webpage.

Stephen Crowley opens up about his archeological collection

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Peak Web
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This is a photo of an atlatl stone point, baby mammoth molar, and dinosaur vertebrae.
Bottom right, atlatl stone point; bottom left, baby mammoth molar; top, dinosaur vertebrae. PHOTO: C Icart / The Peak

By: C Icart, Staff Writer

Stephen Crowley is a groundskeeper at SFU. In his free time, he’s been doing archeological research for 30 years. He’s built up a collection so large, he wants to open a museum of natural history in Alberta. Before he’s able to open a small museum, he’s considering launching a virtual museum.  

While Crowley does this as a hobby, he reached out to professors in the archaeology department to make sense of some of his findings. He also considered donating some of his artifacts to SFU. The SFU Museum of Archeaology and Ethnology “collects, researches, and exhibits artifacts from around the world with a focus on British Columbia.” It features artifacts and research from faculty and students of the archaeology department as well as donations.

The Peak sat down with the self-taught archeologist, who showed us some of his artifacts. Namely, one he’s “pretty sure” is a dinosaur vertebrate “from a big plant eating dinosaur.” He estimates it is “at least 65 million years old” and found it by the South Saskatchewan River. He also has an artifact he found in an antique shop. It’s a “molar out of a baby mammoth [ . . . ] from the tundra out of Churchill Manitoba.” Finally, an “atlatl stone point, an arrowhead from a shorter launching spear.” This is just a small sample of what he owns.

Crowley’s main goal is “to hype the idea of conservation,” as he is passionate about learning and sharing “the history of where [the artifacts] were found and who found them.” He doesn’t want the history and importance of these artifacts to be lost when the people who found them pass away if they haven’t passed their stories down to young people. 

For Crowley, his passion started 30 years ago because he “wanted to see the prehistoric monuments of Canada.” He said, “I wanted to see all the petroglyphs, the rock carvings. I wanted to see the pictographs, the paintings on the rocks. I wanted to see the boulder effigies, where they put piles of boulders to make pictures on the ground.” 

His passion for archaeology is something he wants to share with the future generation. He tells the stories of his findings with kids in his community and he’s “hoping that somewhere, one of those kids is gonna get fired [up] enough to want to go to school.” He also wants to “pay-it-forward” and share the tips he has learned over the years to help others find things like arrowheads. Most of what he knows, he has learned from farmers and professors. In his experience, building trust and relationships has been foundational to seeing some artifacts and culturally significant landmarks.

Crowley doesn’t participate in archaeological digs. All his findings are from the surface — he specializes in rock art. “Wherever there’s cool rocks, there’s stories, and legends.” Crowley also stresses the importance of respecting the land, and the people who have cared for it. In his words, “You gotta go humble, you gotta go with respect.” 

For more information on his collection, contact Facilities Services and ask for Stephen Crowley.

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Simon Fraser University’s independent student newspaper since 1965.

Contact us: [email protected]

© The Peak Publications Society 1965-2024

Simon Fraser University’s independent student newspaper since 1965.

Contact us:
[email protected]

© The Peak Publications Society 1965-2024