The K’ómoks First Nations got more than they bargained for while holding a barbecue in the Comox Valley last year.
A midden containing ancient artefacts was discovered at the site, leading SFU archaeology professor Dr. Robert Muir to oversee a six-week field school excavating the area. During the excavation, Muir and his students discovered around 80 stone tablets, some as small as pebbles, estimated to be roughly 2,000 years old.
The field school, led by Muir, involved 21 third- and fourth-year students excavating a 100m by 120m exploration site on the K’ómoks First Nations’ traditional territory, and studying their findings. The excavation was conducted at the Puntledge RV Campground on Vancouver Island.
They have uncovered myriad artefacts: herring rakes; deer, dog, and elk bones; harpoon points; bone fishing needles; and, perhaps most excitingly, the flat stone tablets, each marked by symbols on one side.
According to an interview with Muir by the Comox Valley Record, the markings on the tablets could be seen as symbols for trees, feathers, or fertility. In the interview, he described the site as “very unusual,” referring to the tablets as “a little mystifying.”
The site was first discovered in 2015 when a group of the K’ómoks First Nations were digging a roasting pit for a celebratory barbecue.
During the celebration they uncovered an accumulation of shells, finding later that it was a midden containing numerous animal bones as well as other miscellaneous deposits.
According to Muir’s interview with the Record, “[the discoverers] thought, ‘Uh -oh, there’s a site here,’ and we figured out how large it really is.”
He claimed that in over 30 years as an archaeologist, he’s never studied a site like this.
He described the area as “well-preserved and pristine.” It’s one of only a few spots where these artefacts have been discovered in the Comox Valley.
The artefacts found in the excavation site are being taken to SFU to be photographed and studied. The students are currently helping with the analysis of these artefacts, after which Muir will take extra time to study them before returning them to the K’ómoks band.
The K’ómoks First Nations are an indigenous band from the eastern coast of Vancouver Island. They are currently comprised of around 330 individuals, including people of Puntledge, Ieeksun, Sathloot, Tat’poos, Cha’chae, and Sasitla ancestry.
Having suffered greatly because of European settlers, including the loss of over half their population due to a smallpox outbreak in 1862, the K’omoks people have worked hard to maintain their community. They are comprised of four reserves on the island, and regularly hold events and take part in business ventures and partnerships.
SFU archaeology studies 2,000-year-old artefacts found in Comox Valley
Amendment to divestment policy a “step backward”: student groups
Student groups advocating for Simon Fraser University to divest from fossil fuel companies are reeling after the university posted a draft to its divestment policy.
Called a “significant step backward” in a media release posted on the Embark website, the policy outlines ‘guidelines’ that the Responsible Investment Committee (RIC) will use to consider divesting from that company.
Those guidelines are based on:
- The extent to which SFU is invested in that entity
- If the entity derives more than 10 percent of its revenue from activities that cause social injury
- Evidence that divestment will produce a favourable outcome
- Impact on the university’s “fiduciary duty [. . .] to maximize return on its investments”
This draft policy comes after three years of the Divest SFU campaign pressuring the university to rethink its stance on fossil fuels. A joint venture between SFU350 and Embark, the campaign calls on SFU to “immediately freeze any new investment in fossil fuel companies, and to divest within five years from direct ownership” in order to address climate change. Josh Cairns, executive director of Embark, conceded in the release that until now “the university has made considerable progress regarding its stance on divestment.”
However, Cairns elaborated on the Embark website that this policy draft isn’t quite up to snuff. He argued that “the policy revision, if it is adopted in its current form, creates an unjust test for the university’s investments that ensure divestment will not occur.”
This is in line with the trend of Canadian universities rejecting divestment. Earlier this year, McGill, UBC, and the University of Toronto have all rejected calls to divest from fossil fuels. However, Cairns explained that SFU should look to the “University of Ottawa, which recently committed to decarbonizing its investments in accordance with Canada’s emission reduction commitments.”
Cairns said in a separate media release that “The revision suggests that the university is comfortable investing in an entity that profits from harming people or the environment — as long as the entity’s revenue from harmful activity is below an arbitrary 10 percent threshold, and as long others are also investing in the entity.”
The same media release noted that under the new conditions it might be “all but impossible” for divestment to occur at SFU.
The issue of divestment at SFU touches on a local conflict that has been playing out over the past few years.
Kinder Morgan is seeking to expand the existing Trans Mountain Pipeline that transports tar sands products from Edmonton to Burnaby. This project has elicited controversy due to environmental and safety concerns. The proposed expansion would triple its capacity, but critics argue that the economic benefit to the province is marginal, especially given the environmental risks.
Earlier this month, MP for Burnaby North-Seymour Terry Beech held a consultation meeting to address Canada’s Climate Change Action Plan, and to continue the discussion about the proposed Trans Mountain Pipeline expansion. The event is the first in a series taking place over the summer.
As for what will happen if SFU rejects divestment outright, SFU350 has been collecting students’ signatures, pledging “direct action.” A similar situation unfolded after McGill rejected divestment this March: students staged a sit-in at the vice chancellor’s office for days, while supporters camped outside.
Cairns finished his statement by putting the issue in no uncertain terms. He spoke to the fact that SFU is a signatory of the Paris Pledge for Action, a document that acknowledges the gravity of climate change, and commits to limiting global warming to 2 C above pre-industrial levels. “SFU should ensure its actions align with the just future it has publicly committed to,” he argued.
The RIC is currently accepting emailed comments on its draft policy until August 7, and will review in September.
SFU appoints new chief safety officer amid campus concerns
Following sexual assault allegations and privacy issues in campus washrooms, Mark LaLonde has stepped in as SFU’s new chief safety officer as of June 6.
LaLonde brings a wealth of experience to the position. “My entire career has been focused on public safety, and risk management, and human security,” he said in an interview with The Peak. After working with the Vancouver Police for 12 years, LaLonde took a position at the Justice Institute of BC, and later worked for various non-police agencies. He also spent years working with a national risk mitigation firm.
What attracted LaLonde to the position at SFU was the energy and dedication on campus, as well as the critical role his position played in the larger dynamic of SFU. Additionally, the fact that LaLonde’s friend and former police colleague Terry Waterhouse had been a chief safety officer gave him a glimpse of a working environment that he found appealing.
LaLonde has also previously contracted SFU grad students for research, and been a guest speaker in some of the classes. His mother and one of his sisters are SFU graduates.
For LaLonde, his most rewarding work has also been his most challenging. He did consulting work with the UN in areas such as South East Asia, the Middle East, and East Africa. Some of these projects focused on the protection of women and young girls from threats such as human trafficking, intimate partner violence, and commercial sexual exploitation.
Coming into his role as chief safety officer, LaLonde named his number one goal as “the safety of students, staff, and faculty.” Along with their physical safety, he spoke about addressing the emotional and psychological safety of students through resources such as the Health and Counselling Services, Student Services, the Women’s Centre, and Out on Campus.
When asked about the recent sexual assault issues SFU has been dealing with, LaLonde said SFU is taking a firm approach.
“Our entire process is survivor-centric,” he declared.
He spoke to the policies and protocols in place at SFU to ensure immediate and appropriate attention is given to students who raise concerns. Additionally, LaLonde is working on an ongoing campus initiative to develop new sexual violence policies, such as protocol enhancement, prevention training and awareness, and communication programs to discuss issues such as consent.
In regards to the washroom privacy incidents, LaLonde advised SFU students to “be vigilant at all times, be aware of [your] surroundings, and report incidents in as much detail as possible quickly so that security and the police can respond.” In addition, he spoke about how campus security has stepped up its patrol in key areas.
LaLonde looks forward to working with his team at SFU to oversee the safety and security for the entire community. He strongly believes in the effectiveness of his communication and policy reforms, to deal with the safety issues with which university is currently struggling.
SFU’s Zero Waste Initiative wins multiple awards
SFU’s Zero Waste Initiative has diverted 70 percent of all waste on campus from landfills just over 2 year after its launch, and people have noticed.
The program was given the Innovation Award from the National Association of College and University Business Officers, and the Quality & Productivity Award from the Canadian Association of University Business Officers.
Rachel Telling, the program manager for Zero Waste, has attributed the initiative’s key to success as cross-departmental collaboration. “The initiative is aided by SFU’s Zero Waste committee, which is a committee made up of different groups and departments in the university,” said Telling.
The project has been supported by students and staff through a wide range of volunteer programs and movements within the community. Telling emphasized the massive participation of many departments that has helped the project achieve great success.
She noted that “there is a general representation from all key departments like Dining Services, and Sustainability Services. Even student representatives from the SFSS and GSS are involved, [as well as] partners like UniverCity.”
Telling expressed pride in the solidarity that has bound all of these different groups together: “We have been working together from the initiative, [and] we can achieve more than we ever could if there were one or two departments.” The committee is now looking at reducing waste from resources purchased by SFU Food and Beverage Services, such as cooking oil and butter.
Executive director of Embark Josh Cairns noted that the project’s success is impressive given the high expectations that came with its launch: “The 70 percent diversion goal [set by the program] is quite lofty, and at the time that seemed so far away, but it only took a year for SFU to reach that goal.
“I would say that the Zero Waste program is definitely a highlight and a key milestone for SFU in regards to its sustainability commitment.”
Looking towards the future of the program, Cairns remarked, “I think the reality is that like any sustainability initiative, you’re getting decreasing return on your effort. So now, when the project has reached its 70 percent waste diversion threshold, every extra percentage [point] is gonna be much more difficult. It’s gonna be very challenging to ensure that there’s widespread compliance across the university and the students are well-versed in [the program].”
He added that the constant influx of new students to SFU each year is both “a blessing and a curse” for the program, given that each new student needs to be educated in how the Zero Waste Initiative works.
“You have to ensure that the new students entering SFU are educated on the Zero Waste program, and [that there are] changes in behaviour, for SFU to exceed the 70 percent goal,” Cairns said.
All Together Now features 20 diverse collections ranging from taxidermy to pinball machines
Remember when you used to collect? Maybe it was rocks, keychains, baseball cards, or Puppy Surprise toys. Whatever it was, many people did it as children. Some people never grow out of that compulsion to build a series of objects that may become the envy of others, or to amass a collection that has deep personal meaning. Until January 8, 2017, you can see 20 such collections at the Museum of Vancouver (MOV) in All Together Now: Vancouver Collectors and Their Worlds.
All of the collectors are locals except for two — but they collect things related to Vancouver. Viviane Gosselin, curator of contemporary culture at the MOV, explained that they made a point to focus on the individuals themselves. “The collection and the collector are at the forefront,” she said, explaining that they wanted the experience of the exhibition to feel like meeting the collectors.
They accomplished this by pairing each collection with a large backlit photo of its collector, along with a brief Q&A explaining why and how they collect. Only one of the collectors wanted to remain anonymous, but there is still a photo accompanying his collection of rare pocket watches, his face obscured by one of the watches.
Each collector has a unique story to share, and their collection takes on new meaning after learning about them and their motivation. For example, Marie Allen, an artificial eye collector, is a second generation ocularist, and custom makes glass eyes for her patients. There is also Harold Steves, who collects heirloom vegetable seeds. His grandfather and great-uncle started the first seed company in Western Canada.
All of the collectors are passionate about their objects, and the act of collecting has shaped their life. Often it starts small, without the goal of amassing a large collection, but it begins to grow from there. It seems there is a bit of a snowball effect that happens once you become known as a collector.
Gosselin easily separates collectors from hoarders, explaining that hoarding is pathological and non-discriminatory, whereas a collector will build a series and never want to add more of the exact same thing. A collector is usually more discerning.
I was extremely impressed by the diversity of collections on display at the MOV, as well as the interesting interactive component of each one. These are not static collections that you simply look at as you walk by. You can play the pinball machines, listen to a song on the jukeboxes, try on a corset, learn how to tie a fishing fly, and listen to music from the concerts listed in the poster collection. From taxidermy to prosthetics, and Chinese restaurant menus to action figures, this exhibition has something that will appeal to everyone.
One of the goals of the exhibition is to show the diversity of series and change the way people define a collection. The press release for the exhibition reports that nine out of 10 collectors are men, but Gosselin thinks that may be skewed by how a collection is traditionally defined. Many women may collect things such as shoes, clothes, or gadgets, and many people who actually do collect wouldn’t self-report as a “collector.” This show features seven female collectors.
Looking at these impressive collections, I was reminded of my former collecting days, when I used to find great excitement in adding the next item to my stash. For these collectors, that has never died. Everyone has a connection to the collectors’ experience, said Gosselin. “Even if you outgrew your collecting, people can relate to that rush.”
CINEPHILIA: Life, Animated exposes the limitations of a Disney ending
Life, Animated, based on the book of the same name, is about Owen, a young boy with regressive autism, who learns to communicate through Disney movies. With the precision of a calculator, Owen can recite every line from every animated Disney movie ever made. Far from being merely an obsession, Disney’s filmography is Owen’s vocabulary, how he understands the world, and the framework through which he filters his experience. These films are his language, his scripture, and his metaphysical reality.
When Owen turns three and loses his ability to say coherent words, it isn’t until his father talks in the voice of the character Iago (the parrot from Aladdin) that the boy responds. From here, the treatment builds off Owen’s affinity and understanding of Disney, thereby providing him with a voice.
Despite his unique circumstances, a lot of what Owen goes through is relatable. Although he sees the world from a different viewpoint, he is still a 23-year-old man, in love, looking for work, and about to move out of his parent’s home. Like all of us, he wants to be happy and have a meaningful life, regardless of the hand that life has dealt him.
Since Disney films live inside Owen, the director Roger Ross Williams frames this documentary like one. Not only does it literally turn his life into an animated film with exquisite hand-drawn images, his entire journey is focused towards independence and growing up, much like those of Simba, Peter Pan, and Mowgli.
The film makes a point of showing the limitations of this simple “black and white” worldview, where the heroes succeed and the villains fail. Heartbreak comes when Owen can’t make sense of life within the tight constrictions of Disney conventions, such as when his girlfriend breaks up with him, not because he did anything wrong but because she needed some space — to no fault of either party. In a funny digression, Owen’s brother, coincidentally named Walt, has a tough time talking to him about sex, short of showing him a porn parody of, say, The Little Mermaid. Disney movies have happy endings and sterilized content, but this film is wise enough to show how Owen is unprepared for unfairness because of it.
Unfortunately, a lot of this tale is made slight by its telling. Other than a few inspired edits that express internal emotions through Owen’s favourite films, a lot of the form is simple and conventional. Like most documentaries, we jump between old photos, family interviews, and contemporary fly-on-the-wall footage. Given the potential for a powerful, subjective montage though, it’s disappointing that the film takes the easy way out: to have Owen exposit how he feels instead of finding a less literal way to express it.
Thankfully, Owen is not put under the microscope like a science experiment, and the film’s catchy hook is an entry point for this resilient young man’s story. By not treating its hero like an “Other,” a deficient object for us to pity, Life, Animated shows the universality in his challenges.
Beautifully and subtly, Roger Ross Williams has a made a film about an animated life that isn’t a cartoon.
Ten TV shows coming to you soon
Many things experience a summer hiatus — such as school, The Peak, or your favourite TV shows. While I’m sure we’re all looking forward to a nice break before Fall semester kicks off, there are a lot of great shows coming in September and beyond. Below are 10 of the best shows renewed for late 2016 and early 2017.
Last Week Tonight with John Oliver (HBO) – Ongoing
While this critically acclaimed series is continuing through the summer, it’s important to note that the series was renewed for a fourth season. Both season three and four will contain a whopping 35 episodes each. For those who have not seen any of the insanely popular video clips on Facebook, this news satire series offers some of the best commentary on current world affairs, on TV or elsewhere. Catch it Sunday nights on HBO — or in YouTube’s suggested videos.
Running Wild with Bear Grylls (NBC) – Season 3 premieres on August 1
This show is insane. Bear Grylls, a British survivalist, takes celebrities into the wilderness and makes them, well, survive. Not only does he get really famous people — President Obama was on the program this past December — but the things they do truly are dangerous. Zac Efron slept on the edge of a cliff, Channing Tatum helped kill a rattlesnake; honestly, the insurance budget must be through the roof. The latest season kicks off with Julianne Hough on August 1 and Nick Jonas on August 2.
Dancing with the Stars (ABC) – Season 23 premieres on September 12
Admittedly, this show is more exciting if, like me, you have a bit of a background in dance. However, Dancing with the Stars is still an amazing testament to what you can achieve when you put your mind to it. The show has seen its fair share of minor miracles: just last season, Nyle Dimarco, model and deaf activist, won the extremely close competition. As of publication time, contestants for the upcoming season have yet to be announced.
Brooklyn Nine-Nine (FOX) – Season 4 premieres on September 20
If you’re not watching this show, you are missing out. Brooklyn Nine-Nine follows Jake Peralta (Andy Samberg), a detective in the NYPD, and the rest of his squad as they encounter all sorts of mishaps. The entire cast is hilarious, and the writing spotlights Samberg’s humour as quirky rather than annoying. Catch up on previous seasons by streaming them on Netflix.
Bob’s Burgers (FOX) – Season 7 premieres on September 25
One of the best animated families on TV is back! Bob and the rest of the Belchers return with more burgers, more puns, and likely, more butts. What makes this show so great is how easy it is to relate to the characters — for example, I’m a total Louise. While facing a multitude of challenges, this group values and loves each other above all else. Tune in to see if the family can keep their failing business afloat on Sundays.
Drunk History (Comedy Central) – Season 4 premieres September 27
The premise of this show is beautifully simple: celebrities get drunk and try to tell us about historic events. What a time to be alive. Past episodes have included the Watergate scandal, the life of Mark Twain, and the invention of the bra. The upcoming season will feature Lin-Manuel Miranda retelling the ongoing feud between Alexander Hamilton and Aaron Burr. This show truly is the gift that keeps on giving.
The Mindy Project (Hulu) – Season 5 premieres October 4
After being dropped by FOX following its third season, the comedy created by Mindy Kaling was picked up by the streaming service Hulu, which was the best thing that could have happened to this series. While The Mindy Project had always been a bit more daring with its subject matter regarding race, sexuality, and body image than comparable shows, the show has gotten even more overt without the restrictions of cable TV. Considering the cliffhanger season 4 ended with, the premiere is sure to be full of drama — and laughs.
Hamilton’s America (PBS) – Airs October 17
While not technically a TV show, this is sure to be one of the most-watched programs of the year. The documentary is focused on the insanely popular musical Hamilton, and features interviews with prominent personalities (the Obamas, Jimmy Fallon, and Questlove, to name a few), and behind-the-scenes footage of Lin-Manuel Miranda creating the show. The documentary will also feature live footage from Broadway performances of the show that won an astounding 16 Tony awards.
Archer (FX) – Season 8 coming early 2017
Even though no release date has been set, Archer being renewed is kind of a big deal — especially since FX’s order of three more seasons will take Archer all the way into its 10th year on air. The animated series follows the world’s best secret agent, Sterling Archer, as he attempts to get drunk enough to save the day. While the show seemed to hit a bit of a slump in season 5 (Archer Vice? Really?), it has found its stride again in the last two seasons, regaining its place as one of the funniest shows on TV.
Call the Midwife (BBC) – Season 6 coming spring 2017 (in Canada)
If you’re a fan of period dramas like I am, you’ll love Call the Midwife. The series is based off the memoirs of Jennifer Worth, a midwife in the poor East End of London during the 1950s. Dramatic and witty, all past seasons have featured some of the best heartwarming, sometimes heartbreaking storylines I have ever seen. While the 2016 Christmas special is set to air on December 25 in the UK, it is unclear when the new season will be coming to Canada. If previous seasons are anything to go by, expect a premiere date sometime in the spring (around the time the finale ends in Britain).
Lights Out is a step above mediocre
Music. The beach. Money. A bowl of unsalted peanuts. Everyone has a passion. Mine? Mediocre horror movies, though it’s a mediocre passion.
And boy, when I saw the trailer for Lights Out I got excited, or more accurately, mildly enthused. I was even more enthused when I got to go see it for free, the profits of which I spent on Five Guys. It looked as mediocre as any horror movie I ever did see. To add to the typical jump scare fare, it was touted as being by James Wan, who is actually a pretty good horror writer and director. It neglected to emphasize that he neither wrote nor directed it — the oldest trick in the book for marketing mediocre horror movies.
This movie begins with some guy (Billy Burke) getting killed. For a second, he looks like he’ll be a main character, but his assistant sees a ghost thing that moves closer when the lights go out, and next thing we know, he’s sliced by finger knives or something — kind of like Freddy Krueger, I guess. The assistant is OK though, and leaves for the rest of the film, presumably alive.
It turns out the guy is married to some crazy woman named Sophie (Maria Bello), whose hobbies include neglecting her children, an act she perfected on her daughter Rebecca (Teresa Palmer) — who’s now fully grown and resents her — and her son Martin (Gabriel Bateman). Sophie has a big house, despite having no job, but I guess her now-dead husband’s job at a mannequin factory paid the bills.
Martin is having trouble sleeping, because Sophie has an imaginary friend she talks to. Only the imaginary friend is an evil semi-ghost thing, so Sophie is only half-crazy. A few subplots later, Martin goes to live with his older sister, but the ghost thing follows them, and they have to face their fears.
Rebecca is supposedly irresponsible or something along those lines, living in some pigsty in the dumpy part of town, but her apartment looks really nice. I guess she’s got a bong and lives above a tattoo parlour, but her worst sin is shilling for Avenged Sevenfold in obvious product placement.
I liked the movie. It was alright — a few shades above mediocre. A solid six-and-a-half or seven out of 10.
There were no big surprises, but it was thoroughly entertaining. I did, however, think the kill count was pretty low. For an evil ghost thing, the Lights Out monster did relatively little damage. The ghost-thing initially had finger-knives, but I guess it decided throwing people against walls was a more effective form of killing — a theory that I can’t stand by.
If you see one movie this year, probably go see something else. But otherwise, I’d recommend it. Probably.
PS: When using the Coca-Cola Freestyle machine, use normal flavours. My vanilla-flavoured Coke tasted more like orange-flavouring. Now that was truly scary.
Calgary Folk Music Festival finds
Every year, something magical happens on an island in the middle of a river, in the middle of a city in Alberta. This happening is known as the Calgary Folk Music Festival. This was my first year attending and throughout the whole festival I was thinking to myself, “Why have I never done this before?”
Aside from being an overall amazing festival experience, it also was an opportunity to discover new (to me) musicians from across the genre. The following artists are some of my favourite finds from the festival.
Lemon Bucket Orkestra
My first exposure to the self-described “Balkan-klezmer-gypsy-party-punk-super-band” was under a tent on a Friday afternoon. Since then my life has been forever changed. The band, composed of more instruments and musicians than one could hope to list here, is what you musically want for any celebratory event — even if you didn’t know you wanted it. Lemon Bucket Orkestra mashes up traditional-sounding songs with modern sensibilities that will make anyone — including your prudish grandma — dance.
Foy Vance
Prior to Folk Fest, I had heard of Foy Vance and listened to some of his music, but didn’t really think much about him other than, “He has a pleasant voice.” But after seeing him perform alongside the Bros. Landreth and interact with the Dudes, Bobby Bare Jr., and Bry Webb, I realized just how wrong I was to overlook him. Vance naturally has an unassuming charisma that draws you in and makes you hang on to each blues-tinged note that comes from his mouth. While his recordings soften some of his edge, “Make It Rain” and “Upbeat Feelgood” are just as powerful on the record as they are on stage.
Cécile Doo-Kingué
I have always wanted to learn how to play the guitar; it’s on my ever-growing list of things to do, that somehow always gets beat out by Netflix. But upon hearing Cécile Doo-Kingué play I realized that I didn’t just want to play guitar — I wanted to become her. Listening to her play gave me goosebumps, even though it was at least 25 degrees outside. Doo-Kingué’s music feels very much of the present day, but also of a time when it was more important to play individual notes as opposed to chords. It also doesn’t hurt that her lower singing voice is a perfect mix of soul and the blues.
The Weber Brothers
When you Google the Weber Brothers, the first page that comes up is their own, boasting the title of “The Baddest Band in the Land.” This is really all you need to know about them: they are bad, but in the best sense of the word. There aren’t that many bands that can mix ‘70s-inspired rock with an upright bass and DJ, but they can. They are everything you want from a band: beautifully produced studio work, and a live show that is just as much about musical talent as it is about the performance itself. The interactions between the band members were truly spectacular to behold — especially when Ryan Weber and Rico Browne played one upright bass at the same time following a friendly bass-playing competition.
Moulettes
Any band that has a song inspired by sea creatures is cool by me. Even if they sucked, I would still respect Moulettes just based on that fact. Lucky for me though — and everyone else present — they don’t. While they are folk-y, it is in the vein of Of Monsters and Men, but bigger, badder, less pop-y, and more Björk-y. Their latest album is titled Preternatural, and it truly encompasses what their sound is. It is beyond what we think music should be yet, much like a mythical creature residing in the deepest parts of the ocean, there is enough believability in their music that it stands up to scrutiny — even if there are people who aren’t fully convinced by it.
Want to actually hear these musicians? Follow thepeaksfu on Spotify and look for the Calgary Folk Fest 2016 Highlights playlist. There may also be some bonus bands thrown in just to capture the magic of the island.
SFU rapper making waves in Vancouver’s hip-hop scene
Vancouver’s music scene is diverse and ever-expanding, but for artist King H, he hopes the Lower Mainland will one day be known for more than Michael Bublé, Carly Rae Jepsen, and Nickelback.
“The music scene in Vancouver is cool, but [it] doesn’t have a dope rapper,” King H told The Peak. “I hope to make people more aware of Vancouver beyond what we are already known for.”
With a passion for music, a desire for greatness, and a strong work ethic, King H started to really take his music seriously two years ago. While listening to Kanye West or Eminem, he would rap over the songs with his own lyrics. Unlike most artists, however, King H would never write anything down; instead, he would keep performing and listening to the beats until something clicked. “It would all be freestyle and creativity. It feels like my body has a mind of its own [. . .] everything comes out perfect, without feeling like it’s forced,” he said.
This passion pushed King H to meet new people and collaborate with other artists, many of whom are featured on his new EP Switch Up, released on July 29. As music began to take on a more prominent part of his life, he pushed himself to the limits, balancing classes and work to make music. When asked how he was able to balance everything, he responded, “I see how hard my brother, my producers, and other artists are working to help me, and it makes me want to work harder.”
King H’s positive attitude makes his work seem effortless, but it wasn’t always this easy. Two months ago, a car accident left him with constant back pain, and he was unable to stand for a long time. “I couldn’t record standing up because I would be in so much pain, and the medication I was taking would leave me with dry mouth [. . .] I got to this point where I couldn’t do my music.”
But despite this adversity, King H took this as an opportunity to “switch up” his life — hence the title of his new EP. Instead of sitting around and feeling bad about himself, King H would wake up early to go to physio, water therapy, or anything that would help him feel good enough to record in the studio. This incident helped King H develop his patience, and showed him how important it was to switch up whatever life throws at us from negative to positive.
“This is what Switch Up is all about,” King H said. “The accident was super shitty, but I needed to find the positives: was I going to lie on my bed, or make myself feel better?”
This resilience is evident in the five-track EP. With contagious beats and strong lyrics, King H shows both his lyricism as well as his keen ear for rhythm. The songs all have stories tied to them; for example, his first track “Intro” is a tribute to his start in music, and how in the music business, not everyone is your friend. His lyrics are very raw and real in his songs “You Need” and “The One,” challenging people’s perceptions of making it big and what it truly means to be a rapper or artist.
Aside from his own hard work, he is thankful for his “non-Yes Men”: 40K, Malikai Motion, Kane Dabir, Samy T, TiV Productions, and TJ, all of whom played a major role in the release of Switch Up. “These are the ones that kept me searching,” King H said. “They wouldn’t tell me that something is good so that they wouldn’t hurt my feelings [. . .] they were real and honest with me, and helped me to dig deeper.”
Ultimately for King H, music is his outlet and something that he hopes to be doing for the rest of his life. With his current studies in business and communication at SFU, he hopes not only to be a great artist and rapper, but to also have business smarts and the ability to market his product confidently. Most importantly, he wants to make a name for himself and bring about a new wave of music, instead of just being known as a new Eminem or Kanye West. “If I want to do music, I’m going to do it seriously and not half-ass it.”
With his confidence and drive, King H is one to watch in pioneering Vancouver’s up-and-coming hip-hop scene.
