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The Luddite Land Assembly weaves together craft, land, and music

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PHOTO: Quang Nguyen Vinh / Pexels

By: Ashima Shukla, Staff Writer

In the age of instant everything, what if creativity could slow the world down? This is the ethos behind the Luddite Land Assembly, taking place from November 8 to 9 at The Roundhouse. This multidisciplinary slow art and music experience is part of the internationally celebrated 2025 Modulus Festival, inviting participants to connect deeply with land, culture, and creativity by partaking in two days of social gatherings and performances. Curated by Barbara Adler, an interdisciplinary artist, SFU alum, and artistic director of The Only Animal. The Only Animal is an interdisciplinary arts company that places artists at the centre of the ongoing climate crisis. Adler’s curation draws inspiration from the “Luddites,” textile workers who resisted the automation of their craft during the Industrial Revolution

Keeping this spirit of resistance alive through craft, visitors can join several hands-on sessions exploring natural dyeing techniques on November 8. These sessions allow participants to come together and slow down in transforming fabrics using plant-based materials as they listen to live personal stories of artists and recorded sound. The goal?

Over the two days, participants will learn how to co-create a large plant-dyed textile while learning to dye, eco-print, and embroider.

The natural dyeing process reveals hidden prints by artist Keely O’Brien, while the facilitators share stories of land, memory, and care. In the first session, Daphne Woo, once part of the fast-fashion world as a garment developer for 20 years, reflects on her transition to a mindful relationship with natural materials. Through logwood, she explores the legacy of her family as a second-generation Chinese settler. Session 2 is led by Rita Point Kompst, a xʷmәθkʷәy̓әm Elder and artist, teaching audiences to use mushrooms for natural dyeing while she narrates her experiences of healing through weaving with cedar and wool. Bernarda, founder of The Batik Library, leads the next session using marigolds, sharing stories to raise awareness of Indonesian culture and traditional Batik making techniques. Finally, Valérie d. Walker, a “Indigo Griot,” concludes the day with stories from her “decades-long collaborations with bio-fermented indigo vats,” teaching simple shibori techniques. 

On Sunday, November 9 at 7:30 p.m., the event culminates in the Luddite Land Assembly Concert, presented by Music on Main, programmers of classical and contemporary music who aim to reshape the concert experience by connecting musicians and audiences in a more intimate way. As you listen to Tsimka and Michael Red, whose collaborations merge the Tla-o-qui-aht ƛaʔuukʷiʔatḥ language with field recordings from Tsimka’s home, you are invited to stitch together the various dyed textiles into one. Joining them is Caley Watts, a Cree singer-songwriter whose folk and roots music traces the movements of rivers and the cadence of mountains. Her songs draw from the rhythms of the forest, bringing the weekend’s theme full circle: art, like nature, thrives with attention and reciprocity.

Together, these sessions and performances invite the audience to slow down and create with intention. Tickets are from $10 for the dyeing sessions, and $25 for the concert. Come dye, stitch, listen, and co-create. This is a public sphere that comes alive with care. 

 

Men’s washroom etiquette 101

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ILLUSTRATION: Olivia Blackmore / The Peak

By: Akashdeep Dhaliwal, SFU Student

So here’s when it all started. In September of my first year, I walked into an SFU men’s washroom for the very first time. As I was walking towards the only available urinal, I saw him. There he was, standing entirely too far back from the loo, showcasing his spout for the whole world to see. This was the only time I saw a tinkle-time trickshotter in action. For what he lacked in public decency, he made up in range. Though I’ve only seen such an event once, there’s plenty of evidence on the floor that suggests that these creatures are still out there. 

What you’ll see more often nowadays are the urinal doomscrollers, the fellas who think swiping their feed is more important than keeping their pants up. My question is, are they not aware of how low their pants are sagging, or are they that proud of wearing horizontally-striped boxers? Furthermore, how are they so comfortable with having a camera pointed towards their crotch? How many people have they disappointed?

In most cases, I am a safe distance away from these disappointments. What really made me stop drinking liquids on campus was the grunters. These vocal pups will stand right beside you and will let out an aggressive moan when the process begins. Fellas, is it that difficult to lay off the Redbulls and take a sip of water? The worst is the violent arm jerk at the end, because why stop at noise? Logically, I know that they’re just being aggressive with the wiggle technique to get rid of the last drippy-drips, but from the corner of my eye, it looks . . . extremely suspicious.

The last part of horrendous washroom behaviour I’ve observed isn’t any better. You’d think that after all their crimes, redemption could be found at the sink. But you’d be wrong. Did you know that there’s a good chunk of men out there who don’t use soap after taking a leak? Imagine my surprise when I saw these soapless clowns rinsing their hands using nothing but water and friction. Why stop there? Some will just avoid eye contact with the sink entirely, hide their faces so the other guys don’t see them, and bolt out of the bathroom.

Is there any hope for more socially acceptable practices in the men’s washroom? Well, if a pandemic and nearly two decades of living haven’t taught some of us about sanitization and social cues, I doubt it. Regardless, if you want to survive, you can do what I do: switch from handshakes to fistbumps, keep a whole, full-size bottle of sanitizer in your bag, and let others open doors for you. Good luck!

Dear Peakie calls on Santa’s elves to unite against corporate greed

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PHOTOS: Courtesy of @susanboylemusic / Instagram; Adolfo Félix / Unsplash; and Audrey Safikhani / The Peak

By: Ashima Shukla, Staff Writer and Mason Mattu, Humour Editor

Dear Peakie, 

Where have you been?? We haven’t seen you since, like, February? It seems as though you got replaced by a Beedie Bro advice column? How can I be as irrelevant as you are? 

Thanks,

Not a Beedie Bro 

 

Dear Not a Beedie Bro, 

You say I’m irrelevant, but you found me, didn’t you? That’s right. Obscurity marketing, baby. You can’t cancel what refuses to trend! Mr. Beedie Bro isn’t the only one with Machiavellian strategies up his sleeve. 

As for where I’ve been? I was this close to finding the mass line and starting a revolution in ECON 222: Intro to Game Theory by suggesting billionaires shouldn’t exist. But, alas, that wasn’t the “game” they meant. Escorted out by the invisible hand of the market, I’ve been stuck in a version of The Matrix where ChatGPT transforms into the oracle and the red pill costs $54,821 a year (aka studenthood at SFU). But if irrelevance is your dream, take a self-funded sabbatical to study the spiritual meaning of unread emails. RSVP to everything, attend nothing. Bed rot to new levels. As the Buddha probably said, suffering is mandatory but participation is optional.

Already forgotten you, 

Peakie 

 

Dear Peakie, 

My boyfriend put up Christmas decorations while I was sleeping. There’s tinsel on my toothbrush holder, a mistletoe above our pillows, and garland covering every corner of my home. He did this all in ONE NIGHT.  The worst part is, he wants me to dress up as Mrs. Claus tonight . . . WHY? Should I say something about how uncomfortable I feel, or just admit that Mr. Christmas Fever is the best I can do? 

Getting Peakie with it, 

Not Putting Up With This Excessive Christmas Vibe

 

Dear Not Putting Up With This Excessive Christmas Vibe, 

Ah, you find yourself in the classic Boyfriend-Industrial Complex. When men run out of emotional depth, they compensate with aesthetic lighting. Sounds like you’re dating the front-runner for the next SFU Performative Male Contest — the kind of man who tweets infographics about emotional intelligence, but cries when you ask him to recycle. Tell him to take down the garland, or start invoicing him for emotional labour per ornament. If he insists on being Mr. Christmas, demand benefits: a year’s supply of ethically sourced hot cocoa and guaranteed equal-pay for each gift you wrap for his family. The possibilities are endless. And if he refuses? Unionize, darling. Mrs. Claus is filing a grievance this Christmas. 

In solidarity, 

Peakie 

 

Dear Peakie,

I recently saw Susan Boyle rocking a new blonde hairdo. Iconic. However, a few days later, my own hair started turning blonde. I’m kind of confused . . . is this how fandom works now? Will I turn into an apology letter after seeing Céline Dion on my FYP? Any advice on how to reverse this celebrity osmosis? Am I just an iconic blonde diva now?

Thanks, 

Susan Boyle’s Fan Club President 

 

Dear Susan Boyle’s Fan Club President, 

Relax! You’re not turning into Susan Boyle. You’re just becoming content! Welcome to late capitalism, babe. Today it’s your reflection in the mirror, tomorrow it’s a monetized identity crisis. That’s how admiration slips into metaphysical imitation. Soon, your hair will sing power ballads in Safeway, and you’ll post unprompted get-ready-with-me’s. Lean in. Auto-tune your mid-morning cries and drop the remix. Outsell Bad Bunny. Break down AND break charts. 

Be the better Susan Boyle, 

Peakie 

 

Student organizations hold strike for Palestine at SFU

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The back of two students’ shirts say, “never again for anyone.” One student is wearing a keffiyeh on their head, while a Palestinian flag and other posters are laid out on concrete steps in Main Mall.
PHOTO: Elliott Marquis / The Peak

By: Lucaiah Smith-Miodownik, News Writer

On October 23, chants echoed across convocation mall as SFU community members gathered for a campus strike in solidarity with Palestine. Organized by the climate justice organization SFU350 and the anti-Zionist group Independent Jewish Voices (IJV) SFU, the event featured several speakers and was inspired by similar protests at Belgian universities. The Peak attended the strike for more information. 

“You may be wondering how a group dedicated to the climate is co-hosting this protest,” said an SFU350 member addressing the crowd. “Well, that is because climate justice is Palestinian liberation.” 

In May, The Guardian reported that the carbon footprint from Israel’s genocide “will be greater than the annual planet-warming emissions of a hundred individual countries, exacerbating the global climate emergency on top of the huge civilian death toll.” Despite the most recent ceasefire between Israel and Hamas that came into effect on October 10, reports have revealed that airstrikes and violence continue in Gaza.

Since as early as the TSSU’s referendum in 2017, community members have been demanding divestment from “all war contractors complicit in the occupation of Palestine,” which includes Booz Allen Hamilton, BAE Systems, and CAE Incorporated. In a joint Instagram post, SFU350 and IJV SFU also stated that the school must “include arms producers and military services as going against SFU’s Responsible Investment Policy.” 

This call for divestment was one of four recent demands presented by SFU350 and IJV SFU. The second demand is ending “all partnerships with Israeli institutions and universities.” Currently, SFU is listed as a partner of Tel Aviv University, Israel’s largest university. SFU is also listed as having collaborated with the Israel Institute of Technology, also known as Technion, within the last five years. In a statement to The Peak, SFU said, “In response to these requests, we are working to review and revise our Responsible Investment Policy.”

“The third demand,” an SFU350 member said at the strike, “is for SFU to sign the Apartheid Free Community BC pledge, just as the City of Burnaby has done two months ago.” The final demand called upon SFU to “protect the students from anti-Palestinian racism, anti-Arab racism, Islamophobia, and antisemitism on this campus.”

SFU stated that they received the list of demands from SFU350 on October 28, and that they would be “discussed by the executive team and appropriate offices.” SFU said, “To be clear, Islamophobia, anti-Palestinian, anti-Arab, antisemitism, racism, and hate of any kind have no place at SFU. The university and its leadership are deeply committed to creating a diverse, equitable, and inclusive community where all feel welcome, accepted and valued.” They pointed to Campus Public Safety and the Bullying and Harassment Central Hub as resources for community members.

After hearing from SFU350, Gerardo Otero, professor emeritus at the School for International Studies, spoke to those in attendance. “Let me be unequivocally clear,” he stated, “this solidarity is not antisemitism.

“Our call for peace and justice is rooted in universal principles of human rights, and it is a call that includes and honours many Jewish voices who stand with us,” he added.

“This moral clarity must be translated into action right here at home.” 

 — Gerardo Otero, professor emeritus, School for International Studies

Otero spoke about a motion passed by SFU’s Faculty Association in June of last year, calling on the university to take similar action regarding divestment and support. One section specifically urges SFU to “work with partners to actively support Palestinian universities and the Palestinian educational sector more broadly through inter-institutional cooperation, including virtual instruction, exchanges, library sharing, and infrastructural support.” IJV SFU member Dina noted in her own speech, however, that “there are no universities left in Gaza.”

Every speaker at the strike concluded by expressing that SFU must take action to relinquish its role in enabling genocide.

“We are here to insist that our campus must remain a space for courageous conversation, for solidarity with the oppressed, and for the unwavering pursuit of justice, even when, especially when it is uncomfortable for the powerful,” Otero said.

Free menstrual products coming to SFU washrooms by the end of 2025

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Several tampons and pads are laid out against a black background.
PHOTO: Victoria Lo / The Peak

By: Heidi Kwok, Staff Writer

A new program to provide free menstrual products will soon launch across all SFU campuses. On the Burnaby campus, dispensers containing both pads and tampons will be installed in 60 high-traffic, gender neutral, and women’s washrooms. A similar rollout is planned for the Surrey campus, targeting 10 to 12 washrooms, and for Vancouver, where existing dispensers will be revamped. 

The Peak interviewed Krystal Ness, the associate director for buildings and grounds at SFU Facilities, who said the program will be implemented before the end of the year. Ness added that they secured “funding approval for at least the next three years” from the university’s dedicated operational budget

According to Ness, in March, the SFU Equity, Diversity, and Inclusion Office formed a menstrual equity working group after Simon Fraser Student Society representatives and departmental groups, including SFU Physics IDEA, raised concerns about the lack of menstrual products on campus. Since then, the office’s working group has been assessing the needs of a free menstrual product program, after which the responsibility of the initiative was transferred to Facilities. 

Around the beginning of the COVID-19 pandemic, Facilities audited all 400 washrooms on the Burnaby campus to identify the most accessible and high-traffic locations, ultimately selecting 60 washrooms that met their criteria. Previously, menstrual supplies were only available at the Out on Campus lounge and the Women’s Centre. When asked why existing dispensers had remained empty for more than three years, Ness attributed the reason to aging units that no longer functioned properly. Since the machines required a quarter, “We were finding that they were being broken into and emptied and the money being taken,” Ness said. 

Washrooms containing these units were also not accessible or located in high-traffic areas. “The new units make it very clear that these are free, and they have time delays on them so that you can only get one product every 30 seconds,” said Ness. “These new dispensers are easy to use, [with] large push buttons. Users with any kind of limited mobility or dexterity should still be able to utilize these when needed.”

Facilities is exploring the option of adding a feature on the SFU Snap application that will allow users to filter washrooms offering menstrual products. Facilities is also conducting a cost analysis based on how often the dispensers will need to be restocked. The entire procurement process from purchase to delivery and installation is expected to take approximately five weeks. 

In an ending remark, Ness expressed her gratitude for everyone who was involved:

“I really want to congratulate the student body on raising this concern and calling the university to action. They did it in a really collaborative and supportive way.”

 — Krystal Ness, associate director, buildings and grounds at SFU facilities

She added, “I think this is an amazing program we’ll be rolling out for everybody who visits our campus, and it’s a really nice step forward for the campuses.”

SFU students struggle to pay tuition due to BC public workers’ strike

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A student touches his head in frustration while looking at a computer at a desk.
PHOTO: Tim Gouw / Unsplash

By: Niveja Assalaarachchi, News Writer

The BC General Employees Union (BCGEU), which represents over 95,000 workers in the province, began strike action in early September over wage and job condition disputes. Since then, mediation efforts between the provincial government and the union have repeatedly stalled, leaving more than 25,000 workers on job actionand students — in limbo. As of October 26, the BCGEU has reached a tentative agreement with the provincial government, leading to the end of the strike

The strike impacted several government services, including StudentAidBC, which became inaccessible to students across the province. Many expressed concerns about their inability to pay tuition, housing, and other living expenses. 

In early October, Reddit users posted to the r/simonfraser subreddit detailing their difficulties getting their tuition paid through StudentAidBC. The Peak spoke with Alexandria Rocher-Light, a resource environmental management major affected by the strike. 

Rocher-Light explained that she recently moved from another province and was building her residency application when the semester started. However, due to the strike, she was unable to access the student aid portal properly and described the situation as very frustrating. 

Rocher-Light said that communication with StudentAidBC was poor. When she called the agency, the operators informed her of the strike, but didn’t provide concrete steps to help students like her. 

“It’s been really stressful trying to deal with finances and manage school at the same time. I am grateful that I have a low-interest credit card, so it’s not the worst,” she said. “I can get by, I just don’t know how anyone else in my situation would deal with this.” At the time of the interview, Rocher-Light stated that she had not yet reached out to the university regarding the strike, but planned to do so in the near future.

Rocher-Light called on SFU and the province to be mindful of unexpected situations like this for the future: “There’s not a whole lot that can be done by anyone but the institution.”

The provincial government claimed that most post-secondary students in BC have received their funding for the semester, with nearly 50,000 applications being processed as of now. In a statement to The Peak, SFU said they “waived the late fees for the small number of students that we knew were waiting for student loans in October.” SFU also said that they “processed a few emergency loans for students in unique situations.” 

Embark Sustainability expresses solidarity with the Global Sumud Flotilla

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Greta Thunberg speaks among a close crowd of reporters and people holding up Palestinian flags. In the background, the ocean and a couple of boats are pictured, implying that this photo was taken sometime during the flotilla’s journey.
PHOTO: Brahim Guedich / Wikimedia Commons

By: Niveja Assalaarachchi, News Writer

On October 7, Embark Sustainability released a statement of solidarity for the Global Sumud Flotilla, a civilian-led convoy of activists from 47 countries aiming to provide humanitarian aid to Gaza. The flotilla is the largest of its kind in history and seeks to “break Israel’s illegal siege.”

Embark is a non-profit organization that operates at SFU, advocating for food justice and climate equity. The Peak corresponded with the organization to learn more about their support for the flotilla.

Embark’s director of development, Serena Bains, wrote that the flotilla’s goals align with the organization, as Embark’s vision “is a just, equitable, and sustainable future for all.” They also stated that given the organization “operates within a colonial institution,” it has a responsibility to empower all Indigenous Peoples, including Palestinians, through non-colonial activism.

According to the BBC, the United Nations estimated in August that a quarter of Palestinians were facing famine, and one in five households in the territory were facing “an extreme shortage in their consumption of food.” Advocates argue that the situation in Gaza comes as a result of Israel systemically destroying the strip’s food networks

Effective October 10, a ceasefire agreement was agreed to provisionally by both Israel and Hamas. Though the ceasefire has allowed previously inaccessible aid to trickle into the territory slowly, there have been violations of the ceasefire.

Embark’s director of engagement, Marie Haddad, said, “The global flotilla’s mission embodies food justice in action. At Embark, we understand food justice as a collective effort to dismantle barriers to equitable food access while affirming communities’ rights to control their own food systems, and to access culturally relevant, affordable, and sustainable food.”

Haddad pointed out the fragility of the ceasefire as a reason why the flotilla’s work is essential. “While a ceasefire is critical, Israel has repeatedly violated several of these ceasefires, including several this month,” she said. “This makes the work of the flotilla, statements of solidarity, and collective actions like protest continue to be important.” These actions “accumulate pressure to enable those in power to take action to stop this genocide,” she continued. 

Bains condemned the university’s links to the Israeli state and called on it to divest from organizations that have contributed to the genocide. They alleged that the university was “complicit in the surveillance and the suppression of those who speak in favour of the liberation of Palestinians.” They continued, “Universities do not have a crisis of conscious, there is no number of Palestinians murdered during this genocide that will convince them to take action.”

Haddad also encouraged other student organizations at SFU to take a public stance on the genocide in Gaza and groups like the flotilla.

“Solidarity is not symbolic — it is an active refusal of oppression.”

 — Marie Haddad, director of engagement at Embark Sustainability

 

We must acknowledge the Afro roots of Latin music

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a group of musicians performing latin music.
PHOTO: Roberto Silva / Unsplash

By: Ashima Shukla, Staff Writer  

I remember the first time João Gilberto’s voice filled my room. It was soft, unhurried, a secret being told in half-light. “Chega de Saudade” flowed as simply as breath. What I didn’t know yet was that this serene sound, often celebrated as the birth of bossa nova, carried with it older rhythms: the pulse of samba de roda from Bahia, and Candomblé chants where enslaved individuals came together to create art. Before bossa nova’s subtle harmonies reached Rio’s middle-class apartments, its spirit already lived in the percussive heartbeats of those at the margins. 

This history reminds us that Latin and Afro-diasporic music have never been just entertainment; it is also a site of struggle between cultural erasure and reclamation. The story of bossa nova, and later of reggaeton, reveals a continuous cycle in which the voices of the marginalized are reinterpreted for mass consumption. Only to be reclaimed again by artists who remember where these rhythms came from.

Gilberto’s sound, though beautiful, contributed to the softening of samba’s communal energy into something more introspective and urbane. Several cultural critics have called this a process of “whitening,” sanitizing the ongoing inequalities from which this music emerged for Brazil’s white, middle-class audiences in the 1950s. And its ascent was clearly tied to the machinery of the music industry itself, where radios, record labels, and elite patrons determined which voices would represent Brazil to the world. 

Yet hegemony always breeds contestation. By the late 1960s, artists such as Gilberto Gil and Caetano Veloso reinfused Brazilian popular music with rebellion. Through tropicália, they consistently credited the Afro-Brazilian and folk roots of their music, using their influence to amplify marginalized traditions within national and global contexts. Their music became an act of resistance — where the polished surface of this culture was cracked open to reveal its spiritual and social ancestry that bossa nova had polished away. 

We are witnessing similar tensions today, as Latin music increasingly shapes global pop. The reggaeton you are familiar with is far removed from its Afro-diasporic crosscurrents: of Panamanian reggae en español echoing Jamaican dancehall, later fused with Puerto Rican hip-hop in the barrios of San Juan. However, as the genre has globalized, its imagery and sound tend to gravitate toward lighter-skinned, non-Black performers, like J Balvin and Maluma. Meanwhile, Afro-Latinx pioneers like DJ Playero, Tego Calderón, and Amara La Negra, who foreground Afro-diasporic identity in their work, receive far less attention and recognition globally. Again, this imbalance reflects a music industry that continues to be structured by colonial patterns of extraction and profit. The glossy videos and festival aesthetics sold to global audiences mask the reality that the neighbourhoods birthing these sounds remain sites of systemic neglect and racialized inequality

To love Latin music, then, is not just to move with its rhythms in our dance clubs but to honour its deep roots of rebellion.

As listeners, we can choose to feed an industry that packages culture as spectacle, or we can seek artists who keep the lineage alive. Like Luedji Luna, who not only celebrates Candomblé as part of her music and identity but also founded Palavra Preta, a movement aimed at bringing together Black women composers and poets across Brazil. Or iLe, who was an active voice in Puerto Rico’s resistance against its corrupt administration. Or Renata Flores pushing back against underrepresentation by singing in Quechua

These artists remind us that Latin music’s future does not lie in the algorithmic pursuit of virality, but in the deliberate act of honouring the people and places, and all their complexities, from which these irresistible rhythms are born. We must challenge the industry’s appetite for aestheticizing suffering. Because our playlists are political, and each stream is a choice to either sustain erasure or amplify the voices that kept these rhythms alive.

Creativity is the ultimate (monster) mash

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a kid dressed as a ghost, with a white sheet covering their body. They’re standing in a kitchen. With decorative pumpkins around the kitchen.
PHOTO: Olga Simonova / Unsplash

By: Noeka Nimmervoll, Staff Writer

Halloween just happened, and thank god! I was getting tired of pretending to be a human. Just kidding — but there is something to be said about the creative freedom that Halloween provides. The holiday’s embrace of creativity is evident through its encouragement of costumes, decorations, and spooky events. Through it, we can see that “everyone can be creative.” It’s a fun, limitless holiday. For a few hours, you can be anything you want to be! I’m sorry, what did you say? You’ve shown up to school in a real boat with a cutout, filled with stuffed animals? Your costume was Noah’s Ark? Awesome. It was fun to see!  

Expressing yourself is easy on Halloween. The festivities of the holiday make space for us to showcase our creativity without judgment. In fact, the bolder, the better! Halloween is the one time a year when you can wear that exceptionally strange purple striped suit in the back of your closet down the street without anyone batting an eye. No matter how ridiculous your costume is, you’re bound to get more admirers than judges, as long as you commit to the bit. It’s never overdressing if it’s for Halloween. Let your inner monster loose!

Beyond that, we can all work with the theme: spooky scary hilarity. Contrary to popular belief, having a focus is a great way to bolster creativity. Halloween provides a ground to work on, from which you can be inventive with your costume! There are a million and one directions to take Halloween, but you always have the Halloween presence in mind as a starting point — you know you will be around fog and skeletons at some point in the night. If you have no original ideas, you can turn to a basic one and make it your own: a witch costume can be just as good as an original costume idea if you dress it up right. 

I feel a little bitter when I think about the fact that I’m no longer cute enough to dress up and ask strangers for free candy. However, there are consolations. You get to express a part of yourself to the world that isn’t always easy to show in everyday life. You can show off your clown makeup. You can carve a brilliant jack-o’-lantern. You can throw a ghoul-themed party. There is much less that you can’t do than what you can do during this holiday, and isn’t that what creativity is all about?

The SFSS’ proposed financial restriction bylaws are not clear enough

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a photo of the SFSS’s admin office on the third floor of the Student Union Building on the Burnaby campus. The photo is taken from the outside of the office, from the hallway. The hallway is empty of people.
PHOTO: Audrey Safikhani / The Peak

By: Corbett Gildersleve, Project Assistant

The Simon Fraser Student Society (SFSS) held its annual general meeting on October 29, where undergrads discussed and voted on two bylaw proposals put forth by the SFSS. Both proposals passed, including the “Financial Responsibility and Investment Restrictions” bylaw, which aims to restrict investments for “long-term financial sustainability.” It has some good ideas overall, but the wording for certain clauses will cause problems. 

Bylaws define things like who the members and directors are, and what powers they have. Changes to bylaws can only be approved by members either through a referendum or at a general meeting. Non-profits like the SFSS also have policies, which are rules that Council can change on their own. They are used to guide the organization, and the SFSS has numerous policy documents that help set rules around its finances, member services, student issues and other day-to-day operations. 

The SFSS has a history of turning large budget deficits into a surplus by the end of the year, as shown by the audited financial statements. For instance, in 2017, the SFSS sold The Highland Pub and MBC cafeteria space back to SFU. In other years, there was underspending, especially between 2020 and 2022. It’s only been in the last few years that the final audit has been financially concerning. So, it’s no surprise the Council has recommended placing some restrictions on budget deficits. 

One clause says, “The Society shall not approve an annual operating budget that projects an operational deficit exceeding 20% of the Society’s projected annual revenue.” On the surface, it’s a good thing to put a constraint on how much of a deficit the Council can approve. The issue is that it refers to “annual revenue,” which is an ambiguous term. Annual revenue includes the General Fund, Build SFU Fund, Space Expansion Fund, and the Health Plan Fund. In the 2023–24 fiscal year, annual revenue totalled over $16 million. A 20% deficit would be over $3 million, which is significantly larger than any of the past operating budget deficits. I assume the SFSS meant 20% of their projected operating budget, which would be around $3 million according to their 2025–26 budget. A 20% deficit buffer would be around $600,000, which isn’t much different than most of SFSS’ projected operational budget deficits historically. 

Another concern is what happens if the Council approves a budget deficit that exceeds 20%? Clause 3b says, “Any deficit exceeding this limit must require approval by two-thirds of Council and ratification by the membership at the next general meeting.” This can be interpreted in two ways: either that two-thirds of Council members approve the new budget in the summer term, and in the fall, members approve it at the AGM, or that two-thirds of Council and the regular membership have to approve it at the AGM. The SFSS doesn’t have the best track record of reaching quorum at its AGMs, with only five in the last 10 years reaching quorum. Last year’s is being challenged at the Civil Resolution Tribunal. If Council approves a budget similar to this year’s but the AGM doesn’t reach quorum, would the SFSS be breaking its bylaws? If so, what kind of legal liability would they be in?

Another clause says, “The Society shall maintain fiscal practices that prioritize student activities, ensuring that costs allocated to student union funding, club funding, constituency group activities, and Council committees constitute at least 30% of revenue in the Operational Fund budget.” This is a good thing to prioritize funds towards. I have a few questions, though, like what is the Operational Fund? The SFSS’ audited financial statements have a General Fund and the SFSS has an operating budget, but those two things don’t completely match. 

To be technical (the best kind of picky), almost anything the SFSS does would be considered operations, including costs for the SUB, buying furniture for student union common rooms, and wages for student-facing staff. So, if the Operating Fund continues to be at $16 million, 30% of that would be just under $5 million. Will they start putting that towards “student union funding, club funding, constituency group activities, and council committees?” I don’t think so, because much of that revenue has to be spent on specific things like the health plan, the SUB, and other areas.

However, again, if by operating fund they meant operating budget, which is around $3 million, 30% of that is $900,000. Looking at the 2025–26 operating budget and totaling up the student union and club funding, constituency group activities, and council committees, that works out to be around $1,422,147 assuming you’re not counting staff costs. If you are, then it’s well over the $900,000 mark. It’s hard to tell now because the SFSS moved a bunch of staff costs into one Human Resources line. Not very clear or transparent. 

Finally, clause 7 says, “Council shall seek to maintain diversified revenue streams such that no more than 85% of total annual revenue derives from mandatory student fees.” Because it says total revenue, again, we’re talking $16 million. How much is 15%? Just under $3 million. Good luck, future Council members. Or not, because it says, “Council shall seek to maintain diversified revenue streams,” and that’s not enforceable by the members. Council can just say “Oh, we tried, but couldn’t quite maintain it.” 

When it comes to bylaws and money, it needs to be crystal clear or else the Society is inviting legal challenges from its members. Many of these clauses are more likely to be found in a strategic plan or policy. Other questions are: Where did these numbers come from? Why 85% of mandatory fees? Currently, almost all SFSS revenue comes from mandatory student fees. Is this even achievable and if so, where’s the report from senior staff with a plan? Since these bylaws have been passed, they will significantly restructure the SFSS and I’m concerned that there’s no plan in place.