By: Saije Rusimovici, Staff Writer
In the midst of a global pandemic, climate change, and economic instability, What Are Our Supports? provides a unique look at the ways artwork can inspire human connection. The anthology, which was published on January 21, recognizes how support structures offer a sense of solidarity and togetherness through difficult times. Over 20 contributing artists bring attention to social issues: racial injustice, the Vancouver housing crisis, and the climate crisis through local projects designed to invoke a sense of community. Through artists initiatives such as public art installations, commissioned poems, and essays, What Are Our Supports? explores the need for social connection now more than ever before.
The book features art installations from What Are Our Supports? curated by Low in partnership with Or Gallery and Richmond Art Gallery. The project, which occurred during 2018, was “a series of artists’ projects in public space exploring the supports that bear, create and sustain contexts for artistic production, communities, and collective space.” This book expands on the project to demonstrate how the sensory experience of art can guide us through uncertain times.
Co-editor Joni Low draws attention to the project H&M: Home Made Home Boothy, created by contributor Germaine Koh. The boothy is an adaptable structure that could either be used as an object or container for several purposes, from an artist’s tool to alternative housing. Koh refers to the container as a threshold between object and building, allowing users to create the spaces they need. Working to open up conversation to address housing needs in unaffordable Vancouver, Koh considers these forms of mutual care necessary for the good of the community, brought to life by artists. For this reason, Koh urges for the recognition of artists as essential workers.
“The twin crises of the pandemic and racialized violence have highlighted urgent need to cultivate practices of care in our daily lives, from recognizing the indispensable caregiving provided by essential workers, to the rising call of the BLM movement,” Koh quotes British curator Yesomi Umolu, author of The Land Grant: Forest Law.
Another piece that stood out in the book was the art installation, un/settled. It’s a tribute to Breonna Taylor and Black womanhood, featuring the portraiture by Chantal Gibson accompanied by a poem written by SFU’s 2020 writer in residence Otoniya J. Okot Bitek. The depiction of a Black woman clutching an armful of braids, In Lieu of Flowers (for Breonna), celebrates Black creativity during a time of ongoing systemic violence against people of colour. According to SFU News, having this art piece positioned in the windows of the Belzberg Library at SFU’s Vancouver campus in 2021 was meant to engage the local community in a meaningful way in the midst of the COVID-19 pandemic.
Low said that when it comes to activism, there is not necessarily a “nuts and bolts, how to, or policy manual of answers.” According to Low, the drive for social change begins with our senses. Art allows us to “tune in,” using our intuition to figure out what issues are important to us, then move to take action. We must integrate this sensorial agency into everyday practice as a guide to determine what is important to us, and how to support.
What Are Our Supports? is a beautiful compilation of stories told through different modalities of art. Art inspires not only a shared connection to humanity, but opens our eyes, minds, and hearts to our community.
Order What Are Our Supports here.
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