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Christmas in July

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A man eating a waffle with a ghost besides him.
ILLUSTRATION: Yan Ting Leung / The Peak

By: Yasmin Hassan, Staff Writer

In the winter of 2012, in a small elementary school in Burnaby, hallways are lined with handmade Christmas decorations, snowflakes, elves, Santa hats, Christmas trees, and multi-coloured lights on a string. It’s a cold December morning, with the dew outside frozen over the forest’s grass and snow piling up on the outskirts of sidewalks. The classrooms are empty, hallways too, for all the kids and staff are packed into the school gymnasium for the long awaited Santa Breakfast. When I looked at the calendar for the school year, this breakfast was something I made note of from the get go, something I could look forward to — as if second grade was getting me down. Sitting shoulder-to-shoulder with my friends and classmates, eating breakfast foods that, to me, were uncommon, and listening to Christmas music, I watched as the staff entertained us with the principal dressing as old Saint Nick

As much as I idealized this image of the Santa Breakfast in my head, I was almost always disappointed with my reality of it. For all my time spent at this school I was often let down with what fell on my plate. As I lined up to get my pick of goods from the tireless volunteering parents, I paid close attention to what my classmates got. Their plates had two little sausages, strips of crisped bacon, thick fluffy pancakes layered with syrup and a melting dollop of butter. If we got lucky, we’d get a muffin and hot chocolate with marshmallows. I gazed upon the spread with awe and excitement, wanting to propel myself through the line, even though I knew that would definitely land me on Santa’s naughty list! Still, I waited patiently for my turn as the line would wind up and down the gym, fidgeting with my plate as I eyed my friends in front of me. 

When it was my turn, after what felt like ages, I was left with a desolate array of choices. First of all, I couldn’t have any of the protein. My dad is Muslim, so, naturally I grew up not eating pork, and I stood by that promise of never eating it intentionally (even to this day). My breakfast at home usually consisted of ful, eggs, kasha, and salad of some sort, which meant that sugary American-style breakfasts were unheard of in my household. Dietary preferences weren’t a concern for most elementary schools in the 2010’s, or for any public North American institution for that matter. The majority of kids could have sausage and bacon, but unfortunately for people like me, options were limited. My smile quickly turned into a half-hearted grin, but I had hope for the pancakes and waffles at least. There were only a few sad, droopy-looking pancakes left, two orange wedges for fruit, and no milk for hot chocolate, so all I had was the sickly tasting apple juice no one wanted. While I was still happy to be sitting with my friends and sharing a meal put together by hard working parents, I felt a bit robbed of the indulgence that they got to feel. Food to me is a love language and one of the most important things ever as it carries more purpose than to fill your stomach. So, when met with the disappointing leftovers, it definitely made me like one. I started to think that perhaps a lump of coal would’ve been alright with me if it meant I got to have a proper Santa Breakfast.

Fast forward to 2024: It’s my last day of work after dedicating three years of my life to that . . . establishment. A quiet summer morning, Tuesday, there’s been one table for the past hour. I have told no one that it was my last day, hoping not to cause a stir, to slip quietly away from my beloved co-workers. I decided to treat myself to something since it was the last time I could use my employee discount, and I gave into my craving for a waffle. 

A freshly made waffle, thick, fluffy and golden-brown, as big as the plate it sat on, the melting dollop of butter waltzing across its doughy grid. I got myself a spout of warmed syrup and, before I went to the back to indulge, I piped a healthy helping of stiff, sweet, whipped cream, straight out of the metal canister. As I walked to the back, I felt sort of giddy inside; how scandalous of me to be enjoying such a silly looking Western delicacy. I poured the syrup across the waffle and cut myself a piece with everything on it. 

 

One moment I’m in the backroom of a restaurant in my uniform, and with one bite, I was taken away to the winter of 2012 with my furry patterned pajamas and fuzzy socks, sitting on the folding chairs of the school gym. This time there were no teachers dressed as elves, no tireless volunteer parents flipping half-burnt pancakes, no shabbily cut out paper ornaments strung with scotch-tape on lacquered white walls of the school gym, there was no one but me and that waffle. The child who once sat hungry, jealous of her peers, was now tasting the purely decadent breakfast she should’ve always had. I sat in that shabby leather seat and savoured each and every bite like it was the first and the last time I’d ever have something that good. With each bite I could feel a bit of my bitterness melt away. I teared up but they were happy tears. Maybe it was the fact that I’d miss my co-workers, the place that had much nostalgia, but I think we can all agree it was that waffle. Though I often thought of how annoyed I was at the lack of options for me back then, I’m almost glad that I didn’t, for the waffle now wouldn’t mean as much to me as it does. The thing about growing up is realizing you have your life in your hands; that you can be responsible for your own happiness, that you must be. A majority of people won’t stop and ask what kind of sausage you’d like, or whether you’d like a waffle or pancake, and that rhetoric goes further than breakfast foods. That means it’s up to you to make your daydreams a solid, cakey, syrupy reality! As a child who was told what to do and afraid to disappoint, being able to do things for myself and knowing that I put my happiness first made me feel a sense of closure I’d never felt. Most people think it’d be some life changing event, but being kind to yourself and giving love to your dreams can be as simple as a syrup-covered waffle. 

Brighter Side: Album releases

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Close up view of a hand skimming through vinyl records
PHOTO: cottonbro studio / Pexels

By: Hailey Miller, Staff Writer

As a huge music fan with an appreciation for every genre under the sun, there’s nothing more exciting than when one of my favourite artists announces the release of a new album. I’m just as hyped for it as they are, and I can’t wait to get my hands on whatever new record is to come. It’s literally music to my ears. 

I’ve been yearning to jam out to new material since an artist or band’s last album, and sometimes it feels like an eternity until a new song or record is released. The anticipation has lingered long enough! I particularly love when artists release music more frequently — although admittedly, when I’m forced to wait for a new tune or album, I enjoy it even more. Distance makes the heart grow fonder, I guess. It doesn’t stop me from thoroughly indulging in every single song, no matter how close between releases. I’ll play those songs and repeat, and I’ll never get sick of them.

There’s no such thing as a dry spell when there’s endless music to discover. Every time I hear a new release or discover another artist, I’m influenced by their works and every nuance that’s poured into the making of a record. There’s just something about an album release —  a new record by one of my favourite artists is the ultimate cherry on top for me. So, excuse me while I go listen to another album release!

We need to say goodbye to the Grammy Awards

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Multiple grammy awards on a table
PHOTO: AFP pic / Free Malaysia Today

By: Mason Mattu, SFU Student

You may have seen those viral videos on Instagram Reels or YouTube Shorts that claim that Beyoncé is an evil figure in the music industry, or that singers or songwriters who don’t acknowledge her contributions to the music industry should receive a punishment akin to death. While I believe that this is a bit silly, it serves as an important example of the role that the Recording Academy plays in determining what we label as “good music.” Our society’s reliance on big music awards such as the Grammys greatly influences and even impedes on what we the people consider to be the “best” music. 

With roots going back to 1957, the Grammy Awards have acted as the greatest honour in the music industry, and is the only music award “in which nominees and winners are determined solely by the creators themselves.” The governing body that oversees the Grammys is called the Recording Academy, a body comprised of tens of thousands of “professional members” from across the US. 

At first glance, the Recording Academy may seem like an institution with democratic values enshrined in their core — empowering those with the microphone. Heck, even the Grammys have boasted the fact that there has been an increase in diversity within the Recording Academy over the past years, with 66% of its voting bloc being either BIPOC or women in 2024. This does not, however, mean that the body has achieved full representation of artists. Up until 2021, the decisions of the Recording Academy could be vetoed by smaller governing bodies of “experts” who would be swayed to vote for certain artists after the giving of bribes or flattery. Think about that, up until 2021, the musical elite overtly dominated the provision of these awards without us even knowing. 

However, this musical elite may still be running the Grammys behind the scenes. In order to be considered to join the Recording Academy, you need to have a career in the music industry and  recommendation from two existing Academy members. Instead of supporting the appointment of grassroots musicians and music industry members, the Academy relies on their own internal network to define what “professional” means. Even after that, nominees run elaborate and expensive campaigns to sway the votes of judges toward them. The musical elite continues to flex their power in terms of determining who we appreciate, who we hate, and whose music becomes immortalized within time.

The Academy has also been notorious for rejecting artists based on their preconceived notions about them. One example of someone who has been “snubbed” by the Academy is Diana Ross, an artist who has never won a Grammy despite being nominated 13 times. Music icons Tupac Shakur, Jimi Hendrix, and Bob Marley also never won Grammys. There is a historic bias against Black and women talents. From 2012 to 2020, Black performers represented 38% of the artists on the Billboard Top 100, but only made up 26.7% of total Grammy nominations in the same period. 

It is clear that the Grammys is not a participatory system that uplifts musicians of all backgrounds and experiences. So how can we move forward? First, we need to move away from reducing the beauty of music to an “expert’s” opinion. This democratization of the award process for music should not be a complicated one, requiring complete transparency in the amount of votes being received by artists, transnational participation in the online voting process, and a media blackout by the nominated artists during the voting period to prevent bribery from the general public. Instead of scandalous internal decision-making processes, the buy-out of votes by artists, and the overall presence of “elite” in other awards shows, this new form of recognition would be refreshing and long overdue. 

By putting the power in the hands of your average music listener, we can truly revolutionize the way that “good” music is rewarded. When the voting bloc is the general population, we have the most diversity, experience (because we are the ones who skip or save the song), and knowledge to give artists merit based on their work. So please join me in finally saying goodbye to the Grammys this coming February. 

A preview of SFU track & field

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A group of girls wearing white uniforms with red lettering. The words “Simon Fraser” sit at the top of their shirts.
PHOTO: Courtesy of @fasttracksportsphotography / Instagram

By: Yildiz Subuk, Staff Writer

The Red Leafs track and field team has had a year packed with milestones. From soaring at different tournaments, to individual personal achievements, the team has proven to be one of the most memorable in SFU history.

Earlier in May, the team competed in the Great Northwest Athletic Conference (GNAC) championship. The championship took place in Ellensburg, Washington, with the team seeing multiple top-three finishes in a diverse array of categories. The women’s team shone brightly, with Claire Bosma (first place) and Emma Canan (third place), outdoing opponents in the 400m race. Jarrett Chong also claimed first place in men’s Javelin, with an impressive throw of 64.25 m.

The team also competed in the Bill Roe Classic, which is filled with some of the best nationally ranked teams in Canada and the US. The competition took place on September 28 in Bellingham, Washington. The Red Leafs’ most remarkable performance came in the men’s 8 km, in which they finished in fourth place. It was a close battle between the other teams, but ultimately, the Red Leafs finished the run in a total time of 2:07:24. 

SFU’s track and field team is filled with many remarkable athletes,.Marie-Éloïse Leclair, who competed in the 2024 Paris Olympics with Team Canada, was named the 2023–24 GNAC female athlete of the year. 

Red Leafs track and field also enriched their sports heritage this year, as Debbi Brill, one of SFU’s most remarkable athletes, was inducted into Canada’s Sports Hall of Fame. Brill was a force of nature who set records like it was routine. She competed in four Olympic events from 19721984 and ended up placing fifth overall in the 1984 Los Angeles Olympics. Her well-decorated career includes more than 65 wins in national and international track and meet competitions, two gold medals (in the 1970 Commonwealth Games and 1971 Pan American Games). She also created the “Brill Bend,” a technique that nearly got banned because of how dangerous it can be. This technique became widely used by other athletes and changed the sport of women’s high jump. Brill’s legacy, achievements, and commitment to the sport has cemented her as one of the greatest athletes to ever compete in the Olympics for Canada.

The Red Leafs track and field team will begin their new season on January 10, 2025, travelling to Seattle, for an indoor meet.

Creative Corner: DIY holiday gifts

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Ornaments of Santa, snowflakes, stars, stockings, bells, and gingerbread against a light blue background.
ILLUSTRATION: Kristen Lee / The Peak

By: Cindy Wang, Peak Associate

Get ready, because it’s the winter season and the holidays are almost upon us. What better way to spend the holidays than by giving your friends and family gifts under a Christmas tree? Buying gifts can be expensive, so giving your loved ones heartfelt, hand-made knick knacks can make gifting fun and economically-efficient. Here are five DIY holiday gift ideas that you can try out this year. 

Clay ornaments

Creating clay ornaments you can hang up a Christmas tree not only sounds fun, but is also a great way to bring out your artistic side. The process is simple. All you have to do is get some air-dry clay, mold it into the shape you want, and wait for it to dry. Once it’s dry, get some acrylic paint and colour your decoration to life. Make sure you leave a hole in the clay so you can tie a ribbon through it. Whether the ornament is a gingerbread man, a candy cane, or a snowman, this handcrafted gift is sure to brighten up your loved ones’ Christmas trees. 

Personalized socks

Get cozy this winter by knitting some personalized fuzzy socks for your loved ones. Buy some needles and yarn, sit by a fireplace with your favorite rocking chair, and start knitting. Use fabric paint or differently coloured thread to add patterns like cross-stitched hearts, stars, or even their name on the cuff. It gets cold in December, so your friends and family would love having some socks this winter to keep their toes warm. You can also buy plain socks and embroider them with a few of their favourite things!

Homemade baked goods

Are you more of a baker than an artist? Try making a delicious treat for your loved ones to share. My favorite desserts are brownies, and I would be super grateful to anyone who gives me a fudgy brownie I could sink my teeth into. Find some easy recipes online for different baked goods you can make like caramel apples, chocolate chip cookies, or pumpkin pie, and let your baking skills shine! If you’re feeling daring, add your own secret ingredients — crushed up candy canes, dashes of chai spices, or eggnog could make your pastries pop. Whether you make brownies, cupcakes, chocolates, or gingerbread men, share them with those with a sweet tooth for the cozy winter season.

Decorative picture frames

Don’t have a lot of time on your hands? Here’s a quick and simple DIY gift idea you can make in under 15 minutes. Buy an unfinished wooden picture frame with plenty of room for decor. Liven up the frame with some ribbons, bows, glitter, and stickers to make it cute and colorful. Once it’s done, add a photo of yourself and that person for a personalized touch. This gift is not only meaningful, but could be the perfect way to practice your decorating abilities.

Handwritten christmas letters

Use your writing skills to craft the perfect letter as a Christmas gift. Get some paper, fold it in half, and practice your penmanship by crafting a wholesome and heartfelt hand-written letter dedicated to your loved ones. Show off your handwriting with beautiful cursive, create your own unique font, or learn how to do calligraphy. Draw a little doodle next to the note or even draw the whole cover by yourself. A Christmas tree or happy snowman would go great with letters for the holiday season. 

goSFU? More like noSFU

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Man sitting in front of a laptop looking frustrated.
PHOTO: Oladimeji Ajegbile / Pexels

By: Sarah Sorochuk, Peak Associate and C Icart, Humour Editor

OK, it’s course selection season! Time to log into the easy-peasy, foolproof system called goSFU. It allows us to enroll in classes, request our wonderful advising transcripts, and pay our ever-increasing tuition. But what happens when the world goes dark? 

The only difference between the goSFU outage and the Y2K bug is that barely anyone was affected by the Y2K bug. The fall 2024 goSFU outage will be many students’ villain origin story. Here’s how the victims lived out the five stages of grief.

Denial 
Students constantly tried to sign into their accounts, justifying the waste of time by saying, “SFU would have fixed it” or “it should be up and working by now.” But no matter what they said to themselves, it was merely denial they hadn’t faced. 

Anger 
Students were in fits of fury, watching emails fly in saying that “goSFU will be fixed soon” — but there was no change. Instead of responding to the automated emails with choice words, students turned to the media to express their frustration. Like come on!! We get it . . . it’s broken. But, like, just fix it already! This has been going on far too long.

Bargaining  
Anger and denial aren’t the only ways some students were coping. Some were straight up bargaining . . . with tech support . . . It felt as though it would never be fixed. When this happens again (because we know it will), maybe reach out to SIAT students instead. May as well give them real-time issues to solve?

Depression 
This speaks for itself — the sorrow! The misery! “How will we pick our classes with both goSFU and mySchedule being out,” they wept. And they were right, how else were they supposed to plan? By pen and paper? Such an old way of doing things. Why even bother if not for the ways we have now?

Acceptance 
Very few, if anyone, made it here.

But Cruella’s full quote goes as follows: “They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. Well, I’d like to add one more. Revenge.”

The outage may be in the past but the students have not forgotten. Watch out goSFU gods, watch out.

The commercialisation and politicisation of Diwali, Bandi Chhor Divas, and other South Asian festivals

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A pile of boxes containing different Diwali-related objects such as flowers, and colored animals.
ILLUSTRATION: Yan Ting Leung / The Peak

By: Mason Mattu, Peak Associate

If you were wondering why there were so many fireworks on October 31 and November 1, it’s because South Asians celebrated Diwali and Bandi Chhor Divas on those days respectively. Diwali is the celebration of “light over darkness, of good over evil.” It is celebrated across a variety of South Asian religions and cultures. Bandi Chhor Divas is celebrated by those who follow Sikhi or Sikhism, and celebrates the day when Guru Hargobind Sahib Ji was freed from wrongful imprisonment. With him, he brought 52 prisoners who were also wrongly accused of crimes by the Mughals. In my family, we celebrate Bandi Chhor Divas by lighting divas, visiting the Gurdwara (a place of gathering and worship where all are welcome to respect the teachings of Sikhi) and listening to kirtan (singing the shabads in the Guru Granth Sahib Ji, our holy scripture). Part of the celebrations also include having big family feasts and enjoying firework shows. The beautiful thing about our festivities is that everyone is welcome to participate as long as they do so respectfully. While people usually don’t undermine our cultural values, corporations do. 

With a growing South Asian diaspora in North America, it’s inspiring to see Diwali and Bandi Chhor Divas recognized and celebrated by many different people. I’m proud to be Canadian and share my cultural background. However, there has been a recent rise in South Asian holidays being used for commercial and political gain — merging them into one rather than honouring their unique significance. 

In western countries, it has become more common for non-South Asian businesses to use Diwali and Bandi Chhor Divas as a means to increase profits. These are festivals that, at their core, are meant to promote a stronger connection to religion and spirituality — not fuel corporate greed, spending habits, or performative marketing. In doing so, corporations erase the beautiful distinctions of Diwali and Bandi Chhor Divas, blending them into a single, market-oriented holiday aimed at gaining the business of South Asian individuals.

One North American corporation which has most prominently sought out a profit on the basis of South Asian festivals is Walmart. The grocery giant recently announced that its so-called “Diwali footprint” has “increased more than 20% since last year and is now in more than half of [their] stores.” Note how multiple holidays have been grouped under the umbrella term of “Diwali.” I’ve even noticed Walmart using Diwali discount codes. New customers are attracted by performative marketing and are given a corporate-washed, all-in-one reductive approach to South Asian festivities. I have nothing against marketing towards a particular demographic. However, cultural celebrations are one thing that ought to stay out of the hands of corporations — especially given the fact that corporations such as Walmart exploit workers and use child labour while promoting “diversity.” This doesn’t sound like the values of Diwali and Bandi Chhor Divas to me.

While one might assume Walmart has taken positive steps in their approach by working with Indian distributors to stock up their stores, their ultimate goal remains to profit off consumers allured by their offerings. These Indian corporations who supply goods to Walmart are enthralled in a quest for capital gains at their own exploitation. They’re supporting Walmart’s goal of commercialising and capitalizing on South Asian festivals to transform them into commodities.

Turning Diwali and Bandi Chhor Divas into a “broader holiday ritual” will only allow for our culture to be lost at the hands of corporations.

Walmart has employed marketing and public relations strategies to celebrate Diwali, attempting to convince consumers that they are culturally inclusive. For example, they hosted a variety of in-store Diwali celebrations throughout the country. A pre-advertised Diwali celebration in Cambridge, Ontario went viral on TikTok recently, with the video including workers beating dhols and singing. While these are great initiatives on the surface, they expose a deep issue with corporations exploiting cultural symbols and traditions for profit.

In an interview with BBC, professor Nirmalya Kumar from Singapore Management University argued that due to “its timing,” Diwali could “end up becoming part of a broader fall-winter holiday ritual,” and fade into just “another holiday party.” The South Asian population comprises 7.1% of the total Canadian population, out of which 44.3% are Indian. Corporations are using this population to their advantage, watering down the diversity of South Asian cultural celebrations by shoving them under the broad umbrella of Diwali. Turning Diwali and Bandi Chhor Divas into a “broader holiday ritual” will only further dilute our cultures at the hands of corporate greed. Thus, we must ignore corporations who are promoting culture as a way to meet a new market.

Commercialisation of culture is not the only thing that South Asians have been experiencing. Political campaigns now use festivities as an excuse to promote or expand their platforms. Last year at the Vaisakhi parade in Surrey, I remember seeing the Conservative Party touting their policy to put a direct flight between the city of Amritsar  and Canada. This was in the middle of a festival that celebrates the creation of the Khalsa Order. This is a wildly inappropriate ploy to try to get votes from the Sikh community and other people who are welcome to attend religious parades and festivals. There is also a general increase in meddling by politicians into our religious spaces when it’s not festival season. When federal election campaigns come around, I can fully expect to see a political candidate in my local Gurdwara trying to siphon votes from the Sikh community. This is once again an indicator of how politicized our cultural values have become at the hands of politicians.

If we continue on our path of politicizing and commodifying cultural celebrations, what will be left to celebrate? Our diversity needs to be celebrated and appreciated by the broader society without the dilution of the distinctions that make it beautiful. In accordance with this principle, why not do more to celebrate Diwali and Bandi Chhor Divas in our schools? Or why not educate ourselves on the distinction between the two festivals, rather than combining them into one and disregarding their diversity? Social washing — strategies used by corporations to seem more socially responsible — has risen to become a dangerous trend. This could destroy individuality and cultural identity over time.

Corporations are misguided when promoting “diverse” cultural events such as Diwali and Bandi Chhor Divas. This is not OK. If we want to promote cultural celebrations from any faith, it is important that we take an organic lens and spread awareness of the different holidays through our education systems, and create long lasting change to how we view corporations and the role of capitalism in the commodification of traditional holidays. 

“Where football belongs:” Grey Cup Festival illuminates BC football

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A wall of orange lights and helmets that form a snowflake-like shape. In the middle is a logo that reads “Grey Cup Festival Vancouver 2024.”
PHOTO: Izzy Cheung / The Peak

By: Izzy Cheung, Sports Editor and Kaja Antic, Sports Writer

Although the BC Lions encountered an early exit in the CFL playoffs this year, Vancouver still got to enjoy the energy of playoff football. From November 10 to 17, Vancouver hosted the Grey Cup Festival, highlighted by the CFL’s championship game on the 17. This year’s matchup pitted east-division champion Toronto Argonauts (Argos) against west-division champion Winnipeg Blue Bombers

The last time Vancouver hosted the Grey Cup was in 2014, with the Calgary Stampeders fighting off the Hamilton Tiger-Cats in a close 20–16 game. Vancouver was the first to host the Grey Cup in western Canada and has hosted 17 Grey Cups in total. The Lions won their first Grey Cup in 1964, beating the Hamilton Tiger-Cats 34–24. The last time BC took part in the Grey Cup at their home stadium was in 2011, when they beat the Winnipeg Blue Bombers 34–23 to win their sixth and most recent CFL championship.

The Grey Cup was commissioned in 1909 by then-Governor General of Canada, Lord Earl Grey. The trophy was meant to be for the senior amateur hockey championship, though the Allan Cup had taken that place, so Grey decided to instead donate the Cup to the Canadian amateur rugby football championship. The Toronto Varsity Blues from the University of Toronto won the first Grey Cup in 1909. The first western team to win was the Winnipeg ‘Pegs — an early rendition of the modern day Blue Bombers — when they defeated the Hamilton Tigers 18–12 in 1935.

Here’s our breakdown of Grey Cup week in Vancouver. 

A rainy media day 

“It still feels a little like home,” Argos defensive coordinator Will Fields told The Peak of being back in Vancouver. Fields started as a scout with the BC Lions in 2013, before taking a position within SFU’s football department in 2014. He returned to the Lions in 2015, acting as a defensive back coach. With drops of rain thumping against the building on media day, the defensive coordinator joked that “the rain made it feel more familiar.

“I had a great time at SFU. It’s a beautiful school,” Fields said. “I even thought about having my son attend.

“We actually won a few games when I was there,” he chuckled, poking fun at the high-intensity competition that the team faced as part of the NCAA. “But I did enjoy my time and it was a good  experience.” He added that he “wouldn’t take it back for anything.” 

Also making his return to Vancouver was Winnipeg Blue Bombers wide receiver Lucky Whitehead, who played with the BC Lions from 2021 to the end of the 2023 season. He was named the team’s most outstanding player in 2021, and earned himself spots on the West Division and CFL All-Star teams. With three years’ worth of memories, Whitehead had a lot to reflect on from his time in BC.

“We used to always prep and plan touchdown celebrations, and just ways to have fun with football,” he reminisced. Whitehead also recalled his trademark game-day entrances, noting that his favourite was when he “came in on the horse.” 

Whitehead wasn’t shy to express how nice it was to be back in Vancouver, as well as how nice it was to see his teammates’ reactions to the city he once called home. 

“It’s funny just to hear my teammates rave about it,” he added. “I’ve seen it before. So I’m glad, I want y’all to enjoy it.

“It’s a special week and a special moment, especially for the young guys at this time, and for me, my career being 32,” Whitehead said, thinking about the significance of competing for the Grey Cup. Thinking back to his time in BC, formerly as a Lion and now as a Blue Bomber with his eyes set on a championship, he made one more statement of thanks to BC fans. 

“For the constant cheers and the love that I received — and just the memories,” he said. “It was a lot of ups, a lot of downs, a lot of injuries, but they always accepted me for me, and with complete open arms. So I just want to say thank you and see y’all on Sunday.” 

BC’s award winners 

The CFL Awards took place on November 14 at the Vancouver Convention Centre, with BC Lions owner Amar Doman receiving the Commissioner’s Award and Carolyn Cody being awarded the Jane Mawby Tribute Award. The Commissioner’s Award is given to an individual who has had a profound impact on the league, as named by CFL commissioner Randy Ambrosie. The Jane Mawby Tribute Award recognizes the efforts of the CFL’s unsung employees. 

Doman purchased the Lions in 2021, and has since elevated the team’s presence within the city. In Doman’s time as owner, the Lions have welcomed artists such as OneRepublic, LL Cool J, and 50 Cent for their annual Concert Kickoff games to start their home campaign. This year, the Jonas Brothers headlined the Grey Cup halftime show at BC Place, adding to the hype surrounding the championship game. 

“The CFL is about community, it’s about sport, it’s about people, and it’s about athletics,” Doman said, his newly-earned trophy beside him. “We really believe that we’re stewards of this franchise for the next couple of decades.” 

Cody, the vice president of Marketing and Business Operations for the Lions, won the second award for the Lions. Her tenure with the Lions dates back to 2013. Since then, she’s helped spearhead the team’s growth in corporate and social fields. 

“This weekend is such a great example of how we’re trying to do things differently,” she noted in a press conference post award-victory. “We’re making strides with integrating Punjabi radio broadcasts to every single one of our games. We’re bringing new Canadians to all of our games.”  

A quick game recap 

The matchup between Toronto and Winnipeg swung heavily in the latter’s favour. In their semifinal matchup against the top-of-the-league Alouettes, the Argos lost starting quarterback Chad Kelly to a leg injury. As a result, backup quarterback Nick Arbuckle slotted into the position. On the other side of the field, Blue Bombers fans got to see veteran quarterback and three time Grey Cup-winning Zach Collaros.  

Toronto revved up the offence with a field goal to put the Argos up 3–0 a little short of eight minutes into the first quarter. The Blue Bombers fired back with a touchdown late in the first, giving them a 7–3 lead. A Winnipeg field goal brought their lead up to 10, showing promise for an eventual Grey Cup victory. Two more field goals by Toronto brought the point margins closer and closer. 

Scoring was somewhat even throughout the bulk of the game, as the Argos trailed 10–9 going into halftime. After a touchdown and a couple field goals, it was Winnipeg’s turn to chase a lead, as they were down 17–16 by the final 10 minutes of the game. After that, Toronto’s offence exploded, racking up a grand total of 24 points in five minutes of game time. The Blue Bombers’ inability to make up for the influx of offence came due to an injury to Collaros, which he sustained towards the end of the third quarter. Winnipeg scored one more touchdown with less than a minute left before the game concluded in a 41–24 victory for the Argos. 

Speaking on SFU football 

We can’t wrap this up without addressing the fact that we’re writing about football to students of a school that currently doesn’t have a football program. The cancellation of the program was wildly unpopular, not just for students, but for alumni, staff, and the community as a whole. 

“I was pretty upset about it as well, even though I only spent the year there,” Argos coach Fields expressed. “I felt so bad for the players.” Despite the cancellation happening over a year ago, he hopes that the players can “get that piece of themselves that they need.  

“I always say this if you love football enough, you can go seek it out. There are a million other places to play football, and you should want to be where you’re wanted.” 

Lions owner Amar Doman, who has been “very vocal” about his support for the program, addressed the issue after winning the Commissioner’s Award. 

“We’re not going to go away on that file whatsoever,” Doman pressed. “It’s another storied franchise [ . . . ] that we want to help.” He also noted that, while there hasn’t been much talk of a solution recently, Doman is still trying his best to get the program back. 

“I just know that I’m going to roll it over as far as I can to make that happen, whether it’s financially, or whatever it is, to get football back out at SFU where it belongs.”

Vancouver Christmas Market tickets offer the privilege of being able to spend even more money

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Poster advertising the Vancouver Christmas Market. It says “Come witness the magic of the market! (Definitely not a tourist trap) (Definitely worth the money).”
ILLUSTRATION: Victoria Lo / The Peak

By: Cindy Wang, Peak Associate

It’s everyone’s favourite month of the year: the month where we pretend there’s snow on the ground and climate change isn’t real so we can get into the Christmas spirit. And what says “Christmas” more than spending money just to spend even more money? At least, that’s what the Vancouver Christmas Market’s marketing team tells me. They’re selling their tickets using the most effective methods we all fall for — consumerism and a desire to have friends.

This year, thousands of people are spending money to enter an event where they’ll spend even more money buying things like wax candles, essential oils, and mulled wine, which are arguably more important than having money for rent. So this holiday season is the perfect way for companies to say, “buy these priced-up goods just because they’re Christmas themed, and you want to celebrate Christmas like a normal person, right?” Although the $20 poutine tastes exactly the same as the $6 poutine I got at the Surrey Central food court, this is at a Christmas Market, which should objectively make it better.

There are some people that think the Vancouver Christmas Market is a tourist trap, but those non-believers don’t know what the true meaning of friendship is. Their marketing team is telling me that I need to pay for their outrageous ticket or else I’ll lose all my friends. I’m tempted to believe this. After all, I went to the Richmond Night Market last summer just because I wanted to hang out with my friends. As adults, none of us have a lot of free time, so our favorite activities involve spending a ton of money very quickly. We’re spending so much money just to hang out, which is a little counterintuitive considering we’re all broke college students barely getting by. Paying off student loans is overrated anyway. 

The Peak’s staff picks for album of the year

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A thin outline of a pair of black headphones against a black background.
PHOTO: Jason Leung / Unsplash

 

Never Better and Better Now by Wild Rivers 
Hailey Miller, Staff Writer

Toronto indie-rock trio Wild Rivers — comprised of Khalid Yassein, Devan Glover, and Andrew Oliver — released two back-to-back sister albums this year, followed by a world tour. Never Better was the first out of the gate, released on July 26. The albums house a fresh dose of folk and harmonies that serenade, alongside raw guitar riffs and tangible lyrics with no need for over-production.

As the title track, “Never Better” sets the tone with Wild Rivers’ signature folky sound, complete with groovy rhythms and honey-soaked three-part harmonies. “Hardly Ever” is my favourite song off the record with its catchy guitar riffs, effortless vocals, and beats that’ll have you dancing on your feet. 

The band stated that they had countless songs written from the sessions that birthed Never Better, and they couldn’t bear to part with any of the tracks that would have otherwise been cut. Then came Better Now, released on October 18. 

This album is more timid, exploring different, more melancholic perspectives compared to the previous record. Freezing” depicts Glover’s time moving from Toronto to LA and missing the cold. The acoustic masterpiece and narrative lyrics display that of yearning for what’s lost. In contrast, “I Want Everything” is more lively with heavy-hitting guitar chords that complement the harmonies.

With Wild Rivers’ signature sound and elements of flawless vocals, guitar, groovy rhythms, and whimsical vibes full of emotion, their 2024 albums highlighted exactly who the band has set out to be as they’ve evolved artistically over the years.

Orquídeas by Kali Uchis 
Izzy Cheung, Arts & Culture Editor

I’d consider myself to be a casual Kali Uchis fan, having gravitated towards some of her hits off of Por Vida, Sin Miedo (del Amor y Otros Demonios), and Red Moon in Venus. Her newest release, Orquídeas (Orchids), caters to any and all of the moods you could be feeling at any given moment, during any season, and for any situations you may encounter. Uchis’ harmonious, lip-gloss-smeared vocals compliment both the album’s funky, club-like beats as well as the more nostalgic, vocals-centred ballads. 

The album begins with “¿Cómo Así?” (How Come?), which transports you into the soundtrack of a vintage arcade videogame. The arcadecore aesthetic it conjures is created by the virtual-sounding backing similar to the thrum of a rapidly beating heart. “Pensamientos Intrusivos” (Intrusive Thoughts) is an instant play for getting ready with friends before a night out, swaying with a drink in hand at an upscale bar, and rolling the windows of your Uber down on the way back home. This lively track, despite the party-girl mood it sets, echoes the unyielding strength of the speaker’s love in the face of frequent heartbreak. Only two songs after this comes the slower, syrupy “Te Mata” (Kills You). It’s a track that transports you to a vibrant Latin town, where you’re dancing under a single streetlight as this song plays in the background. It’s a fantastic track that emphasizes Uchis’s voice with the sensual strums and richly-raw belting of bolero music. 

Verbathim by Nemahsis 
Petra Chase, Editor-in-Chief

Nemah Hasan cleverly coined Verbathim to represent being misinterpreted. A refreshing blend of art pop, R&B, and electronic, her debut album is brimming with evocative wordplay. Deeply introspective and inspired by the word “nemesis,” Nemahsis at times, becomes her own. “Dead giveway” feels like it was written for fleeing a crime scene. In “delusion,” she reveals twisted truths about herself alongside riddles like “gas in a Tesla, I’d fill it just to see what happens” singing “lalala, delusion hallucination, reality could never.” You unveil new dimensions every time you listen to the album, whether it’s how computer-crisp synthesized vocals are woven into electronic hooks, or unpacking theatrical epithets and terms-and-conditions speak. All 12 tracks bring surprises; as a whole, a full range of emotions are felt. 

I borrow happiness from tomorrow” laments about being in a happiness shortage. In “You wore it better,” Hasan belts over artsy piano about comparison, a theme also explored in “coloured concrete;” metaphorically, of not looking at her neighbour’s swimming pool unless making sure it’s not dried out. All this is done while displaying incredible vocal range and control. Sprinkled within her vulnerability, there is also clarity. Maybe it’s the gentle strumming or yodel effect of her pretty vocal flipping, but “miss construed” sounds suited to be sung by a pond. It’s about art being misinterpreted by those who won’t even try to understand, and it’s written as if to a self with less experience, warning “not to be eager.” The album itself is a testament to letting go of having to please everyone and losing the “fight” — her label dropped her for being “sellable” to them as a Palestinian Canadian. It’s proof being true to herself and her art is what resonates.