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A Google Doc love story

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Illustration of love letters zipping past each other on Google Doc
In fair SFU where these two group members gathered . . . online PHOTO: Joe Pepler /REX

By: Maya Beninteso, Peak Associate and wannabe screenwriter

Once upon a group project, two unsuspecting psychology students were placed in a group, encountered the usual group tension and, surprisingly, love. Twas not a meeting that involved bumping into each other (cutely) in the maze we SFU’ers call the Academic Quad-struggle. No. Twas the sending of Tinder-esque flirty lines that, quite candidly, woo’d our beloved don’t-ask-what-year psychology student, Julie. Call it what you want, but this, my dear readers, is the story of the union of two souls. On Google Docs. 

 

Julie: Hey!!! We should probably get started on the project. It’s due in five days lol.

 

Urie: Alright, alright. Fine. I just function better under pressure.

 

Julie: Well, actually that’s a lie your brain tells you to enable you to procrastinate. I’m sure you could come up with better quality work if you started working on it early.

 

Urie: You must have a LOT of friends.

 

Romero has entered the Doc

 

Romero: Hello fellow group members, what’s up? 

 

Julie: Urie’s ego, apparently.

 

Romero: Let’s just finish the project and be done with this. 

 

Romero’s assertiveness and drive to finish the project washed away the overwhelming symptoms of burnout. Julie could finally feel something again, beyond feeling like she should switch her major . . . for the third time.

 

Romero: What are we thinking in terms of topics?

 

Julie: What about Freud’s role in establishing psychoanalysis? Or what about —

 

Romero: That’s a great idea. Let’s go with that.

 

Urie: I think I’ve had enough for today. I’m going to bed.

 

Julie: But it’s 10:00 p.m. . . . And we’ve barely done anything!

 

Urie has left the Doc

 

Julie: How helpful. You would think I would be used to getting ghosted at this point.

 

Romero: Same.

 

Something about Romero’s Google Doc icon in the upper right-hand corner of her crusty, dying laptop’s screen made Julie nervous. It was almost . . . intimate. Like a notable amount of eye contact. Her breathing quivered as if she had climbed the fifty flights of stairs after getting off the 145 bus to SFU. She should probably do something about that (but she never will). 

 

Julie: I’m going to be honest.

 

Romero: We’re psychology majors, this is a safe space.

 

Julie: Ah, already starting with the psychoanalyzing, I see.

 

Romero: Always.

 

Julie: This is the most intimacy I have felt in my 22 years of life.

 

Romero: There is something about being the only two people on a Google Doc, especially —

 

Romero proceeds to delete his last sentence.

 

Julie: Hey, why did you delete that?

 

Romero: No, no, forget it.

 

Julie: No, now I HAVE to know.

 

Romero: Fine. It’s just that it’s especially intimate when I’m in a Google Doc with the prettiest girl I have ever seen.

 

Julie is hyperventilating at this point, trying to wrap her brain around how this man even knows she exists. Was it in tutorial with her mousy bun and sweater? WOW. She had been perceived. A novelty, might she add, for SFU.

 

Romero: Unrelated, but have you seen a doctor lately?

 

Julie: Funny you mention that, I probably should. You see, when I walk up the stairs —

 

Romero: Because I think you’re in need of some Vitamin Me. 

 

Julie: Has that ever worked for you?

 

Romero: I don’t know, you tell me. 

 

Julie: Wooow. Okay, maybe a little. 

 

Romero: I don’t have another pick-up line, but I can pick you up at 8:00 p.m. tomorrow.

 

Julie found herself blushing, swept off of her feet over a Google Doc conversation. Would this become known as the Google-Doc-deception-to-therapy pipeline? Julie had doubts, but she couldn’t help but feel he might be different. This project might be the project of her heart.

 

Julie: I’m a little hesitant.

 

Romero: I can’t promise you that we will love each other. I can’t promise you that neither of us will get hurt. But what’s a project to true love? I would love the privilege of your company for one dinner. That’s all. If you want nothing to do with me after this project, no hard feelings. We can go back to stolen glances in a crowded lecture hall. But what if this turns into something?

 

 It could be our Google Doc love story, Julie, just say yes.

Dear Peakie: She’s got style, she’s got Glee, she has no grace

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A photo of Humour editor, Kelly Chia, looking very professional and stoic by a wooden bookcase.
Maybe don’t put away those theatre costumes just yet! PHOTO: Gudrun Wai-Gunnarsson / The Peak

By: Kelly Chia, Humour Editor and Peakie-of-the-Century

Dear Peakie,

I want to have a cool new aesthetic but I don’t know where to start! I’ve been scrolling through colour palettes, Pinterest boards, and everything you can think of to find my look, but it’s not working. GIVE me a new aesthetic!

From:

Sylvia the Styleless

 

Dear Sylvia the Styleless,

Ohoho! You’ve come to the right Peakie. Here’s the thing: we often want to dress in a new aesthetic but don’t really have the budget for our ideal style. Based on this conversation and your vibes, your style is the salacious “discotheque garbage bag!” So I suggest incorporating some money pieces from your aesthetic. Try a cute garbage bag handle for your accessory this week, or maybe even stick some glitter on your shirts to charm your professors and classmates during class presentation.

Love,

Peakie

 

Dear Peakie,

This is a secret I’m entrusting only to you (and your intrepid readers). This is my strictest confession. The other day, I gulps hummed the tune of Wicked’s Popular. I learned the moves of Footloose. I even, and I shudder to admit this, watched three seasons of Glee in one week. What’s HAPPENING to me? Is there a solution?!

From:

Lost in La La Land

 

Dear Lost in La La Land,

Oh no. Oh dear. I’m afraid you’ve contracted the most concerning disease of our lifetime: theatrekiditis. I’m happy to tell you that it does get better. After about four years. Until then, stay wary of Matthew Morrison. He will be your mortal enemy during these harsh and troubling times.

 

Love,

Peakie

 

Dear Peakie, 

I have no idea how to make friends as an adult. Especially in pandemic times. Is exchanging a text or Discord handle still hip? Can I invite them to pottery for our second outing? What’s the protocol these days?

 

From:

Friendless in Vancouver

 

Dear Friendless in Vancouver,

Well, you know what they say! You make friends where you see people most. Try starting a musical number while you’re on the SkyTrain during rush hour! You would be surprised at how many people would be willing to do a fully choreographed dance sequence with you. Or, steal into a cat café and ogle at the beautiful friends there (except if you are allergic). Maybe you’ll meet a pal! Be the main character, Friendless in Vancouver.

 

Love,

 

Peakie

 

Call to action: Indigenous languages should be offered in high schools

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SFU Indigenous ceremony
Did the government bother to read the Calls to Action published in 2015? PHOTO: Simon Fraser University - Communications & Marketing / Flickr

By Isabella Urbani, Staff Writer 

If you’re a high school graduate in BC, you’ve probably taken a language course. Heck, if you’re like me, you’ve been taking a language class since elementary school. But in high school, when students are establish identities, why not learn some of the languages that were historically spoken on 95% of the unceded land settlers occupy? It’s time to make Indigenous languages an option for high school students. 

In BC alone, there are more than “30 different First Nation languages” accounting for “60% of First Nations languages in Canada.” Incorporating Indigenous languages into school is a critical part of Indigenous peoples’ demands for reconciliation. It’s stated in the tenth of 94 Calls to Action on the journey of reconciliation.

The power of language is made clearer by the residential school system’s desire to impose European languages. The Office of the Commissioner of Official Languages found that “although some children resisted and held on to their language, many thousands of others were unable to pass their languages on to their own children.” While this can never be made right, bringing Indigenous languages into the school system can allow Indigenous students who didn’t grow up in a household that spoke a native language the chance to experience a lost cultural touchstone. 

Adding Indigenous languages to our high school curriculum not only prevents them from fading away, but also allows settlers to show appreciation for the language first spoken on the land they are settled on it’s a way of paying homage. Exposing students to Indigenous languages is a way to enhance awareness of the breadth of Indigenous culture in the province. It’s a way to help strengthen the relationship between British Columbians and the province’s cultural history. 

So if the government already has the stamp of approval from Indigenous peoples, why hasn’t anything been done yet? The province announced in March of 2022 that, starting the 2023–24 school year, all BC students will be required to take at least one Indigenous class before graduation. Courses like “Contemporary Indigenous Studies 12 and BC First Peoples 12,” in which students are exposed to Indigenous history and modern challenges, would now be required for graduation. Languages, however, still aren’t guaranteed in schools.

The government should be taking the initiative to contact Indigenous knowledge holders to help assemble a curriculum that accurately depicts an Indigenous language local to the territory a school resides on — and pay them for it. And if a non-Indigenous person is teaching the course, there should be training programs put in place to help them better understand the language and support their class. Ensuring Indigenous peoples and teachers are at the forefront of an emerging languages program will help ensure its authenticity, and elevate Indigenous voices in education. 

The government and ministry of education need to understand that language is an essential component of ensuring Indigenous cultural reinforcement and longevity. In high school, we should be learning about the languages spoken on this land long before it was colonized. To simply insist that Canadians learn a language that isn’t native to the region seems a little colonial, don’t you think?

BC decriminalizes personal possession of certain illicit drugs

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The photo is of the streets of Vancouver. The street is empty except for one individual crossing the street.
The BC decriminalization will begin in January 2023 for a three year period. PHOTO: Stephen Tam / Unsplash

By: Pranjali J Mann, News Writer

Health Canada declared a three year exemption for BC from criminal convictions in case of certain illicit drugs for personal use. The exemption trial will begin January 31, 2023 and last until January 31, 2026. The drugs will continue to be illegal, but their possession in small quantities of 2.5 grams or less will not result in any criminal charges in BC. This step comes as a measure to reduce stigma pertaining to use of drugs and increase accessibility for “life-saving support and services.”

To understand this provincial recommendation, The Peak interviewed Dr. Alissa Greer, an assistant professor in the department of criminology at SFU and expert on drug policies. She said the drug overdose crisis “has been the result of our criminal drug laws and prohibition.”

Welcoming this announcement, Greer said, “One of the ways that decriminalization is effective is that it can impact stigma. We won’t look at drug use or possession as a criminal issue; we have the potential to look at it as a social or health issue. So, in the long run this is certainly great.”  

However, Greer mentioned the importance of addressing the root cause of the overdose crisis. “The cause of the overdose crisis today has been the result of our drug laws and prohibition. Specifically, the illegal drug markets and the supply of drugs in that market — which are extremely unpredictable — because the market itself is unregulated. Because of this people can’t predict the toxicity and the potency of their drugs and that is more or less why people are overdosing.”   

She explained that decriminalization is just a small first step, but not enough in addressing the issue of a toxic drug supply. “Decriminalization is not a solution to the overdose crisis. Decriminalization will not make an impact on the supply of drugs, which is the reason why we have the overdose crisis. If anything, it might actually make the overdose crisis worse.” 

She also noted the policy change won’t come into effect until January 2023 and only applies to a certain amount of drugs. Another concern with the announcement is the limit of “cumulative threshold of 2.5 grams.” She emphasized this was a “very small amount of drugs” and doesn’t decriminalize all possessions. 

The possessions limit of 2.5 grams may not be feasible for all individuals. “Maybe they live in a rural or remote community and have to buy larger amounts. Or some people share drugs, and some might be buying for themselves, or others,” said Greer. 

Greer emphasized the need to address the supply issue first, in order to tackle the overdose crisis. “People are overdosing because they have to rely on a toxic supply of drugs, and so expanding access to a safer and regulated supply is the only thing that can really address this crisis.” 

The same sentiment was echoed by Michael Crawford, president of BC Association of Social Workers, in a statement. “Though we are so pleased the federal government has granted this exemption, it falls sorely short of what is needed. As it stands, this change is not enough — it’s our hope that discussion on the exemption limit continues and that a higher, more practical limit is set quickly: the federal government cannot afford to be performative when it comes to people’s lives.”

Truth and reconciliation: Tax the Church!

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tax collector at church door
Canada cannot support truth and reconciliation while allowing tax exemptions for the Church. ILLUSTRATION: Angela Shen / The Peak

By Chloë Arneson, News Writer

In Canada, we’ve created a subsidy for an institution that carried out a genocide on our soil. A subsidy for an institution that, when more and more evidence of that genocide is uncovered, has to be coerced into making an apology an apology that’s not even made on the ground on which that evidence was found. That institution is the Catholic Church, and every year, Canadians lose out on taxable revenue from this political organization. We need to recognize the group’s role as a political, rather than charitable, institution and strip the organization of its tax-exempt status. 

Between the 1880s and 1996, over 150,000 Indigenous children were estimated to have been taken to attend residential schools. In 2021, archaeologists unearthed 200 unmarked graves at a former residential school in Kamloops. Since then, over 1,000 children’s bodies have been found in unmarked graves, some of them being as young as three years old. It has reanimated the debate around holding perpetrators responsible for this unimaginable crime. 

Let’s tax the groups responsible, starting with the Catholic Church. Other perpetrators of genocide through residential schools, including the Anglican, United, and Presbyterian churches, had issued apologies before 1996. Meanwhile, until April, the Catholic Church stood alone in its resistance to accepting responsibility. It wasn’t until this year that we see the Pope apologize for the residential school system in Canada. It’s not enough. So, let’s skip over the apology and tax them as an organization that’s standing in the way of progress on reconciliation. 

There’s a huge reservoir of untaxed money in Catholic organizations. In order to be considered exempt from paying taxes, these churches are considered charities in the eyes of the government. Except The Globe and Mail analyzed the finances of the Catholic Church and found they had a combined profit of $110 million after expenditures.

Their assets, totaling $4.1 billion, inflate the Church’s potential taxable value to Canadians.  The think-tank Charity Intelligence Canada considered this number to be an underestimation when considering the accuracy of each church’s self-reporting on the value of their property. Case in point, the Archdiocese of Toronto was audited to reveal assets priced at $940 million, despite the organization reporting just $2. The assets and profits of these institutions have operated, since their inception, as completely tax exempt. Canadians get no financial remuneration for their presence. 

It’s not just my opinion. There are voices within Canada’s Indigenous community speaking out against the Church’s tax-exempt status. Iqaluit mayor Kenny Bell spoke against local tax exemptions for religious institutions across Iqaluit religious institutions that are currently not required to pay taxes on the land they occupy. “This is a small symbolic step. The tax on them is not going to kill the church by any means. It’s not meant to. It’s meant to show that we want the apology. We want the church to acknowledge what they did and move forward,” Bell said. 

He’s right. Ending the Church’s special tax-exempt status could provide funds for the ongoing reconciliation effort. A quick scroll down the Truth and Reconciliation Commission’s Calls to Action reveal a laundry list of potential programs to fund to support Indigenous communities across the country. From supporting a broken foster care system, to bringing clean water to reserves, to bolstering Indigenous mental health care, there are any number of programs that could use the tax revenue from a multi-million dollar institution. 

Whether or not the Catholic Church steps in to pay reparations for genocide, residential schools, or sexual assault cases, it is time to recognize that their role in Canadian politics transcends that of a “charity,” Let’s tax the stuffing out of them. 

Student discounts to artsy things around Metro Vancouver

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Entrance of the Orpheum with red “VSO” banners and orchestra posters hanging on the wall of the building, a fair amount of people are shown crowded at the entrance.
Fill up your summer bucket list with visits to arts and culture sites around Vancouver! Photo Courtesy of Amirul Anirban / The Peak.

Editor’s Note: The previous version stated “There needs to be a minimum of 10 people in the group in order to apply the 15% discount, making tickets $23 each.” This is incorrect and has been updated to reflect that Bard on the Beach doesn’t offer the 15% group discount on $27 tickets. Bard on the Beach does, however, offer $10 student tickets for Harlem Duet until July 1, and a 50% discount for regular tickets in certain zones (C zone priced at $27 not included) for those between ages 6–22. 

By: Roshi Chadha, SFU Student

Summer is the time of the year when students make room in their schedules to have fun and explore new interests. If you are a student wanting to explore more of the city’s art and culture scene while staying within your budget, you are at the right place. 

Vancouver Symphony Orchestra TD All Access Pass

Who can afford to go to see the Vancouver Symphony Orchestra (VSO) live on a student budget? With tickets normally ranging from $25–97, getting a decent seat can be an extravagant outing. To encourage more young people to attend the symphony, TD and VSO offer a program called TD All Access Pass, which gives students discounted tickets to VSO Regular Series concerts. TD All-Access Pass tickets are available two weeks before the performance dates for students to purchase two tickets at $20 each. To get approved for this pass, you need to be a full-time student or below the age of 35 and fill out a registration form which will be processed within 72 hours. For people who prefer to enjoy concerts in bigger groups, the VSO offers 15% off their adult price tickets for students with a group of 10 or more. 

Bard on the Beach 

If you are someone interested in live theatre and the tales of Shakespeare, this is the place for you to visit this summer. This year’s 33rd season is running from June 8–September 24 with different plays featured at different weeks. Their programming this year includes A MidSummer Night’s Dream, Romeo and Juliet, and Harlem Duet. I had the opportunity to go and watch Romeo and Juliet with my friends and I still remember the live performance. Bard on the Beach offers $10 student tickets for Harlem Duet until July 1, and a 50% discount for regular tickets in certain zones (C zone priced at $27 not included) for those between ages 6–22.

Vancouver Art Gallery

This is an amazing place to check off your list if you are interested in multiple floors of art exhibits! The Vancouver Art Gallery is considered “one of North America’s most respected and innovative visual arts institutions.” They offer $6 off on their ticket prices for students, making your ticket $18 rather than the regular adult price of $24. Don’t forget to bring your student ID on the day of your visit in order for them to confirm your student status. Of course, if you want to plan ahead and go on a Tuesday after 5:00 p.m., you can enter the gallery by donation. I’ve heard so much about this place but haven’t had the chance to visit yet. I’m hoping to catch installations such as The Imitation Game: Visual Culture in the Age of Artificial Intelligence or Kids Take Over and check these off my summer bucket list. With interchanging exhibits throughout the year, these are discounts to use again and again. 

Dr. Sun Yat-Sen Classical Chinese Garden

Are you someone who loves to take pleasant nature walks while enjoying the smell of fresh flowers and exploring cultural artifacts? If yes, this is a place for you. The garden is open Wednesday to Sunday 10:00 a.m.–3:00 p.m. with special student tickets costing only $12 in comparison to regular $16. To get this student discount, you just need to flash your student ID card! What makes me excited to visit this place is that it’s a culturally significant garden that hosts many events and educational exhibitions such as Intangible Thread – Part 2, an exhibition that involve 19 artworks that present “new possibilities and connection between two different cultures and two different regions.” 

Talking Stick Festival invites you to learn from Turtle Island’s groundbreaking artists

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A digitally illustrated poster of a canoe floating across blue water with three people facing away from the viewer. The sky is lit up orange with the sun setting between mountains, and two eagles circling the sun.
TSF 2022 features tea workshops, tattoo exhibitions, and more! Image courtesy of Talking Stick Festival.

By: Sara Wong, Peak Associate

Talking Stick Festival (TSF) is about Indigenous artists coming together to present their work as a community.  Since the TSF’s introduction 21 years ago, it has been known as “North America’s premier Indigenous arts and culture festival.” 

This year’s TSF expands on that mission statement with events hosted in partnership with more local arts organizations. From a dance performance about herbal medicine to a documentary on breaking barriers in the theatre industry, the 2022 lineup exemplifies the diverse and multidisciplinary nature of Indigenous art. Here are four events you should put on your radar!

La Mitchin di Mitchif | June 19–21 | $18 | Scotiabank Dance Centre

La Mitchin di Mitchif is a collaborative dance piece between local companies V’ni Dansi and Oga Po’geh (Santa Fe)-based Dancing Earth. Artistic directors Yvonne Chartrand and Rulan Tangen, of V’ni Dansi and Dancing Earth respectively, are dedicated to promoting Indigenous culture and traditions through their choreography. This contemporary work explores the ancestral plant knowledge of Métis peoples. After the June 19th performance of La Mitchin di Mitchif, guests are invited to stay after the show to engage in discussion with both dance companies. Tickets are available online via Showpass.  

 

Medicine workshop | June 26, 11:00 a.m.–1:00 p.m. | Free | 108-237 East 4th Avenue

Hosted by T’uy’t’tanat (Cease Wyss) — a self-proclaimed Indigenous “plant diva” — this tea blending workshop will introduce attendees to the medicinal uses of plants native to the Pacific Northwest Coast. Wyss has nearly 30 years experience as a herbalist, which they pour into their small business, Raven and Hummingbird Tea Co. I’ve had the pleasure of learning from Wyss in the past through an ethnobotany course at SFU. Their joy and passion for cultivating Indigenous plants is infectious. I also found their teaching style very approachable. If you don’t know a lot about plants but are curious to find out more, this is a great place to start. Space is limited for this workshop, so be sure to register by emailing [email protected]

 

sacred skin | Now until June 30 | Free | SFU Goldcorp

This exhibition celebrates the work of seven Indigenous tattoo artists from across Turtle Island. Highlighting “the forms, aesthetics, meanings, and knowledge that they utilize,” sacred skin is an interactive way of documenting the artists’ cultural reclamation. Traditional tattooing in Indigenous communities suffered when the Canadian government enforced the Potlatch Ban in 1885. In an even more blatant example of cultural assimilation, Hovak Johnston, founder of the Inuit Tattoo Revitalization Project, noted how “missionaries and residential schools taught that the markings were shameful.” sacred skin explores the work that has been done in recent years to revitalize this artistic practice. From Nlaka’pamux mark maker Dion Kaszas’ bold blackwork designs to Iñupiaq creative Holly Mititquq Nordlum’s intricate handpoke and skin stitch tattoos, it’s clear this resurging art form is in good hands. 

 

Stories that Transform Us | Now until July 3 | Free | Online

For the past 20 years, Indigenous theatre company, Urban Ink, has been platforming diverse, underrepresented performers and storytellers. Stories that Transform Us is a 90 minute documentary commemorating the organization’s growth in pushing artistic boundaries. Created by current artistic director Corey Payette, the film includes short clips from some of Urban Ink’s previous productions, as well as conversations with Payette and past directors Marie Clements and Diane Roberts. You’ll also see Margo Kane, the founder and director of TSF, featured in this documentary. Stories that Transform Us is available to stream through Eventive.

For more information on TSF, visit their website or follow @talkingstickfst on Instagram.

Controller fearlessly dives into the human-robot conundrum

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Three people stand facing different directions with blue code projected onto their bodies, and three shadows looming over them above
Controller was part of rEvolver Festival 2022 at The Cultch. Photo Courtesy of Upintheair Theatre.

Editor’s Note: A previous version stated this play was produced by Theatre Conspiracy. This is incorrect and has been updated to reflect that Controller was produced by Nebula Theatre Company. Theatre Conspiracy is a community partner who assists with marketing.

By: Pamela Subia, SFU student

Controller was one of the plays included in rEvolver Festival 2022’s programme. Running from May 25–June 5 at The Cultch, this year’s festival explored themes such as gender diversity, minority experiences, and human-technology interdependence. 

Displaying the deep and innovative quality of the local arts and culture scene, Controller overrode all expectations. This interactive piece was produced by Nebula Theatre Company, and written by BC filmmaker, writer, director, and scientist Mily Mumford. They are also known for their acclaimed plays at the annual Fringe Festival.

The interactive aspect of Controller emotionally guided the audience to dissect human-technology interdependence and examine ethical concerns which have existed since early civilization. With the increasing presence of technology in the lives of individuals, these tensions become more apparent and difficult to ignore. 

The play started by introducing the audience to four characters living in the United States. At different plot points, the lives of these characters were determined by a vote of applause from an external agent (the audience) who has the controller to their lives. We are introduced to the characters in 2016, where two of them are video game actors and the other two work for the US military missile control centre in New York. As a viewer, the occupations of the characters made me deeply interested in the development of the plot. Many questions arose as to what these occupations are like in reality, and what ethical dilemmas they face. 

Throughout the play, the audience is tasked with making decisions for the characters in a world of killer robots, virtual realities, deepfake scandals, and violence. Controller forces the viewer to make ethically difficult decisions: whether or not to protest against a videogame or remotely bomb a group of people who could be civilians. Controller makes us think about how much more convoluted the world could get in the future with the growth of virtual reality technologies and virtually controlled war tactics.

By the end of the play, when the characters sat down to drink wine and reflect upon what had happened and what was to come, one of them giggled and said, “Nihilism is so 2020.” Nihilism is defined as “the belief that all values are baseless and that nothing can be known or communicated.” In other words, it encompasses a general indifference towards existence. This sentence was a shock to me as a part of a generation that is progressively falling into nihilism and doom mentality, but it also felt like a wake up call. After that statement, the audience has no more choices to make and the artist-audience division is replaced. This gave the audience a chance to feel relief and to reflect on the play’s message, which was loud and clear. We need to stop behaving as a spectator and start taking action for our communities and ourselves before someone (or something) else grabs the controller.

Food for Thought: Hainanese Chicken Rice

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Sliced chicken rests on top of lettuce, beside a dome-shaped scoop of yellow rice
A globally loved dish and its complicated cultural history. Photo courtesy of Alpha / Flickr

By: Kelly Chia, Humour Editor

If you told seven year old me that she was getting a treat, she would picture Hainanese chicken rice. At six dollars a pop in Singapore, the aromatic rice paired with succulent chicken and dipping sauces blew my mind. The dish may look innocuous, but together, the flavours were a symphony of comfort I would dream about constantly. Though it’s been over a decade since I’ve moved to Canada, I’m still in search of a restaurant that can stand up to the hawker stalls back home.

Like the name suggests, Hainanese chicken rice stemmed from Wenchang chicken rice: a dish made on an island in Southern China called Hainan. Hainanese citizens migrated to what was then “British Malaya,” known as Malaysia and Singapore today. These were the countries I grew up in, and food has always been a major storyteller of migrant resilience. Before the 1960s, British occupation and influence had an effect on the economy and education system— my dad was born in the 1950s and would talk about the British boarding schools in Singapore. His father was one of the millions of Chinese migrants in the Malaya peninsulas who had come to Malaya for economic opportunities. Likewise, from the 1880s to 1940s, many Hainan immigrants made their way to Malaya to work in tin mines. Wenchang chicken rice became a part of their story and would grow to be an infamous dish worldwide.

To my understanding, other Chinese groups like Cantonese and Hokkien people had emigrated earlier and established footholds in sectors like trade and agriculture. Because of this, Hainanese people struggled to find employment within these sectors and communicate in their dialect. Many migrants could only work in the service industry as cooks or domestic servants. Hainanese chicken rice was made at home, using the different local fowls and spices to adapt the original recipe from Wenchang chicken, a thinner fowl. A chef on Singapore’s Orchard Street, Liew Tian Heong, explained that chicken rice was a way to keep food on the table with the financial strife the Hainanese migrants endured. “They would make sure they got the most out of it by stretching out the flavour of the chicken — via the broth and the rice and so on — as much as possible.”

Singapore heritage enthusiast Brian Wong writes that after World War II and the Japanese occupation, there was an economic slump in Malaya because the British had left the region. This was when Hainanese chicken rice made its way from home kitchens to the many chicken rice stalls that started popping up in the region, because migrants were forced to find work as street hawkers — selling food as outdoor vendors. Their work would help establish hawker culture in Malaysia and Singapore. Although hawker culture generally prospered in the region of Malaya, Singapore is the nation awarded with the UNESCO Representative List of Intangible Cultural Heritage of Humanity. Any Singaporean would be proud to talk about the mountains of delicious foods in the hawker centres. Here, you’ll find freshly made sugar cane juice, carrot cake, and of course, Hainanese chicken rice. 

From there, the homely dish of poached chicken and oily rice became infamous. What made chicken rice so special was the rice itself: fried in chicken fat, then boiled in chicken broth, ginger, lemongrass, and other fragrant spices. The yellow, flavorful rice is the most delectable part of this simple dish. Most notably, it became associated with Singapore.

When Singapore and Malaysia split in 1965, both countries laid claim to the regional food, and still continue to. When I’ve encountered versions of this dish in Canada, I’ve almost exclusively heard it called “Singaporean chicken rice,” so it’s clear how much Singapore purports this as a national dish. But in Kuala Lumpur, Malaysia, a Hainanese chicken rice restaurant has proudly been open since the 1930s, longer than when Singapore opened its first chicken rice stall in 1940 by Wong Yiguan. So who does this belong to? 

To this day, because I am both Malaysian and Singaporean, I admittedly feel conflicted about the debate. What I do know is that this dish, so iconic of the cuisine I grew up with, is about overcoming both British and Japanese occupations. It’s the dish of immigrants. Every bite of the succulent poached chicken tells the stories of the Hainanese migrants who made hawker culture prosper.  

For a 23 year old me, this dish is still a treat that has me grinning mouth-to-mouth. Some of my favourite places to sit and have Singaporean and Malaysian cuisine is a restaurant in Coquitlam called Singapore Hawker — order up a plate of chicken rice, and taste it for yourself!

Study finds Vancouver is within reach of implementing the 15-minute city model

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The photo shows the city of Vancouver from an aerial view. The city is in front of mountains and surrounded by water. The suburbs of Vancouver stretch towards the camera.
15-minute cities are created when grocery stores are within walking distance for all residents. PHOTO: Matt Wang / Unsplash

By: Chloë Arneson, News Writer

A new study by SFU researchers finds that 79% of Vancouver residents have access to a grocery store within a 15 minute walking distance. The Peak interviewed Kate Hosford, PhD candidate in SFU’s health sciences department, who recently published her work on the walking and cycling accessibility to grocery stores in the greater Vancouver area, to learn more about inclusive city design. 

Hosford explained that city planning encompasses more than shaping the physical features of a city it can impact how residents interact with the space around them. She commented on the importance of a well-designed neighbourhood and the effects it can have on certain populations. “Designing cities so that people can access their daily needs by walking or cycling not only makes for a more inclusive city but is also beneficial from a health and environmental perspective.” 

The walkability of a given neighbourhood can improve the well-being of community members. “People who live in neighbourhoods with more destinations and recreational facilities have higher levels of transport-related physical activity and social connections  — which [are] both important for our health,” Hosford said. A study published by Statistics Canada found many Canadians are not meeting the recommended levels of physical activity. They found neighbourhoods that are activity friendly can positively impact the fitness levels of residents.

Improving accessibility to grocery stores involves changing the way residents interact with their communities by reducing the need for cars, and increasing walking and cycling. Hosford explained the importance of implementing “land use policies that support mixed-use higher density neighbourhoods.” This means designing buildings to be multi-purpose, such as highrise living above a convenience store or office spaces connected to retail stores.

“It will be important to work on preserving and creating affordable housing options so that lower income populations aren’t further displaced into outlying areas,” she said. This strategy is already being implemented in Paris. Hosford explained the Mayor of Paris’s goal to have “30% of the housing stock in the public domain by 2030.” This will “help retain low and middle income residents.”

The City of Vancouver has recognized the need to set targets for increasing walkability within the city. They aim to have 90% of residents live within walking distance or bike ride of their daily needs by 2030 as part of their climate emergency action plan. By increasing spaces for walking, cycling, and transiting in the metro core, the City hopes to have “two-thirds of trips in Vancouver to be by active transportation and transit.” 

The action plan also recognizes that those who contribute the least to climate change are often the most impacted. The plan notes “climate justice will be a key part of our work, aiming to overcome historic discriminatory city legacies.” Hosford said, “People [who] are more dependent on the car, public transit, or delivery services for groceries” have unequal access to basic necessities and facilities.

In the future, Hosford hopes to study whether spatially accessible grocery options are actually meeting residents’ needs. “It’s also important to talk to people to understand if the local grocery stores are serving their needs. The closest store might not be affordable, or it might not have culturally appropriate foods,” she said.

You can learn more about the 15-minute city by visiting their website or by reading Kate Hosford’s research paper.