SFU buys out Videomatica’s documentaries
By Ali Omelaniec
Photo by Geoff Lister (The Ubyssey)
In preparation for a new cinema studies major, SFU expands its film collection, keeping Videomatica’s stock out...
Movie review: Red Tails
By Will Ross
It’s important that films start to have casts that feature visible minorities, but Red Tails is just counterproductive to the cause
Red Tails has...
Club PuSh: at the heart of art
By Sonya Reznitsky
Photo courtesy of PuSh Festival
Tim Carlson, co-curator of PuSh Festival’s creatively promiscuous little sister, speaks on its successes
A gala at the Waldorf...
Ghost town: SFU’s absent arts community
By Daryn Wright
Photo by Jenny Waters
What can we blame this time for the student–campus disconnect?
I’m not the first to observe the state of SFU’s...
Peak Pick: PuSh Festival
By Kaylin Metchie
Photo courtesy of PuSh Festival
PuSh is cutting edge and avant garde, featuring acts that push the frontiers of performance art
The PuSh Festival...
Restaurant opening: The Union
By Ljudmila Petrovic
New addition to the up-and-coming Strathcona neighbourhood lives up to its trendy expectations
219 Union St.
The Union, a newly-opened Southeast Asian cuisine restaurant...
Movie review: The Girl with the Dragon Tattoo
By Jenny Kim
The American remake holds its own, armed with strong actors and suspense at every turn
Based on the novel of the same name...
Movie review: Carnage
By Adam Cristobal
Simplicity and minimalism allows viewers to focus on the interactions between characters instead
Roman Polanski’s Carnage is based off of Yasmina Reza’s French...
The Black Keys – El Camino
By Kristina Charania
The Black Keys’ seventh coming makes bluesy garage-rock even classier
Here’s a funny tidbit: the car on the front cover of El Camino...
Here’s the best thing about winter
By Carnell Turton
The Peak presents a guide to local winter brews made and sold right here in B.C.
Winter sucks. It brings rain, and a...
