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Unraveling stories of “dreamers and changemakers” at the Xicanx exhibition

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gold and white painting of a praying woman or saint
Xicanx: Dreamers + Changemakers showcases the interconnectedness of art and activism. Krystal Chan / The Peak

By: Pranjali J Mann, Staff Writer and Yelin Gemma Lee, Arts & Culture Editor

Content warning: mentions of racialized violence against Latinx folks, El Paso mass shooting, undocumented status, systemic racism 

The Museum of Anthropology (MOA) on the UBC Vancouver campus displays art as a powerful form of activism and sociopolitical critique. The Xicanx: Dreamers + Changemakers exhibition opened on May 12 and is gracing MOA until January 1, 2023. It aims to expand on “the idea of Xicanx art while continuing to address the personal, social, and political issues of our times.” Being a student learning about similar issues relating to the India-Pakistan partition and loss of family and culture across borders, this theme intrigued me. 

Xicanx is a gender neutral term for chicano/chicano — used to connote “people of Mexican origin living in the United States since the early twentieth century.” In the context of the exhibit, the term “reflects those who fought for and claim this designation, and incorporates the ‘X’ from the Spanish transcription of the Nahuatl sound, ‘ch.’ Nahuatl is one of the major Indigenous languages in Mexico.”  

The exhibit covered experiences which “transcend borders and gender,” through themed sections: neighborhood, borderlands, activism, home, and identity. Displaying a wide range of artworks from 1970–2022 by 33 Mexican American artists including murals, mixed-media installations, and paintings, the vibrant exhibit was captivating.

According to the exhibit co-curator, Jill Baird, the exhibition presents stories significant to Mexican culture, activism, and the US border. The moment I entered the exhibit, a ceiling full of colorful flags and hot pink walls welcomed me into the space with a powerful quote by Tomás Ybarra-Frausto: “The power of place is tangible and evident in the way we speak, how we identify ourselves, and the values we profess.”

Borderlands

According to Baird, this section of the exhibit captures “peoples’ concerns of crossing the Mexican American border, but also the idea of how that impacts people’s lives.” 

A piece by Carlos Fresquez titled Salon de los Ilegales particularly stood out to me the most from the borderlands section. The piece uses the silhouette of a family that was used on “yellow highway caution signs” at the US-Mexico border “to warn drivers to watch for Mexican families running or crossing the roads.” This recognizable silhouette of the running family is placed on various thrift-store landscape paintings. The paintings are displayed across a map of the US.

“I ‘illegally’ place a representation of the Mexican into their utopia. Therefore, by placing the running family into these landscapes I am documenting the undocumented,” wrote Fresquez in the description of the artwork.

I was immersed in reflecting on the stories of perseverance depicted in this piece. Would the kids running ask their parents why their identities were constructed this way? What conversations would they have? Where are they now?  

Another piece read, “We did not cross the border. The border crossed us,” attributed to Tomás Ybarra-Frausto. The exhibit referenced a map of 1848 borders, when Mexico made up a larger part of the US.

In Our Lady of the Checkpoint, a woman with a halo and prayer hands is depicted crossing the border. The piece was crafted by “woodcut and vinyl on archival paper” by Celeste De Luna. The artist statement read, “The common experience of brown women of the border, both documented and undocumented, is how bodies are considered potentially criminal vessels and are objectified by both governmental agencies and people all around us.”

Activism

The section focusing on activism highlights the negative impacts of fighting the status quo on their bodies. The two-piece painting by Roberto Jose Gonzalez featured skeletons on a Black background and appeared to be connected by two skeletons’ hands meeting at the same point along the edges. One was titled El Paso 8/3/19 and the other No Hate, No Fear. El Paso 8/3/19 depicts a chilling scene of skeletons strewn about on the ground on top of each other, with one skeleton leaning a hand on the edge of the canvas. Gonzalez described that this piece was on the El Paso, Texas massacre, a racially targeted mass shooting. 

“The shooter wrote that he was specifically hunting Mexicans. It is a tragedy where few words can express the pain and sorrow experienced,” wrote Gonzalez in his artist statement. No Hate, No Fear extends off of the death-pictured piece, depicting what appears to be the grieving loved ones of those in the previous panel. Even through skeletons, Gonzalez successfully expressed human grief and tragedy of lost life in an emotionally impactful way. 

Neighbourhood

The Brown Dot Project by Linda Vallejo featured “data pictographs” which represented statistics in different shades of brown relating to class and color. The project came from Brown Belongings where Vallejo collected “the experiences, knowledge, and feelings” of “Chicano/a and American Indigenous communities.” In her statement the artist said, “I ‘long’ to find a visual language that will open a dialogue about how Latinos see ourselves, how others see us, and how we can find understanding and joy in both our differences and our similarities.” The infrared orange colour of the pigment prints as a way to present data and make commentary on racialized experiences was powerful. 

The Xicanx exhibition stirs a strong message of social justice by allowing a platform for artists that are “dreamers and changemakers.” The most important takeaway is to go and visit these masterpieces while they are here. As Baird revealed, the viewer might be able to catch some of the artists as they sometimes drop by the museum to talk about their impactful pieces. MOA plans to host a celebration in honour of Day of the Dead on November 2. 

To learn more about the exhibit and purchase tickets to Xicanx: Dreamers + Changemakers, visit MOA’s website. You can virtually preview the exhibition here.

Food for Thought: Bubble Tea

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A digital illustration of a brown sugar bubble tea with pearls on top
Bubble tea options can be found around SFU campuses! Illustrations courtesy of Stella Nguyen / The Peak

By: Cristina Liao, Peak Associate

From the newly opened Yogost in UniverCity to the Gong Cha stores that can be found all over the Lower Mainland, we see this Taiwanese drink known as bubble tea, boba, or 珍珠奶茶 rapidly seep into the western world. 

I have a never-ending love for this beverage. Once summer hits, the fruit-based bubble teas are my ultimate comfort drink when those study sessions start getting rough. With its numerous unique flavours like “peach soda pop” at Yi Fang and my go-to “osmanthus oolong tea” at Shiny Tea, it’s hard to imagine ever getting bored of this drink. Even if you were to order everything from the menu at one store, different shops will have their own flavours and unique takes on classics like taro

Digital illustration of milk tea with jelly and pearls
Illustration courtesy of Stella Nguyen / The Peak.

Being one of Taiwan’s most beloved beverages, the history of bubble tea began in the late 1980s with the classic milk tea. Milk tea, shaved ice, and tapioca balls were individually popular as desserts at the time and these elements were combined to produce the first classic milk tea boba. As bubble tea became increasingly popular throughout Taiwan, “stall owners started introducing fruit boba, using fruit powders and syrups in lieu of actual fruit.” 

However, this isn’t the only origin story of bubble tea. There are other claims to the true beginnings of bubble tea such as the rumour that a teahouse in Taiwan called Chun Shui Tang started selling iced tea on their menu. The manager there decided to add tapioca pudding in their drinks as a test, and ended up adding it to the menu because of how good the combination tasted. This addition became so popular that it was a bestseller for the shop’s franchise and concessions all over Taiwan began following this trend.  

Digital illustration of a matcha latte bubble tea with pearls
Image courtesy of Stella Nguyen / The Peak.

Although I’ve been delighted at the growing popularity of bubble tea in the western world, it sometimes feels like East Asian culture is watered-down to iconic food and drinks like dim sum and bubble tea. Childhood memories of white classmates making fun of the smell or look of my lunches contradict the love for certain East Asian foods I see now. Food can be closely linked to cultural identity, but cultural appropriation and the white gaze seem to take up too much space and overshadow this beautiful experience. 

Bubble tea plays a large role in Asian Canadian culture, seeing as it has brought a newfound appreciation for our influence on Canada’s food and drink sector. As Presotea states, “For many diasporic Asians, bubble tea is a symbol of their culture.” As an SFU student, you have many options for getting this cultural beverage on our campuses. There are Xin Fu Tang and Coco stores that can be found at the Central City mall beneath the Surrey campus, as well as numerous places at SFU Burnaby, including the aforementioned Yogost. You might see me at Yogost on a hot summer afternoon enjoying the peach lychee yoghurt foam, contemplating the true origin story of bubble tea.

 

How voguing carries decades of queer history through its movement

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The person extends their arms out toward the audience in a vogue pose with a PowerPoint slide of the event banner projected behind him
The public talk and workshop event gave an emotionally compelling introduction to ballroom culture and vogue. Photo Credit: Chloë Arneson / The Peak

By: Chloë Arneson, News Writer

On June 16, the SFU School for the Contemporary Arts and SFU’s Vancity Office of Community Engagement hosted a Public Talk and Vogue Workshop at the Goldcorp Centre for the Arts. This workshop and presentation was part of their two-day event to explore the history of the house and ballroom community. 

House and ballroom is an underground Black and Latinx LGBTQIA2S+ subculture that features extravagant social events of gender and sexual expression. Vogue is “a highly stylized form of dance.” Inspired by poses from Egyptian art and high fashion, voguing uses exaggerated gestures and movements to tell stories and celebrate LGBTQIA2S+ identities.

As a queer person, I’ve interacted with fragments of ballroom culture and voguing, but had very little knowledge of its rich history and cultural importance going into this event. When I walked off of the colourfully lit dance floor on the afternoon of June 16, I left with a greater appreciation for how much of our present-day queer culture is owed to the Black transwomen of the ballroom scene.

Michael Roberson, co-creator of the National Black Gay Men’s Advocacy Group, walked us through the origins of ballroom and voguing. He explained that a community formed around the ballroom scene, led by Black and Latinx transwomen who created this space for themselves in and around New York. Vogue uses a variety of different styles and techniques, all with various cultural origins within the queer community. Roberson showed us videos of iconic ballroom and voguing performances by trailblazers including Leiomy Maldonado and Javier Ninja

I was astonished that in all of the drag related media I have consumed, I had never heard these stories. Drag is an industry that profits immensely from the culture of Black and Latinx people, but now largely excludes them from the limelight. I made a mental note to think more critically about the queer content I support going forward and started by watching more Maldonado videos in awe as soon as I got home.

Following the moving and educational talk by Roberson, we jumped right into the voguing workshop. Ralph “Posh” Gvasalia, the founder of the non-profit VanVogueJam, led us through the basic 5 Vogue-Femme elements: hands, catwalk, duckwalk, spins/dips, and floor.  

As we learned the first few moves with our hands and practiced our catwalks, I felt like a badass. This explosion of confidence was instantaneously cut short as we moved on to spins, dips, and the duckwalk. Bouncing across the floor in a crouched position, some attendees put on their best Maldonado faces and some couldn’t help but laugh as we struggled to keep balance and kept falling backwards. The duckwalk required you to kick your feet out while crouched, incorporate the hand movements we learned earlier, and core strength — all of which I do not possess.

For a dance that is so commonplace within queer culture, I never realized how hard voguing is. Posh taught us that ballroom is more than just individual elements laced together to create a performance: it is a form of storytelling. He told us to imagine a story for ourselves that embodies the attitude we feel while we dance, and let it be seen through our movements. It was a little tricky to embody the diva within me as I gracefully smacked my head on the floor. 

We practiced in a circle around Posh and even though I was definitely not getting better, I started having more and more fun. In the spirit of vogue and ballroom, we clapped to keep each other on beat and cheered with delight as Posh showed us what a true master of vogue can do.

As a person who never had the chance to really participate in queer culture within their own city, this event felt really liberating for me. Learning how to vogue encouraged me to step out of the restrictive box I created around my queerness and allowed me to be unapologetically expressive. I felt connected to both my local queer community and its rich history. 

To learn more about the history of ballroom, you can watch Michael Roberson’s TED talk. To learn more about SFU’s Vancity Office of Community Engagement’s upcoming events you can check out their website and their Twitter.

Pass Over uses morbid humour to critique systemic racism

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Two young Black men dressed in casual street clothes pose standing with the backs of one shoulder connected, looking at the camera solemnly
Pass Over cleverly critiques police brutality and systemic racism in an emotionally impactful story. Photo Courtesy of Emily Cooper

By: Yasmin Vejs Simsek, Staff Writer

Content warning: mention of racial slur, racism, police brutality.

Pass Over at the Waterfront Theatre on Granville Island is a political commentary on Black men wanting a better life for themselves. Written by Antoinette Nwandu and directed by Omari Newton, this Broadway play has come to the Vancouver stage to make the audience laugh, cry, and reflect upon the impacts of anti-Black police brutality and systemic racism. 

The long-time issue of police brutality is something that has been denounced by the general public, especially after the murder of George Floyd. Pass Over did not shy away from critiquing this systemic problem and successfully portrayed the fear that Black people must experience daily — particularly in the US. Moses (Chris Francisque) and Kitch (Kwasi Thomas) are the two charming and witty main characters of the play: Black men who are on the streets dreaming of the promised land and taking their fate into their own hands. Pass Over successfully left me on the verge of my seat, wanting to analyze every single aspect of the play. 

The play starts with Moses and Kitch talking shit with an overuse of slang words and being brotherly with each other. Within the first five minutes of the play, they fell to the ground in fear of gunshots from the police and the audience were left feeling horrible for having just laughed at their inside jokes and banter. This form of contrast happened several times during the play and each time we were more and more struck by the reality of fear.

The set was simple, with a street, a lamp, some trash, and tires and crates for seats, and it magnified the characters’ circumstances and their wish for a better life. Moses and Kitch discussed their ten-point list of what their promised land entails, which included ordinary items we take for granted such as clean sheets and socks. Directly following this dialogue, a stranger entered and juxtaposed our two protagonists with his Southern vocabulary, pristine white suit, and food for a whole village. In stark contrast to Moses and Kitch who just shared a pizza crust, he was an alien in their surroundings, a representation of colonialism. Moses and Kitch attempted to talk like the white stranger, in the hopes the police would leave them alone. This was very comical and absolutely tragic all at the same time.

It would be impossible to count how many times the n-word was used in Pass Over. It became exaggerated when paired with the repetitive use of “damn” and “man,” to the point of being overdone. It was also repeatedly said by white characters, which was extremely uncomfortable to hear, but I imagine that was the intention.  

The play takes a metaphorical supernatural turn when Moses gets the powers of the biblical Moses to overcome “the angel of death itself” — the police. This was a clever way of showing that it literally took magic to get out of the unjust circumstances enforced by systemic racism.

Pass Over astonished me. The turn of events threw me back in my seat and I was surprised I didn’t see it coming. The emotional acting and the hardships portrayed had me too engaged to even imagine what could come next. I find it very impressive when a play can make you laugh through a topic that is so traumatizing, and the guilt of laughing is an important emotion needed to reflect upon the realities being critiqued. Although with small theatrical critiques, I was left reflecting on the play and its message for hours afterwards — and isn’t that what theatre is supposed to do?

Pass Over runs at Waterfront Theatre till July 2, 2022. Tickets can be purchased here.

Events to not miss at Queer Arts Festival 2022

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Drag Queen Bijuriya stands on a black background in her Desi-inspired costume with white and gold details
A peek into the artsy festival of the summer by and for the LGBTQIA2S+ community. Photo courtesy of QAF 2022 and SUM Gallery

By: Yasmin Vejs Simsek, Staff Writer

The Vancouver Queer Arts Festival (QAF) is in the top three list of LGBTQ2S+ arts festivals world-wide and features multimedia exhibitions, music, rooftop parties, and more. This year it returns to an in-person programme from June 18–July 8 with the theme “Hauntings.” Artistic director Mark Takeshi McGregor defines the theme as an exploration of “what frightens us, with liberal doses of profundity, humor, and camp.” The festival takes place in different arts spaces around Vancouver, with most of its events hosted at the Sun Wah Centre in Chinatown. 

Here are four events to look forward to at this year’s Queer Arts Festival:

 

HAUNTINGS: Pride in Art Community Show

For the first time ever, this community arts show is teaming up with the queer-led James Black Gallery to showcase art from local LGBTQIA2S+ artists. The Pride in Art Community Show is a staple at the QAF, and every year its name honours two-spirit artist and co-founder of Pride in Art Society, Robbie Hong. HAUNTINGS will feature works from artists such as stunning digital artist Avery Chace, and multi-medium, macabre inspired artist Braden Scheck.

When: June 20–July 8, Wednesday–Saturday from 12:00 p.m.–6:00 p.m. 

Where: The James Black Gallery (144 E 6th Avenue)

 

Vanishing Act

Vanishing Act is a curated visual art exhibition featuring almost 20 artists from the global queer community! It’s mainly focused on the Global South and its diasporas. The exhibition fits extremely well with the theme of Hauntings, as the curators ask the audience to “face our own Frankensteins.” It also fits well with Vancouver, our very diverse and talented city. Plan your visit for July 2 if you want to tag along on a guided tour by the exhibit’s curator, Adwait Singh, and creative director, SD Holman.

When: June 18–July 8, Wednesday–Saturday 12:00 p.m.–6:00 p.m.

Where: Sun Wah Centre (268 Keefer Street, third and fourth floors)

Curator Tour: July 2, 3:00 p.m. and reception at 5:00 p.m. 

 

Queerotica 

Queerotica brings you a night of literacy and is the perfect event for you bookish types out there. You’ll be enjoying readings from local writers who will challenge how BIPOC queer bodies are fetishized, projected, and eroticized. It will also explore the effects of masking or revealing one’s true self under colonialist supremacy. This event is sure to stand out with its focus on harrowing realities felt throughout the BIPOC queer community. 

When: July 6, 7:00 p.m. (door opens at 6:30 p.m.) 

Where: Sun Wah Centre (268 Keefer Street, Rooftop)

 

Glitter is Forever 

This rooftop party is the festival’s closing event, and not one to miss! I imagine there will be loads of glitter — and what better way to end the QAF. You’ll be able to see the art that’s been displayed throughout the festival as you make your way up to the party that will be featuring music and drag performances. Members of the Vancouver-based Asian drag family, House of Rice, will be performing, including the drag mother herself, Shay Dior. See you there!

When: July 8, 7:00 p.m.–10:00 p.m. (doors at 6:30 p.m.)

Where: Sun Wah Centre (268 Keefer Street, Rooftop)

 

Tickets are purchased for each individual event with the ones mentioned being by donation or included in the festival all-access pass (priced at $69). You can find the link to their Eventbrite page for tickets on their website.

Horoscopes: June 27–July 3

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An illustration of a girl with long flowing hair. Astrological signs and stars shine around her.
ILLUSTRATION: Marissa Ouyang / The Peak

By: Max Lorette, Peak Associate and Local Mystic

Aries: 

Has the stress of exams got you down, Aries? Do you feel stuck and exhausted? The stars have told me that you are overdue for a natural shower in the rain. Like Poet Laureate Natasha Bedingfield said, “Feel the rain on your skin, no one else can feel it for you.” Just make sure you wear a coat. Whatever you do, don’t blame me if you catch a cold.

 

Taurus:

Taurus, when your friends are asking how you’re doing, I promise that they genuinely wish to know. There’s no need to lie and tell them that you’re fine. Next time, instead of your cookie-cutter response, simply scream at the top of your lungs into the phone. That will certainly get the message across.

 

Gemini:

Gemini, how has your sleep schedule been lately? The stars have been worrying that you’ve been wearing yourself down too thin. While the best solution would be to get to bed early, we all know how highly unrealistic that notion is. Instead, try micro-dosing on sleep by just taking slower blinks. I’m no expert, but isn’t that just basically a mini nap?

 

 

Cancer: 

Something (the stars) tells me you haven’t taken the time for a mental break in a while. Hit two birds with two stones and begin hydrating yourself to no end. I’m talking about getting one of those comically large bottles of water. You know the ones. Not only will you assist the proper function of your organs, but you can give your mind a quick rest while you stare off into space during your 5th pee-break of the day.

 

Leo: 

Now, we both know that you hold a certain flair for the dramatics, so next time you feel a little bit too stressed out my best suggestion would be to fake your own death. Show up to your funeral in a clever disguise and watch on like the Petty Patty you are. Once you reveal yourself to be alive, I’m pretty sure that everyone will be so overjoyed that you won’t have to hand in that assignment you were dreading. 

 

Virgo: 

If things have felt too overwhelming lately, the stars have suggested putting on some rain sounds. They have advised you to imagine yourself as a tiny little frog on a lily pad. Things are always less stressful if you’re just a little slimy guy on a lily pad. Maybe try eating a fly or two while you’re at it!

 

Libra: 

Have you felt out of balance lately? Have you been feeling generally off? The stars have informed me that you’ve been carrying your book bag on your right side for far too long. Switch that bag to the other shoulder and injure it too so it doesn’t feel left out.

 

Scorpio: 

Next time you’re feeling low on energy, the stars advise that you appreciate the little things in life. Give a hug to your shortest friend. Buy some of those erasers shaped like little versions of food. Give a kiss to a bug. Research bacteria. Either way, it’ll take your mind off of the constant gears winding in your head.

 

Sagittarius: 

Have you ever heard some WASP woman talking about how good yoga is physically and mentally? Well, I don’t know about you, but I’ve made it a habit to never listen to a Karen. Even if they possess a shred of truth, I advise you to do the complete opposite. Instead of yoga, try lying in bed for a few days. Soon, you and the mattress will become one. 

 

Capricorn: 

As much as I respect the hustle, the idea of working yourself to the bone simply isn’t sustainable, my dearest Capricorn. The stars and I are literally begging you to take a singular day off. Do not run any errands. Do not hang out with friends. Simply allow yourself to exist. Don’t try to weasel yourself out of this one, Capricorn! It’s called tough love for a reason. 

 

Aquarius:

I think one time I read in a self-care article that keeping a journal is a useful tactic. Vent out all your feelings into the pages of your new moleskin! Reveal all your life’s secrets! Next, leave it out in the open so that I can steal-BORROW it. Don’t forget to add in your credit card number and your CVN.

 

Pisces: 

When was the last time you went to the aquarium? Middle school? Elementary school? The stars have informed me that looking at some swimming little fishies is exactly what you need to calm down. Rejoin your brethren and take a big dunk into the tank with the fellow aquatic sea life. Or, maybe just get an overpriced hat from the gift shop. That works too.

 

Finding unexpected queer community in a religious school

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A pride flag hangs in front of a grey building. The flag includes the rainbow colours, as well as the pink, blue, brown, and black stripes.
Despite church teachings, I found myself and my community. PHOTO: Jack Lucas Smith / Unsplash

By: Fern Ridley, SFU Student

Content warning: queerphobia, religious bias

I think most people who grew up aware of their queerness felt like they were the “only one” at some point. I was attracted to girls before I even realized I was expected to like guys, but felt like I couldn’t tell anyone because I had no one like myself to look up to. Thankfully, the indoctrination never came from my family, but when you spend seven hours a day at a homophobic religious school, you can’t avoid queerphobia. 

I was 12 when I cut my hair short for the very first time. It felt like a weight was lifted off my shoulders, both literally and figuratively. I remember showing up at 7:00 a.m. basketball practice sporting a gleeful grin while passing my peers and awaiting their responses. 

“There’s a boy on our team!” cried one girl.

“Are you a lesbian now?” rung in my ears. 

This wasn’t my attempt at coming out. It was nothing more than an experimental haircut, but at my school you might as well be wearing a rainbow shirt with the word “queer” embellished on the front. I’d always had a hard time fitting in, even before people assumed I was queer. Now, even my closest friends would turn around and avoid me while changing. 

I’d always felt different from everyone else, but as the only girl in middle and high school with short hair, I had become a target. I remember the day the guidance counsellor called me into his office and sat me down. It was freshman year of high school, shortly after I buzzed my hair even shorter. He said he could tell I wasn’t like the other girls, and told me to listen more earnestly to what I was being taught at school about a woman’s role. It was for my own good, he told me.

Sometime after, I confessed my feelings to a crush. He responded by telling me he would’ve liked me back if I’d told him before I cut my hair. My first boyfriend was the first person to like me back since my haircut. I had scooped him up in part to “prove” my supposed heterosexuality to all the girls in my grade.

Growing up queer in a religious school is terrifying and confusing. It’s almost like being in two closets, one of which keeps you locked out from being able to see your true self and the other from everyone else. With such little conversation about sexuality in my school, queer people became a fantastical “other” that were associated with the daunting “outside world.” 

Fundamentalists like to pretend they can fashion a neat little bubble to protect their loved ones from reality. “Hate the sin, love the sinner,” is something you’ve probably heard if you grew up in a Christian environment. As a kid, it made sense to me. We were brought up to believe that all humans are sinners, and because of that everyone’s equally . . . evil.

It doesn’t sound as nice looking back as an adult. How can you reduce someone’s identity to sin? How can you equate the innocence of sexuality to something harmful like deceit or violence? I experienced a lot of cognitive dissonance about my sexuality and gender because of this saying, and would constantly write off my feelings as a passing phase. 

When I found myself friendless again in my freshman year of high school, I met a small group of people that felt like home to me. We spent hours in Animal Crossing changing our hairstyles and outfits. We dabbled in cosplay and embraced fantasy fiction as a way to escape our repressive realities. None of us realized it at the time, but our queerness was a big part of what brought us together. 

Our friendships were characterized by a lack of judgment. Because we were all closeted at the time, this acceptance was seen mostly through a shared enjoyment in our hobbies. We all had different interests, but supported each other nonetheless. After high school, we faced more serious challenges because of our identities. Discovering we were all queer felt like meeting each other all over again, in the best way possible. 

Now, we have a lot more to connect with each other about and have started to process our upbringings. Some of the things we’ve collectively experienced were being ostracized when going against gender roles, the startling lack of resources we grew up with, and the lack of knowledge around queerness and gender. The few times I remember teachers speaking about queerness was when they were offering an outdated religious perspective on current events. No one dared question the teacher for fear of being outed. 

Friends have spoken about how the shame carries over, sticking with them even as they try to unlearn it. Ultimately, it prevented us from coming into our own. 

One of my friends expressed “that you can’t keep people from being themselves forever, only delay people from discovering their true identity.”

Looking back, I can name many queer people that I went to school with, but only one came out in high school. The rest stayed silent until after graduation because there was such a high risk of ostracization. What we’ve all learned is that suppression does nothing to “cure” queer people, and everything to harm them. 

Graduation felt freeing, but it was hard to fight the sense of isolation ingrained in us. Without a clear sense of community, queer people from our school felt like we were on our own. Because we were all forced to hide ourselves, it felt like we were thrown into adulthood without the community that those who attend public school may have. 

I was only able to truly love myself once I fully removed myself from the fundamentalism I grew up with. The more I remove myself from learned bigotry, the prouder I become of my queer identity. My friends and I are still learning how to openly be ourselves but I’m glad that I managed to maintain our connection. If things went any differently, I don’t know if I’d ever become comfortable in my own skin. 

No matter how hard people try to silence conversations about gender and sexuality, they’re only teaching students to hide themselves. We are who we are regardless of what our teachers say. It breaks my heart to think about the suffering we all endured, feeling alone and unable to express our identities. I can only hope that in time, fewer people will have to experience what we did growing up. But ultimately, I’m grateful nonetheless for the community I unexpectedly found.

Political Corner: Canada’s medical system is failing us

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black and white stethoscope
Canadians lack consistent “reasonable access” to healthcare. PHOTO: Hush Naidoo / Unsplash

By Olivia Visser, Staff Writer

Canadians like to boast about our country’s exceptional healthcare system. “It’s free!” they’ll exclaim. And while it’s true that you can visit a Canadian emergency room without having to worry about racking up a semester’s worth of debt, there’s still work to be done to ensure equal access to routine and critical healthcare.  

The Canada Health Act (CHA) is the federal statute that guides provinces on the quality of health services and coverage. The Act aims to “facilitate reasonable access to health services without financial or other barriers.” It’s not as effective a safety net as you might think. 

The problem is that the CHA doesn’t specify what “reasonable access” means, leaving it mostly up to each province’s discretion. One study found Canada’s quality of healthcare services is unfairly distributed to people based on people’s “gender, ethnicity, geographic location, and socioeconomic status.” 

Class inequities in healthcare are exacerbated by historical marginalization. Indigenous communities, for instance, face some of the most significant barriers to receiving quality healthcare. 82% of Inuit living in Inuit Nunangat do not have a family doctor. Surely, that should constitute a violation of what most Canadians consider to be “reasonable access.”

The CHA is not only failing to deliver equal access, it’s failing to support home and community care, as well as outpatient prescriptions. As such, delivering quality care lies largely in provincial, territorial, and municipal guidelines. That’s only the beginning of how the CHA is failing to address critical care. 

For conditions that don’t present an immediate risk to one’s life, finding support is a lofty task. Canadians with endometriosis experience an average diagnosis delay of more than five years, despite it affecting roughly 1 in 10 people who have a uterus. It’s considered one of the most painful conditions in the world, yet it’s one of many chronic illnesses that aren’t properly cared for under our system.

Those with rare and under-researched chronic illnesses also suffer from substandard care in Canada. A BC woman in her 30s living with the genetic Ehlers-Danlos syndrome was recently approved for medical assistance in dying, despite reportedly wanting to live. She commented that accessing “death care” was easier than navigating our poorly managed healthcare system. 

Mental health remains one of the least accessible services in Canada, despite the growing movement to normalize it. Federally, the cost of mental health services is only covered if they are deemed “medically necessary.” This means psychology services provided outside of a hospital will generally cost you out-of-pocket. In BC, outpatient psychology services are only covered by your provincial Medical Services Plan until you reach the age of 18. After that, you’re on your own. An adult autism diagnosis in BC is around $2,500, and the average cost of a single therapy appointment is at least $100. Many extended health plans provide a very limited amount of coverage for such services. The same can be said for dental care and physiotherapy. 

The CHA needs to be amended to define what “reasonable access” means, and ensure it actually is reasonable. Denmark offers “free and equal access to healthcare for all citizens,” leaving less room for interpretation. Their system includes a comprehensive list of patient rights, like a time limit on diagnosis and treatment. In hospitals, the limit is 30 days. If it can’t be met, patients are given the option to be treated privately or abroad for free.

We need to stop dismissing people’s suffering by falling into the belief that our healthcare system is efficient enough. It’s not. This is a crisis that not enough people are talking about. Discussion may only be the beginning of real change, but it’s an important piece of the puzzle. Only once we amend the “reasonable access” clause can we start dispensing quality care to all Canadians. 

Mosquitoes? More like mosqui-foes!

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Illustration of a person in a karate gi fighting a stray mosquito
ILLUSTRATION: Nazmus Sakib / The Peak

By: Chloë Arneson, News Writer

  1. Hand-to-hand combat

    Instead of letting the mosquitos come to you, take the fight to them, Mr. Miyagi those suckers. Take a trip to your local gym or dojo so when mosquitoes see your muscles, they tremble in fear instead of drooling with hunger. Whether it’s karate, judo, or krav maga, this summer you’ll be prepared for the onslaught of attackers from every direction thanks to your new martial arts training. When those flying bad boys come, and they will, you will be able to bravely defend yourself and your loved ones from mildly inconveniencing itchiness.

  2. Elaborate disguise

    If you can’t beat ‘em, join ‘em. This summer try taking up a few sewing classes to create your very own DIY mosquito costume. Grab your favourite snack and relax knowing those pesky bugs think you’re one of their own. You’ll be able to reuse this costume throughout the whole summer, making it easy and cost-effective.

    *Pro tip: don’t make your costume too realistic or else you might be attracting too much attention from mosquito hunks asking for your Snapchat. Consider adding an extra leg or a discoloured eye to make sure you don’t pull it off too well. 

  3. Get lit

    After some scholarly research, we have found that one of the easiest and safest ways to kill mosquitoes is by using what you already have — booze. Well, kind of. Apparently, these foul beasts are not as big fans of the juice as we humans are, and a plastic spray bottle full of 90% isopropyl alcohol will be able to kill mosquitoes with a refreshing fine mist. Just don’t drink the mixture as we can guarantee it will not taste very good. Instead, try sipping an ice-cold beer knowing you have a foolproof and simple way to get around one of the most annoying parts of the season.

  4. Call Batman

    When all feels lost, when you’re outnumbered 100,000 to one and the odds of you surviving this summer without your blood sucked out is slim, there’s only one man you can call. Batman. Small bat species can eat “at least ⅓ of their weight in insects a night,” according to Animal Food Planet. So if the masked vigilante is feeling particularly generous, or perhaps is also fed up with the relentless itching, maybe he can swing by and help you out with the summer swarm.

  5. Destabilize the state

    This one is a little complicated but will pay off in the long run. You will need some special supplies. If you have an inconsolable hatred of mosquitoes as I do, sometimes just smacking them off your arms is simply not enough.

    Here’s what you can do: gather a few mosquitoes and stick them in a makeshift laboratory. Domesticate your own sub-species of specialized insect spies that are loyal to only you.

    Take inspiration from the CIA if you must. By turning mosquitoes against mosquitoes, they will start to betray one another. Friends turn against each other and entire civilizations of pests will crumble at your feet. Rest easy knowing that you have freed yourself and generations of innocent campers to come from the terrors of blood-sucking foes.

 

Stop shaming people for liking kid stuff

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Teddy bear with goggles
I’ll bet there’s not a single reader that wouldn’t want to give this fella a hug. Barrett Ward, Unsplash

By: Olivia Visser, Staff Writer

I was browsing Instagram reels the other day when I came across a video of a young adult excitedly buying a weighted stuffed animal. The comments were littered with people mocking them simply for finding solace in a harmless object.

“Life doesn’t get easier sweetheart. Might need to upgrade to a bottle of wine,” said one commenter. Sure, because substance use is a much preferable coping mechanism to owning Squishmallows and Tamagotchis. Another added, “She may want to consider working out and maybe getting a hobby.” Mind your business, bud. 

Let’s be honest, no one believes the people who tell us they don’t enjoy stuffed animals, or at least find them cute. One UK study found that 25% of men take a teddy bear with them on business trips, while 51% of British adults reported still owning their childhood plushie. There’s something to be said about the power of comfort and nostalgia. Studies, even. I don’t think we should be embarrassed about that. 

“Childish” is an arbitrary term. And yet, we see it used on the regular to bully people with comforting interests outside of the mainstream. Social simulation games like Animal Crossing and Harvest Moon are often the subject of criticism from people with gatekeeping attitudes. I’m sure most people who call these games childish have fond memories of playing Pokémon on their GameBoy Advance. Gaming, like most hobbies, should be about having fun, not competing for a moral high ground. 

Elitism permeates all hobbies. For readers, those who enjoy graphic novels often face backlash for perceived childishness. Historically, comic books have been associated with children or “uneducated” consumers due to their cheap cost and ease of distribution. This contributed to the presumption that comic books were a passing phase that would be abandoned in adulthood but you don’t suddenly stop liking things once you turn 18 (unless I missed out on the memo).

For those that grew up reading comic books and graphic novels, their passion is sure to continue into adulthood. Something being different doesn’t make it less enjoyable. Comic books grapple with some of the same mature and intense themes that traditional novels do, and they do so with impressively illustrated pages. Maus, Watchmen, and Persepolis stand out as graphic novels that were groundbreaking for me. Are we really at a point in society where it’s shameful to make reading serious content more enjoyable? 

Judging people for enjoying certain hobbies also plays into toxic hustle culture a notion that promotes relentless work and self-improvement at the expense of mental well-being. Adults are allowed to have fun heck, adults need to have fun! Recent psychology studies have emphasized the importance of “play” for adults, suggesting that it provides a much-needed escape from relationship and work stress, on top of contributing to productivity and emotional improvement. 

It isn’t your place to decide what people are and aren’t allowed to find comfort in. There’s no such thing as an “adult hobby” adults can and do have a variety of interests. Myself? I go to the gym, climb mountains, and also have an adorable pile of stuffed animals at home. I escape into the world of Animal Crossing for feel-good vibes. I’m not a child, I’m an adult who’s secure in my own interests.