Home Blog Page 213

Video essayists that will broaden your perspective about media and culture

0
PHOTO: Sara Kurfeß / Unsplash

By: Petra Chase, Arts & Culture Editor

As a communication major, I listen to a lot of video essays about media and culture in my free time. As the channel Shanspeare points out in a video essay, it’s currently “The Era of The Critic.” YouTubers making well-researched and thoughtful commentary on contemporary issues are reaching large audiences. Video essays are a great way to learn and broaden your perspective and critical thinking while also being entertained. Here are some of my favourite creators.

Khadija Mbowe

Mbowe brands themself as a “cool, fun, Millennial aunty” and “non-binary hippie with a bougie palette.” If that tells you anything about Mbowe, it’s that they’re entertaining as much as they are informative. Their sarcasm can be so satisfying sometimes (See “Men… in pearls… groundbreaking”) and their dry wit always keeps my attention. Their video essays focus on media, gender, and race through a sociology and media studies lens. Diving deep into power structures, their dialogue relates work by historical feminists like bell hooks and Audre Lorde to present-day phenomena, like digital blackface and algorithm skin tone bias. One of the main reasons I watch some reality shows is to watch Mbowe’s analysis afterwards, because they always manage to turn them into compelling theories in a fun way. You can also check out their self-titled podcast on Spotify.

Tee Noir

Tee Noir’s social commentary videos cover media, gender, and race, with a focus on Black womanhood. She isn’t afraid to approach a topic she isn’t sure about, exploring the different perspectives and angles before reaching a nuanced conclusion. Part of what makes Noir’s analysis so compelling is that she shares her personal experiences in dialogue with other video essayists and scholarly thinkers. She told Buzzfeed, “Most of the time, my topics start with a feeling that I have and in the process of explaining that feeling to myself, I find myself forming a web of questions like, ‘How does this affect me or others? How can I challenge this?’” Her channel is rich with interesting content, such as “‘The Black Girl Fetish’: Let’s Talk.,” “Surviving ‘Alpha Male’ Mentality,” and “When the Black Gaze Expires” (a two-part “Kardashian commentary”).

Shanspeare

Not to be confused with the English playwright (although they’re “just as dramatic”), Shanspeare tends to talk about social media trends and phenomena. They are “all about navigating pop culture, diversifying academia, and making learning fun(ny).” They always have flamboyant, unexpected intros. They tend to dress up and act as different characters, like as a conservative news anchor in “Dissecting the War on Woke” and as Sigmund Freud in “Mommy Issues and the Great Gender Expectation.” But behind their theatrical delivery is always a thought-provoking analysis. For instance, “12 going on 21: The End of the Tween Era” attempts to understand how social media has put pressure on kids to grow up quickly, and points out how while shows like “Euphoria” have played a part in this, it stems from larger cultural issues. Sign up for Shanspeare’s newsletter, Tragedy of Errors, where viewers can participate by sharing their experiences to be included in their upcoming videos.

“Homelands: Exile and Return” with Kamal Al-Solaylee and Amyn Sajoo

0
This is a photo of Kamal Al-Solaylee’s memoir. The cover is light blue and has the title written on it.
PHOTO: Natalie Cooke / The Peak

By: Natalie Cooke, News Writer

Kamal Al-Solaylee shared his story, knowledge, and writing at the Homelands: Exile and Return event. Al-Solaylee is a director and professor in the School of Journalism, Writing, and Media at UBC. The event was led as a Q&A, moderated by SFU international studies lecturer Amyn Sajoo. Al-Solaylee shared with Sajoo what finding his “home” meant after he chose to leave his “homelands.” 

With roots in Yemen, and later migrating to Egypt, Al-Solaylee found his sexual orientation was unwelcomed. During the event, Al-Solaylee explained his decision to leave Egypt. “It was a choice to alienate myself from that culture.” An important part of this decision for Al-Solaylee was being able to “live in dignity.” His alternative of “going back to Yemen, would have literally been a death sentence.” 

The LGBTQIA2S+ community faces great challenges in Yemen due to the laws that are currently in place. Homosexuality is prohibited under the Penal Code 1994, and the maximum penalty is death by stoning. Discrimination and violence against the LGBTQIA2S+ community remains prevalent.  

Al-Solaylee explained that while some people in Egypt were accepting of his sexuality, it was a systemic issue. “The messages you get from books, movies, TV shows [ . . . ] all of that are still as negative today as they were 50 years ago.” 

A 2013 report from the Pew Research Center showed that 95% of Egyptians feel that homosexuality should not be accepted and welcomed by society. However, as Al-Solaylee emphasized, some citizens have certain beliefs based on how their cultural practices such as media, religion, and education systems reflect homosexuality. 

Al-Solaylee noted Western culture offered him much more freedom in life: “I was so drawn to Western culture. To me, it meant liberation.” 

Al-Solaylee has written multiple books about his experiences moving away from home, but also finding new homes and adopting new ways of life. His first book, Intolerable: A Memoir of Extremes, won the 2013 Toronto Book Award. Al-Solaylee read excerpts of his novel which showcased his journey from “homeland” to “home.”

Event moderator Amyn Sajoo noted “homeland” is in reference to the territorial or ancestral lands one comes from. Whereas Al-Solaylee said “home” is where you find comfort. 

“Where am I safe? Where am I welcomed? Where am I whole?” Al-Solaylee said, “I felt more complete and whole in a Western context.” 

He was drawn to English and American literature, music, television, and film. He said, “It was an intellectual homeland — a homeland of ideas — as opposed to an ancestral homeland of the land, the space, the family ties, the blood ties.” 

Al-Solaylee describes his journey in greater detail in his three books, which can be found on Harper Collins’ website.   

What’s missing from the new Canadian health guidance on alcohol

0
Drinking glass with splashing alcohol
PHOTO: Vinicius "amnx" Amano, Unsplash

By: C Icart, Staff Writer

Content warning: mentions of alcohol and sexual violence.

The new alcohol guidance is in, and what many Canadians were previously told was moderate drinking is now revealed to be linked to a “number of serious health risks, including cancer, heart disease, and stroke.” But telling Canadians that their consumption habits are unhealthy isn’t the solution to (apparently) excessive consumption. Instead, we need to address the underlying factors that lead citizens to increase their alcohol consumption. 

The 2023 Canadian Centre on Substance Use and Addiction (CCSA) report reveals that Canadian health officials no longer consider any amount of alcohol as “safe.” Instead, the guidelines are presented as a continuum from low health risk to high risk. Low risk is up to two standard drinks per week, and high risk consists of over six standard drinks per week. According to CTV, “A standard drink is considered one of the following: 12 oz. of beer with 5% alcohol, five oz. of wine with 12% alcohol, or 1.5 oz. of hard liquor with 40% alcohol.” Any way you slice it, this is a significant reduction in what was considered safe by the 2011 CCSA guidelines, which labeled 15 standard drinks a week for men and 10 for women as low-risk. 

Since its publication, the CCSA’s report has generated heated debate over whether the new guidelines were fear-mongering about the risks associated with alcohol, or whether they were sound health advice that targeted a negative behavior. 

There’s truth to both points. Canada is on a spectrum of alcohol guidelines that vary wildly by country. France and Australia’s safe alcohol levels are higher than Canada’s, but also trend higher on a 2023 review of healthiest countries, complicating the assumption that lower alcohol consumption is critical to better health outcomes. On the flip side, alcohol is a Group 1 carcinogen associated with at least seven types of cancer. It is also “frequently associated with violent and aggressive behaviour, including intimate partner violence, male-to-female sexual violence, and aggression and violence between adults.” 

However, both sides of the argument are missing the point. The report isn’t a policy change. Those who are up in arms about the report are looking for outrage, while those who celebrate it are too easily placated. People need access to information about substance consumption to make informed decisions — but that’s not enough. These new guidelines ignore how and why people consume substances. 

For instance, according to Statistics Canada, a quarter of Canadians who consumed alcohol before the pandemic increased their consumption during the pandemic citing reasons like boredom, stress, and loneliness. Studies have also found significant links between social influences and drinking, including friends’ alcohol consumption as a common factor.  It’s the last one that we need to tackle. Telling Canadians to drink less without addressing social pressures that lead to excessive consumption is not the most effective strategy. 

The pandemic is not over, the cost of living is skyrocketing across the country, and climate anxiety is rising. Canadians will likely continue to use alcohol or other drugs to self-medicate and cope. Medical research consistently finds that alcoholism and mental health crises go hand-in-hand. Mental illnesses and stress lead to drinking, which in turn exacerbates the mental health crisis. But out of the Canadians who would like to get help for their mental health, 30% cite lack of affordability as a barrier. Better funding for Canadian mental health resources that lowers the price of admission to the most vulnerable Canadians is a much more effective way to address citizens’ cries for help. 

Regarding alcohol or other substances, our public health strategy cannot be confined to telling Canadians to consume less. It generates the entirely wrong response. We need policies and programs that get to the root of Canadians’ problems — namely, better mental health funding for those who need it. 

What’s next after the gondola? Walkways along Gaglardi and the Parkway

0
Bike and pedestrian lanes
PHOTO: Robert Ruggiero / Unsplash

By: Vee Babbar, SFU Student

Content warning: mentions of car accidents and assault.

After a decade of lobbying by students, the BC TransLink Board announced plans to construct a gondola system to provide easier access to the SFU Burnaby campus when the city council voted in favour. This gondola will connect the main campus to the Production Way-University SkyTrain station, and is expected to be completed within five years.

That’s all amazing, but now’s not the time to let up. With the gondola, Burnaby Mountain is one step closer to year-round reliable commuting. The next step is to enhance the safety of Burnaby Mountain walkers, runners, and cyclists by adding lit walkways up the sides of Gaglardi road and the Burnaby Mountain Parkway. 

These walkways would be safer and more direct than the current trails, providing security for cyclists and runners who already use the roads as their primary means of transportation. In 2019, 53-year-old Charles Masala was struck by a car while commuting by bicycle on Burnaby Mountain. His death shook the mountain’s many cyclists. In the wake of the accident, a petition called for a separated bike lane on Gaglardi Way. 

Dr. Amarpreet Rattan, an SFU math professor, finds the mountain uniquely dangerous. In response to Masala’s death, he previously told The Peak, “The place where I feel least safe is actually on [Burnaby Mountain]. There’s a few spots when you’re going up the hill, where traffic comes quite close to you.” But nothing’s changed. No bike lane for SFU’s commuters.

Traffic isn’t the only worry for Burnaby Mountain’s commuters. Burnaby Mountain, boasting a massive network of walking, running, and biking trails, is an oasis for active Lower Mainlanders. But those trails aren’t always the safest option for commuters. The mountain’s conservation zone is home to sometimes unfriendly animals, from bears to, well, bears. Over the last decade, serious assaults have taken place on the forest’s trails, too. A well-lit, protected bike lane and walking path up the side of Gaglardi and the Parkway would offer commuters a safer alternative by bringing them out of the forest and towards a populated area that’s less attractive to wildlife. 

It’s been done before. After Masala’s death in 2019, walkways were added to a particularly treacherous stretch of the Parkway. That’s great. But we need more. 

Fortunately, SFU’s gondola success story provides students with a potential path forward. It starts with students getting SFU on board. It was the SFU Community Trust that initiated the gondola project back in 2009. Since then, a combination of student pressure and school lobbying has gotten the project off the ground. If students are interested in securing cyclists’ and walkers’ safety on Burnaby Mountain, it starts with petitions, emails, and letters to the school. 

The gondola is a good step forward for SFU, but it’s not the only solution to students’ transportation woes. By investing in a separated, illuminated walkway along the side of Gaglardi and Burnaby Mountain Parkway, SFU can provide a safer and more direct route for commuters. 

Need to Know, Need to Go: Black History Month in Vancouver

0
Illustration of a blue calendar, with "Need to Know, Need to Go" written on top
Arts & Culture events to catch around the city. Image courtesy of Brianna Quan

By: Vee Babbar, SFU Student and Petra Chase, Arts & Culture Editor

Issamba Showcase: A Journey through the depths of African-rooted rhythms
When: February 19, 7:30 p.m.–10:30 p.m.
Where: 1882 Adanac Street, Vancouver 
Get transfixed by world-famous Malian artist, Mamadou Diabate, and their formation of African instrumentation: Percussion Mania. Percussion Mania is Diabate’s ensemble led by balafons, and other invigorating instruments. The concert also features Naxx Bitota, an artist with classical music and traditional Congolese influences, including Congolese rumba. This is the perfect event to experience a range of African genres, melodies, and instrumentations. Tickets range from $25–$40 per person and can be purchased on the event page.

The Black Business Association of BC’s “Meet the Vendor”
When: All month long (check out the link for each event’s timing)
Where: 1666 Johnston St. / U.E.L Store, Granville Island
Unity. Excellence. Legacy. (U.E.L.) is BC non-profit Black Business Association of BC’s Granville Island storefront, displaying a range of Black businesses’ products. Their “Meet the Vendor” networking event takes place throughout the month. Stop by anytime to discover and support local Black businesses and network with entrepreneurs.

The BHM Film Festival at the VIFF Centre
Various times and locations throughout the month. Find more information on the “What’s On” page on their website.
According to Vancouver International Film Festival (VIFF), just like any other month, February is a time to support “Black film artists, Black thinkers and activists, and to highlight the legacy of slavery, white supremacy, colonization, and capitalism that underpins our unjust society.” Their catalogue includes two themes: Icons and Dispatches. The former “spotlights the accomplishments of American movie stars like Denzel Washington [and] Viola Davis.” The latter focuses on documentaries and social justice work. Learn about important figures in Black history while also discovering award-winning cinema. Buy tickets on their website, including student prices, group rates, or ticket packages starting at $10.

Memoirs of a person who thinks we should know less about each other

0
A photo of a woman looking shocked at her phone
PHOTO: Pixahive

By: C Icart, Staff Writer

Excerpt from my long awaited memoir, Queen of Christmas.

I still remember my first day on the job as a [redacted]. What? My job is none of your business! It was a warm day, the weather was between 20 and 30 degrees. No, I can’t be more precise, or you might look it up. I was so excited to show everyone what I could do. Now, you, reader, will be a lamb and stop being nosy about what I could do. I walked right into that room, in that workplace, and I did that job. I was so proud of myself. Every single one of the unspecified number of people present were blown away. I knew from that day that everyone would know my name. Well, except everyone reading this. Last man on the earth, and they still couldn’t get this information.

My [redacted] approached me afterwards and told me [redacted]. And honestly, they were so right. We went to lunch together to keep discussing and we ate delicious [redacted] What? You want to know what I eat? What’s next? My blood type? My credit card information?

Years later, I still have the [redacted] I wore that day. I keep it in my [redacted] with my [redacted] as a reminder of [redacted]. I know it’s confusing, yo, you’re confused. But I’m confused about why you’re all up in my George Foreman grill. This is a new type of autobiography! Everyday as a part of my morning routine I try it on and show it to [redacted]. Why are you wasting your time on the details? I know how to keep my private life private.

This is truly a story I thought I would never tell. But this far into my career, I want to let up and coming [redacted] know what my experience was like. Everyone thinks they know me but they don’t. In fact, I see you using this memoir to learn more about me! In fact, I’m seeing right through you like you’re bathing in Windex.

Being open is so freeing. No more secrets! I want people to know everything, except it’s a little silly that you would want to right? Anyways, that’s the story about how I [redacted] with [redacted] despite [redacted]. Don’t judge me! I’m not trying to commit a memoir faux pas. We should all know less about each other . . . right?

Dear Peakie

0
A photo of someone looking prim in an office chair with a thick book in their hands.
PHOTO: Pexels

By: Nercya Kalino, Staff Writer

Dear Peakie,

This question has drawn curtains upon my complexion, colouring my world a bland shade of . . . Blah. I rely on you to tell me the answer, and to free me at last from my haunting, yet, beautiful prison. Yes, I need you to tell me what kind of sharpener you use for #3 pencils!!

Sincerely,

Drawing Blanks

Dear Drawing Blanks, 

Thank you for reaching out to me about the bittersweet feeling of your complexion, blah. I simply do not agree that this is your complexion, I think you are more blue than blah. What you are feeling is the constant grey skies of Vancouver and the lack of sunny days. You are wanting to be free from the chill and loneliness. I suggest you go for a walk and read a book — free your mind. 

Now, on the topic of the sharpeners, I must confess I know nothing about this. Back in the day, we had the manual ones with the handle that would rotate to sharpen your pencil. As for #3 pencils, you might want to go to Staples and ask them.

But of course, I simply do not require a pencil in this day and age. I have since abandoned the necessity of a pencil. I see no use in erasing my mistakes. I recently adopted the habit of writing these letters with a Tibaldi N60 Fountain pen. That my friend is a taste for the few. So no, I would simply not have an idea as to what sharpener you need for your #3 pencils.

  1. I use the classic HB2 if I absolutely must. Not that it matters, but now you know.

Sincerely, 

Peakie

Dear Peakie,

Why can’t we have nap time in classes again? I am very sleepy. I am sleepy all the time. I think it is so mean that in this perilous winter, I have to get out of my cozy little bed, out of my cozy little pyjamas, and into “school clothes.” It’s nonsense. I should be able to sleep anywhere, anytime! What do you think? Is there a solution for a person like me?

Sincerely,

Sleepless in SFU

Dear Sleepless in SFU, 

I hear you but your problem is that you are justifying how you need to sleep more than you already are. Come summer, will you complain about how there is no cold air to sleep through? Maybe it’s time to WAKE UP.

You have to ask yourself, has there ever been a time for an SFU student to sleep deeply and comfortably without the constant anxiety of assignments and transit hours to get to campus? If you sleep all the time, anywhere, then you might as well be a zombie. Look at you, dragging yourself through the AQ looking for your classroom because you would rather be asleep than look alive! I suggest you take naps in between classes. Do not forget to set an alarm.

P.S. I know all the good spots for a quick nap. 

Sincerely, 

Peakie

Dear Peakie (if that’s who you really are) . . .

I know your type. You take in the questions that we submit here as a way to survey SFU student life! Yeah, that’s right. This isn’t some innocent advice column existing in the Humour section, it is state surveillance at its most obvious. Tell me I’m wrong! I bet your real name isn’t even Peakie.

Sincerely,

Suspicious Student

Dear Suspicious Student, 

Do you not have anything better to do? I mean, the audacity to question my identity and good intentions. If you will excuse me whilst I make my case on this matter. First of all, you did not even use your own real name, Suspicious, yet you have the unmitigated gall to call me out! Ha! 

You really think I have all the time in the world to survey SFU students? If we are being real, you lot are not that interesting, you know. Maybe your little club days and events get you all riled up with a sense of importance, but I just don’t see it. 

I do this out of the kindness of my heart, because that is the type of person I am. Surveillance? Do you even know what that word means? You probably go about your day using Tik Tok and Instagram, the most surveillanced apps on your phone. 

Look, if I wanted to monitor and collect information, writing letters during my lunch breaks would not be the way to do it.  

Peakie is the name!

Yours truly, 

Peakie

Marie Doduck’s memoir launches a week before International Holocaust Remembrance Day

0
This is a photo of the front cover of Marie Doduck’s memoir. The cover is blue and has a faint photo of Marie Doduck’s siblings as children.
PHOTO: Aditi Dwivedi / The Peak

By: Aditi Dwivedi, News Writer

The Azrieli Foundation’s Holocaust Memoirs Program in collaboration with the Vancouver Holocaust Education Centre, organized a book launch of Marie (Mariette) Doduck’s memoir A Childhood Unspoken. The book launch was held on January 22 at the Jewish Community Centre of Greater Vancouver.

Doduck was born in 1935 to a Jewish family in Brussels, Belgium. Doduck is a child survivor of the Holocaust. After the German invasions of Poland and subsequently Belgium during World War II, Doduck was separated from her mother and seven siblings. She lived in hiding with a foster family until she was reunited with four of her surviving siblings in 1945. She was one of 1,123 orphaned Jewish children who were brought to Canada through the War Orphans Project, started by the Canadian Jewish Congress in 1947. Well known in the community for her leadership and activism, Doduck is actively involved in Holocaust education and is also the co-founder of the Vancouver Holocaust Education Centre

A Childhood Unspoken is a record of her survival in the Holocaust, and the aftermath of being separated from her family and home. Doduck believes “survival is a coat you never take off.” 

Lauren Faulkner Rossi, assistant professor from the department of history at SFU, approached Doduck to co-write her story. She said it allowed her to revisit the painful memories of her past and share her story with the world. She also received support from the Holocaust Survivor Memoirs Program, which was launched in 2005 by the Azrieli Foundation to collect, preserve, and share the memoirs and diaries written by survivors of the Holocaust who came to Canada.

In her introduction to A Childhood Unspoken, Rossi wrote, “The act of preserving an eyewitness story like Mariette’s is important for many reasons: it becomes part of and builds on the historical record. It makes available that perspective to current and future readers.” She noted Doduck’s account of her life is not only part of the history surrounding the Holocaust and World War II, but also a significant piece of local history. Like countless survivors who came to Canada, Doduck had to “fight against Holocaust denial, antisemitism, and racial intolerance, which are still active threats around the world, including Canada.”

During the book launch, Doduck shared the process of writing her story with Rossi. She said it was “a very painful trip,” as she recalled not only her difficult transition from Europe to Canada but also the separation of her identity from her childhood self: “I was an old woman trapped in a twelve-year-old body.” To write the memoir, she had to put aside her life as Marie Doduck to revisit her childhood as young Mariette. “This Marie Doduck is who I created to fit-in in Vancouver, because we weren’t accepted. We were from outer space, we didn’t speak the language.” 

The book launch was followed by a book signing event and was attended by an overwhelming audience, exceeding the seating capacity of the venue. Many members of the close-knit Jewish community of Vancouver attended the event; one audience member, whose mother was also a child survivor, spoke to The Peak about why it was important for her to attend the event. “Someone has to carry on these memories [ . . . ] It was important to me to be there, support her, and also support the community, and support my mom.”

A Childhood Unspoken is available for sale at Massy Books. Find out more about other memoirs published under the Holocaust Survivor Memoirs Program on their website.

A Strathcona gallery guide

0
Cedar Sage and Sweetgrass Indigenous Art exhibition at Massy Arts Society Gallery showing various portraits and paintings on display.
PHOTO: Poonam Sharma / The Peak

By: Petra Chase, Arts & Culture Editor

Massy Arts Society Gallery
Where: 23 E Pender St, Vancouver
Hours: Saturday–Sunday, 12:00 p.m.–5:00 p.m.

Located in Chinatown, Massy Arts Society is a “community hub dedicated to supporting the practices of Indigenous and over-excluded artists.” They currently have their Cedar Sage and Sweetgrass Indigenous Art Show display in their front window. The exhibit features striking portraits, paintings, and carvings from 13 artists from the BC-based artist collective. In addition, enter the gallery for free (masks mandatory) to see “Chinatown Looks,” a disposable camera photography exhibit in which Chinese seniors and youth take part in documenting their experiences of Chinatown. Organized by the Yarrow Intergenerational Society for Justice, an organization supporting youth and low-income immigrant seniors, the photography will make you want to explore Chinatown’s historic sites and shops with a new appreciation. Both exhibitions are on until March 16.

Audain Gallery
Where: 149 W Hastings St, Vancouver
Hours: Tuesday–Saturday, 12:00 p.m.–5:00 p.m.

Goldcorp Centre for the Arts, SFU’s School for the Contemporary Arts downtown campus currently has an art installation titled Please Meet the Geese Who Have Lived Here Forever.” The elaborate sculptures and set consists of objects found in thrift stores, alleyways, and backyards. Based on the artist’s recent film of the same name, which is about “a family of wild geese who seek refuge along the foreshore of Burrard Inlet (səl̓ilw̓ət).” Meant to emphasize the consequences of the climate crisis, the installation is described as having an “intentional awkwardness,” which symbolizes the artist’s “irreverence toward conventional ‘high art’ value systems and her repudiation of settler culture’s rapacious overconsumption.” Just a couple blocks from Harbour Centre, this is an inspiring after-class activity. This exhibit is free and open until March 13.

The Chinatown Storytelling Centre
Where: 168 E Pender St, Vancouver
When: Friday–Monday, 11:00 a.m.–4:00 p.m.

Learn about Chinese Canadian history and Chinese Canadian contributions in Vancouver at this new permanent exhibit. With an emphasis on sharing stories through “storytelling, unique artifacts, recordings, and photos,” this is the perfect way to discover Chinatown through a new lens. They also have a theatre in the exhibit where they screen “archival films, in-house productions, and short films by community partners.” After your visit, I recommend stopping by scenic Dr. Sun Yat Sen Chinese Classical Garden, which is just a few minutes walking distance. Tickets range from $10–$12.50 and can be purchased on their website.

Happy Seollal!

0
ILLUSTRATION: Jill Baccay / The Peak

By: Gem Yelin Lee, Copy Editor

It’s January 21, and I come home to my mother on her eighth consecutive hour in the kitchen, preparing ingredients and cooking time-consuming dishes. The apartment is cold from windows being left open to air out the cooking smells, and the burners are hot from a tireless onslaught of 전 (jeon) being made in heaping batches. My father is somewhere simultaneously helping tidy the apartment and obsessively rummaging through old bins, looking for Korean folk games. This is a scene that only happens once a year: during 설날 or Seollal, the Korean celebration of Lunar New Year.

Lunar New Year is a momentous cultural holiday celebrated by several Asian countries; each country has their own name for it and unique traditions, too. The date changes every year as it follows the lunar or lunisolar calendar, and the twelve zodiac animals are cycled through. This year, the day landed on January 22, and we celebrated the beginning of the Year of the Rabbit: a year of peace and good fortune

In South Korea, Lunar New Year is called Seollal (better phonetically spelled as seol-nal) a national holiday lasting four days. It is “one of the most important traditional holidays of the year,” where many businesses close up shop to join others in returning to their hometowns for a family-oriented celebration. Dressed in traditional clothes, 한복 (hanbok), you honour your late ancestors with 차례 (charye), deep bow to your elders with 세배 (sebae), and play traditional games like 윳놀이 (yut-nori) to bond with your family. The whole event is packaged in a bucketload of delicious, traditional foods and drinks which take at least a full day and many helping hands to prepare. 

It had been almost a decade since my family had properly and intentionally celebrated Seollal with its traditions. Throughout my childhood, we would celebrate from morning till 3:00 a.m. the next day by inviting our family friends over to our home. It would be the most fun any of us had since the previous year we met, and the year before that. However, as we moved more times than I could count on my hands, and endured poverty, health crises, and isolation, somewhere along the way we let each Seollal pass by with just the simple holiday greeting. “새해 복 많이 받으세요 (Sehaebok-manibadusaeyeo),” I would say to my parents while dashing out the door for work or school, “May you receive many blessings/lots of luck this year.” 

This year, I proposed we celebrate Seollal again. I used the excuse of wanting to invite my partner and share this cultural experience with them, but even more than that, I wanted to experience the joyous, family-oriented holiday again. Even though we all live together in a two-bedroom apartment, we hardly see each other or spend meaningful time together as a family. But this year, we all marked it on our calendars and made sure we were free — it was a smashing success. Here are some of the traditional elements that make celebrating Seollal so special:

차례 (Charye)

Charye is “a memorial service for one’s ancestors,” where a ritual table is set with special dishes, ancestral tablets, and incense. Your family members would gather at your family shrine or one of your relative’s homes and all take part in the set-up of the ritual table. You then deep bow to your ancestors, who are believed to be present at the time the ritual table is complete, and then eat the food you prepared with your family members. The service is held predominantly on Seollal and Chuseok (Korean Thanksgiving), but resembles a more common practice called Gijesa: “the annual memorial service held on the date of an ancestor’s death.” Nowadays, Gijesa is usually prepared for a person you were close to who has passed away and not necessarily just your ancestors, but for very close friends and partners, too. Charye is more of a general memorial service to your late ancestors, rather than a specific individual. Both traditions are ways to honour and show gratitude to your late ancestors. My family hasn’t taken part in charye as we aren’t in Korea with our extended family, but we did hold Gijesa for my grandfather for several years. My father once explained to me that the foods laid out are offered to the ancestor to eat, and therefore blessed with their love and presence when we finish our greetings and eat the food ourselves. This importance placed on sharing a meal with loved ones, or showing we care by making sure our loved ones are fed, is an ideology that is carried in modern, everyday Korean society.

세배 (Sebae)

Sebae is to honour your ancestors who are alive! Sebae is the name of the specific traditional bow you give to your family members who are generationally older than you. I have fond memories of putting on my hanbok as a child and frolicking through the countryside between my elder relatives’ homes. You would be invited inside, and there you would perform the bow and tell them the Seollal greeting. In response, your elders respond with the same greeting or something more specific, like “May you be healthy and happy this year,” or “May your career kickstart this year,” or the dreaded: “May you get married this year.” They also are likely to give you an envelope of money, 세뱃돈 (sebaetdon), in return to symbolize their well wishes for your luck and prosperity

Traditional foods 

According to the traditional system, Seollal meant it was everybody’s birthday, and the moment you turn a year older would be marked by eating 떡국 (tteokguk) on this day: a rice cake soup symbolizing purity. Thanks to a new law, Koreans will be reverting to their international age starting June 2023, making their documented age bump down one or two years. We, of course, had tteokguk, and tend to have it multiple times a year as it is one of my dad’s favourite foods and is simple to make. 

My mom spent most of the food preparation time making various kinds of 전 (jeon), which are basically various sliced vegetables, meats, and seafood dipped in flour and egg, and then fried in a pan. I’ve seen Koreans use this method to make jeon out of basically any ingredient to a comical extent, and it’s a delicious way to make sure those sad root vegetables sitting in your fridge get consumed. Some jeon are prepared slightly differently and these are shaped like round flat pancakes, filled with kimchi, green onion, or seafood. My mom made eggplant jeon, zucchini jeon, wanjajeon, and daegujeon. The latter two are more time consuming to make as wanjajeon needs to be individually handshaped into little circular disks first, and daegujeon requires proper fish preparation methods. As my mom cooked, she reminisced over memories of making these foods in a much grander extent, growing up in the ’80s. All the women in the family gathered to make everything, including the dumpling wrappers and sikke, from scratch, while the men of the family secured the meats and seafood and entertained the children. She said celebrating Seollal again lifted these wandering memories to the surface. Jeon goes super well with a Korean rice-based liquor called makgeolli or a non-alcoholic sweet rice beverage called Shike.

One of the main activities we partook in on Seollal was to make mandu (Korean dumplings) together, as more hands make lighter work. Each mandu is individually assembled by hand, placed in a steamer in batches, and consumed, frozen, or panfried. We made over a hundred mandu this year to circulate around to our friends’ homes — I find the shaping of the mandu a tedious but therapeutic experience. I was dismayed to find my partner making beautiful mandu right away, whereas mine looked like garbage no matter how many times I was taught. 

There are many other traditional foods that can be prepared and eaten on Seollal like japchae (glass noodle stir fry), sweet tteok (sweet ricecakes), or various fruits including asian pears, but these are the main big three our household focused on this year.

Traditional games

At various points throughout the day, we sat down and played 화투 Hwatu and 윳놀이 (Yut-Nori). One aspect of Seollal I really love is that these games can keep you entertained for hours, and are activities that help you disconnect from screens and connect with your family members. Hwatu, also referred to as Godori, Go-Stop, or in translation: “War of the Flowers,” is a card game based on the Japanese Hanafuda. The game was brought to Korea during the Japanese occupation during the 1900s. Although there is painful colonial history associated with that time and with Japan, this game is still a widely popular game in Korea. Perhaps too widely popular, as it is often a game associated with gambling. The game is too complicated to explain here but basically it’s like the poker of go-fish, and is almost guaranteed to bring out your competitiveness. 

Yut-Nori is a traditional Korean folk game that is much more accessible and playful than Hwatu. Whereas Hwatu is mainly played by adults with its complicated rules, yut-nori can be played and enjoyed by everyone! It involves tossing four, marked, wooden game sticks instead of dice to see how many moves you get to make on the board. You are split up in two teams, and the goal is to get all your pieces across the board faster than your opponent. If Hwatu is the poker of go-fish, Yut-Nori is like the games chess and Sorry! combined. My father always said Yut-Nori is the “game representative of life,” because depending on strokes of luck, you can turn the game in your favour. If you’re unlucky enough, you can also get completely fucked by your opponent in one turn when you were on the brink of winning. When playing Yut-Nori, you can’t help but laugh, especially when these huge shifts happen, and my father always said that applies to life too. When things go horribly wrong, let’s just laugh, because you never know when the tides will turn just as dramatically in your favour. 

Happy Seollal, and may you receive many blessings this year! 새해 복 많이 받으세요!