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Pale Dīan has more in common with university students than you know

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With the departure of the original drummer a name-change was in the cards for the band.

Formerly known as Blackstone Rngrs, Pale Dīan is a band from Austin, Texas specializing in dark pop/dream pop. Consisting of vocalist/keyboardist Ruth Ellen Smith, guitarist Derek Kutzer, and drummer Nicholas Volpe, Pale Dīan is a group that strives to make an emotional connection with their audience.

Unfortunately, they weren’t able to cross the US/Canada border to play their scheduled show at the Rickshaw Theatre on June 19. They talked to The Peak, though, and expressed that they were really excited to play here. They’ve never played a show in Vancouver, and it seems like that won’t change anytime soon.

Kutzer cited influences in Roy Orbison, Cocteau Twins, and Bob Dylan, and said his favourite song to play is “In a Day.” Smith, on the other hand, favours the album intro off Narrow Birth, as well as “Diana.” She also added that she feels the “stage is therapy for me. I am raw and not expecting to show or feel any other way than exactly how I am.”

On the subject of moving from the Blackstone Rngrs project to Pale Dīan, Kutzer said, “Well, we had just let go [of] our drummer and original member of Blackstone Rngrs, and we had finished recording about half of what became Narrow Birth, and we kind of took a step back and viewed everything and realized that whatever was developing was something different than Blackstone Rngrs.“We had grown apart from the name, and really felt overly self-conscience [sic] about it, and thought it was the right time to make a change. Ever since we started Pale Dīan we had a newfound confidence, and it really felt more like ‘us.’ It felt more natural, for sure.”

Narrow Birth is their debut LP. “If I could break it down into one sound, I’d say buzzy/distorted,” said Kutzer.

The trio is also familiar with hardship, and trying to make ends meet — a struggle students are often all too familiar with. They spend almost all the time away from the band working to pay rent and finance their lives.

“It is hard to have a normal life,” admitted Kutzer. “When you are gone for two months at a time, you’ve got to figure out all those finances, because you’re not generating the income to pay all of your bills and rent, and to top it all off, you’re working some job that pays shit wages/tips, which means you gotta work a whole lot of hours to earn anything substantial.

“So, yeah, we all work a whole lot. But we are trying to get to a level where the band can start replacing the so-called day jobs for generating the income it takes to survive in a market-capitalist system.”

Kutzer even joked about having a ‘normal life’: “Wouldn’t it be nice to tend a garden? Wouldn’t it be nice to not stress about where I’m gonna live when I get back, or not have to find someone to sublease my room? Wouldn’t it be nice to not work service industry and independent contractor jobs just because they [all] have a flexible schedule? All those things would be nice! But, nah. It is nicer to create something on your own terms and then take it out to the world, even if it means sacrificing a great deal of the so-called comfortable life.”

CINEPHILIA: Wiener-Dog is trapped in its own matter-of-factness

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The characters and their portrayal make this film feel meaningless.

Todd Solondz, the director of cringe-comedies like Happiness and Storytelling, observes the world without corrective lenses. Movies can project idealized images, but Solondz sees things as they are. His films are about the messy pieces in life and how they never seem to fit together. His latest, Wiener-Dog, is no sequel to Lassie, let me tell you. The characters drift like the eponymous dachshund, from one stage of life to the next, without much say of how things go or where they end up.

There are four stories as a dog is passed between owners, each one following an older character. A young boy, who is kept on a tight leash by his miserable, bourgeois parents, is trapped inside his cold, urban home without any outside friends. Dawn Wiener, who was abused by her peers in junior high — depicted in Solondz 1995 film Welcome to the Dollhouse —  runs into bully Brandon, and they go together on a trip to meet his brother. The third story follows a screenwriting professor who is uninterested in life and his students, and in the final chapter an elderly woman is visited by her granddaughter who needs money.

The form is made up of long, static, and stilted shots. When the camera moves, it’s with a snail-paced pan or dolly. The characters are situated awkwardly in the frame, imprisoned within its “matter of fact-ness.” An ensemble of deadpan performances by Greta Gerwig, Danny Devito, Kieran Culkin, and Julie Delpy are trapped in a deadpan world. There are only a few grace notes and tender flourishes: a hug between two estranged brothers or a grandmother’s selfless gift.

Robert Bresson’s Au Hasard Balthazar, which followed the parallel lives of a girl and her donkey as they age, is a clear influence. But while Bresson made a saintly prayer, Wiener-Dog is a mutter into the void. Solondz’s film is restricted by his worldview — meaningless about meaninglessness. Within his philosophy, there is thankfully room for humanism and vivid moments of joy and pain. But seen through the eyes of a nihilist, life is a grand folly, neither happy nor sad. Wiener-Dog ends in the only way it could have: with a punchline, not an elegy.

Independence Day: Resurgence falls short of expectations

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They're back, but they should have Just stayed away in the first place.

Independence Day: Resurgence is a block without the buster. With dry dialogue, failed attempts at comic relief, and two-dimensional characters that leave audiences wondering why they were even in the film, it falls short of the expectations set by its predecessor. The film places too much weight on new actors who deliver downright unsatisfying performances.

However, it’s not all bad. The film does have moments of exhilaration and sci-fi action spectacles. This is especially the case at the beginning of the film, when a gigantic alien spacecraft destroys cities with its own gravity, landing on Earth as if it is a huge glove that grips the planet like a baseball. The biggest spectacle of the film is the military’s battle against the invaders’ monstrous queen, whose colossal size rivals that of Godzilla and King Kong.

After 20 years of peace and prosperity, Earth has become highly advanced, integrating both human and alien technology to improve its military strength. After the characters discover that an alien ship even more devastating than the previous one is on its way, they once again find themselves fighting for the preservation of the human race.

An underlying theme is the film’s advanced innovative technology. The modern military aircraft, state-of-the-art weaponry, and a tightly secured alien prison in Area 51 reflects the highly mechanized world in which the film is set. But as interesting as these themes can be, they do little to alleviate the film’s lack of heart.

The film is ultimately hindered by the lack of a compelling core relationship, such as that between Will Smith and Jeff Goldblum in the first Independence Day. While Goldblum does return, the absence of Smith in this sequel definitely hurts the film as a whole. Without his hotshot attitude and memorable humour, this sequel ends up being incomplete and empty.  

The weakest link of the cast is Liam Hemsworth, whose portrayal of a hotshot pilot is little more than an archetypical character that has been done way too many times before. From his weak chemistry with Goldblum’s character to his not-so-funny scene of urinating in front of aliens inside their spaceship, his character can only be described as a caricature of Tom Cruise’s Maverick from Top Gun and Chris Pratt’s Peter Quill from Guardians of the Galaxy.

On top of all of these failings, the one that really takes the cake is the presence of a talking alien sphere near the end of the film. (Spoiler!) The sphere, which poses as an obstacle to the alien forces in conquering the universe, ends up becoming an ally of the human race. This development completely breaks the film’s momentum and ends up being downright silly.

Overall, Independence Day: Resurgence copies its predecessor without including any of the heart or energy that made it great. Although Goldblum leads the charge once again, the film fails to meet expectations with low-quality dialogue, two-dimensional characters, cliché heroisms, and repetitive close calls that elude any possibility of being genuine. Any hopes for this sequel to have the same excitement that made the first film an entertaining adventure fades away within its first 10 minutes.

The Pacific rocked the stage at Studio Records

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Even on a tiny stage the band had a huge presence.

The band previously known as Room 202 have reinvented themselves as the Pacific. A move lead singer and acoustic guitarist Zishan Abdullah said stemmed from the fact that “we’re all west coast boys and love the city we live in. I’ve always had an affinity for the coast, all the way from beautiful BC to the sandy beaches of California.”

Bassist Earl Moya and lead guitarist Rosendo Flores are the other two founding members from Room 202. Rhythm guitarist Rick Nolet and touring drummer Jarren Louie are relatively new additions, and they did wonders to elevate the group’s sound during their performance at Studio Records on June 25. The Pacific opened for other local bands Gold & Shadow, In Bliss, and Hawking.

Abdullah talked about some of his favourite songs to perform: “I’m going to have to go with “Vibration.” We played it for the first time and boy did we feel it. I also really like “Lost Souls.” A lot of our fans are about to finish school and step into the ‘grown-up’ world now. That song touches on the topic, and how easy it is for us to get lost in our own worlds. It’s different, it’s scary, and it’s getting real.”

Abdullah is intimately familiar with those feelings, having recently graduated from UBC. This is good news for fans, though, because that means that “I have more time to commit to the band. I’m an engineer by day and a musician by night, and we’re going to fly at the speed of light from here on out. This is an exciting time in all of our lives and I really hope we can make some solid memories as a band and with our fans.”

They certainly made some memories with fans at Studio Records. Between group sing-alongs to crowd-pleasing covers — namely “I Want You to Want Me” by Cheap Trick and “This Love” by Maroon 5 — and their infectious energy, we all went home with fond recollections. Their cover of Hedley’s “Hello” was also a winner that night, pumping up the crowd with their stage presence, despite the tight fit of five guys on a small stage.

Moya was super groovy, a true delight to watch, and Flores hit those solo notes with the touch of an old pro. The Pacific’s songs are alternative rock with some pop thrown in for good measure. They love what they do, and they do it well. “Always strive for excellence and success will follow you everywhere you go,” is some free advice from Abdullah.

With the new project, the band has left some of their older Room 202 songs off their setlist, stating that their goal is to create brand new material for their shows. “The band really takes pride in putting on an entertaining performance for our fans and making sure they get what they came for,” Abdullah told The Peak.

“We definitely may throw in some favourites from Room 202 once in a while, because who doesn’t love “European Girl”?” The song is arguably their most famous original creation, and garnered plenty of appreciation and anticipation at Studio Records.

They don’t have an EP available yet, but they are hoping to get one out once they’ve finished writing new songs for it. “We are working hard to make sure every song on that EP is well-written and purposeful.” You can still catch them this summer though. They’re hoping to work out a tour of Western Canada once more songs are ready to be performed, but you can see them at the Roxy sometime this August.

Entrepreneur donates $10 million to SFU to establish institute

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SFU alumnus Charles Chang wanted to give back to SFU after the school "did a lot" for him.

Charles Chang, a Beedie School of Business alumnus, has donated $10 million to SFU to  create the Charles Chang Institute for Entrepreneurship. Chang is the founder of Vega, a multimillion dollar nutritional company which offers a variety of vegan products.

The institute offers courses in various faculties such as applied sciences, health sciences,  environment, and communication, among others. Students who complete the requirements will receive the Charles Chang Certificate in Innovation and Entrepreneurship, along with their program major degree.

Chang spoke to The Peak about the motivation behind his decision: “The reason I want to give back is because SFU did a lot for me. I did my co-op there, [got] my degree there, and I feel like SFU and I are aligned when it comes to entrepreneurship.

“Especially when Vancouver becomes more and more expensive and harder to afford, I look at the kids and think where they’re going and how they can afford to live here and so forth. The way to do it is to create an entrepreneurship mindset — whether it’s actual experience or just people who think more about entrepreneurship,” Chang suggested. “That’s the biggest long-term benefit that I can give.”

As Chang explained, the idea to donate to the institution started a year ago: “There’s been a lot of conversations going back and forth and working together with SFU to figure out what the best way was to make the biggest difference.”

He emphasized the wide accessibility of the university to those from a diverse array of disciplines. “The issue is that everyone has access — whether you’re in sciences or in arts or in design or in engineering, it doesn’t matter. Wherever you are, you can actively participate in the institute in getting the certificate in entrepreneurship, and we are not only promoting business students. That is what matters.”

The details of the Institute and its plans are still in development, and The Peak will be offering further updates as required.

SFU president Andrew Petter expressed his gratitude to Beedie Newsroom. “Thanks to Charles’ generosity, students from all disciplines will have the opportunity to gain market knowledge and skills, and to learn how to transform their ideas and innovations into businesses and social ventures.”

On the Simon Fraser subreddit, SFU senator Paul Percival wrote a clarification on the news: “As a member of the university Senate, I feel that I must make clear an important detail which the press release glosses over: While Charles Chang has donated money to support the institute and the certificate program [. . .] he has no control over the operations of the institute or the curriculum of the certificate program.

“SFU would never compromise its academic integrity for the sake of donations.”

What is killing Howe Sound sea stars?

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Climate change is a likely factor in the uptick in wasting disease.

In the summer of 2013, the sea stars that once carpeted North America’s west coast began dying by the millions, prompting an SFU research team to investigate.

“Evidence for a trophic cascade on rocky reefs following sea star mass mortality in British Columbia”  is a study recently published by SFU’s Jessica Schultz, Ryan Cloutier, and Dr. Isabelle Côté. The paper documents the findings of the group as they dove in the waters of Howe Sound in the wake of one of the largest sea animal mortality events ever recorded.

The mortality of the sea stars is attributed to wasting disease, as researchers from Cornell University reported in 2014. The virus has been present in sea stars for decades, but became lethal for undetermined reasons. The marine biologist team at SFU examined the effects the sea star mortality had on the surrounding ecosystem.

“[Our team was] in a good position to do this [research], because a couple years before, we had done surveys around Howe Sound for a separate study where [. . .] we had collected information of parts of the ecosystem which are now affected,” Dr. Côté explained to The Peak. To examine the differences between the ecosystem before and after, the team surveyed a total of 20 sites.

Their study found that the population of the sea star prey, green sea urchins, had quadrupled while the population of sea urchin prey, kelp, went down by about 80 percent. Furthermore, the abundance of small shrimp and crabs in the water decreased as well, possibly owing to the dramatic decrease in their primary food and shelter source, the seaweed. This domino effect in the marine ecosystem due to the disappearance of the top predators (sea stars) is a prime example of what biologists call a trophic cascade.

When asked what the most remarkable finding from the dives were, Dr. Côté responded with an observation the team made about the sea urchin population: “Given the size that the urchins were, they were probably already around before the sea stars died,” she said. The phenomenon is known as a release of fear effect, where prey may have been previously hiding in undersea cracks and crevices, only to come out of hiding when the sea stars disappeared.

Dr. Côté and her team have yet to determine whether the sea star disappearances constitute a one-off event, or are part of a larger global warming effect. “When you look at the sea star and urchin populations, they are known to go through cycles of boom and bust for various causes,” stated Dr. Côté.

If anything, she maintained that her alarm regarding the situation was due to the geographical extent of the sea star disappearance, from California to Alaska. The taxonomic extent was also concerning, as 20 different species of sea stars have been affected.

“I’d like to think, and I’m pretty certain,” opined Dr. Côté, “that the sea stars will re-establish themselves.”

NHL Draft picks are not always precise: Beedie prof

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Peter Tingling's research shows that the Vancouver Canucks have ranking error 38 percent of the time.

For most people, the NHL Draft is when a year’s worth of scouting comes together to make in-depth predictions on players’ futures. But according to Peter Tingling, an associate professor in the Beedie School of Business, people in charge of these decisions do not always make the best ones.

“In terms of decision making, what I would say is that most teams are not very good at it, and what most teams talk about [doing], they don’t do,” Tingling told The Peak. “My research quite clearly states that this business about whether teams draft by position or best player available, it’s just nonsense.”

In particular, Tingling’s research on the Draft focused on ordinal ranking error. As an example, he mentioned the players picked by the Chicago Blackhawks in the 2003 Draft, some of whom were key in the Blackhawks’ recent Stanley Cup wins, such as Brent Seabrook, Corey Crawford, and Dustin Byfuglien.

However, they were not picked in that order. While Seabrook and Crawford were picked first and second respectively, five players were picked by the Blackhawks before they eventually selected Byfuglien. According to Tingling’s research, ranking error would occur 28 percent of the time if you simply randomly selected players. The Vancouver Canucks have ranking error 38 percent of the time, while the Red Wings, widely considered one of the best drafting teams in recent memory, have ranking error 56 percent of the time.

Another aspect of Tingling’s research is the value of Draft picks. It likely comes as no surprise to learn that the most valuable pick to have is first overall. Over the last 30 years, all the first overall picks have played more than 160 games, and there is “statistical significance” within the first 30 picks, according to Tingling. However, there is no real statistical significance between late-second round picks and third round picks, and none between picks 120–210.

Tingling’s research has caught the attention of some NHL executives, and figures such as St. Louis Blues general manager Doug Armstrong have reached out to speak with the professor about his research.

“He [Armstrong] asked some incredibly insightful probing questions. [. . .] I sent him some of my research, he phoned me up, and one of his questions was ‘Talk to me about the inter-round variance.’ [. . .] This is not some guy who just knows arithmetic. This is a guy who is asking a pretty sophisticated question.”

Tingling’s upcoming research has him still focusing on the NHL, but this time looking at the relationship between front office movement and on-ice movement.

“Our research shows quite conclusively that [as] front office movement goes up, trading goes up. If I’m Vancouver, and I send one of my AGMs [Assistant General Manager] to Florida, then you’d expect there to be more trades, because we know each other.

“What’s interesting is that what we find that the more you trade [with a particular team], the more likely you are to go to that team, so there’s a bit of a circular relationship.”

SFU deals with online private data breach

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Some emails that were compromised could have contained personal information, but it is impossible to know for sure.

In May, a flaw in a supposedly private SFU database was discovered. The database, which held the contents of IT help tickets from 2013 to 2016, reportedly did not have the appropriate security measures activated.

According to director of university communications, Kurt Heinrich, “The privacy breach occurred on January 27, 2016, when IT Services inadvertently copied incidents, inquiries, and requests onto a server with an unprotected database during the transition to a new trouble ticketing system. The exposed database was discovered on May 16, 2016, and was taken offline on May 17, 2016.”

Though the information on the database is not the type typically sought after by hackers, chief information officer Mark Roman insisted that no breach in privacy is acceptable.

“We have a standard protocol that we follow for a security breach, so we make sure we follow all the government-defined protocols, we make sure the appropriate people are notified. Even if there was only one name and one piece of private information there, we have to follow the full protocol, and I think that’s appropriate.”

After the breach in security came to light, the university notified the affected individuals. An estimated total of 20,000 emails were accessible on the server through the Internet: roughly 12,000 SFU-based accounts and 8,000 non-SFU accounts, which were tied to over 100,000 IT requests.

Almost all of these requests pertained to tech inquiries and computer aid, but there’s no way to tell whether some contained private information that users did not want to be available to the public.

“[S]ometimes people do communicate more information in these things, like, they’re conveying a sense of urgency about the ticket, and it might explain the reason why, and sometimes the reason why might contain private information,” Roman told The Peak.

With the recent ransomware attack at the University of Calgary, the need for online privacy security seems more pertinent than ever. U of C had to pay a $20,000-ransom to get the university’s IT systems back from hackers due to improper server patching and mishandled management, as Roman suggested.

Luckily, the gravity of SFU’s situation is not comparable to that of U of C’s.

“There’s all kinds of horrible problems that happen when you manage these issues like the University of Calgary did. So we’re not there,said Roman. “I don’t like these things happening, and we do our best to prevent them. But it’s not what happened to the University of Calgary, it’s a very different problem.”

As for whether this breach will impact SFU’s phishing email problem, both Roman and Heinrich seem doubtful. “I don’t think so, I don’t think they’re related,” said Roman on the matter. Each day of the 1.2 million messages sent to SFU emails, 1 million are spam and the university must work hard to block them.

Heinrich stated that “we have no evidence that there has been any misuse of the information contained in the database. That said, we are asking that any impacted students/staff/faculty monitor personal accounts and be vigilant for attempts at social engineering, spear phishing, and fraud.”

Moving forward, SFU will administer several preventative online security measures, including conducting an external audit, increasing security staff, forming a change advisory board, and hopefully implementing an artificial intelligence tool that is able to monitor suspicious online behaviour.

“These systems are so complex,” said Roman. “There’s 160 people in our central IT organization here, and we’re managing massive systems, and hugely complex systems. So we try really hard to do our best in terms of security.”

As for how SFU students and staff can help avoid liabilities to their personal online accounts, Heinrich advises them to “be vigilant for attempts at social engineering, spear phishing, and fraud; never share your passwords with anyone; and use anti-malware software and keep your computer and mobile device patches up-to-date.”

SFU lecturer wins praise for science-inspired fiction

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Kovalyova holds both a PhD in microbiology and an MFA in creative writing.

SFU molecular biology and biochemistry senior lecturer Irina Kovalyova is receiving critical praise for her most recent publication, a collection of short stories titled Specimen.

Published in June 2015 by House of Anansi Press, Specimen recently earned Kovalyova the Emerging Writer prize in Literary Fiction from Kobo. Kovalyova’s stories are influenced by both her background in science and love of literature.

In the story “Mamochka,” set in Kovalyova’s hometown of Minsk, an archivist at the Institute of Physics grapples with her daughter’s new marriage to a Chinese man living in Vancouver. In “Peptide P,” Kovalyova uses a clinical lab report to tell an emotional story about sick children.

While science and art are often regarded as separate worlds, Kovalyova sees things differently.

As a child growing up in the former Soviet Union, Kovalyova was an avid reader. She fell in love with short stories through the works of Anton Chekhov, Mikhail Bulgakov, and other Russian writers.

Even when she became interested in science in high school, Kovalyova said, “I never left literature behind.”

Kovalyova jokingly calls herself a “triple threat” as she went on to get graduate degrees in chemistry, microbiology, and immunology, and most recently an MFA in creative writing from UBC.

“I always find it strange that people are surprised by the fact that I’m a scientist and yet I’m also a writer. I don’t think the two things are necessarily separate,” she said.

Kovalyova learned to approach science with a complex, narrative point of view, and to apply a critical, investigative lens to her writing. Specimen’s unique combination of science, technology, and human emotion came naturally to the author. After all, it reflects her own life.

“Even if I set out to write a short story that doesn’t have any science in it at all, inevitably there would be something,” Kovalyova said. “That’s what I do and I can’t get away from it.”

She noted that she gets a lot of inspiration from her classes at SFU, adding, “I blame my students for a lot of the short stories.”

Kovalyova published several fiction and non-fiction pieces in literary magazines before compiling Specimen. Along the way, she realized that a lot of her work was linked by common themes of looking beyond oneself and fostering empathy.

Her stories take place across the world, from North Korea to Poland to Vancouver, and bridge cultures, beliefs, and expectations. She writes about the fall of the Berlin Wall in one story, and unexpected side effects of Botox injections in another.

Kovalyova plans to continue writing and experimenting with different forms of fiction. She hopes to remind readers of the power of collaboration, not segregation, in the workplace and their lives.

“Ultimately [. . .] my goal is to explore humanity and [. . .] urge people to integrate, not separate, but integrate in whatever way we can,” Kovalyova said.

An interview with SFU’s Marina Elliott, the new Jane of the jungle

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[dropcap]M[/dropcap]arina Elliott has been named one of National Geographic’s Emerging Explorers of 2016. An SFU alumna who studied biological anthropology, Elliott has spent the past few years in South Africa, uncovering the history of humanity.

Elliott’s journey began in Calgary, but she found a place to call home here at SFU. One of her favourite experiences during her time in school was joining the Human Evolutionary Studies program research team headed by professor Mark Collard. That research team has since opened up some great opportunities for the budding palaeoanthropologist, Elliott explained.

Her background in climbing and cave exploration, or ‘spelunking’ as it’s referred to in the field, made her a perfect candidate for the Rising Star Expedition under the leadership of Lee Berger.

Rising Star is an excavation site in the Cradle of Humankind, where the remains of Homo naledi were discovered in 2013. The Cradle is a 47,000-hectare World Heritage Site about 50 km northwest of Johannesburg, South Africa. It’s composed of complicated limestone caves where many hominin discoveries have been made.

“I spent quite a bit of time as a kid in the Rockies and the Badlands, running in and out of dark places,” Elliot said. Now the five to seven hours per day that Elliott spends in the small cave-home of the of Homo naledi is child’s play, she added. As soon as she’s out of the caves, though, “the next priority is a shower and snack!” The explorers generally move around the cave in bare feet, so that they “are more sensitive to the ground and where the fossils might be,” but that can lead to a dirty work day.

Elliott has also gained experience at other locations. She has worked in Siberia and Alaska, but noted that “both projects were very different from Rising Star — and also each other. Siberia was a Holocene burial area on the shores of Lake Baikal. The burials can vary quite a bit in size and complexity, but are generally [. . .] straightforward to excavate.

“Exploration is still an essential part of the scientific process.” – Marina Elliott

“Alaska was more of a ‘salvage’ operation, as the burials were in danger of washing into the sea as a result of erosion caused by climate change. The burials there were harder to identify, and so we dug a lot of ‘test pits’ to find the material.”

The pressure was on in Alaska in more ways than one. The crew at that site excavated under armed guard, which is not a typical experience. Elliott explained that the protection was there “not for people, but for the polar bears.”

Elliott’s had plenty of adventures already in her career, and she can’t wait to embark on new ones. “I’d love to go to some of the other hominin sites [. . .] around the world. This is a really exciting time to be in anthropology and exploration science.”

Of the Rising Star find, Elliott remarked that “Homo naledi’s discovery is challenging a lot of ideas about how palaeoanthropology does ‘business’ and about how we think about human evolution.

“In particular, I think it is reminding us that we still have a lot to learn about the human family tree [. . .] It demonstrates that there were a lot more species out there than we realized and some we couldn’t have predicted in advance. I think it’s also reinforcing the idea that exploration is still an essential part of the scientific process — we need people to get out there and be looking for new discoveries [. . .] in all disciplines,” Elliott explained.

The young explorer recalled that her initial reaction “to seeing the chamber and the fossils for the first time was surprise.

“We had been told that we would likely be excavating a single individual, probably of a known species, [. . .] but when I saw the amount of material in the chamber, I realized it was going to be a much bigger project than we anticipated. [. . .] We brought up fossil after fossil and realized that we were dealing not only with multiple individuals, but with a species unlike anything anyone had seen before. It was pretty mind-blowing,” Elliott said.

In addition to excavating Rising Star, Elliott has spent her postdoctoral fellowship at the University of Witwatersrand. There, she’s been doing “an awful lot of outreach and public speaking on the discovery, [which] has been really interesting and rewarding.” She has also conducted research on the Homo naledi skeletal material, and been in charge of other field operations. Currently, Elliott is heading a six-person exploration crew that explores and surveys other caves in the Cradle to try and find new sites.

She misses her family, which makes Skype an important tool in her arsenal. What she misses most about Vancouver is the ocean. “I love the sea, and sometimes wish I could go for a run or walk along the Seawall like I used to do in Vancouver.” Luckily, Elliott gets to return to Canada a couple of times a year, which has helped her stay grounded.

If you ever do meet her, just keep in mind that Elliott is not a paleontologist: “I don’t dig up dinosaurs! I get that a lot when I say I am a palaeoanthropolgist. [. . .] It’s not that I don’t think dinosaurs are cool too, but it’s not what I do.”

Through her careful excavations, Elliott is helping SFU build its name as a home for world explorers.