Home Blog Page 661

Long story short: Messing up when growing up is 100% unavoidable

0
Image credit Tiffany Chan

By: Winona Young, Staff Writer 

We were standing out on the street and began what I call “the awkward after-dinner shuffle.”

We’ve all done the dance: lots of lingering, questions about commutes, checking the time, until you finally spit out what you’ve wanted to say/do the entire night. For me, it was an apology. One that’s been bottled up for  years, and in my eyes, long overdue:

“By the way, (her name), I just wanted to say: I’m sorry again for everything.”

So here’s the thing about fucking up when you’re still growing up — it is 100% inevitable that you will hurt other people’s feelings. Intentional or not, it will happen. And the thing about fucking up is that apologizing is 100% compulsory. Forgiveness is optional, but recommended.

When it comes to forgiving yourself, it really is worth doing. But I’m getting ahead of myself.

What I was apologizing for in particular happened three years ago.  It all began with being thousands of miles away from her — with different time zones, with texts, and with talks that tapered out over two or three months. It ended with an essay-long confrontation over text.

I won’t get into the messy details of “I said/she said,” but what I remember myself doing was talking behind a friend’s back, making offhand comments that weren’t true, and no apologizing. The thing about fucking up monumentally for the first time is that you don’t realize you’ve fucked up until after it all ends.

Being cut out of someone’s life is a process done slowly and very quietly. Weekly Skype calls are delayed by a few days, then by weeks. Snapchats and messages are left on “Seen.” And when you’re asked by mutual friends, “How is so-and-so?” you pause and think, “I wouldn’t really know.”

My friends counted my theory as overactive paranoia — that so-and-so wouldn’t do that, she’s too nice for shit like that. I’d nod my head, and we’d move on, but a nagging feeling would remain in the back of my mind.

Like I said before, the ending of that friendship was messy. It was done over text (pro-tip for any relationship: don’t fight over text). Our chat had paragraph-long replies that might as well have been double-spaced, MLA-formatted, and properly cited, given the amount of detail we went into. It ended with a mutual resolution that we were OK, and that come August, we’d grab a coffee and stay friends.

That August coffee date never did end up happening, and for the better part of two years, it kind of . . . haunted me. Now, while I may be extra as hell when it comes to reactions, I feel my emotions as softly as a brick to the face. But I chalked up the fact that we never met up (which came up to timing, and it being Too Soon in hindsight) to be, well, my fault.

That fall also happened to be the first year I spent at SFU, and when the fall rush of parties and hangouts simmered down with the months getting colder, I was filled with a lot of regret about how I handled our deteriorating friendship.

There wasn’t a day that went by that I thought of the friend I lost — they were someone I could see myself being friends with for as long as I’d be here (give me a break, I was 19), and it was a very sobering reality that the break happened without me wanting it, and in some part, without me even noticing.

I reached out again in October to see if we could try another coffee date and she told me that she was busy with settling and school. So was I, and I offered to go all the way to her school, but she had places and people to see that weren’t, well, me. I respected her choice, and thought maybe it was still too soon.

It was definitely too soon, and I was painfully reminded of how this entire mess was My Fault. I replayed every moment we had together, (some of the good ones, but mostly the bad,) and tried to pinpoint just which memories foreshadowed our friendship ending.

The thing about being young and in university is that we are surrounded by people going through the same things we are. This is both a good and bad thing. Pro: you have people who are going through what you’re going through, and if you’re lucky, you’ll have finally found someone who can understand. Con: you’re at risk of hurting each other when the day arrives that both of your issues come crashing into each other.

It’s inevitable that people will hurt you, but it is also inevitable that you will hurt other people. Depending on how much of a guilty conscience you have, you will feel a little ashamed of yourself. Guilt has a way of following you around — it stains memories like the smell of cigarettes sticking to your clothes, lingering and resilient. So I stayed away from messaging her for a good two years.

This wasn’t because I didn’t want to, but because I still thought that maybe what I did ruined us beyond repair. I still of course wondered how she was, if she still thought of me, and more importantly if she had forgiven me. It was the last part that held me back, because I wasn’t sure if I was ready to hear that answer.

So when I finally got the opportunity to meet with her and give her my apology in-person, my estranged-friend-turned-friend-again, her response surprised me.

“By the way, (her name), I just wanted to say, I’m sorry again for everything.”

She shook her head resolutely, and brushed my apology off. She said, “No dude, I’m sorry too. It was so long ago.”

I remember looking at my shoes and feeling relief, but my stomach was still in knots. Why? She continued.

“I mean, I was 21 back then, it was so long ago. That, and I know our falling out must’ve really hurt you too.”

I nodded, and I felt validated she recognized my pain. We said our goodbyes with a hug. There were a few cursory jokes exchanged as we parted, and made the resolution to keep in touch.

As I left, I realized how quietly and quickly that resolution between us happened. More so, I realized that, while my as-of-late estranged friend forgave me for everything that happened, I hadn’t forgiven myself in all this time.

Guilt is an unproductive emotion. You agonize and beat yourself up for what you did and you wallow in that feeling for too damn long. Forgiving yourself isn’t about giving the past you a free pass on the mistakes they made, but about recognizing that what you did was wrong, and about making the resolution to become better.

That, and forgiveness is being fair. Because while taking responsibility for your past mistakes of course is very important to do, constantly beating yourself up for what Past You did isn’t fair to Past You. That young kid didn’t know any better — they learned, they grew, and they owned up to it. More importantly, they became You.

TL;DR — I was a real dumb bitch, but I forgave myself for being a dumb bitch, and you should too.

Find your Flo and your patience will be rewarded

0
Cooking Dash is perfect for those who want to be a line cook without the burns, scalds, or misery involved. (Image courtesy of Glu Mobile.)

By: Courtney Miller

If you’ve ever wondered what would happen if you crossed Diner Dash with Hell’s Kitchen, wonder no more: Cooking Dash already exists.

     Cooking Dash will feel nostalgic to anyone who played Diner Dash back in the day. It has the same basic game structure: serve all the customers before time runs out. The only difference is that the main character, Flo, helps with cooking now instead of just serving.

     The premise is that Flo is competing on a cooking game show, though I’ve yet to see a non-player character competing against her. Each level is an episode of the show, and there are multiple venues within the show, with different themes to choose from. Every episode has a certain number of customers to serve within a time limit (usually one to four minutes), and you can upgrade items in each show to serve people faster and make more money.

     Everyone starts with the Table Steaks venue, where you prep, cook, and serve The Keg-style food, but you can unlock other venues like Hip Stir Café, Medieval Dines, and 29 others (as of April 2018) by spending gold.

     Oh, gold. The make-it-or-break-it currency of Cooking Dash. Every upgrade and almost every new venue requires some gold and coins to unlock — and, of course, you are encouraged to buy those things, even though you can earn them for free.

     When upgrades start costing 70 gold, it’s tempting to purchase some to make your life easier. But if you’ve got the capacity for patience, you don’t have to shell out any money for an enjoyable experience. Some of the customers randomly drop gold, there are daily goals you can complete for gold, you can watch ads to earn gold, and the developers recently added three prize wheels where you can win gold.

     The gameplay itself is addicting because you can always do better and you’re really just playing against yourself. You can go for hours, so long as you have enough supplies (each episode costs 10), and you’re never stuck on a level you can’t beat. You simply go to a different venue and play there, or replay episodes to improve your score, and the developers are always adding new features and venues.

     The recently-added Trial of Style lets you compete against other real people for prizes, and the new outfits feature lets you change what Flo’s wearing for certain advantages like speed. There are also special events where every customer will drop gold, or where playing requires no supplies, which pop up somewhat regularly.

     All in all, Cooking Dash is a good way to kill time, so long as you can wait for progress, or you have the money to spend on virtual currency.

     You’re a student, though, so save your coins for ramen.

     Cooking Dash is available at the App Store and Google Play for free.

SFU student examines the murky waters of salmon farming in B.C.

0
(Photo courtesy of Mountain Life Media)

By: Srijani Datta, Assistant News Editor

 

If you have ever been to a supermarket, chances are you have come across packaged salmon with the words “Farmed Atlantic Salmon” on it. Salmon farming, while quite common on the BC coast, has been at the centre of intense debate due to its ecological impact. Third-year SFU biological sciences student and sustainability peer educator Kris Cu is putting together an audio documentary on the issue to help locales get a sense of the problem.

     The audio documentary is being produced by Cu in partnership with Embark Sustainability and CJSF. The estimated completion date for the project will be mid-May, and it will be featured on the website for the project, Plight of the Coast.

     Cu was inspired to raise awareness about the issue because BC will be deciding in mid-June whether or not the government will renew the tenure for 22 fish farms. He hopes to spread awareness and mobilize public support against open-net cages before the decision is made.

     “The wild salmon are integral to this coast in so many ways and their disappearance will have profound impacts to this province. Given the opportunity to make a difference with Embark and knowing what it’s like to grow up without nature, I knew I had to contribute to the cause,” said Cu.

      Cu explained that while the ill effects of salmon farming are clear and present in BC, there is a lack of popular awareness about it.

 

What is salmon farming?

Salmon farming is a type of aquaculture where salmons are grown in open-net cages along the coast with no barrier between the farm and its natural surroundings. There are around 137 salmon farm tenures in BC. with roughly 85 farms are active at once. Each farm can house up to 750,000 fish on an area equivalent to four football fields.

    Despite their fairly innocuous appearance, these farms have adversely affected the health of wild salmon, as well as the surrounding environments. “Due to the high density of fish packed in together, the cages become hotspots for diseases,” explained Cu.

 

Why is it harmful?

The debate surrounding salmon farming is chiefly between the farming industry and environmental conservationists. Science-based charity Watershed Watch, which advocates for the conservation of BC’s wild salmon, relies on peer-reviewed and published scientific work to critique open-net farming. They mention disease transfer between farmed and wild salmon due to the lack of any barrier between the open-net cage and natural surroundings as a major threat.

     Research has indicated that wild salmon have a higher chance of being infected with piscine reovirus (PRV) when exposed to open-net salmon farms.  Other negative impacts of salmon farms come from the increased spread of sea lice to surrounding waters, competition with wild fish from escaped farmed fish, and water pollution from the farms.

 

What is the way out?

Watershed Watch advocates transitioning from open-net cages to closed containment systems. These systems would address the problems of boundary-free interaction between the farm and its natural surroundings, thus providing a straightforward solution to many of the current problems of salmon farming. Closed containment systems are sustainable and can be land-based.

     According to Cu, “one of the main reasons that the industry does not want to make the transition is because of the high cost. It is not like they did not know about its ill-effects.

     “The Namgis people have shown the industry that land-based salmon farming can be done sustainably if you have the initiative to do it,” he said, referencing the Namgis First Nations who have already successfully implemented this process.

     For individual consumers who want to help address the issue, Cu recommended conscientiously buying wild salmon or sustainably grown salmon. Conservationist efforts, such as one led by First Nations band government Musgamagw Dzawada’enuxw, seek to mobilize locals and, in turn, local governments to push the federal government towards making environmentally sound choices. Individuals can provide support by working with and supporting these groups to bring about change.

     “This story is very similar to that of Kinder Morgan pipeline [sic], where a foreign industry is trying to violate indigenous and environmental rights for their own profit, except it isn’t that evident,” said Cu.

 

With files from CBC News.

The Symptoms of Senioritis

0

By: Jessica Parsons

Have you been caught staring at a wall for hours, sensing a creeping existential crisis? How about looking at first-years and wondering where those tiny babies’ guardians are? These, among many others, could be symptoms of senioritis.

Senioritis is a serious condition that affects over 86.7% of undergraduate students. In mild cases, symptoms may include, but are not limited to: refusing to go to any class that starts before noon or that posts the lecture slides online, looking at job boards and sobbing, and binging Netflix shows on Friday nights. There have been stronger cases reported where symptoms can get as serious as booking a flight to Europe using student loan money, or repeating the phrase, “Ds get degrees,” over and over.

If any of these persist, you should seek immediate treatment. Unfortunately, doctors have not yet found an immediate cure for senioritis — however, they have found that symptoms usually stop after the phenomenon known as “graduation,” (also known as freedom).

Early detection is very important in curbing the symptoms of senioritis. Therefore, I have listed below the symptoms that those with a higher risk, namely those in their last year of their degree, should look out for:

  • Forgetting things: This may include your passwords, your deadlines, your classroom numbers, or even your will to get out of bed in the morning.
  • Nausea: Often provoked by the thought of finding a full-time job, or having to move back in with your parents.
  • Dizziness: Did you forget to eat today? (See: forgetting things.)
  • Emotional fluctuations: This can manifest as either caring too much, or forgetting what caring even feels like (once again, see: forgetting things).
  • Sudden verbal outbursts: Examples of these may include “I’ll do that LATER,” “Yes, I wore this shirt yesterday, so?” or “No one cares about your A+ research paper, Bethany!”

Senioritis is a serious problem among undergraduate students. While the only foolproof cure is graduation, there have been improvements made to cases through a variety of treatments:

  • A healthy dose of reality – also known as the blinding fear of the PGJH (Post-Grad Job Hunt) disease.
  • Caffeine (coffee, tea, chocolate, energy drinks). Anything to boost your ability to do the single crunch that is getting out of bed in the morning.
  • Zero cares. Giving into the disease may be the best option for treatment. Grab your freezer bags of pizza pops and settle in for the wait until graduation.

Though senioritis can be a serious condition, just know that you are not in it alone. There are no support groups, because most senioritis sufferers don’t give a flip about anyone or anything. So hang on tight and ride the wave until graduation. I, for one, am going back to bed.

If on a Winter’s Night a Traveler: a book to experience

0
(Image courtesy of Mariner Books.)

By: Maxwell Gawlick

You pick up a new novel, but the pages are out of order. You pick up a new copy, containing only the first chapter, but that chapter makes you desperate for the next. You search for the next chapter and wind up on an adventure to uncover the scattered tale. This is the idea behind Italo Calvino’s If on a Winter’s Night a Traveler.

     Set in the fictional country of Cimmeria between World War I and II, Calvino’s novel is a surreal adventure with a frame-story style that always keeps the story fresh. It’s split into two alternating perspectives. The first follows “you,” the reader, and your search to find the next chapters of the mysterious book If on a Winter’s Night a Traveler. You soon meet the source of the second perspective: another “you,” a woman, who is another reader with the same goal as you. Together you pursue the inescapable story. The other sections explore these chapters themselves, but each chapter is the beginning of a new tale, unrelated to the last. Each chapter ends unresolved, and you constantly yearn for answers.

     Calvino’s writing is descriptive and detailed, but its fluidity prevents it from becoming flowery. The characters feel real, and it’s all too easy to get lost in them and feel like you’re experiencing the adventure yourself. The writing is easy to get into, but it becomes increasingly complex as you read between the lines. It’s the sort of book you lie awake at night considering. It’s impossible to forget, and less a book to read than to experience. Experience it.

Mental health advocacy group experiences diminishing funding for initiatives

0
Hi F.I.V.E. has been advocating for mental health on SFU Burnaby campus since 2013. (Amneet Mann / The Peak)

In the 2017-8 academic year, the student-led mental health advocacy group Hi F.I.V.E. experienced a severe lack of funding, hindering their initiatives and presence on Burnaby campus through the year.

     Students involved in Hi F.I.V.E. have been working to eliminate mental health stigma at SFU since 2013. “Basically our mandate is, just try to eliminate stigma and create awareness [around mental health],” summarized Hi F.I.V.E. coordinator Natalie Morin in an interview with The Peak.

     “But recently we’ve kind of changed that a little bit, to something a little bit more revolutionary where we actually want to bring change on campus. Because we believe that students know that mental health is not great here on campus, now we want to create the change.”

 

A suddenly tighter budget

However, for the past year the group’s numerous requests for funding — specifically those submitted to the Simon Fraser Student Society (SFSS) — have been turned down.

     According to Morin, the decreased funding for the group was first noticed in spring 2017 when the group submitted a proposal for increased funds for ME Week, an annual week-long event held by Hi F.I.V.E. which promotes mental health through activities meant to help students destress.

     “Usually [ME Week is] a week long, but because of funding issues we had to cut it quite a bit,” recalled Morin. She elaborated that shortly before the spring 2017 event, the group’s request for funding was declined by the SFSS, because they were now considered an external group.

     Prior to this refusal, the group had received funding from SFU’s Health and Counselling Services (HCS) as well as the SFSS. “At the beginning of the year, fall 2016, [the SFSS] said yes to the proposal, yes to fund Hi-Five for its organizational costs to split with Health and Counselling Services. So at that point in time we weren’t considered external. But as soon as we put in the proposal for ME Week spring 2017, it was declined and we were called an external group,” said Morin.

     “[Hi F.I.V.E.’s] status has always been unclear,” commented SFSS President Jas Randhawa, in an email interview with The Peak. “Initially the work began as an initiative of SFU’s Health and Counselling department, as a result of the interest and vision of one of the members of the HCS team.

      “Traditionally, students involved with Hi F.I.V.E. have been directly supported by members of HCS staged by the groups, while the SFSS has been asked to provide ongoing financial contributions to pay stipends for students who have been involved with the Hi F.I.V.E. group, in addition to the costs associated with the events that are developed and delivered by the group.”

      According to Morin, when the group followed up on the rejection for funding and asked if there was a funding process for external groups, they were told one did not exist. She stated that in August 2017, she was told that the SFSS was in the process of drafting a process for external groups, but as of this article’s publication date, one has not been formulated.

     The SFSS did not respond to queries about an external grant process.

     “We don’t consider ourselves an external group at all,” said Morin. “We work internally with Health and Counselling Services.” The Hi F.I.V.E coordinator took it upon herself at the beginning of the 2017-8 academic year to find a spot for Hi F.I.V.E. within the SFU community that would allow them to continue working for students. After an initial meeting with previous SFSS president Hangue Kim and SFSS CEO Martin Wyant, the group had expressed that they did not feel Hi F.I.V.E. should be officially assigned a club status. As a club, “we would lose our relationship with Health and Counselling Services, where we actually originated from,” said Morin.  

     According to Morin, the group then spent the next few months discussing the possibility of Hi F.I.V.E. obtaining department status similar to Out on Campus or Women’s Centre. However, on the first day of reading week in 2018, the group was officially offered a club status — should they not accept, the spring 2018 proposals prepared by Morin would be declined. Hi F.I.V.E. declined the offer.

     Concerning the offer made by the SFSS towards Hi F.I.V.E., Randhawa commented, “we value the work that has been done by Hi F.I.V.E., and we believe that it makes more sense for them to be seen as a club, rather than a department of the SFSS.

     “There are a number of clubs that do very good work in many areas, including mental health, for our student body. Being a club provides Hi F.I.V.E. with the opportunity to access room booking, SFSS grants, and other services that are intended to help student groups succeed.

     “If Hi F.I.V.E. is interested in being a department, we don’t think it makes sense to be a department of the SFSS, as we would be duplicating the oversight, expertise, and resources that are already available through SFU’s Health and Counselling,” he wrote.

      ME Week 2018 was funded via the Student Engagement Fund, which provided $1,500 for the group to put on the event, as well as donations from friends and families. To put on a ME Week that would reach enough students, Morin estimated the group would have required approximately $5,000.

 

Bringing forward the student voice

On the heels of refusals for funding requests and with the risk of Hi F.I.V.E. losing its advocacy ability on campus, the group had one of the strongest showings at the debate held on Burnaby campus for the candidates of the SFSS 2018 election. Several members directed questions at the candidates regarding their promises for mental health reform.

     “We made sure that anyone that included mental health advocacy in their platforms was accountable and not just using it as an electoral buzzword,” Morin said. She recalled that her strategy for voting in the 2017 SFSS Election was supporting candidates who had written mental health advocacy as a priority in their platforms, and then being disappointed with the lack of work done to promote the cause on campus.

     Among other platform promises Hi F.I.V.E. asked about during the debates, the efficiency of online counselling was questioned by the group. “Online therapy has been proven to be [. . .] often not enough for mental health issues and meeting face-to-face is still better when treating people in mental distress,” spoke Tyne Dhillon, member of Hi F.I.V.E.. “In fact, a survey we recently conducted shows that SFU students seek peer counselling over online counselling.”

      Morin cited the debate over online counselling to The Peak as an example of the SFSS allocating funds for projects that may not be the most beneficial for SFU students, doing so without consulting students for their opinion.

     The SFSS recently announced keepme.SAFE, a multi-platform mental health service for SFU students that received a $75,000 contribution from the SFSS. Hi F.I.V.E., as a student group, believes this money would have been spent better if student input had been solicited: “We’ve done actually our own survey and everything and asked whether or not the service would be beneficial to students, and it was actually voted the least helpful,” Morin said.

     For the SFSS, Morin believes it would be beneficial to “include the students in the conversation.

“If you want a larger showing, if you want a better community, an engaged community, on campus, then you need to give the clubs money. You need to ensure that they can do their events and do them successfully and not have to worry about funding.” – Natalie Morin, Hi F.I.V.E. coordinator

 

     “We want to be a part of the conversation because we have been ripped out of our spot. We basically want to make sure that they know that they shouldn’t be making decisions without the voice of students, and especially those who advocate for mental health and who have been in the mental area for quite some time and have the research to back it up,” she said.

 

For the unforeseeable future

As for Hi F.I.V.E.’s future, Morin is currently unsure how the group will move forward. “I hate that it comes down to money, but we can’t do anything without money, so we don’t know,” she commented. She hopes that the group can continue negotiating with the SFSS regarding Hi F.I.V.E.’s role in the SFU community, and help the Society serve SFU students.

     Regardless of Hi F.I.V.E.’s fate, however, Morin is committed to continuing to advocate for mental health in the community: “We won’t fade into the back, for sure. We will definitely be present on campus next year, whether it’s under Hi F.I.V.E. or our own thing.”

 

Best places on campus to openly weep

0

By: Amal Javed Abdullah

The semester might have just started, but it’s never too early to begin crying at the sorry state you will be in sooner rather than later. Here are the four best places to cry on campus.

  1. The quiet section of the library

What better place to cry than the library? Go up to the fourth or fifth floor of Bennett and unleash a high-pitched howl like a werewolf during a full moon. The louder you cry, the louder the echo, and the greater the chances of your plight reaching the SFU heavens.

Ignore any glares you might get from nearby students — they were most likely procrastinating anyway, and you just gave them another excuse to be distracted from their work. Really, they should be thanking you.

  1. By the pond

The idea here is to be as melodramatic as possible. You buried your dreams for theatre to get a crappy degree that won’t get you a good job anyway, so you might as well milk every opportunity to let your dramaturgy shine.

Sit at the edge of the pond at sunset, and weep sorrowfully into your hands, occasionally blowing your nose noisily in an embroidered handkerchief. Stare into the water at your reflection and let a sad teardrop fall on your watery visage, breaking the image and making ripples in the pond — metaphorically, these ripples are the disruption of the waters of your life.

  1. In the middle of a bus

Pretend you’re a super popular singer and the bus is your stage at your own personal concert. At some point, go into your audience of hangry commuters and pull out a pissed-off passenger to cry with you.*

  1. In the middle of a lecture

For this one, you will need to do some prep work. Sneak into the lecture hall before class starts. Hack into the sound system, and hook up your phone as a mic to the speakers, which you will turn on right when you begin to cry. Now, find a seat smack-dab in the middle of the lecture hall, and try to look innocuous, whatever that means. You want to start at the right moment, exactly when your prof is discussing the most boring part of lesson — though it may be debatable which part is the most boring.

Begin softly at a low decibel, and slowly build up like a symphonic one-person orchestra. Develop your pitch and melody with care, and weep from the heart with passion, as if you are front stage at Carnegie Hall. Revel in the sonorous echo of your sorrow as it emanates from the crappy speakers. Bonus points if you can start a flash-mob and get other students to cry with you. Your prof will get enough of an evil laugh out of your afflicted state that they will at least try to mark slightly easier on your midterm… probably. **

*We are not responsible for revoked transit privileges, or any bodily injury that may result from this experiment.

**I’m lying. You’re failing, Bob. Cry harder.

Album Reviews

0

By: Youeal Abera and Natasha Tar

Dirty Computer by Janelle Monáe

Dirty Computer is Janelle Monáe’s third album, and with it, she reveals herself so vulnerably that she has manifested her most bold, beautiful work.
     Songs such as “Take A Byte” and “Pynk” find Monáe freely celebrating her pansexuality, expressing love and liberation for all members of the LGBTQ+ community. On the tracks “Crazy, Classic, Life” and “Americans,” Monáe includes notions of Black empowerment. In “Django Jane,” Monáe proclaims the power that women, particularly women of colour, truly possess.
     Monáe, with the manufacturing of such a bold and refreshing album, has been able to successfully administer a body of work comparable to the legendary albums of our parents’ time. Like Janet Jackson’s Rhythm Nation and Alanis Morissette’s Jagged Little Pill, Monáe’s Dirty Computer is an album that provides both catchy, infectious tunes and empowering records for women.
     Last time I checked, Monáe is Wonder Woman. It’s true. The proof is right in her music. – YA

Vide Noir by Lord Huron

It’s hard to avoid Lord Huron. Their music appears in a variety of TV shows and movies, from 13 Reasons Why to A Walk in the Woods, and are used to elevate nature scenes and back school dances. Vide Noir is definitely a step away from Lord Huron’s regular sound.

     Sure, “Wait By the River” and “When the Night is Over” definitely feel like songs you’d slow dance to, but other than that, Lord Huron gets pretty experimental. A few of their tracks are more rough than I’ve heard them before, and their rock songs are fast and surprising. Some of them work, like “Never Ever” and “Secret of Life.” Unfortunately, other experiments like “Ancient Names (Part I)” and “Ancient Names (Part II)” fall flat for me.

     Altogether, the album is refreshing, but not one that I’d listen to without skipping a few songs. – NT

KOD by J. Cole

Cole dropped his latest album, KOD, on April 20. It’s no coincidence that he released his album on ‘420,’ as his album’s title is an acronym that stands for ‘Kill Our Demons.’ What is one of the demons he discusses? You guessed it: drugs.
The song “Once an Addict” vividly paints a picture of a boy dealing with the detrimental experience of having an alcoholic mother. An excellent attribute of this record is that J. Cole depicts the complex and intricate intersectionality of many Black boys, specifically their pain, anger, and deep despair.
     Through the songs titled “ATM,” “Kevin’s Heart,” and “1985,” Cole discusses the dangers and false power of money, the crippling plight of lust and infidelity, as well as the intoxicating elixir of fame. Cole uses this album to perspicuously inform his listeners that we all eventually experience great pain, and that there are many methods to alleviate it. He explicitly warns us to choose wisely.
     Although KOD is an album that kills sonically, Cole has sincerely concocted one of the most socially aware and conscious rap albums in recent history. – YA

Coachella is a place for LGBTQ+ artists to be loud and proud

0
Courtesy of Getty

Written by Winona Young

Earlier this year, Pitchfork released an article investigating the co-founder of Coachella, Philip Anschutz, and learned that he has donated thousands of dollars to anti-LGBTQ+ organizations. Such accusations sparked protest hashtags such as #BoycottCoachella and #NoChella. Anschutz and Anschutz Entertainment Group (AEG) have released statements proclaiming their innocence and their support for the LGBTQ+ community.

Upon reviewing Coachella’s past lineups, the festival has certainly been no stranger to LGBTQ+ artists. This year’s lineup featured artists like Hayley Kiyoko, Perfume Genius, and St. Vincent. What comes to mind now is whether fans ought to be enraged by Coachella’s problematic ties or continue to go the festival purely for the music. Furthermore, this situation begs the question: is it appropriate for LGBTQ+ artists to perform at Coachella? I would argue that more than ever, LGBTQ+ artists deserve to have a large platform to share their music, and to perform despite Coachella’s co-founder.

Insidious beliefs of homophobes should not be tolerated. As media and art consumers, we need to set higher standards for companies and their employees, especially powerful ones, and assert that bigotry is unacceptable. With that said, until less bigoted companies are brought to the forefront by the media, “the garbage will do,” to quote Rey from Star Wars.

Whatever faults and shortcomings Coachella’s co-founder may have should not be on the conscience of the artists themselves, since they have no part in whatever prejudices he may have. The LGBTQ+ artists who perform at Coachella wield no power in determining where the profits go, and should not feel guilty for contributing to their careers.

While artists face a slight ethical dilemma by walking out onto that stage, at the end of the day, the owners are still handing out microphones and money. By being introduced to an expansive audience, LGBTQ+ artists gain the opportunity to earn even more acclaim and reach an audience starved for LGBTQ+ representation. These artists are able to give that gift of representation, so who are we to judge them for taking a golden opportunity and sharing their art with the world?

With that said, I would like to make an honourable mention of a particular surprisingly relevant and radical performance at Coachella by none other than America’s favourite boy band: Brockhampton. For the uncool and uninformed, Brockhampton is a hip-hop collective of roughly 17 members, that range from producing, to artwork, to rapping, to writing, etc.

What made Brockhampton’s performance at Coachella particularly resonant was their wardrobe choice. In typical boy band fashion, the performers of the group wore matching outfits: white kicks, blue jeans, and black bulletproof vests. Each vest had its own unique label (for example, Joba’s “FIEND” and Merlyn’s “WAKANDA”).

Frontman Kevin Abstract’s vest in particular was emblazoned with the slur “FAGGOT.” Kevin Abstract has unapologetically rapped about his sexuality in verses, so him wearing this slur on his sleeve is nothing new for longtime fans. However, what Abstract accomplished by doing so, on a Coachella main stage, no less, was an act of sheer defiance. Abstract reclaimed a slur that was often thrown at him, and did so proudly.  

While it is unlikely that Abstract did this in response to the allegations against Anschutz, Abstract’s costume choice still stands as a significant artistic choice in owning his sexuality, free of shame. This is not to say that all LGBTQ+ artists need to be as unabashed as Brockhampton, nor that expressing one’s sexuality through performance and song is necessary for an LGBTQ+ artist.

The fact that such costumes and performances appear proudly on a stage as large and loud as Coachella means that such acts deserve attention and applause. For LGBTQ+ artists to perform at Coachella, and to use such an opportunity to be as loud about their sexuality as they want to be, is by all means appropriate and should be encouraged. Besides, what better way to stick it to an alleged homophobe than by singing about your same-sex lover and not letting yourself be censored?

Jas Randhawa looks forward to his term as SFSS President

0
Jas Randhawa, SFSS President 2018-9. (Photo courtesy of Jas Randhawa)

Jas Randhawa is heading into his fourth year as a business major. He prefers Cardi B to Offset, Jay-Z to Beyoncé, Starbucks’ Vanilla Bean Frappuccinos above every other drink, and he will be leading the Simon Fraser Student Society (SFSS) Board of Directors as President for the next year.

     In an interview with The Peak, Randhawa explained how his time at SFU as a student can be split into two different experiences. “When I came to SFU I had a different experience and now I have a different experience,” he said. “When I first came, I felt like I was just here for school and there was not much I could accomplish outside of academics.”

     It was when he joined the Surrey Campus Committee (admittedly only for the volunteer experience at first) that Randhawa began getting involved in the campus community and making connections. The Surrey Campus Committee was where he first met previous SFSS president Hangue Kim and learned about the SFSS Board of Directors.

     As SFSS President, Randhawa hopes to create an SFU community that will allow other students to be able to engage on campus as he did. “I really want to ensure that this campus continues becoming more engaged. That students are provided more opportunities to be involved,” he said.

     Projects he’s looking forward to in the coming year involve the Surrey Space expansion project, transitioning into the Student Union Building, and the new keepme.SAFE mental health program being launched in August.

     This previous year, Randhawa sat on the Board as at-large representative. Within the role, he participated in the Events Committee, the Build SFU Committee, and the Finance and Audit Committee. It was his participation on Board, being able to see and take part in the initiatives carried out during Hangue’s term, that inspired Randhawa to run for the leadership position this year. “I wanted to ensure this continuity continued and that the entire SFSS organization was not restructured in a way that there would be no time left to execute initiatives throughout the year,“ said Randhawa.

     Thus far, he is finding that his experience is already proving valuable as, according to Randhawa, “the transition into the new Board has been much smoother than years in the past.”

     “We have already booked orientation dates early on and we’ve kept communications strong between outgoing and incoming Board members so everyone has a strong grasp on knowledge early on,” he said.

     One of Randhawa’s goals for this upcoming year is to continue setting his fellow Board members up for success throughout the term. “My biggest priority this year is to inspire my team members and make sure that they are actually out there accomplishing some of the goals and initiatives they put forward,” he said.

“I believe as president your job is to be a leader and inspire your team above also setting your own priorities. Those 15 members are going to be the ones out there engaging with students and clubs.” – Jas Randhawa, SFSS President

     For Randhawa, who has run in a total of four student elections at SFU, this year’s election was “the most intense and competitive.” Another one of the projects he is looking to tackle moving forward involves possible electoral reform. “I believe one thing that was really different about this election was the increased use of social media as a campaign tool,” said Randhawa. “And that has rendered the [infractions] policy somewhat out of date and, as a result, I feel like we need to look into updating these policies.”

     However, regardless of the “alleged misconduct,” as Randhawa put it, during the elections regarding individuals and slates, Randhawa is looking forward to the elected team working together to fulfill their initiatives.

     The legacy that Randhawa hopes to leave behind is a better experience for students on campus. “[I want to create] a better, stronger culture for students to come here and want to get involved,” he said. “I want to have more opportunities outside of academics.”