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SFSS set to assert its pro-choice stance via policy making

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Chris Ho/ The Peak

By Onosholema Ogoigbe, News Team Member

After students sent in concerns about a pro-life club on campus, the SFSS Board of Directors is set to draft a policy to assert its pro-choice stance, potentially cutting funding and club status for groups in violation.

On May 30, the board reviewed a document sent by an unnamed group of SFU students, urging them to assert their pro-choice stance on women’s health issues through policymaking. Specifically, the document referred to the activities of SFU Lifeline, an active SFSS club. SFU Lifeline’s club mandate states that they “[advocate] for pre-born children, whose human rights are violated by abortion.”

During the board’s meeting, health sciences representative Osob Mohamed described SFU Lifeline as a club that believes in “. . . the criminalization of abortion across the border no matter what the situation is.”

The document stated that the club has “ . . . made numerous displays of graphic images of aborted fetuses on campus,” highlighting an event they held in November 2012 called the “Genocide Awareness Project.” It also claimed that as of March 2019, SFU Lifeline “. . . openly supports and seeks to raise funds for local Crisis Pregnancy Centres (CPCs), anti-abortion establishments known to target campus’ with similar anti-choice propaganda.”

The document argued that while freedom of expression in public spaces is protected under the Human Rights Charter, a student association like the SFSS is not obligated to fund or grant club status to any group that “promotes oppressive ideologies which infringe upon human rights enshrined in the Charter.”

As an appendix, the document included the Ryerson University student union’s operational and issues-based policy about their official pro-choice stance as a student association.

SFSS president Giovanni Hosang stated that “[the] society does have a pro-choice stance” which is apparent through the Women’s Centre’s vision and mandate. He went on to highlight the importance of the board actively enforcing such stances through policies that would refuse funding to clubs that explicitly go against them.

During the discussion, at-large representative Rayhaan Khan asked about how such a policy would affect religious clubs in general, which may have pro-life beliefs as a “sort-of component” to their values. HoSang expressed that religious clubs were unlikely to be hit simply on that basis, emphasizing that the “antagonistic nature” and active harassment of women is what would cause a student group to be in violation. He cited as an example cases of anti-choice groups posting graphic photos and equating abortion with genocide.

Overall, HoSang described this motion as: “Taking a stance where we won’t allow women to feel unsafe on this campus.”

Simran Randhawa, a student guest at the meeting, also spoke on the matter. “Freedom of religion is an important right  — however, it does not supersede a woman’s right to her own body,” she said.

SFSS Executive Director Sylvia Ceacero suggested that the policy be immediately written up and proposed to a committee or the board to enforce said policy quicker than usual.

“This is very important . . . [The board] needs to take a stance right now,” she concluded.

The Peak reached out to SFU Lifeline for comment but did not receive an answer in time for publication.

SFU Galleries’ newest exhibition calls for an active conversation about unspoken Sikh histories

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Gudrun Wai-Gunnarsson / The Peak

By: Kim Regala, Peak Associate

In 1984, the Indian government carried out a military attack to target the Sikh community. Religious leader Jarnail Singh Bhindranwale and his followers were attacked at Harmandir Sahib, otherwise known as the Golden Temple, in the state of Punjab, India. This was later known as Operation Blue Star and what followed were the tragic genocidal killings of Sikh people, as well as anti-Sikh riots. While this period in time remains one of the most haunting moments in modern Indian history, rarely is it ever addressed, discussed, or reconciled.

Gudrun Wai-Gunnarsson / The Peak

In Medicine for a Nightmare (they called, we responded), multidisciplinary artist (Nep) Nirbhai Singh Sidhu begins, or rather unpauses, this much needed dialogue in order to reflect upon the often untold histories of the Sikh community. In collaboration with artists Maikoiyo Anabi Alley-Barnes and Nicholas Galanin, Sidhu’s exhibition is a reactionary take on the events of 1984 and how the cultural reproduction of knowledge can unfold following moments of trauma.

On May 29, alongside his co-collaborator Alley-Barnes, Sidhu hosted a talk at the Audain Gallery, where the exhibition will be held until August 3. It is made clear that while the three sections of the exhibition are physically and visually separate, they converse with one another and shape a certain understanding of the past.

The headpieces that we first see upon entering the gallery hints at themes of colonialism, as traditional and religious figures are mixed with Westernized embellishments. Alley-Barnes alludes to the constant motion of these pieces, referencing how the ideologies, consequences, and actions of colonization are ongoing. Although the works are not physically moving, the meaning and ideas behind them (which are constantly happening and evolving) gives the work a sense of life and vitality.

Gudrun Wai-Gunnarsson / The Peak

While there was only a brief talk about the large tombstone piece that rests on one end of the gallery, it clearly delivered the message of grief and loss. But perhaps the most captivating visuals were the large tapestries that filled the walls. Intricately detailed and designed, Sidhu’s intentions are vividly captured as he draws inspiration from Sikh history as well as Indigenous iconography.

Sidhu has been criticized for the act of appropriation due to the clear Indigenous references he makes, and he does address these claims during the talk. He reiterated what he had previously stated in an interview with Rachna Raj Kaur for canadianart, that “liberation from colonialism and sovereignty are not monolithic ( . . . ) so commonalities run from many places in parallel and practice here.” He feels all histories of people are intertwined and connected in some way, which means that we should all be able to share and relate to one another’s experiences instead of isolating ourselves within our own cultures.

Gudrun Wai-Gunnarsson / The Peak

Medicine for a Nightmare delivers a strong message about how memories can persist, as well as how knowledge is transferred and shared amongst peoples. While Sidhu’s exhibition is deeply rooted in haunting moments of history, he uses his platform to celebrate cultural knowledge and practices. By opening up his own traumatic experiences to the world, he hopes for his works to promote a sustainable conversation, as only then could we activate the dialogue.

Medicine for a Nightmare (they called, we responded) is showing at the Audain Gallery until August 3. Two more talks will be hosted about the exhibition on July 9 and 10. The gallery is open 12 to 5 p.m., Tuesday through Saturday (12 to 8 p.m. on Thursday and Friday) and is free to the public.

Chill out this summer without freezing your bank account!

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Photo curtesy of Pixabay

Written by: Tiffany Chang, Peak Associate

Summer; ‘tis the season for sweating balls 24/7. Broke students unable to afford A/C become even more disgusting. It’s no secret that as a person diagnosed with DTS — Drenched T-shirt Syndrome — the struggle is undeniably real! If you’re living on a shoestring budget, but you don’t want to die of heat stroke just because air conditioning costs a fortune, then here are some refreshing and cost-effective ways to stay cool!

 

The Tub n’ Fans Method

 

Step 1: Filling your bathtub with ice. Go to your local gas station with a Slurpee cup and collect ice cubes one cup at a time until the right amount has been acquired.
Step 2: Bring every fan you own into the bathroom. The goal is to have them all going at once.
Step 3: Steal some fans. Chances are, you only own one, possibly two. You’ll have to crawl up balconies and kick in bathroom window screens to steal some from neighbors. Grab a couple of chairs that can fit into your bathroom, then proceed to place the small4er, portable fans on the chairs and position them so they face you and turn them all on at once.
Step 4: Submerge yourself in your arctic breeze oasis.

 

The Bucket of Imagination Method

 

Step 1: Place a bucket of freezing water right in front of where you’re sitting and have the most absorbent hand towel you own at the ready.
Step 2: Let your imagination flow. The Bucket Method allows for imagination to take you away from your sweltering squalor. Imagine that you’re standing underneath a nice, cold waterfall after discovering it during a backpacking trip.
Step 3: Dunk the towel into the bucket and wring out the water above your head. You won’t notice the difference between the two. Trust me.

 

The Pool Method

 

Step 1: Go to the Vancouver Aquarium and jump into one of the exhibits there. I highly suggest the deep one that used to have beluga whales. When you do, it doesn’t matter if there’s a show happening or not. You’ll just be a part of it. Nothing can stand between you and the sweet, cooling sensation of freezing water. Put on a life jacket and float freely.
Step 2: When the police are called, you get a free ride back downtown!

 

The “Brain Freeze” Method

Step 1: Grab a whole whack of ice packs, and (of course) ice. Distribute them amongst three or four coolers.
Step 2: Put two coolers on either side of you so that you can shove your hands into them during a short break from studying. Move one cooler so it’s underneath your desk, then rest both of your feet inside.

If you think this sounds great, there’s more.

Step 3: Make sure to keep a heaping cup of more ice cubes close by so that, without removing your hands, you can just bend over slightly and scoop up ice with your bottom lip. The ideal long-term outcome for this method is to have your hands, feet, and mouth Elsa-level frozen.

Need to Know, Need to Go: June 10-14

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Courtesy of SFU Woodwards

By: Alison Wick, Arts Editor

We are by which we are moved in return by MACHiNENOiSY

This dance performance explores what movement means in today’s geological age, where human activity dominates the global environment — otherwise known as the anthropocene. Informed by contemporary dialogues in disciplines from cultural theory to science, this piece is not just dance but an investigation of how movement, stage, and story work together in performance.

Co-directed by Delia Brett and Daelik, with sound by Chris Kelly and sets by Paula Viitanen, the show is put on by the MACHiNENOiSY dance society in collaboration with SFU Woodward’s Cultural Programs. We are by which we are moved in return asks us to question our connections to ourselves and our surroundings to find out if we can reconcile our relationships before it’s too late.

We are by which we are moved in return begins Tuesday, June 11, and runs until Saturday, June 15, with performances every day at 8 p.m. in SFU Goldcorp Centre for the Arts Studio D. Tickets are $20 for students (with valid ID) and $28 for the public.

Film still from Grímur Hákonarson’s Rams

Wayward Heroes: A Survey of Modern Icelandic Cinema at the Cinematheque

This two-week cinema showcase is prepped to introduce you to the diverse and dynamic world of filmmaking from the country where the sheep-to-human ratio is roughly 3:1. Reading the Cinematheque preview, a few standout films included the surrealist 1980s adventure film Under the Glacier and the recent Cannes favourite Rams, which comedically follows the story of two brothers (also neighbours and both sheep farmers) who have not spoken for over 40 years.

According to the curator Steve Gravestock, “the ten films in this series — ranging from magic-realist fables [(As In Heaven)] to bloody Viking epics [(When the Raven Flies)], sardonic deadpan comedies [(Rams)] to hard-boiled Nordic noirs [(Jar City)] — offer a snapshot survey of that remarkable evolution from the ’80s to today.”

The showcase opens Thursday, June 13 with a screening of Children of Nature (at 7 p.m. with an introduction by the curator) and Jar City (at 9 p.m.) at The Cinematheque downtown. Tickets are $11 ($17 double bill) for students, $13 ($19 double bill) for the public and can be purchased online or at the door. The full two-week program, including descriptions and trailers of each film, can be found on their website at thecinematheque.ca

Sex, drugs, and Taron Egerton: Rocketman soars

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Image courtesy of Paramount pictures via GQ

By: Kate Olivares, Peak Associate

Music biopics are mv jam. Whether it’s Walk the Line or Straight Outta Compton, the three-act structure with the occasional music performance is a tried and tested formula for portraying anyone from Johnny Cash to NWA. And so, going into an Elton John biopic, I was expecting this familiar yet satisfying format.

Like Elton himself, however, Rocketman is different from the rest. Where most biopics attempt to follow a straight line, Rocketman zigs, zags, spins in circles, and absolutely sticks the landing.

In this movie, style is substance. It pulls no punches as it follows 20 years of Elton’s early career. Elton’s larger-than-life persona are not a mere plot point; his fantasy and glitz are the heartbeat of the film. The same goes for Elton’s music. It is completely inextricable from the narrative as it guides the story with originality and intimacy.

The musical numbers are superb, further accentuated by the long takes that showcase the talent flowing across the screen. The grand, splashy numbers include unforgettable hits like “Saturday Night’s Alright” and “Goodbye Yellow Brick Road” — which make for unforgettable scenes.

The movie goes at a dizzying pace at times, smoothing and skipping over some rough edges, but the fantastical elements ameliorate this. Because of its graceful stylization, this offbeat rhythm and uneven energy make sense.

While Bohemian Rhapsody was widely criticized for erasing Freddie Mercury’s queerness and glossing over substance abuse, Rocketman does a better job of depicting Elton’s homosexuality and drug addiction. However, I wish biopics of queer icons fully depicted these parts of their private and public lives. While Rocketman is a step forward, it still shied away from explicit sex in a movie about a self-proclaimed sex addict. There’s still a long way to go.

Finally, as I speak of the style and music pulsing throughout the movie, it’s necessary to discuss the heart that pumps life into each scene: Taron Egerton. The unbelievable range the Kingsman actor illustrates iin his role as Elton John is Oscar-worthy. He’s delicate, frivolous, and intense, with an aphrodisiac of a voice. I don’t doubt that this performance will catapult the already beloved actor into well-deserved super-stardom.

Rocketman is a big bet in a frustratingly risk-averse movie industry. I implore you to not just see this emotional joyride on the big screen, but to support these projects to show they are worth our time and money. Because the truth is that we need more biopics like Rocketman: unafraid, electrifying, and a worthy tribute of a legendary performer.

SFSS president proposes new SUB model to give permanent space to Rotunda groups

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Courtesy Build SFU

By Paul Choptuik, Coordinating News Editor

On May 30, SFSS president Giovanni HoSang proposed to the SFSS Board of Directors a new space model in the Student Union Building, giving permanent organizational suites to the groups currently housed in the Rotunda and reserving eight of the bookable rooms for clubs and DSUs. The building has a total of seven organizational suites and 22 bookable rooms.

Before this, HoSang briefly overviewed the space allocation issue’s history and the conflicts between the Rotunda groups and the SFSS, which ended in the 2017–18 Board of Directors’ choice not to allocate any permanent space in the SUB.

“In light of the controversy, I wanted to bring forward a whole plan that would suit the needs of clubs, DSU’s, student organizations, for them to be situated in the new student union building.”

HoSang pointed out that because no space has been allocated yet and no method of club selection had been developed, it was not too late to change the planned space model.

HoSang presented a solution to these issues by suggesting that board allocate eight of the 22 open bookable rooms on a semester by semester basis. This would leave 14 open bookable rooms for clubs and student unions on a day-to-day bookable basis.

HoSang also noted that since there were over 100 bookable spaces around campus, he believed losing eight in the SUB would not affect clubs that much.

Nick Chubb, applied science representative, questioned HoSang’s assessment, as many of the bookable spaces around campus are classrooms and are therefore in use throughout the day.

“Say you are at school, trying to study for exams or something or work on something. Chances are you can’t just book [classrooms] for that on the day of or something, right? [ . . . ] But having rooms in the SUB, those new rooms would be specifically more casually booked,” he said.

“They’re important for students to use because these other rooms are all booked basically all day.”

HoSang conceded that it was a good point, but argued that the availability of bookable spaces can be checked online in advance and suggested that people may not know this.

Ana Lozitskaia, a guest at the meeting, noted that these rooms shouldn’t be for individual students’ private use.  

“We’re talking about bookable rooms for clubs and organizations and they’re not for private use [ . . . ] I do appreciate there is absolutely zero places that are quiet to study on this campus. But one of the things that are really important to me is that if we’re keeping the communities that provide reliable services and we shift them around every single semester, that’s freaking inaccessible.

“You don’t know where people are, they are shifting all the way, they have to allocate resources and time to changing their layout.”

They concluded by stating, “I would really appreciate it if all the things, all the people that provide very similar services, be in the same place so it would be really accessible to get to them at once.”

Sylvia Ceacero, Executive Director of the SFSS, also informed the board that meetings with the “aforementioned” groups were being scheduled, and that the information from those meetings would be brought back to the board.

 

Healthy Smile Dental Clinic opens on campus

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Chris Ho/ The Peak

By Paul Choptuik, Coordinating News Editor

Students looking for more convenient dental care may be smiling a little more now. Healthy Smile Dental Clinic has opened a new location at SFU Burnaby. A business specially tailored to students, with locations on college and university campuses, Healthy Smile’s latest mobile clinic opened its doors on May 28.

They will be open every Tuesday and Wednesday, 9 a.m.–5 p.m., in Maggie Benston Centre room 2283. The clinic shares the space with Azzi Hair Studio & Spa, which will operate on the days Healthy Smile is closed.

In an emailed response to The Peak, Azita Haririan, co-founder & director assistant, outlined the services currently offered, including check-ups and cleanings, polish or stain removal, topical fluoride, oral hygiene instruction, and referrals.

“If [a student needs] to visit a dentist, we can refer them to our dental office in BCIT Burnaby campus where we have a full dental office,” Haririan continued.

Students may expect some savings as well, with Haririan noting that they offer students up to a 20% discount, as well as a free Oral-B vitality electric toothbrush on their first visit.

Healthy Smile is part of the Studentcare Dental Network. This means that, for the basic SFSS student coverage, 70-80% of costs are covered, up to a maximum of $700 per policy per year. Coupled with the 20% discount offered, many students will not need to pay upfront. Graduate students have 80% of their costs covered, up to a maximum of $700 per policy per year. Healthy Smile also does direct billing for most insurers, according to Haririan.

Students can book their appointments online.

 

Seven Deadly Roommate Sins

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Illustration by Alice Zhang

Written by: Ana Staskevich, Staff Writer
Illustration by: Alice Zhang 

These seven cardinal vices have been around since the dawn of time, thriving and festering in  our man-made world. Who better to embody them but broke, stressed, and caffeine-addicted students that are paying over $800 per month to share tiny closets in Vancouver? Nothing exemplifies “depraved souls” better than unwashed dishes and stolen leftovers. Thus, the sins committed by roommates can be of the utmost evil. Who knows, maybe you are guilty of them too.

 

Pride: Throwing a massive party on a school night without telling your other roommates.

 

Listen, to me, home is a place where everyone is lit AF and there is hella booze. C’mon, I am not going to miss out on the PERFECT college experience! I am a PARTY GOD, I run this shit; it is IMPOSSIBLE for me to get hung-over! Oh, you’ll be hung-over? IDGAF! Stop complaining about your exam and join in!

 

Wrath: Locking your roommate out of the apartment because they didn’t buy toilet paper when they promised too.

You want us to live like animals, you disgusting, lying monster! WHO the FUCK do you think you are making a sacred toliet paper promise to me then NOT following through. Don’t have toilet paper?! Then freeze to death outside in your toilet paperless world.

 

Envy: Bad-mouthing your roommate behind their back because the dog likes them more than you.

 

Honestly, Flipper only comes to you because you keep sharing your breakfast with him every morning! You’re not special, he’s a freaking DOG. . . I would never share my avocado toast with him, do you think millennials have that kind of money to waste?

 

Greed: “Borrowing” your roommate’s stuff without asking and “forgetting” to give it back.

 

Look, I don’t care that this fedora was your great-great-great-grandpa’s or whatever . . . we both know it looks better on me! Ugh, stop trying to break into my closet, you obsessed stalker!

 

Lust: Bringing your obnoxious Tinder date over in the middle of the night in an apartment with paper-thin walls and little privacy . . .

 

I am THRILLED to be getting into this person’s pants, OK?! I am sure your essay, which you told me was due at 11:59 p.m., can wait. You think your GPA is more important than me finding my other half for a single night? SO selfish!

 

Gluttony: Eating your roommate’s leftovers while knowing damn well that it’s theirs and they plan to eat it later.

 

I was drunk and hungry at like 10 p.m., and that half-eaten burrito from Guadalupe looked really, really good. Did you want me to STARVE?! Stop bitchin’ about it, Bethany!

 

Sloth: Avoiding washing the dishes on your designated week and letting them pile up in the sink as part of your trash collection.

 

Look, it’s almost like an artistic choice . . . do you really believe Pablo Picasso was a clean person? Vincent Van Gogh? I doubt it! The filth helps my creativity FLOW . . . but I mean, you’re free to clean it up if you want to.

 

Think before you buy “Indigenous” artwork in tourist shops this summer

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Photo courtesy of Shutterstock

By: Nicole Magas, Opinions Editor

With the crisp, vibrant hues that briefly come out for the summer months, it’s little wonder that Vancouver holds such appeal for tourists and locals alike. And if there’s one activity that exists in abundance here, it’s shopping. Many of us may feel the pull to purchase symbols of the places we live in or visit. But consumers should think twice about what they purchase, especially when it comes to picking out Indigenous artwork.

Tourist stores and hotspots abound with iconic Canadiana. Think splashes of red everywhere as you peruse flags, hockey paraphernalia, beavers, polar bears, orcas, and maple in every type of consumable conceivable. And let’s not forget the massive quantities of Indigenous symbols and motifs displayed in shop windows and shelves as if to proudly say, “This is us! This is ours!”

But before picking up that $10 resin totem pole at a brightly lit junk shop in Gastown, customers should be aware that much of the Indigenous art sold in Vancouver’s souvenir shops is, in fact, fake. The Discourse reports that a solid three-quarters of Vancourver’s tourist shops sell counterfeit Indigenous artwork. That is to say, they sell pieces that are produced without verifiable connection to any Indigenous artist, let alone one who is paid for their work or designs.

There is perhaps an argument to be made that not every consumer is interested in authenticity. Maybe the cheap keychain with the stylized Haida orca painted on it has its own charm and appeal. But there are a few problems with this reasoning.

As a multi-part investigation by Discourse writer Francesca Fionda shows, the flood of cheap knock-offs eats into the market of actual Indigenous artists trying to make a living. Furthermore, as the artists Fionda interviews point out, appropriating Indigenous symbols and motifs erodes the meaning and cultural significance behind them.

Of course, there is something to be said about how fake Indigenous artwork, divorced as they are from the history and people they supposedly come from, are cheaply repackaged as part of the “Canadian” identity. Selling counterfeit Indigenous art as Canadiana adds to the erroneous mythology of Canada being one single cohesive, cooperative nation — all to earn a quick buck.

It’s important to keep in mind that Indigenous art is not Canada, and is not Canada’s — at least not as a possession of the settler state. It’s a part of the history of the nation, yes, but it has a history stretching far before that as well. If the settler state considers reconciliation with any measure of seriousness, it must be respectful of that history and mindful that it does not condone industries that cynically seek to profit from Indigenous peoples.

If you have family visiting from out of town this summer and they want to bring home a little piece of Canada, please do your best to check that any Indigenous art that is purchased has legitimate ties to an Indigenous artist. If that can’t be done, perhaps it’s best to settle for a red toque and some maple syrup.

 

The “cure” for fake news should never be prescribed by the government

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Photo courtesy of tryingmydarndest via The Independent

By: Winona Young, Head Staff Writer

Singapore’s government has passed the Protection from Online Falsehoods and Manipulation Bill (POFMB). POFMB criminalizes the publication of any “fake news” online. This includes places like news sites, Facebook, message boards, and even messaging apps like Whatsapp. Perpetrators may be subjected to jail time as high as 10 years and face a fine of 1 million Singapore dollars (approx. $980,000 CAD).

Singapore is not an outlier in undermining the free flow of information. A little country called America has a president who has denounced legitimate newspapers under the guise of “fake news.” Places like Russia and Malaysia have also adopted similar bills. But these policies may be less about actually combating disinformation and more about censorship.

POFMB sounds like something out of the dystopian novels many read in high school. It draws one too many parallels to Orwellian fiction. But far from fiction, Singapore regulating “truth” is now a horrifying reality. With the passing of this law, any minister might now have the power to decide what is fake news. Who knows what could be considered “the truth” in Singapore now.

Perhaps the most Orwellian thing of all to emerge from this new bill is a vending machine I saw on my visit to Singapore last month. Deep in a food court I saw it: bright and glossy, with the words, “THE BEST ANTIBIOTIC AGAINST FAKE NEWS.” Inside were copies of Singapore’s national newspaper, The Straits Times. It’s also sometimes called the government’s mouthpiece.

As a former permanent resident of Singapore, the phrase “benevolent dictatorship” was often used to describe the Singaporean government. We lived in a city of heavy regulations and numerous fines. A bill like POFMB risks stifling the freedom of speech of Singaporeans. From journalists to online forum bloggers, all the way to everyday people like my friends.

Singapore is still a beautiful and a booming economic powerhouse. But newspaper vending machines and the POFMB should remind us that Singapore’s government is all too ready to persecute “fake news.” The POFMB is at risk of silencing Singaporean voices in the future. In trying to avoid “fake news,” people will only get copies of government-issued truth instead.