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Our conversations about sex lack nuance and perspective

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multiple colourful sex toys arranged in a circle
PHOTO: Gwen Mamanoleas / Unsplash

By: Hannah Kazemi, Staff Writer

I learned about sex for the first time at the ripe young age of five, when my kindergarten class had a presentation on the reproductive system. I continued to learn and hear about sex all through elementary and high school, but the conversations always seemed very narrow: sex is for adults, don’t get pregnant, and pornography is entirely fake. People are taught little about consent, and instead hear about the reproductive systems in an overly-scientific fashion. We have to step beyond these conversations to remove the discomfort and stigma that surrounds important aspects of sex, sexuality, and relationships.

I do feel like I’ve grown up with a healthy view of sex, albeit a limited one, given the culture of shame that often surrounds it. Porn and sex toys are two things I have always been curious about because they’re considered taboo. We’re told that porn isn’t an accurate depiction of the realities of sex, and that we should prepare for an underwhelming sexual experience. People hear that women don’t masturbate, so vibrators never even come up in conversations among teenage girls learning about their bodies. Instead, we’re told what our opinions should be on these two things. How are people supposed to form their own perspectives and boundaries surrounding sex if we don’t normalize talking about it?

People should be able to use porn as a tool to figure out what they like, without projecting unrealistic expectations onto their partners. It’s also tricky to navigate online material when many companies in the porn industry are known for being exploitative. How can we feel empowered to view porn without the shame that’s often associated with it? Making teenagers and young adults aware of the performative aspect of porn is important, but we also need to talk about how to indulge in porn in a healthy way. This involves being cautious about the exploitation that still largely dominates the porn or adult film industry, and seeking out ethically produced porn. Healthy consumption also means we shouldn’t rely on porn for all our sex-related questions. It isn’t wrong or embarrassing to watch porn — it becomes wrong and embarrassing when you think the complicated position that one couple did should automatically work for everyone. People will watch porn whether or not you warn them about it; the key is to engage in these conversations in a productive and open-minded way.

Vibrators are another thing that I’ve slowly been learning more about there are so many different types, functions, sizes, and settings that it can be overwhelming. I learned that many companies make sex toys for people with penises as well, which is something I never would have found out on my own. 

I also know a lot of people have to hide their vibrators in their drawer or their closet, or whose partners refuse to use them in the bedroom because they feel like they’re being replaced. Sex toys don’t replace the sensations and feelings that come with being with a partner. Rather, they provide a different sensory experience, and allow people to explore themselves on their own. This is super important when discovering your sexuality and interests — how are we supposed to tell our partners what we like if we can’t test it out first?

People have different opinions and boundaries surrounding porn and vibrators, and the two can be very contentious topics. But that’s exactly why it’s so important to have open discussions about how to use and engage with them in healthy ways. Watching porn can open us up to trying new things, and it can also help us establish boundaries about what types of sexual experiences we might not want to try. Using sex toys allows us to explore our bodies, experience sexual pleasure in diverse ways, and can introduce a little bit of added fun to the bedroom. It’s not immoral or shameful to use a vibrator or watch porn. It’s all about how we use our knowledge and experiences to enhance our sex lives that really makes a difference.

Opinions in Dialogue: Sex scenes in movies and TV

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two femme presenting people cuddling on a bed in lingerie
PHOTO: cottonbro studio / Pexels

By: Petra Chase, Arts & Culture Editor, & Jerrica Zabala, SFU Student

Can sex scenes be a vessel for thoughtful plot lines? Or, do they perpetuate harmful stereotypes about women and young people, and leave out marginalized folks? Are these scenes too ubiquitous, graphic, and distracting from the story, or are they just an authentic part of the human experience? 

Jerrica: Sex scenes are so dependent on the context of the film and the message being tied with the plot. Scenes that avoid accurate portrayals of sex contribute to its stigmatization as a taboo act. Movies like 365 Days or the Fifty Shades of Grey trilogy pretty much only exist because they’re centred around sex. There’s definitely a huge demand for these explicit types of portrayals, especially when it’s a book-smut adaptation. However, many argue series like these are not the best representation of sex or relationships, and lack discussions of consent. On the other hand, a series like Normal People can stand alone without the explicit sex scenes; it places a big emphasis on how the main characters’ reconceptualize themselves while they grow closer, apart, then back to each other. Here, sex between characters is a vessel where emotions are at their most vulnerable — where feelings of awkwardness, tension, and contempt are portrayed accurately.

Petra: I don’t have a problem with sex scenes being shown on-screen if the representation helps reduce stigma and doesn’t reinforce harmful messages surrounding sex. I’ll echo that contextual factors are so important. Sex scenes don’t necessarily need to be there to drive the narrative forward, and I think they can exist purely for excitement. However, I think the most important thing to consider is what kind of identities are being represented, and how they are being represented. Aspects like framing, casting, how sex fits into the story, and how the scene is being promoted outside of the film have the potential to reinforce harmful stereotypes about certain groups. Of course, portrayals of consent are also extremely important to consider.

Jerrica: I believe the bulk of filmmakers rely on sex scenes for shock value or sell up sex appeals to capture the interest of viewers, which ultimately devalues the film’s plot or creates this disparity between one’s own relationship with sex and what they see on screen. Growing up, I never saw any accurate representation of how sex acts are performed using a person with my build, features, race, or skin colour. When they were represented, women and men were jokingly fetishized and only played the roles of sex workers or even traffickers. I can empathize with communities such as the queer community, where sex isn’t acknowledged or properly represented in the media they consume because films continuously want to follow a heteronormative sex script.

Petra: You make a great point about how proper representation is so important. Growing up, the only queer sex scenes I saw were between two femme-presenting women. They were almost always in service of the male gaze. The majority of the time, they were depicted as straight women “experimenting” with the opposite sex. For instance, in Glee, Quinn hooked up with Santana, an openly queer character, for one night. However, her bisexuality was never explored or discussed again. It’s clear the only purpose of this side-plot was the audience’s enjoyment, not queer representation. Straight women characters in TV frequently reminisce about experimenting with women in their “college days,” and this always piques the interest of male characters. I think there’s also something to be said about an over-reliance on erotic scenes in shows that depict minors in their high school years. 

Moreover, sexual experimentation between men and non-femme presenting queer people is still seen as taboo and rarely represented accurately. This shows that sex in films was — and still is — greatly catered to a straight male gaze. Blue is the Warmest Colour has been criticized for perpetuating cliché ideas about sex, and it flat out fetishizes queer sexuality through a misogynistic lens. Of course, we’ve come a long way, but there is still a fine line between fetishizing queer people and representing them in a way that uplifts the queer community. For instance, Orange is the New Black does a great job of depicting the spectrum of queer identities in their sex scenes.

Jerrica: 100%. Women, gender non-conforming, trans, and queer folks frequently become secondary spectators of entertainment as a result of the male gaze: most popular media caters to the perceived sexual desires of cis, straight, white men. It is difficult to define the relationship between the male gaze and societal concerns because it opens up a can of worms — should filmmakers be held accountable for the societal impact of their works or should personal sexual orientation play a role in shaping the perspectives of filmmakers? Maybe this requires achieving a balance between upholding artistic freedom and taking into account how one’s creation might affect society.

Don’t get me wrong — sex, nudity, and a lack of censorship are all perfectly normal. It’s just god-awful having to witness the same sex scene in every film. The woman engages in sexual activity with the man for a very, very, very short period, resulting in a predictable orgasm caused by penetration. This includes sweating, an open mouth, near perfect hair, bouncing physical attributes, and excessive vocalization in the form of moans. Like what!? These additional porn-resembling sex scenes are not creative.

Petra: I think filmmakers should be held accountable for the impact of the sex scenes they produce. This also includes the ethics of how the scenes are filmed. While every sex scene is going to have a different context, filmmakers need to consider what they’re trying to accomplish and who their audience is. People of varying identities who are represented should also always be involved, consulted, and present in the creation of these scenes. You make a good point that overly-exaggerated sex scenes are not creative and don’t reflect real life. They set up expectations that are unrealistic. It’s not necessarily that being sexually expressive is a bad thing. There are plenty of sex scenes in Orange is the New Black that involve intense facial expressions and moaning, and some of the scenes are somewhat sensationalized. But Orange is the New Black also explores and acknowledges a diverse range of sexual experiences and queer identities, including ones that are underrepresented and don’t always appeal to straight men. Some scenes might still be fetishized by viewers, but sometimes that’s out of a filmmakers control. It’s all about intent.

Analyzing the lack of queer representation in reality dating shows

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A graphic of two male and female symbols divided into a pink and blue background
PHOTO: Magda Ehlers / Unsplash

By: Petra Chase, Arts and Culture Editor and Hannah Kazemi, Staff Writer

Reality dating shows have a huge influence. With 52 seasons of The Bachelor franchise, it’s safe to say that audiences are heavily invested in all the messiness and cheesiness the genre delivers. Newer series like Love is Blind, Singles Inferno, and Love Island were also huge hits. While these types of shows are widely considered mindless entertainment and not to be taken seriously, it’s important to note that the way they frame gender, sexuality, and dating is fabricated with intention, and reinforces how audiences view the world.

It’s no surprise reality dating shows favour producing heterosexual relationships. The Bachelor follows one man as he dates 25 women in an attempt to find one to marry. The Bachelorette is the same with the genders reversed. Bachelor in Paradise is the only spin-off within the franchise that opens up the opportunity for queer relationships to be formed, though there’s only one case in which a couple has been openly queer on the show.

Similarly, in Love is Blind, the men and women are in separate groups and only interact by going into “pods,” with a wall between them. A couple must get engaged in the pods to enter the next stage of in-person dating. The Love is Blind “experiment” tests whether the couple will follow through with the marriage within 30 days of leaving the pods to see if love is “blind.” It goes unsaid that this only applies to straight couples and identities that can be sorted into a rigid gender binary.

When 2019 star of The Bachelor, Colton Underwood, came out as gay after his season ended, the internet exploded. It was hard for viewers to believe he was gay after dating only women on-screen. It was also big news when Brooke Blurton was cast in The Bachelorette Australia as the first bisexual bachelorette; the franchise hadn’t seen any queer leads before her. In season one of Love is Blind, couple Carlton and Diamond broke off their engagement immediately after Carlton came out to her as bisexual. When Diamond expressed she was upset he wasn’t honest before he proposed, Carlton raged, hurling misogynistic insults at her. This was difficult to watch, as it demonstrated how internalized homophobia and biphobia can fuel misogyny.

When queer contestants participate in these shows, it exposes how norms about marriage and dating are systemically built for straight, cis people. It also exposes how much they hinge on sexist and binary gendered representations of dating. Love is Blind casts single women in their late twenties as desperate for a man to tie the knot, as if their desirability is running out. The men who participate are often seen as having established their careers, and looking for a potential partner because becoming a provider is the logical and responsible next step.

Both shows feed the fantasy of a traditional wedding solving everything. We’ve yet to see a woman propose in three seasons of Love is Blind; men are viewed as noble pursuers, while women are often pitted against each other, depicted as overly emotional and irrational. In The Bachelor’s coveted rose ceremonies, which involve the lead giving out a rose to the person they want to keep for another week, women receive a rose to hold, but men receive it as a boutonniere — why is that? Is it not manly for a man to hold a rose? Are the producers scared he’s going to crush it with his big man hands? The competition to get a rose, which is usually more physical for the men, is cutthroat and often leads to conflict that perpetuates stereotypical competition amongst men and pettiness amongst women.

Meanwhile, many women contestants enter Love is Blind claiming they’re tired of being judged for their looks and want to form deep connections, expressing contempt towards image-focused, modern dating culture. This is a valid issue, but Love is Blind clearly doesn’t care about properly investigating it. Ironically, some men on the show are notorious for asking questions in the “pods” to figure out characteristics of the women’s appearance, like, “Will I have trouble picking you up?” The show hides behind the facade of being a genuine experiment, but in reality, its main goal is to create drama surrounding the mens’ physical attraction to the women. It also perpetuates thin, white, able-bodied beauty standards in its casting.

All of these examples show that the problem doesn’t lie with one particular show, but with how the whole genre is structured off of heteronormative society. If there were more dating shows structured for queer partnerships and non-binary identities to participate, it could help question the heteronormative mold. It’s time for reality TV to challenge the norm and invite different perspectives.

My sexual awakening: the Fire Nation siblings

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A photo of a woman writing in a diary.
PHOTO: Pexels

By: Cynthia Piña, SFU Student

Readers, what I am about to tell you are the true chronicles of my heart-pounding love story. I was 13-years-old, and when season two Zuko (or Lee, from the tea shop) started growing his hair out, it made me feel something. The pouting, the angst, the peeks inside his inner humanity. I mean, who doesn’t love an edgy boi with a soft heart? His amber-coloured eyes made me melt

But you know who else made me melt? Azula. Her flirting was awful and adorable, and her hair and makeup were always on-point. Yes, maybe she would have eventually murdered me, but she just needed a little bit of love and I was burning to give it to her! I’m sure her mommy issues could have been aided with a strong and nurturing relationship! Just like how she smashed a pitiful volleyball into the ground, she smashed into my heart. I mean, who doesn’t love a girl who can speak her mind? No, I do not have “I can fix her” disease! Her beauty burned brightly, the apple of my eye — which has now made me deeply conflicted about my feelings towards Zuko. 

A banished prince comes with all kinds of spicy and forbidden love. His scar gives off mystery and his tragic backstory only paves the way for more character development in the future — I can see his potential to be my twin flame. He literally risked his whole identity for a girl, what’s more romantic than that? But if I had to live with Uncle Iroh . . . kind of a dealbreaker, ‘cause that man has probably committed war crimes. He may be a “sweet old man” now (I know, I know, “character development” or whatever), but don’t forget the Dragon of the West once tried to conquer Ba Sing Se!

Azula on the other hand, she has a sharp tongue and her nails are even sharper! She is the walking embodiment of gaslight, gatekeep, girlboss. Where will I ever find such a feisty partner? OK, maybe I am ignoring some red flags . . . but, my 13-year-old self, maybe you are allowed to overly idealize your fictional animated crushes! Why would I spend my time looking at immature tweens when I could be planning my date with the banished prince of the Fire Nation? After all, that’s the entire premise of fanfiction, and unrealistic 13-year-olds have sustained AO3 (or, if you were truly depraved, fanfiction.com) since 2008! #zuko x reader #angst #drama #uncle iroh moves out

The secret life of (sex) toys

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A photo of sex toys, with googly eyes doodled on top.
PHOTO: Chris Ho, illustration added by Kelly Chia / The Peak

By: Hannah Banana Hammock, Staff Writer

Have you ever thought about what the world would be like if sex toys could talk? Well luckily for you, I did the cursed imagining for you! The Peak kindly requests that Hannah’s mom doesn’t find this piece and if she does, to close her eyes immediately.

SOME COLLEGE TOWN IN MIDDLE AMERICA

Four roommates, ALEX (21), CHELSEA (23), KIERA (19), and MADISON (21). RYAN (22), boyfriend of MADISON, also pretty much lives there except he doesn’t pay rent. He just never leaves. The Secret Life of (Sex)Toys follows the favourite sex toys of each roommate. In this episode, the toys tell all and spill their dirtiest secrets on the ladies (and RYAN).

8-inch Rainbow Thrust

ALEX’s toy of choice

(voiceover)

ALEX is so fun! They play with all the settings and knows exactly how to make the most of every inch. I like to go “bzzzz bzzzz bzzzz bz bz bz bz bzzzz” until their hearing goes and their vision is blurry. But I do get (sexually) frustrated when they wait too long in between rounds. Vibes have needs, too!!

Magic Wand

CHELSEA’s toy of choice

(voiceover)

I know you like to have fun, but CHELSEA, girl! REMEMBER TO WASH YOUR VIBRATORS! I have nightmares . . .

The toys laugh. MAGIC WAND shivers, looking wanly at the soap suds in the sink. 

Lipstick Bullet Vibe

KIERA’s toy of choice

(voiceover)

KIERA bought me, like, forever ago but was too nervous to use me, so I sat suffocated in her closet for two years. Two years! That’s cruel and unusual punishment if you ask me. She’s started leaving me out in her room. I blend in with the rest of her makeup. Slayyy for being bold! KIERA gets a little nervy sometimes, which is fine, but I personally feel uncomfy when she uses me while wearing the pj’s her mom got her for Christmas six years ago. They have butterflies on them and the butterflies don’t want to see KIERA like that. 

Vibrating Cock Ring & Couple’s Long Distance Vibe

MADISON’s toy of choice

(voiceover)

MADDIE and RYAN aren’t long distance, but WOW, do they love to have a good time! We had a dream about them once. They went for Mexican for margs and brought us with them, and let’s just say . . . things got spicy pretty fast. We do have to say, though, they tend to favour us, the couple’s vibe, more than the cock ring. That’s no fun. Cock rings need love, too.🥰

As COCK RING and COUPLE’S LONG DISTANCE VIBE were wrapping up their interview, we heard the door to the apartment start to open. All the toys instantly stopped buzzing and went limp on the floor, awaiting the next moment of fun.

Stay tuned for the next episode of where we meet the butt plugs of the group!

How love is celebrated around the world

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The first red flag is not having chemistry with your partner. PHOTO: Jayesh Jalodara / Unsplash

By: Jeeya Parasbhai Khavadia, SFU student

Victor-Marie Hugo, considered one of the most important French romantics, was a poet, novelist, and dramatist, internationally known for Les Misérable. He once said, “Life is a flower of which love is the honey.” Love is an essential part of our lives. For me, love is a natural feeling of attachment and affection towards someone or something. It is an emotion that we feel either for a person, animal, thing, or even a special event. Love knows no boundaries and thus transcends age, gender, religion, and race. 

There are numerous types of love that can be expressed in an infinite number of ways. The Greek considered four main types of love: Eros, the love found in romantic relationships, containing passion and intimacy, not to be confused for lust. Philia is the love of strong friendships, where affection, support, and equality are the pillars that sustain it. Storge, or familial love, is governed by empathy, affection, and compassion. Agape, the most important one for long-term relationships, is selfless and unconditional love.

For the Hindu, there are five stages to love: Kama, meaning “craving for sense objects,” is considered as physical or even sexual desire. Shringara is the enthusiasm for intimacy or romance. Maitri, compassion in love, is also associated with motherly love due to being the least selfish. Bhakti, impersonal devotion, is often associated with the love of God, yet it can also be directed towards one’s ideals like kindness, truth, or social justice. Atma-Prema refers to self-love. 

As we grow up, our families and environment help us develop and learn what we will consider important, what our values will be, and so much more. We develop a strong bond with them through the type of love the Greeks would call “storge.” It is a powerful feeling, though, just as with any other relationship, one should not be obliged to love those who have been abusers or who have not shown equal respect towards you. Family love can take many forms, from the love between a parent and their child, to the love between siblings, and love towards extended family members. Indian society favors collectivism over the individualistic notion of western society. Therefore, it is quite normalized to care for family members when they are ill, and they function as a sort of therapeautic support systemalthough this can have some negative effects.

In Latin America, Dia de los Muertos is a holiday for honouring loved ones who passed away, usually, family members. People decorate ofrendas with cempasuchil, candles, food, and photos of their loved ones. They also visit their graves to pay their respect and show love. In the family we hope to find support, a sense of security, confidence, and most importantly, comfort. It is an important aspect of mental and emotional well-being as it helps us feel valued and connected. Family bonds are an important part of development as they help us develop emotional and language skills. Dysfunctional family dynamics can have a detrimental impact on child development, from social isolation to even suffering from depression, anxiety, and addictive behaviors.

Romantic love, or eros according to the Greek, has been the subject of inspiration for many. As enjoyable and appealing as it appears on the surface, it is accompanied by commitment, loyalty, intimacy, and transparency. This type of love, for some, brings the possibility of a sense of fulfillment and has the potential to bring great happiness and shape long-term life plans. Romantic love can strike when you least expect it — you’re never too old for falling in love. Around the world, every culture and every community has their own way to express love towards a romantic partner.

The Wodaabe people in West Africa have The Gerewol Festival in Chad. This is often described as a beauty pageant, where men compete by donning headdresses and makeup, and dance in front of women who act as judges and may later choose them as partners.

In Japan, on the other hand, it’s more common to express love through actions and kind gestures. On Valentine’s day, the women are the ones expected to gift “lots and lots of chocolate” to not only their romantic partner, but to any men in their lives with whom they have a significant relationship. But, the men are expected to reciprocate during White Day, March 14, with gifts up two or three times the value of the ones they received on Valentine’s.

In India, the belief that love develops over time has shaped the way relationships develop; it is common practice for a person’s parents to find a suitable partner for their child. Some women in India might value respecting their parent’s approval over marrying their partner of years. This, in a way, might reflect the importance of family love over romantic love in Indian society. One of the most well-known demonstrations of love comes in the form of a historic monument, the Taj Mahal, located in Agra, India. It was built by the Mughal emperor Shah Jahān, in remembrance of his beloved wife who died while giving birth to their 14th child. It is one of the wonders of the world and is profound for its backstory. 

In Germany, during Valentine’s day, gifting chocolate pigs is a tradition as they symbolize luck. The Philippines celebrate Valentine’s day with mass weddings sponsored by the government for couples that can’t easily afford celebrations

The Qixi festival is a traditional Chinese festival and is a day for expressing love between couples. It originates from the legend of Niulang and Zhinü. According to legend, the couple was separated by a river of stars and were only allowed to meet once a year, on the day Qixi festival is celebrated. Typically, women dress up in hanfu, a traditional Chinese dress, and spend the day preparing offerings of tea, wine, flowers, and various fruits to pray to Zhinü for wisdom, a good husband, or a happy life.

Love traditions differ greatly from culture to culture and community to community. From grand romantic gestures to small acts of kindness, each tradition reflects distinct values and customs. These traditions attest to the universality of love and its ability to bring people together and aid in our growth and well-being. To embrace love in all of its forms and expressions we must first strive to truly understand love in the eyes of others. Learning about other cultures’ traditions and ways of expressing affection and love will undoubtedly help build a world of compassion.

Learn more about sexual health resources on the SFU campus

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This is a photo of tampon boxes on the shelf at a store.
PHOTO: Amirul Anirban / The Peak

By: Aditi Dwivedi, News Writer

The week of February 14–18 marks the annual Sexual and Reproductive Health Awareness Week in Canada. A survey designed by the Sex Information and Education Council of Canada was conducted by the Canadian Journal of Human Sexuality in January 2021. They found there has been a decline in access to sexual health resources, especially during the COVID-19 pandemic.

The survey noted the need for increased public health messaging regarding sexual behaviour, investment in sexual health services, and support tailored to the needs of women, LGBTQIA2S+ individuals, and people of colour.

SFU Health and Counselling services, and various student-run community groups like the Women’s Centre, Out on Campus, and Health Peer Educators Sexual Health Team offer a variety of sexual health services. Their aim is to help destigmatize the topics surrounding sexual health, to provide on-campus services, and to make the transition to university life a safe and positive experience.

SFU Health and Counselling 

SFU Health and Counselling offers in-person and virtual appointments with a nurse or physician. They also offer sexually transmitted infection (STI) tests, urinary tract infection (UTI) tests, pregnancy tests, and pap smear tests. They can provide vaccines for Hepatitis A/B/HPV, and fill PrEP prescriptions — which reduces the chance of getting HIV through sex or drug use. These are available to eligible students for free. To determine your eligibility, visit SFU Health and Counselling.

According to Barb Chick, a registered nurse at SFU Health and Counselling, their services can provide referrals for transgender students seeking top or bottom surgery. They provide support and referrals for those considering therapeutic termination of pregnancies. They can also help students who have experienced sexual violence connect with the Sexual Violence Support and Prevention Office.

Women’s Centre

Student-run community groups like Women’s Centre and Out on Campus, which are departments of the Simon Fraser Student Society, also provide a variety of resources for students. The Women’s Centre engages with students by connecting those who require urgent crisis intervention to therapists, counsellors, and reproductive health clinics both on and off-campus.

In an interview with The Peak, Simmi Dhaliwal, Women’s Centre coordinator, spoke about how the Women’s Centre “reflects the needs and wants of students.” The Women’s Centre provides sexual health supplies like pregnancy tests, condoms, lube, and menstrual supplies to students of all gender-identities. These supplies are available to all SFU students and can be obtained physically at the Women’s Centre on SFU Burnaby. They can also be mailed to your address with free shipping and delivery in Canada by filling the order mailing form available on the Women’s Centre Instagram profile.

Dhaliwal noted they don’t have access to emergency contraceptive pills such as Plan B but they can “give out Plan B options. We have gift cards from Nesters that we give out to students so they don’t have to pay out of pocket.”

According to Dhaliwal, the Women’s Centre functions as a link to SFU Health and Counselling and various other student-run community groups like Disability and Neurodiversity Alliance (DNA), SFU Students of Caribbean and African Ancestry (SOCA), and the First Nations, Métis, & Inuit Student Association (FNMISA). “We collaboratively work together to service all community members within those pockets.”

The Women’s Centre aims to make the “academic life of students as easy as possible.” Dhaliwal commented on the difficulties of student-life and how the constant worry of financial instability should not affect their access to sexual health resources. “A student shouldn’t have to worry about a pad, or a tampon, or access to pregnancy tests, Plan B options, or getting the help that they need in a physical and mental way.”

Out on Campus 

Out on Campus provides “a safe and inclusive space for LGBTQIA2S+ students and their allies” at the SFU Burnaby campus. They provide safe sex resources, menstrual products, razors, and refreshments. 

They curate an Out on Campus library that is located in the Student Union Building. All SFU students are eligible to borrow these resources. Out on Campus said they are providing opportunities for the SFU community to learn more about LGBTQIA2S+ “culture, history, and issues, and help you grow as an advocate.” 

Find out more information on the sexual health services provided by SFU Health and Counselling, Women’s Centre, and Out on Campus by visiting their websites or visiting them on the SFU Burnaby campus.

Horoscopes February 13–19

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An illustration of a girl with long flowing hair. Astrological signs and stars shine around her.
ILLUSTRATION: Marissa Ouyang / The Peak

By: Kelly Chia, Humour Editor

Aries

You’re known for firin’ things up, my dear Aries. I know, therefore, your adolescent heart could only belong to the equally fiery Koga from InuYasha. You’re loyal, like the Wolf-Demon warrior, and rooted for him to be with Kagome the whole show. Guess you love an underdog? Time to cheer for the Canucks.

Taurus

A stable, grounded heart like you deserves an equally grounded partner. You want someone to solve puzzles with you, and maybe drink some tea doing it! That’s right, the Stars have divined none other than the beady-eyed puzzle solver, Professor Layton. The Stars see many of your future days devoted to poking the screen of a Nintendo DS before giving up and looking for a walkthrough!

Gemini

Gemini, you need someone who can keep up with you. The Stars think it’s not so much that you wanted a person, but you idealized the musical Hamilton. You reblogged several different gifs of Angelica Schuyler’s verse in Hamilton as a wee 13-year-old goblin. In fact, we’ll bet that rap is still stuck in your head. We think you should go to karaoke and cut loose

Cancer

Cancer, you keep your heart very safe. But you probably opened it up to some Shoujo love interests and their unconditional ventures to love their protagonists. Knowing you, you probably have a taste for comfort . . . so I think your heart belongs to Kyo Sohma. You seek a love you feel safe in! Wrap up in blankets and put that show on, maybe you need a good cry this week.

Leo

The Stars think that you’re the only friend you need. Awwww. And also, suck it, for bullying Sagittarius that one time.*

*The Stars are definitely not Sagittarius this week.

Virgo

Okay, Virgo, we see you. You watched Atlantis: The Lost Empire one time, and fell in love with all the characters. All of them. You can’t decide, and the Stars CAN’T blame you. You love kind intellectuals who respect what they don’t understand. You loved Lieutenant Helga because she exposed you to the fine world of the femme fatale! Consider visiting the aquarium this week! Hook, line, and sink her.

Libra

Again, like our lovely Virgo, you had a hard time deciding whether you liked the incredible spy, Kim Possible, or her stunning archnemesis, Shego more. In fact, you still find yourself contesting the two to this day. And who can blame you? This week, go on your own spy mission by practicing your handstands and flips in a black turtleneck. You’ll feel great, I promise. 

Scorpio

Oh, Scorpio. We know you’re embarrassed about your Superwholock phase but you don’t have to be. It’s an integral part of who you are, just like how ANY character Jensen Ackles plays is worthy of your attention. Embrace your inner awkward teen. 

Sagittarius

Sagittarius to Sagittarius, you have a penchant for falling in love with the childhood best friend. The love interest you feel the protagonist has more fun with. It’s why you got so excited about Seiya Kou from Sailor Moon, ‘cause at least they weren’t, like, parenting her!

 . . . This Sagittarius gets very passionate. The Stars suggest you all take a break from social media for a bit to reduce your hot takes.

Capricorn

The 2000’s and their trend of creating vampire media did not escape you, dear Capricorn. You think that dark academia learned to run off of copious amounts of editing The Vampire Diaries to Paramore, and you’re so valid. What can you say? You learned who you would become at the ripe age of watching Buffy. It’s time to indulge in those Windows Movie Maker AMVs, Capricorn. 

Aquarius

The ‘90s and their penchant for creating crushes out of Simba and Kovu made you the proverbial Warrior Cat you are today. Forgive us, we know this all sends you back to the fourth grade. Why don’t you make a scrapbook of that iconic era this weekend? Maybe it’ll be fun!

Pisces

Pisces, let’s be honest. The Hunger Games was never about Gale vs. Peeta for you — there was no contest (and literally those books were not about a love triangle, you were pissed at the movie adaptations.) Your beloved ideal partner bakes bread and plays privileged folks into keeping him and his childhood love interest alive. DREAMY!

The Café takes people-watching to another level

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Two paper coffee cups being held by two individuals facing each other.
PHOTO: Kriti Monga, The Peak

By: C Icart, staff writer

The Café is a play with a unique concept that appeals to those of us that like people-watching. The event took place last week as part of this year’s PuSh International Performing Arts Festival. Directed by Fay Nass and Chelsea Haberlin, it was not only set in a coffee shop, but performed in a coffee shop. Mimicking a real café experience, multiple plays took place simultaneously at different tables. The audience was invited to grab a drink and wander the café, deciding what conversations to listen in on, each of which consists of a mini-play. This means everyone experienced the café differently based on the order in which they explored the seven acts.

Fay Nass thought about the concept of The Café when they were completing their MFA in interdisciplinary arts at SFU. They were spending a lot of time in coffee shops while writing their thesis and they thought: “What if there are plays happening in the coffeeshop simultaneously, but this time the audience are given the permission to get close, to eavesdrop, and be voyeurs?”

On top of the in-person immersive performances, where masks were required, there were also digital immersive performances. This was a great COVID-19 safe option, especially given the limited capacity in the coffee shop. I saw The Café virtually. 

Each of the seven plays explores a different kind of relationship between two people. It was set inside of a Kafka’s café in East Van. In the digital version, audiences were able to wander the space and click on characters to listen to their conversation like a choose your own adventure experience. It felt a bit like a first-person video game. I watched all seven pieces one after the other.

Initially, I thought the digital experience would undoubtedly feel less immersive than the live performance. There are some aspects of experiencing a play like this in-person which cannot be recreated. However, I was pleasantly surprised to see characters from the different plays interacting with each other. For instance, when there was a loud argument at one table, the other characters in the café turned their attention towards them.

The stories highlight how multicultural Vancouver is. All seven plays included, The Café features lines in English, French, Spanish, Polish, and Japanese. No translation is provided, so knowing the language gives you slightly more insight, reflecting the real world. I definitely felt pretty cool when I could understand what the francophone father was saying to his anglophone son as they were having their first conversation in years in Father’s Day. 

Another play, Submission, also relied on a language barrier between two women who were clearly interviewing each other about two very different things. Some stories are more lighthearted and others dive into serious topics. The line that stuck out to me the most was in Przyjaciółki, a piece where a Canadian woman comes to terms with the fact that her Polish partner will likely never come out of the closet. She says: “There will never be an archive of us. Not openly.” 

According to the directors’ notes, “The Café is about our relationship to each other.” And while the actors did not break the fourth wall and I wasn’t even in the same room as them, I still felt very connected to the diverse stories and the diversity of emotions in The Café. This experience will likely change the way I view my next coffee shop study session. As Nass points out: “There are so many neutral spaces, that they don’t pretend to be political spaces but often hold so much diversity and they contain so many stories.”

The Café was produced by Aphotic Theatre and ITSAZOO Productions in partnership with RE/PLAY, The Cultch’s Digital Playground.

Dr. Carman Fung discusses the transformation of tomboy identities

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This is a photo of two people kissing.
PHOTO: RODNAE Productions / Pexels

By: C Icart, Staff Writer

Dr. Carman Fung is a lecturer in the department of gender, sexuality, and women’s studies at SFU. They “study the lesbian secondary gender, ‘tomboy,’ across the transnational Sinophone world encompassing contemporary China, Taiwan, and Hong Kong.” This is the topic of their upcoming research article “The L Word as a Tomboy Text: Transnational Viewership in Sinophone Lesbian Communities.” The L Word was a 2004 American TV series that centred the lives of a group of lesbians living in LA.

Fung highlighted that across Asia, the term “tomboy” is used by queer women to refer to masculine lesbian expressions. Through their study, Fung followed queer Asian women who “make the transition from identifying as a tomboy, to sort of embracing a newer lesbian subjectivity.” What they found was “a lot of them have gone from wearing very masculine clothing, so kind of like butch lesbian, and going from that, to the exact opposite side — so like wearing their hair long, wearing makeup, wearing dresses.” 

More specifically, Fung analyzed the original run of The L Word. They found many of the women they spoke to engaged with the show and “informed their decision to embrace a different kind of gender presentation.” 

At first glance, there wasn’t a clear link between a show of white, American lesbians from the early 2000’s and the lives of contemporary, Asian, queer women in the Sinophone world, explained Fung.

“There’s really no lesbian masculinity whatsoever in the majority portion of the show.” This led to a lightbulb moment that became the basis of their upcoming work. “In writing that thesis, it then occurred to me that that was the point. It was that there’s no tomboy on The L Word and that’s why it created this alternative kind of lesbian representation that the people that I was talking to were not familiar with.” For these women, watching the show represented “this moment in their lives where they were like, ‘Oh actually you can be a lesbian without being a tomboy.’”

In fact, it’s a connection they stumbled upon accidentally when interviewing women for their PhD thesis. At the time, they were looking “exclusively at how Asian tomboy representations inform Chinese-speaking women’s identification with the word tomboy. But then when I was doing the actual interviews, everyone just started talking about The L Word.

Fung also identifies as a part of the Asian lesbian community they are studying. “I’m very much writing from the perspective of an insider. So I know for a fact that people do draw on available queer representation, queer media representations to articulate how they think about tomboys and other kinds of lesbian identities.”

They highlighted, “It’s not just [that] we have particular identities that get reflected on screen. It’s very much the other way around as well.” Identities portrayed in media can play a role in the language, gender, and sexual expressions adopted by individuals in the real world. This is an idea that they explore with their students in the Queer Fandoms course they are currently teaching at SFU.

Fung warned this does not give any weight to the argument that one becomes queer or trans because they saw it on television. Instead, “We have personal experiences when it comes to gender and sexuality that we need to make sense of.” Fung added, “I think media actually plays a much bigger role than what is often assumed,” when interpreting our identities. Queer media representations can provide language and showcase alternatives that can be helpful to queer individuals in understanding themselves. 

For more information on Dr. Fung’s work visit their bio on the SFU website. Their article is a forthcoming publication but Fung’s thesis can be found in the University of Melbourne library.