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Four B.C. summer wines that won’t break the bank

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By Kristina Charania
Photo by Mark Burnham

The Peak takes notes from a chat with a Steamworks wine manager 

Just to let you know: you don’t have to be an overzealous snob or shell out big bucks to drown in a quality bottle of wine. So stop sniffing your wine like a bloodhound, take your suit off, put that hundred dollar bill back in your grandmother’s savings, and listen up, you conceited asshole.

While quality and price aren’t always two peas in a pod with Lower Mainland productions, there are still many local wineries putting out thoughtful, good character wines. Because property taxes are high in the Okanagan, local wines tend to be more expensive than their imported European counterparts. “It’s tougher to buy cheap, good quality wine here. A $15 merlot from B.C. would be very hard to compare to a $15 wine from France or Italy [because] there would definitely be a quality difference,” says Brandon Folkes, the manager at Steamworks Wine Thief.

With over 220 British Columbian wineries, Lower Mainland residents can still pick and choose from great wines while supporting mom and pop businesses that thrive off of the local wine industry. Here are a few selections.

1. LE VIEUX PIN – VAILA (2011)

It’s no secret: light rose wine is all the rage in France. If you’re stuck in Vancouver sans-Europass with an ECON 103 syllabus and Candide in your hand and a bag of macaroons under your arm, a bottle of Vaila is the way to go. “For a B.C. wine, this wine is very comparable to Provence style rose,” says Folkes.

Vaila’s stunning pale salmon color is obtained through the traditional method of Saignee, or literally “bleeding” out pinot noir wine grapes. “It’s drier and has a toastier feel to it, so it’s not a heavy, sweet wine. Vaila has a lighter fruit taste and balanced acidity,” says Folkes. With scents of strawberry, rhubarb, and pink grapefruit, one cannot go wrong with a glass of this rose and a slice of tasty brie.

2. ACES WINERY – SEVEN DEUCES RED (2009)

According to the cover of the 2009 vintage of Seven Deuces Red, “if you don’t ever get caught bluffing, you almost certainly don’t bluff enough.” On the merits of its poker-themed bottle and intriguing catch phrase alone, this wine is already headed in the right direction.

Seven Deuces Red is a red blend of merlot, Shiraz, and cabernet – perfect for a backyard barbeque filled with gourmet burgers and juicy ribs. “It definitely has very good tannic structure with hints of darker fruit and some chocolate notes,” says Folkes.

Holger Clausen, the owner of Aces Winery, is both wine connoisseur and Texas Hold’em extraordinaire – the combination makes for expensive, great quality wines and every poker pun under the sun. His wines can get pricey – because you’re a broke student, it’s best to stick with the Red Deuces series.

Don’t worry. You’ll feel much better about your finances after one or three glasses.

3. TANTALUS VINEYARD – RIESLING (2011)

The hunt for a summer white wine is officially over. With vineyards that have been flourishing in Kelowna for over 40 years, Tantalus has proven time and time again that their Riesling takes the cake when it comes to stellar white wines. “Quality and character-wise, these are very high-quality B.C. wines. I would say these guys are the best Riesling producers in B.C.” says Folkes.

Because of Riesling’s natural acidity, it’s a great pair with pretty much anything: pork, steak, white fish, you name it. The 2011 Tantalus Riesling is tropical and fruity with aromas of lime and guava and hints of Granny Smith apples and pear as it hits the palate.

Putting aside the fact that “Tantalus” sounds like “tarantula,” this vineyard’s Riesling is nearly spot on. The residual sugar found in this Riesling may act as a turn-off or an attraction for those who enjoy sweeter wines.

4. CASSINI – RED CARPET PINOT (2011)

The wines from Cassini Cellars are nothing short of red carpet-worthy for both wine experts and occasional dabblers. Their wines have won nearly 80 awards over the past three years. Not even George Clooney can boast such a feat.

Released in June with only 1,049 cases being sold, the latest vintage of the Red Carpet Pinot has a classic, elegant appearance that contrasts the newer scent of cherry and vanilla, and a red fruit and toffee finish. “This is definitely a new-world style pinot with a lighter body,” says Folkes of the 2011 vintage. Compliment this wine with duck, salmon, or creamy appetizers, and you’re well on the way to hosting an informal summer dinner party.

Word on the Street: Serious Edition

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This week’s Peak Humour took a turn for the Serious. With serious results!

Q: The troubles brewing in Syria now threaten to spill over its borders. Prominently, last week a Turkish plane was shot down. Do you think this will be enough to get the international community involved in the revolution?

“It’s sad to say, but I doubt even this will get the attention of foreign nations that the Syrian revolutionaries desperately need. ”

Isam Abu

Political blogger

 

“Perhaps not from Syria’s neighbors for whom the toppling of an autocratic regime may seem a threat to their ruling powers. But I believe there is hope in the west.”

Julius Eugen

History professor

 

“Sorry, I don’t feel I keep up with international news enough to give an informed response.”

Daniel Sanderson

2nd year biology major

 

“The love affair between the North American media and the Arab Spring petered out a long time ago. I doubt this is enough to rekindle it.”

Alex Chopra

CanWest Correspondent

 

“Don’t you usually tell jokes here? I feel like there should be jokes here.”

Clancy Shepherd

Teaching assistant

Solders of the new frontier: the global hacker culture

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By Esther Tung
Photos by Mark Burnham

Along the alley just off of Hastings and Abbott, I find the doorbell hidden in one of the murals on the wall. The signboard overhead reads “VHS”, and the doorbell setsoff lights flashing above.  A moment later, somebody pokes their head out of the second-floor window, yells a greeting, and reels down a metal cable, dangling a key just within reach. “Come on upstairs!”

I let myself in and follow the murmuring coming from behind a door upstairs. On the other side, energy runs high and voices talk on top of one other — someone’s done a stellar job of soundproofing the room. About 20 men bustle around a long table in the centre of the room. Some are sorting through plastic containers and packing things into cardboard boxes, others are slouched over laptops or tinkering with machines. Shelves line the walls, full of labeled containers. Everyone seems to be talking at once.

This is Vancouver Hack Space (VHS), a bastion of DIY ethic in the city. In the mainstream, the term “hackers” has been reappropriated to define tech nerds who devote their energy to circumventing security systems. Between the walls of hacker culture, a hacker is a person who learns about a piece of software or hardware by modifying, deconstructing, and rebuilding it. Hackers improve the existing tech using only pre-existing elements within the system, and try to find innovative uses for it.

Hackerspaces have been around for decades, and can be found in cities worldwide. Hacker culture’s genesis was in 1946, with the creation of MIT’s model train club, the Tech Model Railroad Club. However, the founding of Berlin’s Chaos Computer Club (CCC) marked the reinvention of the hackerspace. In 1985, the CCC gained notoriety when they compromised a German bank’s system in order to make a statement about the bank’s security glitches: they transferred 134,000 DM — equivalent to approximately $63,000 CAD now — into their own account, only to return the money the next day. As the largest hacker organization globally, it boasts 1,500 members, and also hosts Europe’s largest hacker conference, the Chaos Communication Congress.

It was Joe Bowser who went to this conference and brought the idea of hackerspaces back onto North America shores. The first meeting was held at Emma’s Hackery (now called The Hackery), an electronics repair and ethical recycling outlet. An open call for members brought in 20 people, about half of whom are still active in the space. Other than years of experience, no one member has any hierarchal power over any other, says Luke Closs, one of the founding members of VHS. Much like the CCC and many other hackerspaces, VHS is a decentralized organization, member-owned and –operated, and has no official director. “We are a ‘do-ocracy’ — if someone says we need shelves here, it’s up to that person to get the shelves,” says Closs.

On Tuesdays, hackerspaces the world over open their doors to the public and invite them to drop in. The people at VHS are used to visitors, and everyone is eager to acquaint new faces with ongoing projects. Speaking to a hacker for the first time is like picking up another language. Veteran hacker Dan Royer is a lanky man in a brown shirt and glasses, and he takes me under his wing immediately. He shows me the two main tools that hackers use: the 3D printer and the CNC. Where the 3D printer creates parts of a whole — an additive process — the CNC printer solders shapes into the material, a subtractive process. I have to stop and ask for further explanation almost every other sentence, but he somehow answers them all without losing an inch of patience. He’s in the process of breaking down the basics of the Arduino —  a common computer chip used in hacker kits and simple robots — when a man in his 60s with an eyepatch accosts us. The two lock into a friendly debate over how to best use the chip, and it’s hard to keep up.

“It’s a little busier than usual today. Everyone’s cleaning up the debris after the Maker Faire,” Royer tells me, referring to the Vancouver Maker Faire. “Maker” is the more marketable word for hackers, “a softer term,” says Closs. The Maker Faire, which took place at the PNE Forum on June 23 and 24, inaugurated last year as a large-scale showcase combining traditional crafts and tech-oriented projects that attracted over 3,000 people. While hacker culture has been enjoying some mainstream success on the consumer end, membership has been expanding slowly at VHS.

Decentralized operations do have a reputation for growing at a slower pace, but in Closs’s opinion, it’s more a feature than a bug. While it means less money in the coffers — VHS is entirely funded by members — Closs says that it allows new members to be more fully assimilated into the organization and preserves the original spirit of the space. While it seems somewhat contradictory to the progressive nature of such a collective, Closs’s opinion is prudent rather than insular.

Most of the hackers in the room seem to be 30 and older (with the exception of two SFU students in the SIAT program) and all of them are men. There are few female members, Royer says, and they usually stick to traditionally feminine crafts. But those skills aren’t valued any less here. He points up to a white ball of knitted yarn hanging from the ceiling, vaguely shaped like a lotus flower. That was the winning entry from last month’s egg drop social.

Closs does hope that hackerspaces will branch out into the suburbs, where space is at less of a premium. VHS’s 1,000 square feet serves over 80 members, so it’s getting a little packed in there, and they’re looking into moving into a bigger space to accommodate its growing membership. “We have a laser printer downstairs that doesn’t fit up here,” says Royer.

Despite the need for more room, members of the VHS collective, which operates on a consensus-based model, are against grant applications. “When you accept grants or external funding, you have to sell yourself in order to continue getting that money,” says Closs, who doesn’t see it as a sustainable solution for the organization. Resourcefulness has always been part of the hacker zeitgeist, and the need to be fiscally conservative makes for a fertile breeding ground of creativity that pushes members to work with what they do have.

Granted, not all projects are utilitarian. At the far end of the room, a homemade breathalyzer is mounted to the wall between the kitchen and the bathroom — “accurate up to four beers,” says Steven Smethurst, the man behind the contraption. Hackerspaces are not only for the pursuit of commercializing your craft. A healthy curiosity, transparency, and a good attitude are the sigils of the hackerspace. It is a beloved ‘third place’ by its inhabitants, an escape from work and home, and a space that combines knowledge with imagination. It humanizes the technologies that are often otherwise berated for being alienating and isolating. Perhaps next Tuesday, you’ll find yourself at the steps of Vancouver Hack Space and find that the key to your next door is reeling down from above.


Musical spoof of Xanadu delivers a silly summer spectacle

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By Monica Miller
Photo by David Cooper

And it just might inspire you to dust off those quad skates from your childhood 

The Arts Club’s parody of the 1980 camp-cult movie Xanadu is a roaring good time. A musical comedy on roller-skates,  the Dean Paul Gibson-directed show opens with an artist in ‘80s cut-offs named Sonny Malone (Gaelan Beatty), who feels artistically depressed. The ancient Greek muses hear Sonny’s plea for help and Clio (Marlie Collins) adopts the persona of Kira — complete with leg warmers, roller skates, and an Australian accent — to descend to earth and inspire Sonny.

When Sonny meets Kira, his life magically begins to change and he decides to open a roller disco in true ‘80s style. Beatty and Collins are dynamic together and the entire cast has strong singing voices — including Collins’s nasal Newton-John impersonation — which makes for a delightful performance and had the audience singing and clapping along.

The supporting cast never stops their tongue-in-cheek comments, which sometimes feels over the top. While Stephanie Liatopoulos and Cailin Stadnyk (as the muses Erato and Euterpe) are funny and talented performers, they are overshadowed by their muse sisters; Thalia (Vincent Tong) and Terpsicore (J. Cameron Barnett) never stop trying to outdo the other with gay sass.

Though the original film bombed at the box office, the soundtrack, with music and lyrics by Jeff Lynne and John Farrar, took off. Douglas Carter Beane adapted the film for Broadway and infused it with more Greek mythology, including a nod to 1981’s Clash of the Titans that leads to an interesting subplot.

The muses, Zeus’s daughters, are forbidden to do two things: help create the art they inspire, and fall in love with a mortal. Clio’s jealous older sisters, Callipoe (Bonnie Panych) and Melpomene (Beatrice Zeilinger) decide to put a curse on Clio/Kira to have her fall in love with Sonny and thereby be cast out from Mount Olympus by papa Zeus. Panych and Zeilinger are fantastic, sort of a Pinky-and-the-Brain-esque pairing with perfect comedic timing and a marvelous performance of “Evil Woman”.

The choreography (by Lisa Stevens) is fantastic — especially Vincent Tong during a flashback tribute to Gene Kelly’s signature dance moves. The set design (Kevin McAllister) and costumes (Rebekka Sorensen) are simple and sometimes silly, but anything more complex would be too much.

Unfortunately, the theme of art’s importance is overshadowed by the fromage factor. The show calls attention to double-casting, harps on stereotypes, and nearly ignores the four-piece live band. But Xanadu is a fantastic production, perfect for a bit of summer silliness and sure to leave you laughing.

Rioters receive more than enough punishment

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By Benedict Reiners

Photos by Jhayne

The sentencing of the infamous Stanley Cup rioters has started, and trials have already taken place with varying results. Earlier this year, a young man found guilty of participating in the riots was given jail time, while another who was sentenced last week was given a fine, community service, house arrest, and was forced to write an apology letter to the city.

Both sentences have already taken much criticism. The initial jail sentence that was given out earlier this year was praised for sending a message to would-be rioters in the future: that they would be found and justly punished if they were to attempt anything disorderly. However, many argued that given the number of those who will be tried, giving all found guilty jail time would be not only incredibly costly to the government, but would also put a strain on the prison system. Predictably, the response towards the more recent punishment has been nearly the opposite, with many criticizing it for not sending a strong enough message to would-be rioters, while others praise it for providing a more productive punishment that puts less strain on the system.

The more recent sentence is more beneficial to the city. The fines from those found guilty would help pay for some of the damages done during the riot. If you want to make the punishments more severe, increase the fines. Furthermore, the community service helps the community, and ultimately helps the rioter’s rehabilitation, giving them a better sense of who their actions impact.

The claims that the most recent sentence is too light are simply irrelevant, and in no way true. This sentence is designed for exactly who received it, some middle-class twenty-something who just joined into the mob mentality. If we were actually dealing with a ringleader,  or an instigator, that would be a different case. If you could prove that someone was out with those intentions, then by all means, throw the book at them. But the best way to discourage kids who thought they’d get away with it from reoffending is to send a message by finding the participants and putting them to trial. Jail time is unnecessary, especially when they’d turned themselves in. The other punishments provide more than enough deterrence.

The trials of the Vancouver rioters are important, but we must remember that we’re not dealing with any criminal masterminds here. These aren’t the people who came out looking to start a riot and give our city a bad name; these are just the fools who didn’t think for the two seconds it would have taken to realize what they were doing. Prison isn’t the only thing that can get them to think twice next time. So long as there are cheaper, more efficient ways, we must look to those before we act. If they reoffend, feel free to throw the book at them. But with the more recent punishments, and the Canucks’ recent playoff performance, it doesn’t look like we’ll have to deal with that for some time.

4-Day Weather Forecast

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This week’s Peak Humour took a turn for the Serious. With serious results!

Brave? Not Pixar

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By Esther Tung

Even Pixar has yet to learn that no amount of lush visuals and smooth rendering will make up for lacklustre storytelling

For all the noise made about Pixar coming out with their first female protagonist, praise for Brave so far has been lukewarm. Its box office numbers are nothing to sneeze at,but Brave, like many other movies as of late, focuses too much on gorgeous visuals while coming up short on storytelling.

Joining the ranks of Disney princesses is Merida, voiced by the versatile Kelly MacDonald, a Scottish princess whose unruly ginger locks must have needed its own team of animators dedicated to its follicular detail alone. Merida is a feisty teenager with a taste for solo adventuring and archery, who throws the gears into chaotic motion in her bid to rebel against her arranged marriage.

Pixar may be in the business of children’s films, but they’d do well to remember that a sizeable chunk of their audience today have put on their grown-up pants since the days of Toy Story and  A  Bug’s  Life. Brave  is a dramatic film at heart, but its potential for complexity is emptied out by too much comedy streaking through it (sometimes literally). Too many funnies are sloppily written, lazy jokes for the id.

And is Merida the feminist heroine that so many of us were hoping for? She certainly embraces some alternative roles to the other Disney princesses and female characters in the Pixar kingdom. But Merida is neither ground-breaking nor well written as a strong female character. While she fixes the trouble she creates, her spoiled-child syndrome gets in the way of any maturation or new understandings by the end of the story.

Brave’s saving grace lies in its romantic development, specifically the lack thereof. The movie angles itself squarely on the tense, but well-intentioned relationship between mother and daughter. Queen Elinor (Emma Thompson) is a far more dynamic character than Merida. Her physical transformation leads to a psychological one, and it’s not often you see a woman engaged in a serious melee with her bare hands.

From a lesser production team, there would be no complains about Brave. Its opening weekend box office earnings, at $66 million, is definitive evidence that stories about women sell well, and hopefully this gives Pixar the courage to go back to their usual ,  boundary-pushing  formula with future films. And while Pixar has for the most part redeemed themselves after the Cars 2 misfire last year, Brave isn’t worthy of its studio’s classics.

Brent Butt hits the road for stand-up comedy tour

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By Jacquelin Gregoire

EDMONTON (CUP) — While most are more familiar with Brent Butt’s work on TV series such as Corner Gas and Hiccups, Butt himself is more accustomed to life as a “struggling nightclub comic.” With both shows behind him now, Butt is returning to the familiar art of stand-up, with plans to build on his artistic ability through new projects that present fresh challenges but stay true to his comedic persona.

Click here for the original story from The Gateway

With years of writing comedy under his belt, Butt has no trouble coming up with funny material. And despite the contrast between the mediums of television and stand-up comedy, his experience as a lone stand-up writer helped strengthen his skills as a collaborative scriptwriter down the road.

“You develop a sense of what’s funny and what people are going to laugh at because you have to rely on that when you’re writing the show,” Butt says. “You’re writing the jokes and hoping they’re funny because there is no audience.”

When all else fails, Butt resorts to the strategy that got his career rolling in the first place: simply being himself. Since generating stand-up material is derived largely from inner thoughts and personality quirks, Butt used his own natural timing and sense of humour to come up with material for his Corner Gas character, Brent Leroy. In fact, the sole distinguishing characteristic between him and his Corner Gas counterpart is the shape of their timepieces.

“The interesting thing about my character from Corner Gas is that he’s basically identical to me,” Butt muses. “I didn’t know how good of an actor I was so I thought I’d better make this character as close to me as possible — that way I’d know how to react to situations. I always said the biggest difference between Brent Butt and Brent Leroy was that he wears the square watch and I wear a round watch.”

The fact that he relates so closely to his television character is why Butt doesn’t mind being known for the show, even years after its cancellation. But content with its six-year run and the resulting legacy, Butt now prefers to look ahead his future endeavours.

“I had a certain fanbase before Corner Gas and I have a much bigger fanbase now because of the show. I still feel blessed about having the chance to do it; it changed my life completely, so I’m all good with it,” Butt says.

With his higher profile to fall back on, Butt plans to take full advantage by tackling his biggest project yet. A fan of detective movies, he’s now attempting to merge his passion for comedy and mystery into a feature film.

“It is a comedy, but I intentionally wrote it and we’re going to shoot it in a very realistic way so that if it wasn’t funny, it would still work as a mystery and a thriller,” Butt explains. “But a movie’s a big, visual feast and you really have to know what you’re doing, so I thought it was best that I don’t direct.”

Whether the film is successful or not, Butt’s creative side will push him to continue moving forward with his comedy in one form or another. For now, he’s just hoping the audience will be willing to come along for the ride.

“I think if you concentrate on making a good product, that’s all you can really control,” Butt says. “So that’s all I concern myself with: making sure that I’m happy and that I think it’s funny, then cross my fingers and hope people like it.”

TSSU votes to approve strike option

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By David Dyck

SGM this week will decide what form job action will take

Last week, the Teaching Support Staff Union held a vote of its membership to determine whether or not to take job action. The preliminary result, according to the TSSU, is that 90 per cent of voters were in favour of job action. Although representatives have not yet released the full voting numbers at the time of printing, they stated that their turnout was higher than that of any GSS elections.

This does not necessarily mean that a strike will take place, however.

“We essentially have the legal right now to take job action, but the decision to actually do anything always rests with our membership,” said Derek Sahota, a spokesperson from the TSSU. There will be a special general meeting held this week to decide on what course to take. Before any job action takes place, the union has to give 72 hours notice to the employer.

Job action could range from instructors taking several minutes in tutorials to explain the strike, to “full picket lines, which is obviously not anything that anyone ever wants,” said Jeff Zurek, another member of the TSSU contract committee.

Justin Wiltshire, a current SFU graduate student who was a TA several times in his undergraduate career, voiced some concerns he had about the union’s position. He argued that there was a lack of balance in representation as well as the quality of the work that is done by TAs.

“I imagine that graduate students are making up the largest proportion of the membership,” said Wiltshire. “I think that you need to have equal representation of all the groups, otherwise you’re going to see what you see now, which is that the TSSU functions as an agent essentially for the graduate students, whereas really the Graduate Student Society should be fulfilling that role.”

Wiltshire’s concerns about work quality have to do with his personal experience. He said that he has had instructors “come to me after they were supposed to have taught their students certain concepts and asked me to explain them. A number of them have told me that they just don’t give a damn, and that it’s not important to them.”

Wiltshire told The Peak that in his opinion, pay should be linked more intrinsically to merit. “When people don’t do a good job they should not be given another chance . . . and when people do do a good job I think they should be able to be rewarded.”

Overall, he stated that he was satisfied with the level of compensation he received for his work.

Sahota and Zurek addressed these concerns. “I think that as a union we do always think of our sessional members who are not graduate students, and always have them on our mind,” said Sahota. “We understand the issues and we get really good feedback from them. I think that’s generally true of all the parts of our membership.”

Regarding the quality of work, they stated that if TAs are doing a poor job, based on the collective agreement, the onus is on the departments to carry these out. “If they don’t do the mentoring first, followed by the evaluation, it’s a problem within the system, it’s not necessarily the TA’s fault,” said Zurek. “That system has to change and work the way that it’s supposed to work even now.”

Last week there were banners displayed around the AQ during the president’s BBQ for Employee Appreciation Day reading “Mr. President, engage us, save SFU.” Although the TSSU officially denied being involved with putting them up, they displayed pictures of them on their Facebook page. Sahota said it was “a great message to the president, to engage the workers, because that’s what has not happened.”

“This is a really positive opportunity to do exactly what Petter has been advertising,” said Zurek. “There’s so many things we have on the table that we say are not monetary that can make this school so much better, and really that’s been our message all along. Changes don’t actually have to cost a lot of money.”

The university informed The Peak that they do not discuss negotiations outside of the bargaining table.

Board shorts

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By David Dyck

Board moves to a new healthcare provider

The board will be entering negotiations with a new healthcare provider, Desjardins, moving away from the current provider, Sun Life. “We discussed this at [the executive committee] and execs have been looking into this for the past one or two months now,” said member services officer Humza Khan. “We as execs have recommended it to board unanimously that we should go with Desjardins.”

Khan stated that Desjardins was offering a lower rate and more flexible plans for students, though the amount that each student will be paying has been set at $198, due to a referendum. The Peak will have more details in next week’s issue.

 

Max hours for non-execs increased to 60 per month

The hours that faculty and at-large board representatives can charge have gone from 40 per month to 60. The constitution and policy review committee made the recommendation in May, but some executive board members were hesitant to approve the increase.

“I don’t know if that’s necessary in the summer term, I think in the fall and spring semester when your portfolio is more full, and we’re just more busy, then it might make sense then,” said external relations officer Meaghan Wilson, citing the fact that only one representative has requested an hours increase. That was applied sciences representative Moe Kopahi, who made the request several weeks ago. The request was denied at that time with only one board member casting a vote.

“I’m completely for the fact that you guys want an increase in hours, my only concern, however, lies in the fact that it wasn’t even a month ago . . . that we denied Moe an increase in his stipend, and he was already going above 60 hours,” said Khan. “It was us who denied him that, so how do we justify increasing it now?”

“Now that I look back at it I wish that we did give it to him, but at the same time we all went over our hours during that month, so it would kind of be unfair to all the other people that we’re not all getting stipend increases,” responded environment faculty representative Monique Ataei. “We all went over our hours, we continue to do so . . . the job has to get done at the end of the day.”

Sarah Veness, the faculty representative for communication, arts, and technology, also defended the motion. “I just really wanted to remind board too that this wasn’t our motion that we put through, this was a recommendation from last year,” said Veness. “I think           . . . it’s sort of a trend throughout the past years that board members have gone over their hours and that’s where the motion comes from.”

 

URO regrets ratified for July and August

This past May, university relations officer Jeff McCann requested standing regrets be ratified for summer, due to a co-op work term. At the time, the board ratified regrets only until the end of June, when the situation could be reevaluated. Last week, board decided to allow the regrets to stand until the end of August.

“He responds in an extremely timely manner even during a workday to questions, he’s always available by phone, I see him in the office sometimes more than I see other board members who are at this meeting right now,” said at-large representative Ashleigh Girodat. “I think that he is doing his job.”

There was one vote against the motion, by treasurer Kevin Zhang, who had raised concerns in May about accountability and transparency.