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A Bite of Poetry at SFU Harbour Centre

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By Monica Miller

 

Grab your lunch, slip out of work/class, and hoof it over to the Teck Gallery at SFU Harbour Centre to hear a diverse array of local poets. On the third Wednesday of each month for the past year (except July and August), a mid-day reading series called Lunch Poems has taken place at SFU’s downtown campus. On Wednesday, March
20, 2013, SFU English professor Stephen Collis will read with former Writers’ Studio poetry mentor, Rachel Rose — both accomplished poets with new books out this year.

Lunch Poems was the brainchild of poet and Writers’ Studio graduate, Renee Sarojini Saklikar and Shauna Sylvester, executive director of SFU Public Square. “We got to chatting at a dinner in November 2011, and she invited me to come read at SFU,” explains Renee. They had a good turn out with a variety of students, staff, Writers’ Studio mentors, and even a former premier.

From there the idea snowballed, filling a void of poetry readings in the downtown core during lunchtime. Their muse — whose book was read at the inaugural event — is Frank O’Hara and his book Lunch Poems, commissioned by San Francisco bookstore-cum-publisher City Lights, as part of their avantgarde Pocket Poets series.

Here at SFU, a committee of volunteers arrange the monthly reading series. In addition to Renee, this team includes: Katherine McManus of the SFU’s Writing and Publishing Program; the director of the Writers’ Studio (first Betsy Warland and now Wayde Compton); Robin Prest, manager of public programming for SFU’s Centre for Dialogue; and Kim Gilker, SFU alumnus and employee of the International Centre of Art for Social Change.

The inaugural event took place on March 28, 2012, and featured Vancouver’s Poet Laureate Evelyn Lau, SFU alumnus and poet Daniela Elza, and more than 100 listeners with their lunches. One year later, attendees will be treated to what Renee describes as “pairing of lyric and language” poetry with Stephen Collis and Rachel Rose.
Renee calls Wayde Compton a “poet sommelier,” as he couples distinctive yet complimentary styles, and usually pairs an emerging poet with someone established.

Stephen Collis and Rachel Rose will both be reading from their latest books of poetry.

Collis’s book, To the Barricades, is hot off the press this month, and now he has to decide which poems are “reading poems.” To the Barricades is a continuation of The Barricades Project, a Life-Long Poem, which typically takes decades to write and is published over multiple volumes. This project began with Anarchive (2005) and The Commons (2008).

To figure out his reading poems, Collis says he will “lock [himself ] in [his] office, pace around, and read aloud” in an effort to “hear how it sounds and feels together.” He notes that it is important to combine the temporal and spatial, making an effort to have it echoe back to earlier in the reading so listeners feel fulfilled and it leaves them thinking.

Rose’s third book of poetry, Song and Spectacle, was published in the fall and shortlisted earlier this month for the Audre Lorde Award for Lesbian Poetry. She says it explores “how we live and see others and look with an unflinching eye at the world around us.”

Rose’s world has changed drastically in the past year. She has opened new professional doors, writing the libretto for the first lesbian opera, premiering as part of the Queer Arts Festival in August. She’s exploring more song-writing, combining her poetry with her brother’s musical talents.

Lunch Poems @ SFU has featured various poets over the past year including George Bowering, Elizabeth Bachinsky, Garry Thomas Morse, and Renee Saklikar, who emphasizes the that the event is about community building. “It’s strictly one hour, from 12:00 noon to 1:00 p.m., and completely free.” Readings are followed by a Q&A session.

Theatrical maladjustment

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theatrical the peak

Conceptual Theatre production pushes boundaries and provokes community involvement

By Ljudmila Petrovic
Photo courtesy of David Cooper

The first thing I noticed when I walked into the theatre at Firehall Arts Centre was the stage props: there was some furniture, and the rest of the set design consisted of piles of storage boxes. This made me wonder what the play was going to be like amidst the creative and powerful, albeit messy stage. It turned out much like the stage.

The concept behind maladjusted is described as “theatre making policy,” a somewhat difficult connection to make out of context. I quickly learned that this entailed two components. The first, a short play (running at approximately half an hour) that dealt with various mental health issues and the “mechanization” of the mental health system.
This was followed by a repeat of that play facilitated by Theatre for Living’s artistic director, David Diamond, where audience members were asked to stop the scenes at integral parts where they could see an alternative and take the places of the community actors.

Diamond’s idea is to generate conversation on potential policy changes within the social services through community discussion and involvement. The project uses a community scribe, whose function is to transcribe any ideas for policy changes that might arise on a given night, then to compile them all into a Community Action Report to be presented to the Mental Health Commission of Canada.

The plot revolves around several stories and issues. One involves a mother and daughter (played by Khoal Marks and Micheala Hiltergerke, respectively) face the latter’s diagnosis of bipolar II disorder, while the mother deals with her own mental instabilities.

In another, a homeless man (Colin Ross stepping in for Martin Filby) deals with various mental health issues — including ADHD and anxiety — must fight through a bureaucratic system that lacks resources and is driven by overworked, often burnt-out workers and practitioners (Erin Arnold, Pierre Leichner, and Sam Bob’s characters all exemplify this).

Diamond then guides an audience discussion about the “human-centered care” approach to mental health that should be addressed in policymaking. The change, he tells us, is possible through theatre, and we can use theatre as a way to illustrate the issues, look within ourselves to find empathy and understanding, and to use it as a launchpad for discussion and brainstorming.

The second part, as mentioned, has the purpose of getting audience members to step into the shoes of the characters and to address possible routes for policy changes through an improvised adaption of the initial scene. While in theory an innovative idea, this is of course completely reliant on the type of audience in attendance; it took a while for people to begin breaking out of their shells and, when they did, it did not always lead to any ideas on policy change.
Diamond seems to have an expectation of where, when, and how people should approach the scene, and so he often asks probing questions and directs audience members as he would his actors. This is no doubt due to his obvious passion for the project, but it also intimidates audience members.

I decided to go up for the next scene. Being thrown into an unknown scene — one with complex characters, interactions, and issues — and having to deal with it in an empathetic but pragmatic way in front of an audience of strangers is an intimidating experience. That, combined with Diamond’s constant questioning and pushing, leaves you feeling exposed and vulnerable, but that might be just the right state to discuss protective policies for those who are systemically exposed and vulnerable.

As a social project, maladjusted is a bold and creative gem, and a potential vessel for change powered by a marginalized local community; as theatre, it is still conceptually novel, but the implementation of it leaves an image of disorganization.
Local projects that engage the community and rally for change like this are worth supporting. They are beacons of hope for those that may feel like they’re lost in the system.

Personal stories on the stage

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By David Ly

 

How Has My Love Affected You?, the most recent production on the Arts Club’s Revue Stage, is a personal account of the incredibly tumultuous relationship between Marcus Youssef and his mother, Roleene Youssef. Alongside Marcus’s 17-year-old son, Zac Youssef — the father-son act puts on a brave, personal performance.

When Marcus approached Zac with the idea of a play about his grandmother, Zac was originally not too enthusiastic about it, questioning the topic’s appropriateness in the public eye. However, being a musician, Zac began composing original songs with local singer-songwriter Veda Hill, with actual excerpts from Roleene’s journals. In creating original music for the play, Zac eventually became more comfortable with the production.

Despite his initial weariness, Zac felt more in his element with the piano at his fingertips, which is evident on stage: Marcus says that Zac is a musician first and actor second, only having a small amount of acting experience. Zac’s passion for music is evident in every word he sings from his grandmother’s writing collection, even the short one-liners from her vast collection of post-it notes.

Marcus says that, as an actor, “The ‘real’ feels more authentic, while older conventions [of theater] are too obvious.” This sentiment is self-evident in this production, as the style and setting are remarkable: as he speaks, actual photographs from his childhood with Roleene are projected onto mountains of boxes. The entire stage suffocates under these boxes and mounds of dusty journals from his mother’s storage unit.

In tandem with Marcus’ story-telling, the audience comes to truly understand the strenuous relationship he has with his mother, contributing to the authentic emotions experienced while watching the play.

Yet there are moments when the acting makes it too obvious that this is happening on stage; the result is a disconnection from the story. As it is a family memoir, it’s understandable that the audience is expected to feel sadness, pity, and relief for the performers, but it comes off as heavy-handed.

Surprisingly, these moments came mostly when Marcus and Zac are interacting directly with each other. One would expect closeness to inspire naturalism; however, this is not the case. To make matters worse, the delivery of some quickly-paced lines became a bit muddled with the live music.

The play focuses on a touchy subject: mental illness and how it affects family dynamics. If you can get past some poorly delivered lines, the attractive stage design and play as a whole comes together to create a wonderful message.

How Has My Love Affected You? is a brave production, although at times the acting is rusty. It’s honest, tumultuous, and complicated, but its message is clear: in the words of Marcus, “[Loving support is] what families are for.” It’s clear that he is entirely sincere.

Peak Week – March 18, 2013

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By Daryn Wright

Eats
If you haven’t grabbed a sandwich from Las Tortas at 3353 Cambie St. yet, I recommend you pay them a visit this week. Their gourmet Mexican sandwiches are hand-crafted, infused with traditional Mexican flavours, and incredibly delicious. Try the Pollo Pibil (Mayan Style), which features chicken slow roasted in a citrus orange achiote marinade, topped with tomato, cabbage, pickled onion, jalapeno, refried beans, and mayo. If your mouth is watering now, just wait: they also offer hot churros, which I highly recommend you grab for dessert.

Beats
If you happen to be lucky enough to have a break from midterms and papers and you’re looking for something to do this Wednesday night, consider checking out Iceage playing at the Biltmore. The indie punk-rock band from Denmark will be playing tunes from their new album, You’re Nothing, with guests Spectres. There’s also usually a barrel of cheap beers offered, perfect for feeling better about being in the thick of the semester. Tickets are $13 at Red Cat, Zulu Records, and ticketweb.ca.

Theats
The Cinematheque is presenting Drifting States: The Films of Denis Cote March 25, 27 – 28, and April 3. The New Brunswickborn, Quebec-based director took a minimalist and genredefying approach to filmmaking, focusing on characters who were outsiders and themes of loneliness and oppression. The run will be anchored by Bestiaire, which will run four nights. Enemy Lines, Carcasses, and All That She Wants, and more will also be shown over the four evenings.

Elites
The new exhibit at the Vancouver Art Gallery has begun: Ar t Spiegelman CO-MIX: A Retrospective of Comics, Graphics and Scraps will run until June 9. The exhibit will trace Spiegelman’s artistic output from his early underground comics from the
1970s, his best-known work in Maus, and his more recent illustrations. His work in the field of comics and illustration has helped to develop new ideas of technique, and combines cultural commentar y with subversive art.

Treats
Nouvelle Nouvelle, situated in Gastown, has just released a bundle of their spring collection for men and women. They’re a great stop for classic and unique pieces by local and small designers, as well as hand-crafted gold jewelry and little nick nacks, like Swedish Dream soap. If you’re looking to update your wardrobe to suit the coming warmer months, expect to find light and airy polka-dot blouses, tropical print bustiers, tye-dyed men’s tanks, and leather fringe purses. Even if you can’t wear them yet, it’s still fun to imagine it’s sunny and 25 degrees, right?

An annual Celebration of SFU Authors

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By Monica Miller

 

Each year, authors from all disciplines at SFU publish hundreds of works, including articles, books, and research papers, as well as contributions to anthologies, journals, and textbooks. These authors are faculty academics, administrative staff, alumni, and even students. On March 26 the SFU Library will host the sixth annual Celebration of SFU Authors to recognize university-affiliated authors.

The event began in an effort to draw attention to books authored or co-authored by SFU members, which had a lower degree of discoverability compared to journal articles. The SFU Library hosts and supports peer-reviewed journal databases, which are then accessible through an open system independent from their source material.

However, there was no system in place to ensure bookrelated publications were also catalogued and added to the SFU Library Collection. The first annual Celebration of SFU Authors was in 2007.
That first year, more than 80 authors were included in the celebration, including literary bigwigs George Bowering and poet Roy Miki. The event honours any “faculty, students, staff, alumni and retired university community members who authored or co-authored a book, or its equivalent, within the past year.” This year includes 113 authors who have published more than 120 works, including Gail S. Anderson, associate professor and undergraduate program director in the School of Criminology, who also participated in 2007.

“It’s nice to be appreciated and to be recognized by the university,” says Anderson, who was the first full-time forensic entomologist in Canada. Her research has been used to identify victims, suspects, determining the cause of death, and recently, to help convict Robert Pickton. When she participated in the first Celebration of SFU Authors, “it was the first time I’d published a book, so it was neat for me to be involved.”

Her new publication is a textbook intended for police officers-in-training, and is coauthored by a retired police officer and a lawyer.
Over the past six years, the criteria for submissions to the celebration has changed as they have “redefined the parameters, updating and including new types of works” explains Chuck Eckman, dean of library services since 2010.

“Our default is inclusive rather than exclusive.” Works submitted now include “authored, co-authored, or edited books or chapters; illustrated books; musical compositions; art exhibit catalogs; and audio or video recordings.”

Last year was the first year they included an original translation: David Scott Hamilton was a finalist for the 75th annual Governor General Award for French to English translation of Nelly Arcan’s Coups de tete (English title: Exit). The submission form now inquires about any award nominations or accolades.

“Catherine [Louie] and Angela [Raasch] are the stars behind the project,” credits Eckman. They send out calls for submissions, obtain qualifying works, catalogue the submissions, prepare bibliographic data, coordinate the reception, and prepare marketing materials for the reception. Both individuals work for the SFU Library in the department of management and administration; Catherine is the library assistant and Angela is the manager of administrative services.

The bookstore is a quiet partner of the event. Most of these books will be added to the SFU Library Collection following the event, except in rare cases, such as children’s books or very specialized publications.

The event helps build relationships within the university community and celebrates faculty, staff, and alumni. All SFU-affiliated individuals are welcome to send in submissions, provided they are recent publications.

A book display will be placed in the WAC Bennet Library on the Burnaby campus in the third floor foyer. The Celebration for SFU Authors reception will take place on March 26, 2013 at 3:00 pm on the 7th floor of the WAC Bennett Library in the Wosk Room–Special Collections.

Wondrous Bughouse is slightly motheaten

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Youth Lagoon’s second effort doesn’t quite live up to the first

By Max Hill

Wondrous Bughouse, Trevor Powers’ second album under his Youth Lagoon moniker, marks a dramatic departure from his 2011 debut, The Year of Hibernation: where the former was intimate, tender and warm, Powers’ sophomore effort is ambitious, experimental and purposeful.

However, though Wondrous Bughouse is undoubtedly a capable effort from a talented young musician with patches of the brilliance his fans have come to anticipate, it fails to live up to the grandiose expectations set by its predecessor, substituting style for substance and performance for emotion.

The album starts off strong with the one-two punch “Through Mind and Back” and early single “Mute”. Reminiscent of Deerhunter and Mercury Rev, the tracks explore a more psychedelic sound with prominent vocals and live drums.

It should come as no surprise that the album was produced by Ben H. Allen, famous for his work with Animal Collective, Deerhunter and Washed Out. From its onset, Wondrous Bughouse takes a hazy and distant
tone, reminiscent of Allen’s previous work. His production elevates album highlights “Pelican Man” and “Third Dystopia”, which borrow from artists as varied as The Flaming Lips, Pink Floyd, The Beatles and Tame Impala while incorporating Youth Lagoon’s talent for hooks and straightforward melodies.

Powers’ vocal is also more prominent and confident here than in his previous work, lending the songs charisma and voice which was lacking from some of The Year of Hibernation’s more reserved and introverted tracks. At its best, Wondrous Bughouse shows an artist taking his best qualities and translating them into a more accessible, heterogeneously influenced style which stays true to his core sensibilities as a musician.

Sadly, this potentially great album is plagued by a variety of subpar efforts and a tendency to rehash song structures and lyrical themes. “Attic Doctor” is strange and carnivalesque (and not in a cool way); “Sleep Paralysis” meanders along without coming to any sort of apex; and album closer “Daisyphobia” sounds like a mediocre Animal Collective B-side, sauntering along fruitlessly for five minutes and ending the album in remarkably unspectacular fashion. These sporadically sup-par tracks give the album an uneven, spasmodic quality which keeps it from coalescing as a singular musical statement.

Powers also relies too heavily on a similar song structure — a hazy, quiet opening, standard verse-chorus-verse, psychedelic instrumental and stripped-down outro — which leaves some tracks feeling stale and rehashed. None of the songs here are bad by any means, but many seem borrowed from other, lesser albums and leave Wondrous Bughouse feeling like more of a compilation than a deliberate composition.

The pressure of following a successful debut surely wasn’t lost on Powers: Wondrous Bughouse feels like a measured and purposeful attempt to break away from The Year of Hibernation and tread new and inventive artistic ground. And in places, it works: there are enough great songs here to make an outstanding EP, and the under whelming nature of the album as a whole doesn’t detract from the quality of these standouts. But as an LP with a 50-minute-plus r untie, the album comes off feeling bloated, disjointed and ultimately unexceptional. Though Powers deserves note for making a conscious effort not to imitate his superb debut, Wondrous Bughouse sounds like the work of an artist who’s still looking for his own distinct voice, and going through the typical and altogether necessary growing pains that come with that process.

Clan athletes shine in Birmingham

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By Jade Richardson

Photos by Mark Burnham

Three Clan teams dominated at their very first NCAA Division II National Championships. Women’s swimming, women’s indoor track and field, and men’s wrestling proved to America that Simon Fraser University belongs in this level of competition.

The Clan sent a total of 13 athletes to the Division II Festival in Birmingham, Alabama, where the small group battled to the end in all of their events. They brought home three NCAA National titles, four top-three performances, and 10 of the 13 athletes earned All-American honours.

Mariya Chekanovych and Helen Crofts earned the Clan’s first ever NCAA National titles, as the freshman swimmer and the senior runner beat out every single competitor in their respective events to put the Clan on the map.

Women’s Swimming
At the pool the women had an excellent weekend, entering the championship ranked 14th, but finishing in ninth position overall — an outstanding accomplishment, as they were a sixperson team.

Chekanovych won SFU’s first title in the 100-yard breaststroke on March 8, posting a new NCAA record time of 1:01.50. She entered the competition with the top ranking and did not disappoint, edging out the second place competitor by 0.35 seconds.

She earned her second title — and the Clan’s third of the weekend — the next afternoon racing to the championships in the
200-yard breaststroke in a time of 2:13.35.

On the first day of competition the 200-yard medley relay team consisting of Chekanovych, Kristine Lawson, Nicole Cossey and Alexandria Schofield earned third place for the Clan in a time of
1:42.84, securing the school’s first trip to the podium that weekend.
The relay success did not stop there as the following afternoon the four girls would return to the podium, this time in second place, as they swam the 400-yard medley relay in a time of 3:44.15.

Individually, Cossey earned All-American status in two events, placing sixth in the 100-yard freestyle and seventh in the 50-yard freestyle events in times of 51.12 and 1:42.84, respectively. Teammate Carman Nam also placed 10th in two events for the Clan.

Women’s indoor track and field
On the track, the five-woman team had great success as well as each athlete earned AllAmerican status at the meet, highlighted by Crofts title in the 800-metres. In their signature event, Crofts, Michaela Kane and Lindsey Butterworth all raced to All-American status, with Kane and Butterworth finishing shortly behind the captain in fifth and eighth positions. Sarah Sawatzky barely missed the final for that event.

Crofts’ championship came on March 9 as the senior led the way throughout the 800-metre event, winning in a blazing time of 2:05.96. It was her fastest time of the season and an impressive feat, having ran both the 800metre preliminaries and the distance medley relay the day before. Croft was a two-time NAIA champion in this event, and can now add her NCAA title to her impressive resume.

In the distance medley relay the Clan finished in third position, as Crofts, Butterworth, Kane and freshman Chantel Desch raced a total of 4,000 metres in a time of 11:32.35 minutes. The following day, with Sawatzky instead of Butterworth, the team would also race to All-American status in the 4×400-metre relay, earning an eighth place finish in a time of 3:47.14.

The successes of the weekend would be historical for the Clan, as Crofts and Chekanovych became the first athletes from an international institution to win an NCAA Championships, and also a great indicator of things to come as the program continues to grow and thrive in the NCAA.

Men’s wrestling
Wrestler Skylor Davis also had an impressive weekend for the Clan, finishing in third place overall in the 125-lbs weight-class. The junior started the championship strong winning his first two matches on the first day of competition, taking down the thirdranked competitor in his first match. He would follow with a
5–2 loss by decision, but bounced back with authority in the consolation final, earning third place thanks to a 10–4 win by decision.
“My finish at the championships was both exciting and disappointing for me,” Davis explained.

“Earning third place is a huge honour at this level, and I am proud to have been able to bounce back from my loss in the semis, it was not an easy feat mentally or physically. I am disappointed that I did not win the championship as that was a goal I had set for myself this season, but I am pleased to have been able to represent SFU, and am honoured to be the first wrestler from an international institution to earn AllAmerican status in the NCAA.”

Davis’s teammate Sunny Dhinsa also wrestled for the Clan, but dropped all his matches in closely-contested battles.

“SFU is such an amazing institution, and I am proud to be able to represent them at such a high level, and look forward to all our successes to come,” continued Davis.
At this rate, there will be many.

SFU out-duelled in Colorado

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WEB-lacrosse-Vaikunthe Banerjee

SFU loses first two games of Colorado road trip

By Frank Davalos
Photos by Vaikunthe Banerjee

Last weekend the #23 Simon Fraser Clansmen headed south to Colorado to play three games against the #1 Colorado State Rams (CSU), the #4 University of Colorado (CU) Buffaloes, and the #10 Virginia Tech ( VT ) Hokies.

The six-day road trip proved to be the most difficult trip of the regular season, matching up against three, top-10 ranked opponents. The first of these matchups took place on a frosty Saturday in Loveland, Colorado vs. the defending National Champions, the CSU Rams. After an outstanding first quarter by both teams, a series of undisciplined plays and several SFU breakdowns led to a 16–7 victory for the Rams.

The Clansmen came out strong with a lengthy possession at the beginning of the first quarter, but it was the Rams that opened up the scoring in the first quarter. However, this didn’t seem to faze the Fraser Lacrosse team, as freshmen midfielder Chris Pond answered back with a quick stick goal off of a pass from sophomore attackman Ward Spencer.

Shortly after, senior attackman Eric Ransom added another for SFU, giving the Clansmen a 2–1 lead early on in the game. This proved to be SFU’s only lead of the game, as the Clansmen began to break down, both offensively and defensively.

Heading into the second quarter tied at two, the Rams went on to score nine unanswered goals throughout the next two quarters — a couple of two-minute, non-releasable penalties were responsible for the adversity.

Looking to get back on track, SFU senior attackman Colton Dow picked a corner to bring the score to 10–3 for the Rams. Despite two added goals by Spencer, and one more from freshman midfielder Alexander Bohl, Simon Fraser fell to the top ranked CSU 16–7.

Head coach Brent Hoskins reflected on the Clansmen’s effort, “Colorado State are the defending champs and ranked number one in the MCLA for a reason.”

He went on to explain the breakdowns. “Our focus slipped a little bit in the second quarter and this ultimately dug us a hole that is very tough to get out of when you are playing an opponent like Colorado State. We need to do a much better job of keeping our emotions in check, while still maintaining a high level intensity.”

Coming off of a tough loss to begin the weekend, the Fraser lacrosse team had no time to dwell on the past. The very next day, the Clansmen were set to face the CU Buffaloes. Unlike the previous day, the weather called for warm temperatures and sunny skies, and the backdrop of the Colorado Rockies at Kittredge Field in Boulder was nothing short of breathtaking. Despite another strong first quarter by Fraser, the Buffaloes prevailed with an 18–11 victory.

Dow opened up the scoring and put Simon Fraser up by one early on in the first quarter. However, the Buffaloes answered back quickly to tie the game, 1–1. After a clean faceoff win by SFU sophomore James Irwin, and an exchange of possessions by

both teams, Fraser capitalized on a man-up situation with a top cheddar rip from All-American sophomore midfielder Sam Clare. The University of Colorado scored three straight to finish off the first quarter, giving the Buffaloes a 4–2 lead.

The Buffaloes continued to build off their momentum by scoring an additional five unanswered goals, making the score 9–2. Simon Fraser regained momentum by capitalizing on a few more man-up opportunities. Clare completed the hat trick, receiving passes from Ransom and freshman midfielder Andrew Branting. However, the Buffaloes answered back with two straight goals to make the score 11–4 heading into halftime.

Off of a nice pass from freshmen midfielder Jordan Lashar, Branting scored with a snipe top corner to start the second half ’s score at 11–5. CU countered with two quick goals, giving the Buffaloes their largest lead of the game.

The Clansmen weren’t finished yet, adding three unanswered goals by Dow, Ransom, and sophomore midfielder Casey Foster. The teams then exchanged goals, with Clare adding his fourth. The Buffaloes added one extra goal before heading into the final quarter up 15–9. SFU went on to lose the game 18–11.

Long stick midfielder Riley Wanzer spoke with The Peak about the loss after the game. “We came out of the gates real strong but we were unable to maintain our high level of play over four quarters,” said Wanzer. “Colorado’s goalie continued to make great saves that deflated the confidence of our offense, and ultimately allowed the Buffaloes offense to capitalize on our defensive breakdowns.”

SFU face-off against BC Thunder

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WEB-W hockey-Vaikunthe Banerjee

Women’s hockey team comes up short against BC Thunder to finish home schedule

By Vaikunthe Banerjee

On March 8, the SFU Women’s Hockey team hosted their last home game against the BC Thunder in the South Coast Amateur Female Hockey League. The game started with SFU dominating and keeping the puck in the offensive zone and not allowing the Thunder to drive to their net.

With 11:24 left in the first period, the BC Thunder broke through SFU’s defense and flipped the puck to the top of the net, making the game 1–0. SFU had scoring chances but couldn’t capitalize. The women got a chance on a power-play but BC Thunder’s penalty kill unit came out on top.

The second period started with both teams going up and down the ice, looking for chances to score. Both teams went up the middle to the slot, but were forced to skate the puck out wide by the defense.

BC Thunder’s frustration was on show, as they drew four penalties in the period. Unfortunately, SFU could not convert on any of these chances. Their special team made good plays by passing to the point and seeking high percentage shots on net, but they could not make good.

BC Thunder’s Kaitlin Knowles managed to get a pass to Brittany Wakefield at the goal line. Wakefield scored the Thunder’s second goal with 12:55 left in the second period, making the game 2–0.

BC Thunder showed their dominance in the third period as they kept getting scoring chances. Stephanie Mumm managed to score on SFU off of a shot from the point. It deflected off a player and dipped down through Lea Lewis’ fivehole, making the game 3–0.
Despite their lead, BC Thunder’s ire only grew, and finally Clara Gaudet took a cheap shot on SFU’s Sheralie Taylor, pushing her into the boards behind their goal.

Taylor was injured and lying on the ice and was helped off the ice after a few minutes when she could get up. Gaudet was given a five-minute major for boarding and SFU had a power-play for the rest of the game. They could not convert and lost the game 3–0.

Clan men’s hockey take down the WolfPack

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SFU is moving on to the BCIHL championship

By Andrew Jow

The Simon Fraser University Clan men’s hockey team took on the Thompson Rivers University WolfPack in a best-of-three game se- ries to open the playoffs over the weekend of March 9. With a trip to a sixth straight championship se- ries on the line, SFU was every bit the dominant team in both games.

Friday’s game took place at SFU’s home rink, Bill Copeland Arena. The Clan burst out of the gates, and it was soon clear that TRU would have a tough time containing their speed. The fast pace earned TRU two hooking penalties early on, but SFU couldn’t capitalize.

But they did open the scoring. A coast-to-coast rush by Christopher Hoe allowed the Clan to set up for an easy tap-in for Ben Van Lare. A minute later, Colton Graf sprung Brenden Silvester on a breakaway thanks to a fantastic stretch pass. Silvester rifled it top shelf on TRU goaltender Shane Mainprize.

The two first period goals ex- emplified SFU’s dominance in the neutral zone, as they easily flew across the ice. TRU was unable to enter SFU’s zone without dumping it in and struggling to recover the puck.

The theme of neutral zone control continued in the second period, as SFU’s Jesse Mysiorek and Van Lare both scored five minutes apart after two more stretch passes from SFU’s own end into the offensive zone.

TRU’s Duncan Schultz got one back in the second, but his effort came too late. SFU added two more in the third to seal the easy
6–1 victory.

The series’s setting shifted to Kamloops for the second game in consecutive nights. Not wanting to give TRU any breathing room, SFU took the early advantage one minute in.

Thanks to yet another stretch pass, this time from Van Lare, Hoe walked in all alone and made no mistake, sliding the puck past Mainprize. The top line of Hoe, Van Lare and Jono Ceci were the best line all weekend, constantly put- ting pressure on TRU’s defense and getting plenty of scoring chances.

Brenden Silvester added an- other goal on the power play; per- fect puck movement gave him a wide-open cage to slide the puck into. To finish off a perfect open- ing frame, Bruin Macdonald rushed the puck end-to-end and found the loose puck in the slot, backhanding it home. Macdon- ald’s goal gave the visitors a 3–0 advantage heading into the sec- ond period.

The last time the Clan visited Kamloops, TRU came back from being down 3–0 to eventually force a shootout. SFU were not going to let this happen again, as Mysi- orek and Ceci scored off of two TRU turnovers early in the second frame. The WolfPack were having trouble clearing their own zone and could hardly muster any of- fense, making SFU’s goaltender Evan Kurylo’s night a relatively easy one.

TRU added two goals in the third, but by then it was too late. SFU walked away from Kamloops with a 5-2 victory and a spot in the Championship series next weekend.

With Selkirk College sweeping the University of Victoria in their se- ries, the BCIHL will feature the top two teams from the regular season. SFU’s work will be cut out for them, as they have yet to beat the team from Fair Banks, BC this year.

If they play like they did against TRU, the Burnaby squad should be able to end the year on a high note.