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Surrey gets FVDED at summer music festival

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Photo courtesy of Kyle Ball.

FVDED, the annual hip hop and dance music festival, presented an interesting crowd, from kids who looked about eight years old to the sixty-six year old woman I met on the SkyTrain who was following her favourite DJ downtown to see another show. Just about anyone you could think of wearing anything — or nothing — was there.

FVDED presented an equally interesting lineup: eccentric rappers like Danny Brown came together with more mellow and chill house and techno producers like Claude Vonstroke. The two stages worked very well in terms of not necessarily dividing the audience, but in keeping a solid separation between the mainstream and the alternative.

Tommy Kruise, a French-Canadian man with luscious hair, played incredibly well on stage. Considering he was given the first set at the main stage, it’s not surprising people were still milling around and determining their place at FVDED during his set. Sadly, he seemed to be the only one excited about it. Nobody seemed to get into his smooth sounds, which is a shame to say the least.

Next on stage was Danny Brown, the man who questioned Surrey’s faded-ness: he said, “So this event is called FVDED in the Park, but how many of y’all are actually faded in this motherfuckin’ park?” The crowd was pumped for him. This guy is a true rapper’s delight. Even if hip-hop isn’t your cup of tea, he was a truly engaging performer, despite his often hard-to-make-out lyrics.

DJ Chuckie killed it. The growing audience just loved Chuckie’s mix of house and top 40. The people at Holland Park were barely touching the ground! This vibe definitely continued with Flosstradamus. Both of their white outfits and trippy backgrounds did it for the mostly naked adolescents that filled more than 90 per cent of the field.

At this point, Tyler, The Creator and Deadmau5, probably the two biggest acts for the two-day music festival, were the only ones left for the main stage. Tyler, a twenty-four year old lanky rapper from California, was awesome. Anyone who claims their “boxers are too big” for the stage must be wicked. His rapping and charisma charmed the crowd.

All these great acts paved a hard path to follow for Deadmau5, the evening’s headliner. They always say to save dessert for last, though, in FVDED, the first six hours were sweeter than the final act. Deadmau5 was nothing more than brussels sprouts. Raw — not even served with cheese sauce. Also, did he just have his heart broken? He sounded sad.

The tunes he played were sad, mellow, and chill; everything you don’t expect a rave to be. Every so often, he would perform a decent drop that got the crowd back into caring about his mouse mask.

Overall, Deadmau5 was weak, but everyone must have been so hopped up on drugs and booze that it was probably decent in their ears. This is only a maybe, since the bulk of partygoers ended up leaving midway during his set. The only lively thing about this dead animal was the light show; otherwise, it was a pure disappointment.

Aside from Deadmau5’s slip-up, the evening was ace. In my eyes, Chuckie was the star. He not only appealed to the largest number of people, including both the eight-year-olds accompanied by their mothers and fathers and the grandparents closing their eyes for bedtime at 7:30 pm, but every beat drop was unreal. Chuckie is not child’s play — he’s the real deal, and he most definitely stole the show.

FVDED didn’t just live up to my expectations; it surpassed them. It was an inclusive event which encompassed an interesting crowd, making the experience all the more fun.

Behind the Scene: The Sex Issue

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Naked Peakies! Who doesn’t like that?

A rip-roaring Love’s Labour’s Lost at Bard on the Beach

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Photo courtesy of David Blue.

This was the most fun I’ve had at Bard on the Beach in a long time. Even before the show got started, the cabaret atmosphere was established with ’20s show tunes and the farcical sense of humour that era is known for. For those not well versed in Shakespeare’s work, this show will be appealing with its simple premise and seamless integration of jazz age songs.

Ferdinand, “The King” (Jay Hindle) controls the underground liquor and gambling trade in Chicago and has decided to focus on his academic studies for three years while giving up women and alcohol. His two friends, Berowne (Josh Epstein) and Dumain (Daniel Doheny) join him in turning his speakeasy, Navarre, into a scholarly retreat.

After a long discussion about the merits of this plan, the three of them agree to swear an oath and join together in their pursuit of higher education. When an eligible princess (Lindsey Angell) and her two friends, Rosaline (Luisa Jojic) and Katherine (Sereana Malani), come to town, their willpower is put to the test.

The ladies are forced to sleep outside in a tent as the men try to restrain themselves from proclaiming their love. Eventually they write letters that cross paths and cause some confusion. The princess and her friends figure out what’s going on long before the men and decide to have some fun with them.

One of the most comedic scenes involves the men disguising themselves as French pilots in order to woo the women, and all the while the women know what’s going on and disguise themselves by swapping accessories that the men gave them as gifts.

Don Armato (Andrew McNee), Ferdinand’s Italian house guest, was played as a dim-witted Italian mobster, and this worked wonderfully. McNee’s delivery was superb, and his character added another element of humour to the show.

Another standout was Dawn Petten as Jaquenetta, an uncouth flapper who steals Don Armato’s heart. Her ill-tuned singing and awkward demeanour were a hit with the audience.

It may not seem like ’20s hits songs like “Let’s Misbehave,” “I Want to Be Bad,” “Ain’t Misbehavin,” and “Let’s Do It,Let’s Fall in Love” would fit into a Shakespearean production, but they are integrated so naturally into the story that this play feels right at home in 1920s Chicago. With brilliant humour throughout, entertaining musical numbers, and impressive performances from the entire cast, this production is not to be missed.

Love’s Labour’s Lost is presented by Bard on the Beach from June 19 to September 20 in Vanier Park. For more information, visit bardonthebeach.org.   

Forest fire breaks out on Burnaby Mountain

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Photo courtesy of CTV News

A small fire broke out near the Cardiac Trail on Burnaby Mountain just before 10 a.m. on Sunday morning. The fire spread on the north side of the mountain before firefighters were able to respond, but remained a few hundred metres’ distance from SFU campus.

Initially reported by CBC as only four and a half square metres in size, according to Burnaby’s assistant fire chief Rick Weir, the blaze grew to 30 by 80 metres.   

Around 40 firefighters and multiple emergency vehicles were dispatched to the contain the fire. “It grew rapidly, it got up into the canopies of the trees,” Weir told CTV News.

Officials suspect the fire was the result of human activity, likely due to a disposed cigarette. Weir warned the public to take extra precautions, especially with cigarettes, due to dry conditions.

“To the public, really be careful out there with your smoking material,” Weir told CTV. “The forests are tinder dry, this is my fifth [fire] in three days that I’ve been on. . . The crews are working extremely hard right now.”

The fire was contained with no risk of reignition by 3 p.m. that same afternoon.

SFU Safety and Risk Services (SRS) issued a statement regarding Metro Vancouver’s Air Quality Advisory with personal health tips and a notice on the prevention of further fires.

The statement noted that Campus Security has already responded to over 17 grass fires on Burnaby campus this summer, “most of which were determined to be caused by carelessly discarded cigarettes.”

The statement echoed the concerns of the Burnaby fire department: “For the safety of everybody, it is important that flammable materials be discarded in approved containers and never just carelessly discarded on the ground.”

This is not the only fire to break out on Burnaby Mountain in recent history. In July 2010, a fire on the south side near the base of Burnaby Mountain saw the eviction of multiple homes in the area. The fire was started by three children playing with matches. Although the fire grew to one hectare — 10,000 square meters — before it was extinguished, damage was minimal.

The 2010 fire was costly, putting a strain on emergency service availability, and disrupting traffic flow on Burnaby Mountain.

The Kinder Morgan oil tanks on the south side of the mountain pose an additional hazard, which, if ignited could result in “a catastrophic explosion,” according to Burnaby Fire Department. However, there has never been a fire at the facility, and KM has undertaken safety measures specifically in regard to fire prevention.

Steven MacLean, senior director for SFU Campus Safety and Security Services encourages students on campus in the event of an emergency to check the university’s online platforms for updates and instructions.

While the incident was not severe enough to call for an evacuation, Maclean assured, “that decision would not be taken lightly,” and would “be made in consultation with University administration and local authorities as soon as it became clear that there was a developing threat to life safety.”

With files from CBC, Global News, and CTV News

Rachel Browne documentary screens at Dancing on the Edge

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Photo courtesy of Winnipeg Film Group.

The mother of modern dance in Canada is honoured in Danielle Sturk’s insightful documentary, A Good Madness. Rachel Browne founded the first modern dance company in Canada in 1964, Winnipeg’s Contemporary Dancers, and served as artistic director, choreographer and teacher for over 20 years. The film’s title is from an interview with Browne where she explained that her determination to keep dancing and keep her body in shape was a type of madness, but a good madness.

This film demonstrates her indefatigable drive to keep dancing, keep choreographing, and keep pushing the art form. Her creativity and unstoppable energy kept her going right up until her death in 2012.

Interviewed in the film are her three daughters who describe the difficulties of growing up with an often absent mother who was single-mindedly focused on her work. We also hear from many dancers who worked with Browne over the years, and they all speak of her as a woman who knew what she wanted, commanded respect, and never stopped thinking about dance. They also describe her magical stage presence and ability to command an audience even before she started moving.

The real joy of this film is seeing Browne’s works performed and interpreted in unique settings that really bring them to life. My Romance is performed by Treasure Waddell in the CN train station in Winnipeg, Kristin Haight performs the eerie, animalistic Mouvement in a park in Winnipeg’s French quarter, and Freddy is performed 1930s German cabaret style by Sharon B. Moore in the Fort Garry Hotel.

Browne’s inspiration came from her fascination with nature and her curiosity and experimentation with movement. Her career wasn’t always smooth, but after being asked to step down from her role as Artistic Director at Winnipeg’s Contemporary Dancers, she reinvented herself and focused on some of her most creative choreography. Rachel Browne’s legacy lives on with her “dance daughters” across the country, whom she tirelessly mentored and inspired.

For more information about A Good Madness and Rachel Browne, visit agoodmadness.com and rachelbrowne.org.

Let’s talk about sex, SFU

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The SFU Health and Counselling clinic is found on the bottom level of Maggie Benston Centre. - Adam Madojemu

SFU’s sexual health clinic is expanding beyond providing physical care to providing psychological counselling.

Nurse Barbara Chick spoke to The Peak about this new program, as well as the existing sexual health services offered on campus.

Chick explained, “The exciting thing this year [is] that we have a mental health nurse with us. It started as a pilot project and she’s been extended ‘til March.”

She listed identity, reproduction, and sexual assault as issues counselling can help with. “Sometimes it’s more about the emotional side of sexual health as well.”

Chick ran through how an appointment at the clinic typically works: a patient arrives, is led to an exam room, and goes through questions to establish a history of sexual health that may look at their most recent sexual contact and partners.

“We need a little bit of a history to know what type of test to do,” explained Chick. She recommends that students also look into the SFU Women’s Centre, Out on Campus, and the Condom Club which distributes condoms, lube, and sexual health education on a bi-weekly basis in the AQ.

Chick acknowledged that coming into the clinic can be daunting for most students. “Sometimes it’s very hard for people to say what’s going on. For example, if it’s a genital lesion or it’s a wart or something.”

She elaborated, “I think the goal of any of our staff here is just to help somebody feel comfortable enough. . . that they’re in a safe environment to share what their concern is.”

The clinic is a safe space for students of all genders and orientations. Chick said, “Everybody here is very open and all of us are trying to use the right language in communicating with individuals [. . .] I think if somebody is, for example, transitioning or not sure if they can trust us, it would be good for them to know [that] it’s a safe place here.”

Screen Shot 2015-07-03 at 6.26.02 PMAll you need to know but were afraid to ask about SFU’s sexual health clinic:

Where is it?

There are two clinics, and they are located at the Burnaby and Vancouver campuses. The Burnaby clinic is located close to Convocation Mall at MBC 0101, and the Vancouver clinic is on the lower concourse across from the SFU Bookstore in room number 300.

How do I book an
appointment?

This is not a walk-in clinic. Appointments can be made by phone or in person and same day appointments may be possible based on availability.

Can I request a same-gender doctor?

One may request female and male doctors on staff — however, the nurses are only female.

Can I get an HIV test?

Unfortunately. the clinic will not perform blood tests on site, but will give you the appropriate requisition forms to get a test elsewhere. Patients return to the clinic within two weeks for results.

What other tests can I have done?

The clinic performs STI tests at any time as well as PAP tests. The clinic is certain cases can also perform breast exams and test for UTIs (Urinary Tract Infections).

Can I get contraceptives?

Yes. The clinic is well stocked with NUVA rings and oral contraceptives (which range from $15 to $20), but must be prescribed by a clinic doctor. IUDs (intrauterine devices) are also available.

What about after I’m

pregnant?

The clinic offers pre-natal testing and doctors will care for a patient initially before referring to an obstetrician. For women who wish to terminate a pregnancy the clinic will provide information about resources and make referrals as needed.

How do I pay for this?

Appointments are covered by MSP and free to book, although there is a cancellation fee if not enough notice is given. The SFSS health plan will cover any vaccinations (for example Gardasil for HPV) up to $150 every year.

Five foolproof date ideas

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Illustration courtesy of Rachelle Tjahyana.

First date

Here’s a classic for a first date with a bit of a twist. Instead of heading to your nearest Starbucks, do a little research and find a local coffee shop in a cool part of town. Suggest that you go for a walk and explore — in Gastown, for example. Now you “happen” to come across this coffee shop and suggest grabbing a cup, pretending you didn’t look it up on Yelp beforehand.

Beach Trip

After the first few dates, head down to the nearest beach to walk along the pier and grab some ice cream while watching the sunset. This also works in the winter: in a pre-storm, bundle up, get some hot chocolates, and snuggle up while you watch the wild waves crash.

Let’s Get Physical

Being physically active on a date can be lots of fun, so why not spend a day at Stanley Park and rent some bikes to ride around the sea wall? Finish off your date by enjoying a picnic at one of the many grassy spots in Stanley Park.

Starry Night

If possible, have a campfire in your backyard, roast some marshmallows, and make s’mores together. Crack a cider or two and lay down on a blanket to watch the stars. Come up with your own names for constellations that you find, and maybe some backstories, too. If the fire isn’t possible, simply substitute with some good tunes to add to the atmosphere.

Movie Marathon

Dates can be expensive, so why not spend a night in? Do an ‘80s movies marathon of all your favorites, like Ferris Bueller’s Day Off and The Breakfast Club. Even deck yourself out in the appropriate ‘80s apparel — rock those neon colours and leg warmers. For a pre-movie activity, make your favourite movie snacks. Look up some recipes for caramel popcorn, or bake some cookies together to munch on during these classics.

Bonus Points: Fancy Pants

You’ve been dating for a while now, and it’s a good idea to treat yourself once in a while. Impress your beloved by getting all dressed up and heading to the Vancouver Art Gallery. From there go for a nice dinner at one of Vancouver’s up and coming restaurants for a full three-course meal. Order an appetizer to share, cocktails, the entree, and a dessert. Spare no expense. A personal favorite of mine is Nuba in Gastown. Now you’re classy.

Off the Wall is the sexiest album of all time

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In the last 20 years I’ve had more exposure to Michael Jackson as a cultural punchline than as a musician. What some people seem to forget is that before he was a mega star, before he was a smooth criminal, before he was a controversial figure, and before he became a joke, he was simply an amazing musician. My pick for sexiest album of all time looks past all that controversy — even past Thriller. My pick for the sexiest album of all time is Michael Jackson’s 1979 release, Off the Wall.

All things considered, this album is great simply due to its sheer production value and talent. Not only did Jackson have a solid team of musicians backing him on it, he also had none other than famed producer Quincy Jones manning the board. The resulting album is a combination of disco, funk, R&B, soft rock, and jazz that just grooves. Aside from excellent production and musicianship, the songs are well crafted. Jackson sings a selection of numbers written by himself, Stevie Wonder, Rod Temperton, and Paul McCartney.

One standout track is “Girlfriend,” a Paul McCartney-penned slow jam propelled by a bouncy bass and some classic analog synth work from before the days of MIDI. The song is nowhere near as good as any of McCartney’s other post-Beatles work, either as a solo artist or with Wings, but as one of the more mellow tracks, it stands out here.

“It’s the Falling in Love” is probably the hottest “filler” track on the album that didn’t become a hit. This is classic disco, except the song is actually good. No disrespect to Diana Ross, but disco doesn’t have the greatest longevity — I suggest you enjoy it in small doses of well-written pop songs.

Finally, the real work of art here is the album’s sexiest song: “Rock with You.” This track was a massive hit for Michael Jackson, and it stands out as one of the best cuts on the album, rivaled only by “Don’t Stop ‘Til You Get Enough.” “Rock with You” regularly appears on the Michael Jackson greatest hits and compilation albums that continue to be released posthumously. I won’t argue that this song is better than “Thriller,” “Bad,” “Beat It,” or any of the other hits that Jackson has enjoyed throughout his career, but this may be one of his best-crafted songs: solid groove, great hook, sexy all around.

The sexiness of this album might not be apparent upon first listen, but the combination of disco and R&B provides the perfect amount of groove for any kind of loving. This is the kind of music that demands you move as you listen.

For bonus points, play this record on vinyl, or better yet eight-track tape, for some really sophisticated romancing. Remember to stretch properly before and after, and always hydrate regularly.

Four of the sexiest and least sexy songs

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Photo courtesy of Michael Caulfield, Getty Images.

Top 4 Sexiest “Sexy” Songs

“Sexual Healing” by Marvin Gaye

Leave it to legendary R&B crooner Marvin Gaye to make a slow burning torch song that is simultaneously raunchy and romantic. Singing about how he’s “hot just like an oven,” Gaye makes horniness sound poetic (take note, Pitbull). Most importantly, his lyrics invite his partner’s consent instead of infantilizing or degrading her. For a modern update on this song try the breezy EDM remix by Norwegian DJ Kygo.

“Anaconda” by Nicki Minaj

Naysayers be damned: this is a song about butts and I’m down with that. Minaj spits over a creeping jungle beat and a sample from “Baby Got Back” by Sir Mix-a-Lot. She assures you that she “ain’t missin’ no meals.” While brandishing her sexuality with agency and confidence, Ms. Minaj is not known for her subtlety; you should check your hearing if you think this song is about reptiles by the end.

“Every Other Freckle” by alt-J

This British alternative rock outfit delivers lines like “Turn you inside out/and lick you like a crisp packet” with the utmost sincerity that makes their strangely specific yearnings all the more endearing. This folksy tune on their latest album, “This is All Yours,” sees frontman Joe Newman promising his lover that he wants “every other freckle.”

Any song by The Weeknd

Toronto R&B artist Abel Tesfaye (or The Weeknd) is burning up the charts and for good reason. His smooth, sometimes trippy songs are punctuated with stuttering beats and a nuanced soundscape. His lyrics are overtly sexual and fluctuate between romantic and bizarrely menacing. Songs to check out include “Often,” “High for This,” and the sure-to-be-hit, “Can’t Feel My Face.”

Top 4 Least Sexy “Sexy” Songs

“Blurred Lines (feat. Pharrell and TI)” by Robin Thicke

This song has been critiqued to death, but I’ll indulge myself just another stab at whatever remains of this song’s goodwill. This is a song that trivializes female consent and glorifies a machismo pursuit of women’s bodies with an absurd level of entitlement. The video takes this a step further by infantilizing the female models and making me think poorly of Pharrell, who should know better.

“Bump n’ Grind” by R. Kelly

“My mind’s telling me no/But my body, my body’s telling me yes.” So begins this train wreck of a song, and I wish I could tell you it gets classier. Instead, R. Kelly rhapsodizes about not seeing anything wrong “with a little bump n’ grind.” Besides this song attempting (and failing) to make coercive sexual contact “sexy,” it’s also just plain gross. Especially considering Kelly was charged with possession of child pornography and having sex with an underage girl. Listen to your mind, Kelly.

“I Kissed a Girl” by Katy Perry

Katy Perry is edgy and she wants you to know it. This former Christian rocker tries desperately to shed her good girl image by doing the sexiest and most provocative thing she can think of — kissing another girl. Still think this song is progressive? How about a heteronormative male fantasy of female sexuality?

Any Song By Pitbull

Pitbull, otherwise known as the worst part of your favourite songs, forces you to answer the question, “Why is he a thing?” Pitbull seems to think his objectification of women is charming and fun. Take this lyric from smash hit “Timber”: “I have ‘em like Miley Cyrus, clothes off/ Twerking in their bras and thongs.” Charmed yet? Pitbull’s cringe-inducing lyrics turn semi-enjoyable songs like “Time of our Lives” into unbearable celebrations of misogyny.