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American tactics are quickly invading our election campaigns

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Photo courtesy of JapanTimes (Flickr)

There are several things our direct neighbours to the South excel at compared to us: having a charismatic leader, putting bacon on everything, winning the World Cup (is that one too soon?). However, one of the most garish and unpleasant characteristics of American politics has slowly but surely been creeping its way up north.

All three major party leaders in Canada have launched a campaign to amass fundraising and launch barbed attacks at each other, often in the form of malicious advertising. When is the next election, you may ask? Not until October 19. This extended election period risks compromising the subdued and substantive nature of Canadian politics.

The reason for this phenomenon traces back to the Canada Elections Act, which does not place any restrictions on spending from parties before there is a writ of election. After the writ is dropped parties must limit spending to under $20 million. In addition, third parties are free of restrictions as well before an election is officially called, after which they would have to register with Elections Canada and restrict their spending.

This flaw in the election regulation is made worse by having fixed election dates. If the date of the election is known, all limits are off and parties can engage in a race to the top (or bottom, if you see it that way) in terms of who can spend the most in the pre-election period.

In the United States, a protracted election period carries several negative consequences. One is that the business of governing is put aside halfway through the term in favour of politicking and positioning. For evidence of this in Canada, one need only look at the federal Liberals’ tepid response to Bill C-51. Their support — albeit with a caveat — clearly betrayed the traditional ideological leanings of the party, in favour of chipping away at disgruntled Conservative voters.

The business of governing is put aside halfway through the term in favour of politicking and positioning.

With longer election periods, there is a higher risk of voters being distracted from the issues by the personal characteristics of the party leaders. The media has more time to expose scandals about various candidates and drag their names through the mud rather than devote time to their policies.

For example, the current scandal du jour is NDP Leader Thomas Mulcair allegedly having considered joining the Conservatives in 2007. The allegations have been disputed and critiqued, but the mud sticks.

Or perhaps an even better example of personal politics are the ridiculously juvenile attack ads on Justin Trudeau. The ads, which are impossible to avoid, portray the affable Liberal leader as an inexperienced and entitled brat who doesn’t understand the business of governing.

Absent are actual critiques of the Liberal’s proposed policies and in their place are soundbites and generic populist statements. Where is the substantive political debate? A short election period means a scarcity of time, meaning that the media should be devoting attention to issues that matter rather than injecting bias into the voter base.

Canada must abandon fixed election dates or change its election rules to ensure that no matter when an election is held the democratic process is not compromised before the writ is even dropped.

It ought to be a point of national pride that our elections are seen as restrained and dignified in comparison to those in the USA. Canadians should be wary of the way in which our laws might warp that election process and never forget that it is impossible to divorce the integrity of a democracy from how elections are held.

Woohoo, Boohoo

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Photo courtesy of Flickr

Wooboo: Sunburns

Getting sunburnt is absolutely the best feeling in the world, and you know it. Just stop and think about it for a second.

A sunburn means that you’ve actually succeeded in tanning; it’s hard work laying on your back and stomach garnering no seeable results. It can be downright disheartening sometimes. A sunburn is like hitting the speed boost in Mario Kart; it gets you closer to the bronze.

Secondly, just think about how your body responds to a patch of scorched tissue. It fluctuates between feelings of stinging heat followed by the most transcendent chilling body shivers anyone could ever ask for. It is a lot like taking shower with a little sibling turning the tap water on and off. At first it’s annoying, but afterwards — pure bliss.

Finally, a sunburn allows you to get that sensual aloe vera back massage you always dreamed about receiving. So blast some Bob Marley and take it easy, because today your pain is your gain.

Boohoo: Sunburn Tattoos

This month we were introduced to another facepalm-inducing trend, continuing the spirited tradition of greatly avoidable stupidity. Ladies and gentlemen, bear witness to maybe the dumbest one yet: sunburn tattoos.

Yes, people are actually using the sun to burn everything from intricate kaleidoscopes and flowers to smiley faces onto their pasty white bodies.

Adult males in particular are burning Batman logos onto their chest in what I can only assume is an ill-conceived audition to be Gotham’s savior. Let me be brutally honest with you blokes: we neither need you nor do we deserve you. I would not trust you to guard my empty beer bottle.

Worse still, these simple-minded buffoons are increasing their risk of melanoma. Is it really worth getting skin cancer for a dumb trend? Look, children, if you were looking to do something stupid that would not be of detriment to your health, you should have just invested in Bitcoin.

SFU establishes Pacific Water Research Centre

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Photo courtesy of CKNW

SFU’s Faculty of Environment has announced the creation of the interdisciplinary Pacific Water Research Centre (PWRC), which will bring together numerous faculties, NGOs, and local communities to further water-related research.

At two water-related seminars last month in Vancouver, SFU Blue and Canadian Water Summit, SFU announced the creation of the PWRC to academics, community leaders, and industry officials.

Led by interim director, SFU REM professor Murray Rutherford, the Centre will work with local communities for a focus on water issues close to home as well as around the world.

Water management has long been a concern for British Columbia, with particular attention to fisheries, forestry, industry use, and disposal. On a global scale, climate change and the warming of the earth’s surface and oceans poses a particular challenge to water research.

Steven Conrad, an SFU PhD candidate and prominent water researcher explained in Water Canada, “Just as we can no longer rely on the climate being stationary, we can no longer rely on water cycles being stationary.”

Research at the centre will aim to adapt to a changing environment with new methods of water management, such as water regulations to ensure adequate stores in our reservoirs. Metro Vancouver is currently employing such regulations, imposing level two water restrictions that limit lawn watering to once a week.

“Just as we can no longer rely on the climate being stationary, we can no longer rely on water cycles being stationary.”

Steven Conrad,

SFU PhD candidate

Conrad told The Vancouver Sun, “In Metro Vancouver, we have three large reservoirs that can collect enough water to meet our summer demand. But if we were to continue to have droughts, [. . .] I would expect [the reservoirs] to be inadequate to meet our needs.”

The World Economic Forum has declared the world to be in an official water crisis, identifying it as a top global risk in its Global Risks 2015 report. The lack of access to fresh water, the depletion of current stores, and the perceived mismanagement of water by industries through pollution and waste are all issues that led to this conclusion. These are the challenges the PWRC and SFU researchers will tackle, starting with local concerns.

By focusing on the community, the PWRC hopes to engage locals who have experienced issues such as water scarcity first hand. An SFU media release indicated that Rutherford believes such community members “are invaluable to the process.”

Through the PWRC, the Faculty of the Environment will be partnering with the Beedie School of Business, establishing a Sustainable Business program to bring together financial issues with water conservation and research.

The PWRC is also in discussions with other Canadian universities, governmental institutions, private companies, and local communities about collaborating. SFU hopes the PWRC will serve as a “cluster” of collaboration and problem solving.

Dawn of the pointless texting lanes

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Photo Caption: Phoebe Lim

Maybe some of your remember earlier this year when SFU released this year’s addition to its annual April Fool’s gag — a YouTube a video depicting hallway ‘traffic’ police, separating and maneuvering distracted texters through the ‘slow’ lane, while urging those without phones through the fast lane. The video showcased an elaborate set-up, with pylons, brightly coloured traffic signs, and a highway speed monitor.

The actors cited texting while walking as the main cause for hallway accidents and injuries; an irrefutable relation to highway traffic. Lack of attention sometimes leads to severe consequences.

Nonetheless, the video gave me a laugh. I remembered the odd time I’d accidentally ‘crashed’ into somebody while traversing the AQ. I tend to walk quickly — this is a subconscious feature of the 1993 “model ‘Adam’;” I was unfortunately manufactured with only two gears, running and walking very fast. This makes my head-on collisions a little more catastrophic when I become part of the digital roaming dead (or driving dead, in this case).

I then realized that hallway collisions aren’t actually that much of a joke. Universities in Utah, China, Belgium, Philadelphia, and who knows where else, have now started to paint ‘traffic’ lanes on their campus floors. The University of Nevada, in particular, is attempting to give pupils a choice of speed: whether to run, walk, or text as they move from one place to the next.

First, I find it humorous that the slowest lane is actually labelled as ‘text;’ a lovely sentiment to our anxiety-ridden, self-absorbed, smartphone generation. Here guys, you can have the super slow lane!

But turning the tables, I think it’s pretty sad that universities fall prey to unnecessary carelessness and narcissism. In other words, the U of N shouldn’t be responsible for the ways students choose to behave as they walk around campus. For some reason, many of us can’t seem to tear our eyes away from our screens; like, ever.

A ‘text’ lane turns our surroundings into a hallway of shame, and I hope this isn’t a trend that sticks.

I’ll admit I’ve made a conscious effort the past couple years to break away from the digital abyss by pushing my Samsung to the bottom of my backpack before I walk around campus, but temptation is unnerving — it’s hard to resist the urge to browse through things that you’ve already seen four times that day!

Though, in all honesty, this isn’t a great excuse to be irresponsible when pushing through the crowded AQ between classes.

To paint lines on university floors reminds us exactly of this: we’re addicts, we’re selfish, and yes, we actually risk the safety of ourselves and others when we don’t watch where our feet take us. A ‘text’ lane turns our surroundings into a hallway of shame, and I hope this isn’t a trend that sticks.

It’s our responsibility to make sure our we don’t risk safety when our thumbs are having conversations. If the hall is crowded (as it most often is at SFU during the day) we’d be best off to step to the side and let other people pass while we aimlessly browse social media or engage in conversations with our friends. As grown-ups, it’s not up to the university to police how we act.

So take a personal challenge and put your phone away for these short amounts of time; liberate yourself from social media and let your mouth do the talking for once. Your eyes, rather than your feet, should guide you to your destination.

Put funding back into our public schools

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Photo Credit: Phoebe Lim

This past spring, the BC Liberal government announced that there will be more cuts coming to a public school near you. As the summer heat continues to rise and productivity levels continue to drop, I cannot stress enough the importance of being mindful of this issue, especially with students returning to school in a very short couple of months.

Despite the fact that public schools have seen unprecedented cutbacks in recent years, the budget that was released this past February forces school trustees to cut another $137 million from their spending over the next three years.

Meanwhile, private schools in BC over the next three years will receive an additional $54 million in government funding. This means that private schools now receive up to  50 per cent of the funding that public schools receive per student.

The fact that our province can find additional funds for private schools before their public counterparts is completely backwards. It is neither the province’s job nor the taxpayers’ to fund private education. Public funds need to be used for public resources and services — it’s as simple as that.

The BC Liberals hide behind the notion that strong private schools give working families in BC a ‘choice,’ an idea riddled with falsities and contradictions. The reality is very few families can afford to send their child to a private school and no amount of public funds will be able to dissolve the high ticket price of a private education.

For example, St. George’s private school, the school that BC Liberal Premier Christy Clark’s son attends, charges over $21,000 in tuition a year to all their high school students.

The reality is very few families can afford to send their child to a private school.

Public schools deserve the funding that’s being allocated to the private schools. After all, public schools foster inclusive environments, where students from all socioeconomic backgrounds and who face a variety of learning strengths and weakness come together to form a class.

They do not turn away students very often, and they incorporate the needs of all their pupils. Due to this, public schools need proper funding from the government for proper resources and well-equipped staff and teachers. The same cannot be said about private schools that hand pick their students.

All the BC Liberals have done is create a stronger system for the rich, and a weaker one for working families. It is the government’s job to protect public schools first; they are the base of any functional society and without the proper funding and support, they will collapse and bring our great province down with them.

Growing up in BC, I saw firsthand how devastated our public schools are — they have been stripped to the bone in terms of financial support. Now, being out of the system for several years, I see that what the government is trying to do is starve teachers and school staff out of their position to negotiate fair wages, classroom size and composition, and proper funding.

The BC Liberals will keep the cuts coming and wait for public education collapse in order to move ahead with their own privatization agenda. This can and should be considered a war on public education waged by our own provincial government.

SFU launches creative entrepreneurship class

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Photos courtesy of The Vancouver Sun

An SFU hub of creativity, the School for Contemporary Arts based out of SFU Woodwards will soon offer an educational experience that mixes fine arts and business, with a new class this spring semester.

There has yet to be a course at SFU specifically to push nearly-graduated students towards a path in which they could use their creative skills within a business idea of their creation.

This led to the Creative Entrepreneurship class, created and led by Howard Jang and Jon Festinger, SFU professors of professional practice.

Howard Jang, the director of SFU Woodwards and co-professor of the class, explained that the course is designed with the goal of “helping the artist” to “develop a career around what they are passionate about.

“We’re looking at a dancer, a filmmaker, a theater artist or a designer, and really helping them take what they’ve been drawn to as their life’s passion and make a career out of it, [. . .] building a life out of it,” he said.

“We’re giving them tools [with] which to understand who they are as an artist.”

Howard Jang, SFU professor of professional practice

The class is not meant to create business leaders out of the artists, and not all students need to have a fully developed plan for their future. Jang described how the class will use what they’ve coined as the “toolbox approach.” He explained, “For this particular situation, we are asking them: What’s your idea, how do you want to move it forward, and what’s the first thing you are going to do?”

The two professors realise that the information they provide to their students might not be relevant to all of them right away. However, they hope that students will find it comes in handy later on as they further develop their creative ventures.

“We’re giving them tools [with] which to understand who they are as an artist, how to talk about what they’re passionate about, and then figure out ways in which to move their career forward.”

The course will also look at how to strategically plan for the future with finances in mind. Jang added that students will be provided with “the opportunity to understand the basics of building relationships within the community, how to do grant writing, and how to find resources in the private sector.”

At the end of the program, students emerge with a “personal plan” rather than a business plan, one of the key things that differentiates it from a business entrepreneurship program.

Jang explained that instead of solely focusing on how to monetize an idea, this class encourages the student to “really progress as an artist and figure out the things and experiences you want to have as an artist, and how to build a life around that.” They’ll have the resources to further their growth, and “it won’t be so much of a dark hole to them anymore.”

Instead of focusing on the many steps that gets them to an end result, the personal plan lays out the first couple steps they can take to realizing their artistic goals and dreams.

The creative entrepreneurship class is aimed at third and fourth year students and it is open to enrollment by all SFU students, with priority given to students within the School for Contemporary Arts. The class will be running Fall 2015 and Spring 2016.

Satellite Signals

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WEB-woodwardWoodwards

You still have time to check out the Indian Summer Festival taking Vancouver by storm! This year marks the fifth year of the annual festival, running from July 9 to 18. SFU’s Goldcorp Centre for the Arts (149 W. Hastings St.) is hosting a wide variety of talks, as well as music and art events.

Check out one of three lectures offered on the evening of Thursday, July 16: learn about  igniting your own entrepreneurship, revolutionizing the world through sanitary pads, or enjoy a healthy dose of enlightening religious perspectives.

vancouverHarbour Centre

For the more business-inclined, check out the Jack Austin Centre for Asia Pacific Business Studies Seminar Series — hosted by the Beedie School of Business — which is offering a lecture on the “One Belt, One Road” (OBOR) Initiative in China on July 13 from 10 to 11:30 a.m. This talk will be presented by Bo Chen, a professor from Shanghai University of Finance and Economics. He will be sharing his perspectives on OBOR at the Segal Graduate School on 500 Granville Street in Vancouver, Room 2800.

surreySurrey

Find yourself near Surrey campus on July 18 or 19? Drop by the Surrey Fusion Festival! This weekend affair offers a full schedule of events and activities packed into Holland Park, including cultural performances of music, dance and, of course, food!

This week at Surrey campus, you can get an extra edge with your own career in employment counselling or career development by taking part in the Career Development Practitioner Certificate program. This hour-long session begins at 8:30 p.m. on July 15, and will be presented by the Management and Professional Programs for Continuing Studies.

Grad Corner

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Summer fun

The GSS is offering its members some discounts on tickets this summer. Members that purchase tickets for Playland and the PNE from the GSS will get a 10 per cent discount.

The society is also offering a discount on BC Lions tickets on July 10 and October 10 that can be purchased online by using a provided promo code.

Happy eighth birthday GSS!

The GSS will be celebrating its eighth birthday on July 29 at the Highland Pub! Appetizers, cupcakes, and one free drink will be provided for each grad student! Register in advance if you wish to attend.

SFU Educator talks

An event series that will launch in Fall 2015, SFU Educator Talks will feature presentations on teaching. The goal of the series is to encourage interdisciplinary discussion and encourage the sharing of exciting teaching ideas. Graduate students, TAs, TMs, sessional instructors, faculty, staff, and recent alumni interested in presenting are encouraged to fill out and submit an application form at sfu.ca.

The organizing committee is also asking that graduate students talk to their departmental grad caucus about supporting the event.

Kinder Morgan Pipeline

Council also discussed recent developments of the Kinder Morgan expansion. On July, the GSS posted a media release on their website in response to Kinder Morgan reportedly donating hundreds of thousands of dollars to Kwantlen Polytechnic University and Thompson Rivers University, contingent on the approval of the Trans Mountain Expansion Project.

In the release, the GSS condemned the donations as “corruption of [the] environmental review process.” Mark Perry, Director of External Relations for the GSS, reported that administration informed him that SFU does not intend to accept money from Kinder Morgan while the pipeline project is under review.

Eli Bennett, Jazz Man at the Vancouver International Jazz Festival

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Photo courtesy of coastaljazz.ca.

Vancouver is full of Canadian jazz artists every bit as exciting as the monster stars who play at the Orpheum for the Vancouver International Jazz Festival each year. Artists like Eli Bennett, for instance.

A 35-time award-winning jazz saxophonist, Leo-nominated film composer, and D’Addario Woodwinds Performing Artist, Bennett has played at the Grammy’s and alongside greats like Oscar Peterson, Dave Holland, and Terence Blanchard.

And no, despite his venerable background, Bennett is not a wise old man of Canadian jazz. He just released his first album, Breakthrough, in October 2014, and kicked off his first Canadian tour with a set at the Italian Culture Centre with the Vancouver International Jazz Festival in June.

Bennett credits his musician and composer father Daryl Bennett for giving him a step up in the music industry. The two have been composing film scores together long enough for Bennett to have over 30 credits to his name; plus, Bennett began to tag along with his father and the Powder Blues Band when was just 15. “I would have to enter through the back door of clubs and stay behind the stage,” Bennett said. “But when I was allowed to walk through clubs, I was used to it already. That was quite cool.”

Bennett also considers himself lucky to have a band that gels both musically and personally. The Eli Bennett Quartet’s connections go way back. Bennett and keyboardist D’Arcy Myronuk jammed together while Bennett was still in high school and Myronuk was on summer break from the University of Toronto jazz program. When Bennett himself headed east to Humber College on a full music scholarship, he met drummer Fabio Ragnelli the day he arrived. They instantly clicked and have played together ever since.

Ragnelli, who now lives in New York, was Bennett’s natural go-to when he decided to form a band. Bennett also tapped his West Coast connection Myronuk who plays with Dione Taylor and the R&B group Soular in Toronto. “We just called him up and said ‘D’Arcy come do a session,’ and it turned into this band,” Bennett said.

When Bennett had trouble finding a bassist, Ragnelli suggested Torontonian Jon Maharaj who plays with Juno Award winning jazz vocalist Emilie Claire Barlow. The four got together for a week of rehearsals before recording Breakthrough in April 2014, and they just gelled. “The music came together at the next level that you can’t fake,” said Bennett. “That’s organic. That just happens when you play with the right people.”

When Bennett picked up Myronuk, Ragnelli, and Maharaj at the Vancouver airport and zipped off to a sound check before hitting the Vancouver International Jazz Festival stage, the four had not seen each other since the release of Breakthrough in October. And yet, their fluid cohesion makes it hard to believe they have been together for not much more than a handful of performances.

Their jazz is crafted from tight grooves, peppered with soulful funk and R&B, a muscular touch of rock, wisps of smoky folk, sultry shades of trip hop and acid jazz, and pop melodies swelling with joy and nostalgia. It is a new type of whimsy that I am tempted to call smooth, because of its sophisticated finish, but it has legs and full-bodied complexity.

“What’s important about the album is that I wanted to make improvisation accessible,” said Bennett. “Finding the balance was the challenge. We love to groove, we love to swing,” he added. “We love to connect with our instruments and we love to sing on beautiful melodies. When you combine all those together you get the album.”

With so many stories from so many places to tell, Breakthrough sparkles with the nimble emotions of a free spirit, and, not surprisingly, it is like Bennett himself. The two-time CBC Galaxie Rising Star Award winner says he enjoys the variety of being a composer by day, sideman for the cover band Side One by night, and the switch to sultry jazzista on the weekends or heading out on tour.

Adventurous as Peter Pan, with another album already floating in the back of his mind, Bennett is charting a course toward an ever more distant star as he works on setting up a European tour and producing his own independent film scores for clients in New York and Los Angeles.

For more information, visit elibennett.com.

University Briefs

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Photo courtesy of The Varsity

Dalhousie Dentistry Scandal Report May Offer Insight

[HALIFAX] — Dalhousie University released a detailed restorative justice report on May 2015 in response to its dentistry scandal involving misogynistic and homophobic Facebook comments. The report stated that restorative justice could not offer solutions, but rather sharing what participants have learned could help to build a more inclusive community.

Recommendations were made to make the filing of complaints more accessible and easy to navigate. The report expressed a need for universities to build confidence in its systems to increase students’ trust.

With files from The Varsity

Free WiFi on buses to Waterloo campus

[WATERLOO] — Students riding the 407 West and Waterloo/Mississauga GO buses are now being offered a free WiFi connection for their convenience.

As a six-month pilot program, Greater Ontario Transit introduced the service on June 3 as an answer to the demands of its customers. Although feedback has been positive, some customers are asking GO Transit to advertise the service to more students. The length of the program will depend on feedback from the users.

With files from Imprint

Asexuality conference at U of T

[TORONTO] — The University of Toronto hosted a conference on asexuality. The two day long event featured workshops, keynote speakers, and community building activities, and drew approximately 300 asexually-identifying people, support service providers, and activists.

Student Brian Langevin described an asexual person, sometimes preferring to be called an ‘ace’, as “someone who does not experience sexual attraction to other people.” He explained how isolating and challenging the experience can be, denouncing the ideas that there is something wrong with you if you are asexual, and that you need to be “cured.”

With files from The Varsity