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The timeless tale of Dracula comes to the stage

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Timeless Halloween stories about creatures of the night still remain at the core of this creepy festive season; similarly, even with modern adaptations of vampires such as the Twilight series’ Cullen family and Smith’s Salvatore brothers, traditionalists will insist that the original Dracula is still the scariest and darkest of them all.

This season, Ellie King of the Royal Canadian Theatre Company brings her version of Dracula to the stage — three stages, in fact, in Surrey, Vancouver, and Maple Ridge. Ellie King has been wanting to bring Dracula to life in her own vision for over 20 years, but something had always stopped her. It was either not the right time, or she couldn’t find the right people to cast, or there wasn’t enough funding. That is, until now.

Based on the 1927 John Balderston-Hamilton Deane stage version, King still makes this production her own, namely through two main changes: the creation of a “steampunk universe” and a change in the gender of Abraham Van Helsing, who becomes Anna Van Helsing.

King felt that the world of Dracula “lent itself well to living in a steampunk universe.” That change translated to an innovative aesthetic that combines themes of technology with 19th-century industry designs in terms of stage and costume design, something she believes will be very interesting to see onstage.

Indeed, when I saw the performance, I appreciated the aesthetic and the way the set changed, reassembling the background like turning the cogs in a machine. The fog served two purposes: besides being used to create an eerie cloak, the harbinger of Dracula, it also called to mind the steam of the industrial era.

King’s creation of a female archenemy of Dracula was in reaction to the sexual repression in those days. She already had susceptible female characters fall prey to Dracula, as in the case of an unlucky Lucy Seward, and wanted to see a strong woman comfortable in her own sexuality take on the vampire, one who could resist his supernatural powers and stand her own ground. “There is a layer of sexual tension between Dracula and Van Helsing,” King remarked, sounding almost gleeful. “It will be very interesting to watch it unfold.”

Speaking of Dracula, King emphasizes that her version of Dracula will not be for young children. “I’ve had some people watch us during rehearsals and go, “Oh, wow, that’s terrifying.” Yes, Dracula won’t be some Twilight teen-angst vampire. “He’s a scary, unpleasant animal, and we’ll be exploring his very animal side.”

Parts of Dracula were genuinely chilling to the bone, delivering on King’s vision to create a terrifying, animalistic character. King definitely pushed the stage lights to their full use, creating intense suspense and anticipation when the lights would go out right at the most climactic moments. I could almost feel the audience holding its breath as the lights flashed on and off in lilting, dramatic rhythm, unwrapping the scene in vignettes.

The only thing I was disappointed by was the ending. There was a huge buildup of tension throughout the entire production that fell flat at the vanquishing of Count Dracula. It was so anticlimactic that I was jerked out of the fantasy. I actually just sat there, blinking, as the coffin rolled away, the curtains parted, and the cast members lined up to take a bow. That was it?

Dracula’s last breath was overdramatized and campy — the very thing that King did not want her production to be, and it was just so out of place. It was a very unsatisfactory end to an otherwise outstanding production.

Dracula is presented by the Royal Canadian Theatre Company until October 31. For more information, visit rctc.com.

Five spooky video games to try this Halloween

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Forget horror movies and Stephen King novels — when it comes to scaring yourself silly this season, it’s all about video games. Whether you’re a fan of top-down roguelikes, point-and-click shockers, or atmospheric RPGs, there are an impressive number of creepy, disturbing, and downright terrifying titles for you to pick up and play this October. Here are five of my all-time favourite horror video games.

Amnesia: The Dark Descent

Very, very few games inspire quite the same level of oh-God-what-is-that-kill-it-with-fire reactions as Amnesia: The Dark Descent. In fact, in terms of sheer heart-pounding, fist-clenching immediacy, you’d be hard pressed to find a better game available. Part dungeon-crawler and part Lovecraftian mystery, The Dark Descent makes survival horror, a genre many have struggled to stretch into feature-length format, look effortless. I myself played it in high school with a few friends — one of us would play, and the rest of us would watch — and it was downright terrifying. Good luck getting through this one on your own without reaching for the lightswitch.

The Binding of Isaac: Rebirth

Named for the Biblical story in which Abraham is told by God to sacrifice his son, The Binding of Isaac: Rebirth manages to somehow be doubly as disturbing and terrifying as its source material. This game is crude, juvenile, disgusting, and punishingly difficult — and I love every single minute of it. A top-down 2D roguelike which borrows more than a little of its aesthetic from the original Legend of Zelda, The Binding of Isaac: Rebirth features enough secrets, collectibles, and challenges to warrant hundreds of hours of obsessive gameplay, though its active fan community will ensure that you won’t have to mourn the loss of your social life alone.

Eternal Darkness: Sanity’s Requiem

If you haven’t heard of this relatively obscure gem, I wouldn’t be surprised — it was a commercial flop upon its release in 2002, and has only really attained a deserved classic status in the past few years or so. Spanning centuries and boasting a plot as convoluted as the 19th century novels it borrows from, Eternal Darkness: Sanity’s Requiem is a rich and visually remarkable action-adventure that features the distinction of actually simulating you, the player, slowly losing your sanity along with your character. The game will even fake “crash” or cut out the sound at crucial moments to underline your mental instability. Now that’s what I call immersion.

Resident Evil 4

This survival horror has the distinction of being the first M-rated game I ever played, and I can’t imagine a better introduction into the world of adult gaming. As the sixth (I know) main entry in the popular Japanese horror series, this game manages to distill everything great about the series into one incredible experience: namely, killing zombies and traipsing through haunted eastern European towns and abandoned castles with the president’s kidnapped daughter in tow. Difficult but never unfair, Resident Evil 4 will challenge you without leaving you frustrated or stuck — something many modern games could learn to emulate.

The Walking Dead: Season One

No, no, not the TV show. I’m talking about the actually good adaptation of Robert Kirkman’s graphic novels. (Sorry, fanboys.) Playing as Lee, one of a team of survivors during a zombie apocalypse, you’ll be forced to make careful decisions and pick up on clues to keep yourself and those you care about alive. Featuring some of the best writing and voicework the medium has to offer, The Walking Dead: Season One is a point-and-click adventure that amounts to the most ethically challenging Choose Your Own Adventure novel you’ve ever read. Except, you know, with zombies.

Five horror comedies that scare and entertain

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During the Halloween season, it’s all about scares and lots of candy. But amidst all the fear, Halloween has plenty room for humour. So for those of you who prefer a bit of comic relief with your fear, here are five horror comedies that provide the best of both worlds.

Shaun of the Dead

The film tells the story of Shaun, an everyday salesman who now has to fight off zombies while mending his relationship with his girlfriend, Liz, and tolerating the silliness of his best friend, Ed. Shaun of the Dead has become a cult classic, but perhaps its biggest contribution is how it demonstrates that, even during a zombie apocalypse, a pub is still the safest place to be. Thank goodness we have the Highland Pub, am I right?

Scary Movie

Scary Movie centres on Cindy Campbell, a young woman who goes through a series of weird and humorous experiences that recall plot points and elements from famous horror flicks and suspense thrillers. It’s silly, as all spoof films should be, and film buffs will enjoy trying to spot all of the various horror film references that are being made. If you ever host a movie night and can’t decide on a horror movie, throw in this film for a bit of levity.

What We Do in the Shadows

This film tells the story of four vampires live together, and struggle to become accustomed to the way of life in 21st century Wellington. What We Do in the Shadows has a unique mockumentary style, and includes plenty of dry humour. If first year SFU students think it’s difficult to adapt to a new school, this film shows that it’s even harder to be accustomed to a whole new century.

The Cabin in the Woods

This horror comedy tells the story of a group of college students who travel to an isolated cabin, only to be terrorized by monsters that have been unleashed by a technological facility that comically attempts to create the environment and conditions of a traditional horror film. Joss Whedon fans will know just what to expect from the filmmaker’s usual brand of slick humour. 

Beetlejuice

Beetlejuice is about a ghost named Betelgeuse  who is assigned the task of scaring off a family who has recently purchased a house that his employers, two fellow ghosts, used to own. This hilarious classic was directed by legendary filmmaker Tim Burton, who also has horror comedies such as Dark Shadows and Corpse Bride to his credit.

Aliens and zombies on the streets of Vancouver

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Director Andy Thompson talks about the Virtual Stage’s latest interactive theatre experience

The Virtual Stage’s Alien Contagion: Rise of the Zombie Syndrome, directed by Andy Thompson, is a not your average theatrical production. It’s an interactive show that actually takes place on the streets of Vancouver. Instead of merely watching characters being chased by a horde of zombies, you get to be the bait. This is the fourth year for the zombie-themed series, and having attended last year, I was eager to compare this new installment.  

Participants are assembled into a ‘expert’ team in a high-stakes mission, and the mystery location of the show is only disclosed to participants a day before their respective mission. Zombies prowled the area, lurking in the shadows and dark corners and lurching towards us when we least expected it. This year, the production centres on aliens that crash-land on earth. Anyone that tries to find the mysterious aliens returns as zombies. Fun fact: there are more zombies this year than last. Double the scare.

Having done these zombie productions for three years already, Thompson had to up the ante for the fourth season. This is the first time Thompson’s roped another monster into his play, and the inspiration for that actually came from his stepson Finn. They were just hanging out, watching an alien movie, when Finn suggested, “Maybe the aliens can make the zombies?” And that was the story of how nine-year-old Finn began his career as a writer.

Thompson absolutely loved the idea. “So, it’s like Earth’s calling out for help because humans are destroying it, and the aliens are answering the call. Okay, so what if they’re doing that by killing off the humans and turning them into zombies? That’s why we have the line in the play: ‘You eat the earth, and now it’s eating you. Poetic justice.’”

Thompson’s zombie productions aren’t solely for the Halloween scares and frights. As an artist, Thompson wants his work to have more substance. “One of the challenges I’ve given myself is to explore a zombie subculture every year.” Last year, Thompson explored the world of drug addiction through his zombies. “Looking at this year, I just completely abandoned any need to stick to any previous narrative. I just want to stick with zombies, and explore the world of zombies from different angles.”

As you might suspect, it’s not easy putting on a production like this, and on such a scale. There are so many factors to consider — the budget, the safety of the actors, participants, and passers-by, the props, licenses, and so on. “So many artistic decisions are derived by finances, sadly,” Thompson remarked. “The zombies are [high school students] on work experience.”

 

Actress Eva Butterly shares her experience performing in this unique show

Miranda MacFarlane the pleasure of co-interviewing up-and-coming actress Eva Butterfly on her play Alien Contagion: Rise of the Zombie Syndrome on air on the CJSF Arts Magazine Show. She and Jacob Gradowski discussed interactive theatre, aliens, and zombies with the Irish actress.

Miranda MacFarlane, The Peak: Can you tell us a bit about Alien Contagion: Rise of the Zombie Syndrome?

Eve Butterly: It’s basically a quite specific, highly interactive, alien/zombie-themed theatrical scavenger hunt. It’s in its fourth year running now — it’s a different kind of theme every year — so this year we’re doing zombies and aliens and the whole idea of UFO abductions.

MM: What can tell us about your character, Lucy?

EB: Yeah, Lucy Peterson. She is a very paranoid alien/UFO enthusiast. She claims that she’s been abducted many times by aliens, and she kind of has a post-traumatic stress disorder over this whole ordeal. And so she runs a website called aliencontagion.com, which offers support to people who have been abducted by UFOs. There’s various things on there; for instance, there’s a tonic you can make for after you’ve been probed by an alien.

So yeah, she’s a pretty wacky character. I’m really enjoying playing her.

MM: What prompted you to get involved with Alien Contagion?

EB: Well, I’d done the show in 2013, and I got into it through Andy Thompson, the creator of the show. I was in a college course that Andy was teaching. We became friends, and I’m glad to be collaborating with him again this year.

Jacob Gradowski, CJSF: This play touches upon my childhood fears. Eva, I was wondering what are some of your childhood fears?

EB: Well in Ireland, there is this thing called the wooden spoon. There used to be this thing when you were a kid, if you were being bold, you’d get a whack from the wooden spoon. So that was every Irish kid’s greatest fear — their mammy coming after them with a wooden spoon.

JG: Zombies and aliens have a been a thing in pop culture for the last couple years, and going way beyond that, going back to the 1960s. I’m just wondering how do you think the whole zombie thing manages to stay fresh?

EB: I think, as you were saying, it is so prevalent in pop culture, and I think one of the reasons for that is it’s an escapism of sorts for people. There’s so much atrocity around the world happening and we see so much of these zombies, these adverse situations, such as apocalyptic, nuclear warfare, all this mad stuff. I think that zombies for people is a way of expressing these things in a creative way.

JG: Do you get any moments in this play to scare any of the attendees?

EB: Well if you count the personality flaws in my character scary then, yeah. I’m not playing a zombie this year so. . . you might just be freaked out by my aura, who knows.

JG: What was the transition like from contemporary theatre, where there’s no interactivity, to an interactive-style production?

EB: It’s completely different, and it’s probably a bit harder, and more rewarding in a sense in interactive stuff because you’re battling with the elements. It’s all outdoors, you don’t have the comfort of being on a stage in a theatre. It’s the same with the audience — you’re up close and personal with them, and you have to jive off what they give you. So it does test you to the limits of improvisation, and every group is different.

We’ve got like five different groups a night, and you’re giving five different performances basically. That’s very exciting as a performer.

JG: You have to perform Alien Contagion five times a day, for almost a month. How do you keep that up?

EB: Thankfully I do not work during the day, so I sleep in, get up and eat good food, do a bit of exercise, then I’m usually good to go. But I remember when I was doing the show in 2013, I was working full-time, and that was absolutely the most hectic time of my life, I would say. I was so surprised I got through that.

JG: Are there a lot of ways that the interactive nature with the attendees changes the way the play progresses?

EB: At the end there are a few different possibilities of the outcome, but pretty much through the story it is just the characters finding out clues […] Andy figured if you had that at the start of the show where they’re choosing things that could happen, by the end of the show there’d be hundreds of different possibilities and it would just be too hard.

Take a walk with the Lost Souls of Vancouver

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Forbidden Vancouver’s Lost Souls of Gastown tour offers a unique experience, immersing patrons in the ominous past of early Vancouver. They offer student rates and enough knowledge of the area to brag to your friends about next time you go for a pint in the neighbourhood.

The bells chimed ominously in the night as we met the group in Cathedral Square, setting the mood for an eerie evening. Mark Turpin, a Simon Fraser alumnus who graduated in theatrical arts, boisterously led the group in character as George, a gold miner from Jackson, Tennessee with an accent to boot. George is friends and acquaintances with some of Vancouver’s most notorious and controversial figures of the old days, including a brothel owner, Queen of the Yukon, and the first pub owner in Gastown.

The use of the oral storytelling technique was refreshing, entertaining, and a much-needed break from our love affair with digital media. Winding through cobblestone back alleyways and stepping inside some of Vancouver’s oldest buildings, we were transported back in time with gruesome tales of murderous vengeance and other bone-chilling stories that are sure to change the way you see Gastown forever.

The tour tells a story about George’s friends, who are actual historical figures, and we hear their real ghastly stories. Being in the very spot where epic history took place added to the experience, supplemented with the use of vintage photographs that offered a contrasting image of what the area looked like during various stages of history.

Although the tour itself wasn’t very scary, it was at times emotional and shocking, as it was easy to imagine what certain historical figures must have felt at the time through the dramatic storytelling. The tour doesn’t hold back or censor any of the dirty past that was once alive on these streets at a tumultuous time in Vancouver’s history.

The seasonal tours are offered until November 1. If this particular tour doesn’t pique your interest, they offer several others, including one on the prohibition era in Vancouver, as well as a crime-solving tour that you can do with a group of friends.

Although the promise of ghostly activity is not part of the tour package and there’s no one jumping out at you with a chainsaw resulting in faux heart attacks, this is a recommended activity to spice up your spooky seasonal holiday. Unlike ghosts, there’s no denying the shady and ruthless history of Gastown.

SFU men’s basketball looking to the future

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The Clan were picked to finish dead last in the preseason coach’s poll.

Last year’s finish: 7th

GNAC coaches poll projection for this year: 11th

SFU’s basketball team is undergoing some major changes. After losing four starters from last year’s team, including star player Sango Niang, the team is heading towards a year of tempered expectations.

“Right now, it’s just about culture,” said Head Coach Virgil Hill. “It’s about developing culture and having some of the young guys being able to compete every night. If we can compete for 40 minutes, whatever the result is, it is.”

SFU was picked 11th in the GNAC coaches poll, dead last, after finishing seventh in the conference last year. So, is that something that can motivate the team? “It is motivation, but it has to be realistic” said Hill. “We can say ‘Screw those guys, we’re going to try and be in the top three.’ Well, that’s just not realistic at this point, just based on our personnel.”

This season marks a homecoming of sorts for Hill. He was a player on the men’s basketball from 1989–1993, and now he’s returned to take charge of his former team.

“It’s interesting in that, as a player or student, you always think that you can do things better. [. . .] So now I get the chance to almost remedy some of those things I didn’t think were the right things to do. But it’s a pretty cool feeling when I talk to my former teammates, we look back 25 years ago and go ‘Wow, you were the snot-nosed freshman, and now you’re running the team.’ It’s certainly an interesting position to be in.”

Hill’s experience as a former basketball player at SFU may help him to ease into the role more naturally, as it has already proven helpful in relating to his students. “What a lot of people don’t understand is how difficult school is here [compared to the United States], and so to balance school along with your academics and athletics is a challenge,” explained Hill. “Having been through that, I understand what it’s like. So to help the guys and relate to them, I can relate in every way, shape, or form, from being a freshman all the way to [being] a senior.”

One of Hill’s biggest challenges will be to replace outgoing player Sango Niang. Niang averaged 22.6 points per game last year, as well as 29.2 minutes per game. “You don’t replace a guy like that,” Hill said. “He was a special player. He was as quick, fit, and athletic as probably any point guard SFU has ever produced, and probably the top two or three points guards in Division II. So you don’t replace a guy like that. It now has get spread amongst everyone else.”

Despite the loss of the programs star player, coach Hill is excited about a couple of new recruits, such as Oshae Gairey and Tyrell Lewin. “[Oshae] is a kid that has another gear to him. He’s a Canadian kid, but he grew up in the States.

“[Tyrell] is a guy that I think is underrated,” Hill added. “He came out of high school without any big [reputation] to him, but I think he’s actually pretty good. When you see him play, every day he gets better and better. Once he can develop physically, adding another 25 to 30 pounds of muscle, he’s going to be a load for people to handle.”

The team will play its next game against UBC in an exhibition match on Tuesday. The Clan will start GNAC play on December 3 against Seattle Pacific.

Women’s Volleyball loses a close five set game

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Central Washington dominated the game in the blocking department.

SFU lost a heartbreaker Thursday night playing against the Central Washington Wildcats, losing 15–12 in the fifth set to cause their second straight loss.

“I thought we played well enough to win,” said Head Coach Gina Schmidt. “They had an outstanding blocking night, I think that was the difference.”

Central Washington played a strong defensive game — 21 blocks to SFU’s seven — making sure that the Clan had a hard time finishing rallies.

SFU started the first set well, gaining the first two points of the match, including one off a kill by sophomore outside hitter Christine Howlett, who along with Devon May led SFU in kills with 15 each. The Clan would continue to rack up the points, leading the Wildcats 8–4.

However, the Wildcats eventually clawed their way back into the set — taking control of the action, and making the first set 25–20.

SFU answered right back, winning the second set 25–16, with four consecutive points to wrap up the set.

For the third set, SFU looked as if it would carry the momentum from the second set, opening the set with three consecutive points. However, Wildcat point streaks — separate four point runs and five point runs — came to haunt the Clan, despite their near comeback: they racked up four straight points and cut a six point lead to two before Central Washington claimed the set 25–22.

The fourth set saw the Wildcats with an opportunity to put the game away, and win it in four; for a while, they had the upper hand, leading SFU at various points throughout the set. However, an unanswered five points by a hardworking Clan team forced a set five, giving SFU a 25–20 victory in set four.

Despite some hard working rallies at the beginning of the set, SFU dropped the fifth set 15–12, with six of Central Washington’s points coming from SFU attack errors. And despite losing the game 3–2, SFU actually led in scoring — 75–73 in total points in SFU’s favour — as well as kills, with SFU’s 58 to the Wildcats’ 51.

Coach Schmidt listed errors — SFU had 42 to Central Washington’s 25 — as something the team needs to work on.

“We clearly are able to slow teams down defensively, now we just have to be a little more efficient on offence. We actually scored more kills than them, but almost doubled their number of errors — that kills our hitting percentage,” she explained.

With the loss, SFU Volleyball drops below .500 with a 9–10 overall record and 5–6 record in the conference.

The scary history of sports curses

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The Billy Goat Curse has become one of the most infamous in sports

The beauty of most sports is that it allows the hardest-working, most talented people and teams to rise to the top. The rules are designed so that everyone has a fair chance of winning, and the team that performs better usually ends up victorious. Of course luck can play a role in determining one’s outcome, but the law of averages gives us the comfort that in the end, things will even out. There’s a sense of order to it.

But what if it doesn’t even out? What if a team keeps getting unlucky? What if a city is unable to produce a winning franchise for half a century and counting? Are these just random acts of misfortune, or are there otherworldly forces at play, keeping certain teams, cities, and players from ever tasting victory? As we look through the years, it becomes very clear that curses in sports truly do exist.

No talk of sports curses can begin without mentioning the Chicago Cubs. This baseball team hasn’t won a World Series since 1908, six years before the start of the First World War (so don’t worry, Maple Leafs fans, life could always be worse). From 1908 until 1945 the Cubs won the National League a total of eight times, but no World Series.

However, in 1945 things got really spooky. Chicago Cubs fan Billy Sianis brought his goat to game four of the World Series versus the Detroit Tigers. For some strange reason, the fans sitting around Sianis didn’t like the goat, which led to the Wrigley Field staff kicking Sianis and his goat out. As he was leaving, Sianis said “Them Cubs, they ain’t gonna win no more”; since then, the Cubs have yet to even appear in a World Series, thus creating what is known as the “Billy Goat Curse”.

Sometimes it’s not just teams that are cursed, but entire cities. The best example of this is good ol’ Cleveland. Though this town might border a Great Lake, its teams are anything but great. The three major league teams in Cleveland are the Browns (NFL), the Cavaliers (NBA), and the Indians (MLB). The last of these teams to win a national trophy was the Browns, who won the NFL Championship in 1964. Since then, it’s been 51 years of snatching defeat from the jaws of victory. When even LeBron James can’t win you a title, you know that the city you live in has been hexed by the sports gods.

Finally, one of the oddest sports curses is brought to us by Sports Illustrated. It’s the dream of any athlete in the world to feature on the cover of this illustrious magazine; however, many of these sporting figures end up facing frightening fates in their futures. Eddie Mathews, an Atlanta Braves third baseman, was the first ever cover athlete for Sports Illustrated in 1954. After he appeared, the Braves had a nine-game winning streak end, and not long after that Mathews broke his hand.

More recently, Serena Williams was on the cover of SI when they did a story on her potentially winning her first calendar Slam. She ended up losing to unseeded Roberta Vinci in the semi-finals of the US Open, two games away from completing this feat.

Let’s hope for our sake that no Canucks players end up on the cover this season.

Let’s go Blue Jays!

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Two weeks ago I read an article in this very paper entitled “Screw the Blue Jays.” I just moved to Burnaby six weeks ago from Whitby, Ontario, and am extremely disappointed that I am missing what is most assuredly an incredible atmosphere back home.

My love affair with the Blue Jays goes back to the late 1980s, when my dad would take me to Exhibition Stadium. We used to get $2 seats in the right field bench area and then sneak down behind home plate, or sit in the outfield for $4. I remember the agony of the 1987 season when the Jays lost seven straight games, including a painful 1–0 defeat on the final game of the season to blow a 3.5 game lead in the division and miss the playoffs.

My fondest Jays memory as a kid was attending the final game at Exhibition Stadium. This was a thriller that saw former MVP George Bell hit a walk off home run in the 11th inning to close the stadium.

The Skydome was an incredible novelty during its first years in operation. It was such a surreal experience when the roof would open or close during a live game. The World Series years were incredible. I watched every game during both playoff runs and ran around the room when Otis Nixon grounded out in 1992, and Carter “touched ‘em all” in 1993. In 1993, I also attended the victory parade. As I matured, I went to fewer games, but still had a soft spot for my boyhood team.

After I moved back to the Greater Toronto Area nine years ago, I started going to games again despite the team’s relative lack of success.  It was so much fun to ride the train downtown, go to the game and then party on Front Street. My last game before moving out west was ironically against Kansas City just after the Price and Tulowitzki trades.

Once again, the Dome was electric, just as it had been in my youth. My buddy Travis and I painted our chests and made several signs to welcome Kansas City Royals First Base Coach Rusty Kuntz. We are not Kansas City fans by any means, but we were paying homage to the man with the most awesome name in sports.

Around campus I had seen some Jays gear, but not too many people were talking about the team. Last week, though, I went to the Highland Pub to catch the deciding game between Texas and Toronto. The entire bar was packed with Jays fans yelling and screaming with every twist and turn of the game. The Bautista bat flip home run brought the house down!

If the Jays do go on to win the World Series, this may become one of the great moments in Canadian sports history. I felt the warmth of home that day at the pub. To see so many passionate Jays fans this far from home was a great demonstration of Canadian unity and pride. It showed that the Blue Jays truly are Canada’s team.

SFU hockey loses 5–3 to Eastern Washington University

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SFU had a total of 38 penalty minutes on the night.

On Saturday October 17, the SFU hockey team played their home opener against Eastern Washington University in front of a packed house at Bill Copeland Sports Centre. Unfortunately, a promising first period was the best that the Clan could muster. Four straight EWU goals put this game out of reach early in the third, and the Clan ended up losing 5–3.

“Very poor performance by the guys in red,” said Head Coach Mark Coletta after the game. “We’re going to have to take a long look in the mirror and figure out what we come back with on Monday. I think it was a lack of effort, and hopefully we can turn it around.”

    The game started off with last year’s leading scorer Beau Walker generating an early chance with his speed. It wasn’t the last the Clan defence saw from him on the night, as he was a threat whenever he touched the puck. “He’s a great hockey player, and he’s going to find his spots,” Coletta reflected after the game. “He did that tonight.”

Eastern Washington got the first goal of the game, courtesy of Trevor Zakrajsek. After killing off a double minor for high-sticking, SFU tied the game up with Tyler Basham snapping a low shot past the goalie. Mike Sandor almost gave SFU the lead, but after the first period the score was tied at one.

“We’re going to have to take a long look in the mirror.”

The wheels started to fall off in the second period. After SFU had a couple of great chances, EWU took the lead when Brett Matthews buried the rebound in front of Liem. SFU went down the ice after the faceoff but and scored, but the goal was disallowed — the referee ruled that the puck was kicked in. That proved to be a crucial decision, as later on in the powerplay EWU player Jesse Collins scored to make it a two-goal game.

Beau Walker added a shorthanded goal near the end of the period to make it 4–1. SFU was badly outshot in the period; they only put four on target, compared to EWU’s 13.

The third period wasn’t much better. Walker added his second of the game to put the win out of reach. SFU were able to get two near the end of the period, which capped off a good stretch of play for the Clan — but it was too little too late, and the final score was 5–3 for EWU.

One thing the Clan needs to work on is their discipline. At several points during the game, it was an SFU parade to the penalty box. A total of 38 penalty minutes were called against SFU, with 14 alone called against defenceman Darnel St. Pierre.

“That was a focus point all week: ‘Stay out of the box,’” said Coletta after the game. “Obviously the message didn’t get across. We’ll have to figure out a different way, perhaps internal discipline, to keep guys out of the box. You’re never going to win hockey games when you’ve got 20, 30 minutes’ worth of penalties.

“Overall, we just make sure we’re sticking to our systems,” he added. “The guys will get better. It’s one game out of 24.”