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The BC curriculum must prioritize Black representation

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A stack of books, including To Kill a Mockingbird, The Hate U Give, Of Mice and Men, and The Nickel Boys
PHOTO: Jin Song / The Peak

By: Hannah Fraser, SFU Student

Content warning: mentions of racism, enslavement, and sexual assault. 

Last November, the Surrey School District pulled four books discussing racial issues from the reading curriculum for Grade 10–12 students. The reason? Students felt unsafe in their classrooms after reading through the normalized use of derogatory language in some of the books. These titles were To Kill a Mockingbird by Harper Lee, Of Mice and Men by John Steinbeck, The Absolutely True Diary of a Part-Time Indian by Sherman Alexie, and In the Heart of the Night by John Ball. These books no longer provide a contemporary representation of diverse racialized experiences. With the exception of Alexie, these titles are written by white authors. Students deserve better and more modern representations of racism, and this should have come earlier. Educating children about racial issues without any Black authors undermines children’s understanding of them. We now have literature that resonates with Black children and helps contribute to conversations surrounding racial inequality.  

In replacement of these books, the District has proposed other books such as Beloved by Toni Morrison, The Nickel Boys by Colson Whitehead, The Hate U Give by Angie Thomas, Homegoing by Yaa Gyasi, and Brother by David Chariandy, an English professor at SFU. Unlike the majority of the authors being pulled from the curriculum, these are all Black authors. Last semester, I read Beloved and The Nickel Boys, and both authors presented particularly poignant and authentic perspectives on “past” racial issues continuing into the present. More specifically, the authors illustrated the debilitating aftermath of being enslaved, in addition to reform schools where young Black boys were sent, even if they did not commit any crimes. Only now are these books being suggested for the BC curriculum. 

Reading books like To Kill a Mockingbird did not even give me half as much insight into Black experiences as books like The Nickel Boys and Beloved did, which helped me gain a better understanding of how racism persists today. The district doesn’t cite a clear reason for the removal of Alexie’s book, other than “controversial themes.” However, it is notable that Alexie has already been deplatformed by multiple organizations due to allegations of sexual assault

BC Premier David Eby called the removal of the older books from the curriculum a “wrong,” despite these books still being available to read in the library. Unlike others, Eby did not commend the remarkable efforts of the Surrey School District to better represent the history of anti-Black racism. Instead, Eby urgently tried to point out that larger issues are at hand, like children being able to easily access offensive or explicit content through their phones. He fails to recognize how these contemporary Black authors pull from their personal experiences and centre Black characters in their narratives, serving as powerful role models for Black children. Eby also overlooks how the scarcity of Black representation in the BC reading curriculum should have been changed much earlier. 

I am not shocked to learn that our Premier does not agree with the decision to pull the older books, as governments often want to conceal authentic perspectives as much as possible. Though there is an important history behind the pulled books to learn about, that history is incomplete without any authentic Black perspectives. 

Eby and others against the changes should be happy books like To Kill a Mockingbird were pulled from the curriculum. Why hold onto the same, old, and most notably, offensive books if there are more empowering, representative options? Contrary to Eby’s strong beliefs, the older four books are not the only books that could teach children about racism. 

It is not the fact that the older four books do not tell us anything valuable about racism, but that we could use much more insightful pieces of literature to teach children. Pushing for these recommended books to be taught in more classrooms is crucial to actively deal with ongoing racial issues, create more empathetic citizens, and break down any barriers to creating the representation Black children need growing up. 

Results of SFSS election for 2024/2025 Council announced

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This is a photo of a poster hung up on the wall. The headline of the poster reads “2024 S.F.S.S. elections” and contains more information on voting details.
PHOTO: Amirul Anirban / The Peak

By: Eden Chipperfield, News Writer

The 2024 Simon Fraser Student Society (SFSS) General Election results were announced on March 1. Seven students, out of the 27 in the running, were elected to executive positions to represent and advocate for undergraduate students at SFU. Students were also asked to vote on implementing a Palestinian Liberation Issues Policy.

The Peak connected with the elected representatives to hear their reactions and plans for the upcoming 2024/2025 Council term. 

Elected president: Emmanuel Adegboyega
Presidential elect Adegboyega is a fourth-year Faculty of Arts and Social Sciences (FASS) student majoring in political science, with a minor in international studies and social data analytics. He has served on the Society of Arts and Social Sciences (SASS) Board of First Year Representatives, as vice-president of the Students of African and Caribbean Ancestry (SOCA), and as president of the Residence Hall Association. 

“I am profoundly grateful to each and every one of you for bestowing upon me the esteemed position of your next president. Your decision to elect me fills me with immense humility and gratitude. Student leadership and representation hold a special place in my heart, and I consider it a profound honour and privilege to advocate on behalf of all 25,000+ of you.”

The incoming president has various plans for his Council term, including increasing student engagement and advocacy, strengthening working relationships with departmental and faculty student unions, and prioritizing constituency groups and affiliated student groups in decision-making. 

Elected vice president of internal and organizational development: Sam Killawee 
“I am thankful for the trust and responsibility placed in me, and am excited to join one of the most capable SFSS executive teams in years,” stated Killawee. “There are a number of challenges we face this year, and I am confident that the team and the SFSS, under the leadership of president Adegboyega, will rise to meet them.” 

Killawee is a second-year molecular biology and biochemistry student, planning for increased cost-saving and developing internal connections with students. Killawee has previously chaired Council meetings in the absence of the president, during his term as molecular biology and biochemistry councillor in the 2023/24 term. He has also created a letter in support of TSSU on behalf of the SFSS and enforced the abandonment by-law that enforced the removal of councillors who missed a number of consecutive Council meetings. 

Elected vice president of finances and services: Simar Sahota 
As a proud fourth-year Beedie student, Sahota understands the importance of communication and analytical skills in her role. 

“As a qualified and experienced finance student, I am committed to leveraging my skills and passion to accomplish three major goals: increasing student power and transparency, advocating for affordable education, and increasing funds for student engagement. Together with my amazing team, I look forward to navigating challenges and seizing opportunities to promote financial wellness.”

Elected vice president of university and academic affairs: Rishu Bagga
“I am overwhelmed by the support from the students of SFU throughout my campaign, and I am genuinely grateful for everyone’s confidence in my abilities. I want to ensure everyone’s voice is heard and everyone feels included at SFU.”

Bagga is a second-year kinesiology student passionate about advocating for students’ empowerment, engagement, and affordability. Bagga has set goals to strive toward, including pushing for accessible textbooks, and improved Canvas educational resources. He also aims to increase funding for scholarships and bursaries for students who need support. 

Elected vice president external and community affairs: Joel Gilani 
Gilani is pursuing a major in business administration at the Beedie School of Business. He has shown his determination through his involvement as treasurer with the Diversity and Neurodiversity Alliance (DNA) group and a faith lead at the SFU Multifaith Centre. 

“We have the power to be a force in discussions on housing, food security, health care, and so much more. These are not just abstract issues in our policies; they affect each and every one of us daily. I want the SFSS to champion the students dedicated to improving SFU and our communities.”

Elected vice president of equity and sustainability: Chloë Arneson 
“My immediate goals are to develop an action plan alongside our constituency groups to identify key areas within the SFSS to work on, and how we can best support their goals for the year. I also want to continue pushing the university to align with their agreed goals in the Scarborough Charter, Climate action plan, and Equity Compass.”

Arneson is prepared to enact change at SFU with her advocacy of food security, intersectional advocacy, accessibility, and tuition affordability. Arneson is an international studies major with a background as the International Studies Student Association associate vice-president internal. 

Elected vice president of events and student affairs: Chitransh Motwani
Fourth-year computer science major Motwani has experience as the co-president of the Indian Student Federation where they planned events for Diwali, Holi, and Navarrete. They also are a peer tutor at the Student Learning Commons. Motwani envisions many opportunities for events for the 2024/2025 Council year, including diversity and inclusivity, professional development, and increased engagement. 

“During my term, I plan to collaborate closely with student clubs, organizations, and campus partners to organize various events that cater to our diverse student body. I’m particularly passionate about promoting cultural exchange, celebrating diversity, and supporting initiatives that prioritize student well-being and mental health.”

The 2024/2025 SFSS Council term will begin in May, when the above candidates will assume their positions as elected executives. 

Palestinian liberation vote 
Students were also asked to vote on the SFSS Palestinian Liberation Issues Policy. The policy had 1,801 in favour and 442 against, receiving the threshold to pass. The Peak will cover the policy in a following issue. 

International Women’s Day rally in full swing

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This is a photo of the rally participants, holding signs, walking down the middle of the street.
PHOTO: Colin Marshall / Your Story Agency

By: Olivia Sherman, News Writer

Content warning: mentions of genocide.

Editor’s note: Karissa Ketter, a current editor who worked on the article, is an organizer of this event. Yasmin Simsek, a former employee, is also an organizer of this event. The Peak acknowledges this and has taken steps to prevent conflicts of interest or potential bias from influencing the article.

On March 3, the International Women’s Day (IWD) march and rally commenced at the šxʷƛ̓ənəq Xwtl’e7énḵ Square (Vancouver Art Gallery, North Plaza). The speakers and performances during the rally emphasized the need for intersectionality; many called for solidarity between different identities for issues that women and girls around the world face. “International Women’s Day is a collective effort to help create a world of gender equity,” said IWD Vancouver chair Yasmin Vejs Simsek in her opening speech. “Now more than ever, it’s important that we stand together in the name of equity for women everywhere.”

Simsek noted this year’s list of event speakers, though powerful, was far shorter than initially planned. “We have had to deal with more pushback than ever, from hackers [and] being bombarded with unending spam emails, to false narratives published in mission papers.” She explained that many speakers dropped out of the event lineup out of fear for their safety. However, Simsek was proud to host the IWD rally and was glad to see so many in attendance. “This year, I encourage you to celebrate the victories and commemorate those we’ve lost, and recognize the power that resides in each and every one of us.

Guests and speakers at the rally included Diana Day, the founder of Indigenous Women Rise, a group to uplift, support, and connect Indigenous women across Canada. Day is also the founder of the Indigenous Women Rise Drum Group, who performed at the IWD rally. “It’s so important to lift women up, and the Indigenous Women Rise Society is about cultivating safe spaces for First Nations, Métis, and Inuit women to gather, learn, heal, and celebrate,” Day said. 

Dania, the president of Youth for Palestine Vancouver (YFP), explained the significance of this year’s rally in the midst of the occupation of Palestine. “Despite all the unimaginable hardship and challenges, Palestinian women and girls in Gaza have shown remarkable resilience and strength. They have become the backbone of their families and communities, providing support and care in the face of adversity, loss, and pain.

“We celebrate their achievements but also acknowledge the challenges that they face, and as we commemorate this day, we must also shine a light on the plight of Palestinian women and girls in Gaza, who are enduring unimaginable suffering in the midst of war, massacre, and genocide,” she continued. “Today we celebrate not just how far we’ve come, but the limitless possibilities that lie ahead when we stand together from all walks of life.” 

The rally also included a performance from Solidarity Notes Labour Choir and Butterflies in Spirit, a group of Indigenous dancers who perform in honour of missing and murdered Indigenous women and girls.

Gunreet Sethi and Rabiah Dhaliwal, founders of the organization Voices for Hope, an organization fighting against the mental health stigmas affecting people of colour, queer, and women-led spaces, also spoke at the rally to discuss their advocacy work. “Racialized women in particular require both gender-based and culturally-sensitive care,” Sethi said. “As two women of colour in a country that prides itself on having an inclusive healthcare system, we have never experienced this.” Dhaliwal explained that women are “twice as likely to experience depression and anxiety” as their male counterparts.

“We are tired of empty promises and assurances that they are listening and learning. We demand action now. No woman should be left behind,” Sethi said.

Introducing the Vancouver Albion

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Vancouver Albion fans holding team scarves above their heads while watching the game
PHOTO: Dean Petriw

By: Kaja Antic, Sports Writer

Editor’s note: some quotes have been edited for clarity.

The Vancouver Albion is an emerging youth-led supporters’ group for the Major League Soccer (MLS) Vancouver Whitecaps. Albion is the first youth-centric supporter group for the team, originating in 2020 when some friends created a team in the FIFA 20 video game so they could play together during the early days of lockdown. The FIFA name randomizer had given the group the name “Vancouver Albion” and it stuck, something Albion president Tobyn Rootman says resembles their light-hearted nature compared to more senior groups.

“We realized that Albion meant a group or club in the United Kingdom, which obviously doesn’t make any sense, but it kind of connects to how our group is now,” Rootman explained in an interview with The Peak. “We’re a lot less formal than the other supporter groups.”

The original FIFA group began hosting Whitecaps watch parties as COVID-19 restrictions slowly lifted and the team wasn’t back to playing in BC Place with a crowd. “We’d go in my backyard and we’d watch games. It was a pretty fun way to still support the club and spend time together when it was really difficult to.”

The teenagers gathered to watch the MLS is Back tournament, which took place in a quarantined Walt Disney World complex in the summer of 2020. After the Whitecaps left the tournament, there were games played without spectators at BC Place against Canadian teams. The Whitecaps would play their remaining home games against American opponents at Portland’s Providence Park.

Kicking off the 2021 season, their home stadium was Real Salt Lake’s Rio Tinto Stadium until the MLS allowed the three Canadian clubs to return to their home stadiums. The Whitecaps played their long-awaited first match back in BC Place with spectators on August 21, 2021, resulting in a 2–1 win against LAFC — and the first official game attendance in Albion history. 

Since then, the group has grown from a young group of friends in 2021 to a recurring group of 200 in BC Place’s general admission section. Rootman noted this rapid growth is largely due to their relaxed recruitment process for new members. “The vast majority of our new members have been recruited just through casual conversation, and a lot of it outside of Whitecaps games.”

Before the first COVID-19 lockdown, Rootman was part of a now-defunct adult supporters’ group. “I was always met with, ‘You’re 12 years old, why are you trying to join a supporter group?’ All I wanted to do was become a supporter because it looked like so much fun.”

With the Albion, younger fans now have a community for supporters with similar experiences and interests. This new group is also not meant to denounce the grown-up groups that came before them, as the age differences don’t create any bad blood between supporter groups. Rootman recounted a recent game where the Vancouver Southsiders support group allowed the Albion members to use the megaphone and try out some of their new chants.

“We’re all chasing the same goal. We all want the team to succeed and we all want to build a better atmosphere at BC Place.”

The Albion has shifted in recent years from strictly a youth group to a youth-led group open to all. Elected positions such as president or council have the decision-making power for the group, and those in charge have to be under 21 at the time they are elected. Older members are still welcome to join and attend games, but the group’s official representatives will still be symbolic of the youth-driven origins. 

“We don’t want to put any restrictions on becoming a member of our group because, ultimately, a big part of our group is inclusivity and making everyone feel welcome.” 

Albion members gather both at the front of BC Place’s general admission section and through Instagram. “That’s kind of where we built our base,” Rootman told The Peak. “I think it’s something special about our group. You don’t see many groups of this size in anything being run solely off of Instagram. But it’s worked so far and definitely keeps the social aspect of our group outside of games alive.”

The Whitecaps begin their 2024 season at home in BC Place with the Vancouver Albion planning on further expansions to their rapidly growing team. With many big names coming to Vancouver this year — including Lionel Messi and Inter Miami CF — the Albion look to be there, cheering from kick-off until the final whistle.

This week at SFU

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SFU track runner Marie Éloïse Leclair smiling at the camera on track
PHOTO: Wilson Wong / SFU Athletics

By: Isabella Urbani, Sports Editor

Away Games 

Thursday, March 7–Saturday, March 9: women’s basketball at the conference championships 

  • Entering the tournament as the fifth seed 
  • Lost last season in the opening round to Central Washington, 88–62

Friday, March 8: softball vs. Northwest Nazarene (Idaho) at 11:00 a.m. 

  • Game one of day one’s doubleheader 
  • First game against a conference opponent this season 

Friday, March 8: softball vs. Northwest Nazarene (Idaho) at 1:00 p.m. 

  • Final game of day one’s doubleheader 
  • Lost all four games to Northwest Nazarene last season 

Friday, March 8–Saturday, March 9: women’s wrestling at the national championship 

Saturday, March 9: softball vs. Northwest Nazarene (Idaho) at 11:00 a.m. 

  • At the time of writing, sophomore Cassidy Affeldt leads the team in home runs with three
  • On average, SFU outscores their opponent by 10 runs in the first inning 

Saturday, March 9: softball vs. Northwest Nazarene (Idaho) at 1:00 p.m. 

  • At the time of writing, senior Megan Duclos is tied in fourth for the conference lead in hits
  • Final game against Northwest Nazarene (Idaho) this regular season 

Sunday, March 10: track and field at the Div. II indoor championships

  • Men’s team finished fifth and women’s team finished third at the conference championships 
  • Then-sophomore Marie-Éloïse Leclair placed fifth in the women’s 200-metre to become the highest-placing conference athlete in that event. She also placed seventh in the 60-metre, becoming the conference’s first athlete to sprint in that event’s final

SFU’s sports archive

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PHOTO: SFU Athletics

By: Isabella Urbani, Sports Editor

Men’s basketball 

  • SFU took on UBC for the first time in any sport at West Gym on November 26, 1965, winning 61–51 in front of 2,200 fans.
  • Coach John Kootnekoff made the inaugural 1965 team give each other piggy-backs up Burnaby Moutain during preseason training. 
  • During SFU’s 32-year tenure in the National Association of Intercollegiate Athletics (NAIA), the team recorded their best season by win percentage in 1972–73 (21–8). 
  • SFU’s best NAIA-era playoff finish was a conference final loss in 1996–97.
  • In their final year in the Canadian Interuniversity Sport (CIS), which they operated in from 2000–10, SFU recorded their best conference record by win percentage (14–4), and went their farthest in the playoffs, losing to Central Washington in the finals.
  • In the present-day National Collegiate Athletic Association (NCAA) era, SFU’s best playoff finish was sixth with current head coach Steve Hanson in 2018–19.
  • Out of all the conference opponents SFU has faced this season, they’ve lost the most in history to Alaska Anchorage. In 26 meetings dating back to 2011, SFU has only won two: the last being in 2020. They’ve beaten Alaska the most (11 wins in 26 games). 

Women’s basketball 

  • The women’s team’s first season was in 1972–73
  • In 19 seasons in the NAIA, they qualified for the national championship 11 times. 
  • From 1990–93, the team never lost a conference game, winning 48 in a row.
  • In their final two seasons in the NAIA, SFU lost in the championship finals to the same team, Oklahoma City. 
  • In 2001–02, current head coach Bruce Langford took over from six-time Coach of the Year, Allison McNeill.
  • McNeill was the first coach to lead any team at SFU to the national championship tournament. She was inducted into the SFU Hall of Fame in 2012, and finished her coaching career at the school with a 363–79 record.
  • SFU finished first in their conference eight out of 10 seasons in the CIS, winning five championships — including their first season with Langford. 
  • SFU posted perfect seasons in 2001–02 and 2004–05, with a record of 35–0 and 38–0, respectively. 
  • In the present-day era, SFU’s best playoff finish was an appearance in the NCAA round of 16 in 2012–13 and 2016–17.
  • In 2012–13, the team had a perfect record at home (9–0). 
  • In 2010–11, junior Anna Carolsfled earned conference academic honours after finishing with a 4.11 GPA as a health sciences major. She did the same the following season as a senior. 

Cross country 

  • The women’s team won 10 team titles while competing in the NAIA, including four consecutive championships from 2003–07
  • The men won their only NAIA team championship in 1982
  • In the present-day era, the women’s team has won two conference championships, once in 2014 and another in 2021
  • The men won their first conference championship in the NCAA-era in 2021.
  • In 2021, senior Olivia Willett and Aaron Ahl were the first two SFU racers in the NCAA-era to win an individual race at the conference championship. 
  • The women’s team won the regional championship in 2014 and 2021

Football 

  • The team debuted in 1965 with coach Lorne Davies, who the Lorne Davies Complex is named after. 
  • In 1970, the team went undefeated (8–0). 
  • Twice SFU went on a three-year stretch where they didn’t win a single game: 2005–07 (0–22–2), and 2015–17 (0–29). 
  • Coach Chris Beaton spent 23 seasons at SFU, becoming the longest-serving and winningest coach, from 1983–2005
  • Football alum Doug Brown was the first SFU graduate to sign with an NFL team. He played 20 games for Washington and signed with Buffalo, before playing 11 seasons for Winnipeg.
  • Five players have been drafted first overall in the Canadian Football League (CFL): Wayne Holm in 1970, Brian Donnelly in 1971, Orville Lee in 1988, Sean Millington in 1990, and Nick Mazzoli in 1991.
  • 1n 1986, Lee became the first Canadian NAIA Player of the Week. On October 18, 1986, he set seven SFU records in a single game. 
  • Football alum Lui Passaglia is the CFL’s point-leader. 
  • On October 5, 1985, SFU combined for three touchdowns in just over 90 seconds to beat Central Washington, 42–35.
  • In 2009, SFU had two wins revoked for using ineligible players. 
  • On September 11, 2021, Kristie Elliot became the first Canadian woman to play and score in a NCAA game. 
  • The 57-year-old football program was disbanded in 2023 after SFU was unable to find a conference to play in, following their contract with the Lone Star Conference ending. 

Dil Ka invites audiences into the intimacy of a heated kitchen

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A Pakistani family with quirky expressions surround a young woman holding a pot who looks concerned.
PHOTO: Emily Cooper, RUBY SLIPPERS THEATRE

By: Petra Chase, Arts & Culture Editor

Writer and filmmaker Lee Nisar sums up her first full-length play as combining “the power of buzzcuts and biryani into one unapologetically queer story.” Dil Ka has been years in the making, with its world premiere set for March 22–31 at the Presentation House Theatre in North Vancouver.

Dil Ka, meaning “of the heart,” is about a young Pakistani woman, Zahra (Talia Vandenbrink), preparing the traditional dish biryani to serve her latest arranged marriage candidate, chosen by her family. However, Zahra is more interested in Jaz (Tanaz Roudgar), her “friend and gay crush” with whom she shares some intimate and giddy moments. As the evening progresses and the ingredients of the flavour-loaded rice dish come together, Zahra steps into her truth and power.

Nisar chose the kitchen as the main setting of the story as a significant place for many brown women. “Kitchens have served as places of gossip, connection, and — in this play —  confession, allowing for honesty outside of the realms of patriarchy,” they explained. 

The 24-year-old emphasized the support she’s received from everyone involved, including the director Tricia Trinh, RUBY SLIPPERS THEATRE, and Blackout Arts Society. “It’s really amazing to have so many talented storytellers working on this piece and seeing it come from the stage reading to the workshop to now have been such a dream,” they said.

“[Queer, brown, and Muslim] identities do not have to be exclusionary but, rather, inform each other in the most incredible ways.” —Lee Nisar, playwright of Dil Ka

They’re especially excited for the “little details” the crew put into bringing the set to life, from an elaborate spice rack and wall decor, to fabrics and patterns that will resonate with South Asian audiences, including “beautiful and ornate” traditional Pakistani garments. Audiences will even have their senses treated to the delightful aromas and tastes of biryani’s herbs and spices.

You can expect hilarious dialogue alongside tender emotions, like the tension of bond in a family, exploring gender identity, and “the joy of messing up your hair with your friends.” Ultimately, Nisar hopes audiences take a lot of “fun and joy” from the story. 

“A lot of the stories we get about being racialized and queer can be really sad,” Nisar told The Peak. While sad experiences do unfortunately exist, they explained that connecting with the queer brown community in Toronto has changed their outlook. They want audiences to see the importance of “sharing culture together and sharing in both the struggles and joy.”

To the “aunties and uncles” in the audience, Nisar hopes they “take away a new perspective [ . . . ] that maybe they’re not as attuned to.” Growing up, Nisar frequently encountered older people in her community claiming “‘you can’t be brown and Muslim and gay” and queerness was often viewed as a “western thing.” This is why Nisar set out to write her characters as each having their own individual relationship to their faith, reflecting the reality.

She hopes audiences can look at the “richness” of queer brown history and “how these identities do not have to be exclusionary but, rather, inform each other in the most incredible ways.”

Dil Ka will be playing from March 22–31 at Presentation House Theatre (333 Chesterfield Ave, North Vancouver). Shows are Thursday–Saturday at 7:30 p.m. and Saturdays & Sundays at 2:00 p.m. Tickets are pay-what-you-can ranging from $22-34. Find more information at rubyslippers.ca/dil-ka.

Decolonizing my laughter

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ILLUSTRATION: Andrea Choi / The Peak

By: Sude Guvendik, Peak Associate

My stomach churns with a peculiar sensation, a rebellion within me that threatens to strangle itself against the walls of my guts. I navigate through a sea of judgment and misplaced glances, feeling like an alien in my own skin. This incident at the Middle Eastern & North African Film Festival is a vivid memory — a stark reminder of the power dynamics at play.

Amidst a celebration of Middle Eastern culture, a white man chose to unleash a passive-aggressive tirade against my brother and I as we giggled at a joke in an award-winning film. “Come on, guys, you’re loud; this isn’t comedy,” he bellowed, his hands in the air, oblivious to the shared laughter in the room at a joke in a language foreign to him. The irony struck hard — the festival designed to honour our heritage became a stage for his repressed frustrations.

Why did he feel the need to turn around and create a scene when our laughter was no louder than others? It was a mere giggle; not disruptive in any way. He had arrived with two Middle Eastern friends before the film commenced, enthusiastically professing his love for Middle Eastern cinema, especially singling out A Separation as the only film he seemed to know. 

What compelled him to attend, and why did his Middle Eastern friends go to great lengths to assure him of their Canadian upbringing? They emphasized their lack of fluency in Arabic, their strong connection to Canada, and their sense of being more “Canadian” than anything else. It seemed as though they were trying to comfort him, reassuring him that they had seamlessly integrated into Canadian culture and were not to be perceived as outsiders. The shame radiated from those who should’ve been allies — the internalized embarrassment of association with the “other.” I felt their gaze, an unspoken plea for us to conform, to be civil in a theatre, to stop any rudeness that might be perceived as remnants from our so-called “savage” ancestors. But at that moment, I refused to be silenced. I wanted to laugh for the ones who could not, those who had not even heard their own laughter, whether due to cultural norms or for fear of challenging the status quo.

The system is tailor-made for those who fit the mould, and don’t pose a threat to the established order. I yearned to defy him and laugh in Farsi, Turkish, Arabic, Azeri, Kurdish, and Armenian. Instead, I found myself sinking into my seat, pondering the thoughts of those around me. It wasn’t just an isolated incident; it was an assault on my identity, and an exclusion from a space meant to celebrate me. So, I made a vow to claim my space and reclaim my laughter — laughter that echoed through languages and generations, that transcended the barriers imposed upon me.

The festival became a battleground between the mind and the heart — a place I tiptoed around to avoid the shards of my shattered identity.

In the silence that the aggressor sought, I found my voice. I crackled with laughter, perhaps uncontrollably, at the serene waves of the Levantine Basin on the screen. I broke the silence that had bound me for too long, questioning why I had kept quiet. As tears threatened to spill, I wiped away the frustration and embraced the discomfort.

My laughter evolved into a symbol of rebellion — a vibrant red war flag, a resolute declaration of my existence and agency as the “other.” I take delight in embracing this identity, welcoming gazes that question my choices, religion, ethnicity, ingredients of my accent, and the distinctive features of my appearance, such as my exotic eyebrows and the curvature of my nose. In this defiance, I find pride. Palestinian American theorist Edward Said would commend this act of self-affirmation. I catch the echoes of remarks like “You’re not in Iran; you can take it off, free yourself!” and “Where are you from, from, like your parents?” or “You look traditional, more cultured.”

I occupied that seat, that room, more than anyone who sought to silence me. The unfamiliar sensation of being the centre of attention didn’t deter me; it fueled my resolve. My brother nudged me to stop, embarrassed by my defiance. But it was more than just a moment of laughter; it was a statement. I had attached profound meaning to my impulsive act — it was me being resilient, reclaiming my space, and confronting the power imbalances that lingered in the room. When questioned about my seemingly dramatic response, I unraveled the layers. It wasn’t just about that man; it was a retaliation against all those who had sought to colonize my space, mind, body, spirit, and laughter.

From the lady who judged my choice of clothing to the man who cast disgusted glances my way, I laughed for every moment of oppression, reclaiming control even if only illusory. In that laughter, I found joy, an antidote to anger and frustration. It was a proclamation that I existed, unapologetically, in a place I can’t call home.

Wash your goddamn water bottle

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A red water bottle covered in stickers on a table next to a tent.
PHOTO: Paul Esch-Laurent / Unsplash

By: Olivia Visser, Copy Editor

Heeeey, you. You know who you are. You’re the one who believes you only have to wash me once a month, and believe me — we can all tell what’s going on. It’s time for an intervention.

What’s that? You only fill me with water, and therefore don’t see how I could get dirty? Have you ever heard of bacteria? (Spoiler alert: it exists, and it likes water.) Have you ever even bothered to smell me, by chance? No seriously — give me a good whiff and tell me I smell like roses, because I can assure you I don’t. Every time you twist off my lid, I’m tempted to warn everyone with a crisp, “get out my swamp!” And yet I don’t, because I love you. 

I can’t entirely blame you. No one wants to wait for the dishwasher to finish cleaning a device they use all day, every day. That being said, hygiene applies to water bottles, too! I can promise you that when you open me up, alllll your friends can smell that stale aroma. Not a good look (or smell). 

I’ve been nothing but good to you. I let you drag me along on every walk, hike, and commute you have. I even let you stick a fancy carabiner on me, just for you to shove me in your backpack instead of putting that pricey aluminum to good use. I have to admit — it’s lonely in there. I want to see the world, not have it plastered all over me in the form of fancy $10 vinyl stickers. 

Maybe you’re worried all your “the mountains are calling” stickers will peel off if you run me through the dishwasher. That’s fair, and to that I grant you this idea: handwashing. For the love of god, just do something!

Please give me a bath. Soon.

Love,

Your beloved (and forgotten) Nalgene bottle

My Stanley and I (a toxic relationship)

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Blush pink Stanley tumbler.
ILLUSTRATION: Victoria Lo / The Peak

By: Saije Rusimovici, Staff Writer

Dearest Stanley cup,

Despite the fact that people say you’re obnoxiously large, you fit me perfectly. I would carry you from the car (really, you should have your own seat), to the classroom, to the gym, and back. I love spending time with you, and I love the way people stare at us as we walk into the room (no, they’re not judging us, they’re just jealous, clearly).

You and I are so alike — so misunderstood. We navigate this world walking a fine line between what is convenient and what for some reason just makes us feel cool. To be honest, sometimes, you can be uncomfortable to hold — I just want to pretend you feel perfect. And, well, some water might spill (even though I can’t figure out where the spill is coming from.) You barely fit into my work locker, yet you still come with me every single day. The water just tastes better drinking from an $80 straw. Owning a Stanley is the epitome of the placebo effect. 

My other water bottles collect dust in the cupboard, long ago forgotten and replaced by you. It makes me sad to think about all I’ve left behind, but I will do anything for you. 

But here’s the thing. Do I really need to be lugging around that much water every day? Sure, it fits nicely in my car’s cupholder (I drive a Fiat, so this is honestly quite a win). Sure, the water keeps colder (placebo effect #2) and I definitely don’t have to fill it up as often. Wait, can water become stale? Nah, I’m sure it’s fine. 

Take from this letter what you will, but above all, I want you to know I had a great time with you. Even though you made it just that much harder to balance a heavy tote bag on one shoulder and my keys on the other, you’ve been by my side through every midterm. You’ve hung out with me at work when no one else did. You are indeed my favourite water bottle I ever had.

But what’s that thing they say? All good things must come to an end. Well, this isn’t the end for us, but I think it might be time for a break. I need a bottle that really gets me. I think it’s time to dust off the Owala bottles and put you back on the shelf for a while. This isn’t the end for us, and in time we will come together again.

Sincerely yours, 

Stanley stan since 2023