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I’m a virgin, and I’m proud

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[dropcap]I[/dropcap]’m 20 years old, single, and I’ll come out and say it right now: I’m a proud virgin. However, in the past, I was a closeted virgin — not just because I had never had sex, but because I was scared to.

There are many different connotations and feelings associated with sex — things that my friends have always talked about. When they described to me their first times and the many times after, I nodded enthusiastically and pretended I understood them. At 16 years old, one of my good friends at the time was already boasting about how she did it with her boyfriend in the shower, and while my face showed approval, inside my heart was racing at the fact that she had been ‘initiated.’ In the eyes of our society, she was now an adult.

As more of my friends began to lose their virginity, I began to question myself and my ability to make someone like me. Was it my weight, or my glasses? Was I annoying, or too uptight? Was I just not pretty enough? These questions threw me into a depression that caused me to lose myself in this urge to grow up. I flirted relentlessly with guys, trying to come off as carefree and fun, until one day I finally had a boyfriend.

This boyfriend was the first person who expressed a desire to have sex with me. He told me how my body was perfect, and how he wanted to get inside of me and show me that he loved me. For a while, I liked the sound of that. I thought that I had finally found someone who respected me and actually liked me for who I was.

I wasn’t going to compromise my Catholic faith for a guy that I supposedly loved.

However, there were two problems with this magical bridge into what I thought to be adulthood. The first was that, as a strong Catholic, I was taught that sex had to be reserved for marriage, and I wasn’t going to compromise my faith for a guy that I supposedly loved.

But the even bigger problem was that I was scared. I had zero experience, and to top it off, the idea of having sex with this guy made me squeamish. While I thought I loved him, I didn’t know if I actually loved him. Even though he was saying all these things I wanted to hear, I wasn’t ready to give all of myself to him.

Unfortunately, these thoughts were not something that my then-boyfriend wanted to hear, so much so that he tried to force himself onto me multiple times with brute force and violence. He called me prudish, a slut for flirting, and unfaithful. When he broke up with me I was devastated, but in retrospect, this painful lesson was one of the best things that ever happened to me.

There is no magic age at which everyone has sex. You have sex when you are ready, not when your friends are getting knocked up and talking about it. One so-called innocent night could lead you to a whole host of problems like emotional stress, confusion, compromising your own physical health, and a potential baby that you may not be ready for. We live in a society that is so charged with the fear of ‘missing out’ that we forget to step back and think about the consequences.

Being a virgin does not mean that you are lacking something. Saving your virginity is a decision that you have full control over, and it is nothing to be ashamed of.

Geni-tales: Short stories about bodies, sex, and sexuality

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We all have something to say about our bodies, sex, and sexuality. Sharing stories and details about ourselves can be scary, and at times uncomfortable. But when it comes right down to it, we all need the opportunity to talk about ourselves, and we should be able to do it free of judgement or fear. This is a collection of short stories that reminds us our bodies can at times be weird, be our temple, or be just about whatever else we decide they are.

 

In high school, before I started taking anxiety meds and when I still had a super insatiable sex drive, I was all about doing it everywhere and in every circumstance. This included the super dumb but at-the-time-genius idea of foregoing condoms if I didn’t have any on hand — after all, my girlfriend was on the Pill, so I was fine, right? Well, apart from the threat of STIs that I apparently didn’t take very seriously, I also neglected to realize that a lack of condoms tends to result in a lot more friction. On one particularly steamy occasion, I noticed there was a lot of blood on my dick. After my girlfriend assured me that it was too early for her period, I pulled back my foreskin to find that I’d made a clean tear through my frenulum, the tiny bit of skin that connects the skin of your penis to the head. (Do not Google this. You’ve been warned.) I couldn’t have sex for a month, and even the hint of an erection hurt like hell and significantly slowed down the healing process. I essentially had to avoid any and all things sexy for half the summer. The moral? Use condoms, and plenty of lube. – MJH

Grade 7 was a very scary time for me. Pimples were covering my body, crushes seemed like everything, and my vagina began to periodically bleed. I remember running to my mother with a small stain of blood in my underwear, aware of what this meant: womanhood. She showed me the world of pads and tampons hidden underneath the bathroom sink, and gave me a very basic explanation of how to use the former. Pads suited me fine, until the dreaded summer came, full of hikes, tiny white shorts, and crowded swimming pools. I knew I had to learn how to stuff this bullet-shaped cotton ball up my vagina. Many girls have no difficulty learning to insert tampons, and probably have never thought of the many who struggle, sometimes for years, to learn to insert tampons, if they ever learn at all. I was one of those struggling girls. Honestly, I was quite scared of my vagina — of touching it, or looking at it, and absolutely terrified of putting something in it. I looked up awkward tutorial videos, I constantly reread the explanation on the tampon box, and shakily tried to even just put the tips of my fingers inside myself. I would freak out almost every time, body tense and nervous, which I now realize was one of the key reasons for my struggle. It took me four years to finally learn how to relax enough, and get a basic understanding of my anatomy to be able to finally shove a cotton bullet up my vagina. – PS

There’s a new trend on Instagram: people are taking pictures of their allegedly used underwear, free of vaginal discharge, and posting it with the hashtag #PantyChallenge. Attention, people with vaginas: vaginal discharge is normal! In case you missed this section of sexual education, vaginal discharge is a natural body process. People have a tendency to associate it with a dirty or unhealthy vagina, but the exact opposite is true. Vaginal discharge is how the sex organ keeps itself clean. Changes in the amount, colour, consistency, or smell can mean it’s time to book an appointment with a gynaecologist — or that you’re in a particular stage in your menstrual cycle. The point is, this new challenge is just the latest in a long line of ways to make people with normal, healthy bodies feel shitty about themselves. The misinformation about vaginas, even amongst people who have them, is staggering. It can make people feel like their own genitals are weird or different. They’re probably not — and if they are, who cares? Don’t buy into this shitty, body-shaming hashtag. Just try to accept and love yourself. Most importantly, if you think there’s something wrong downstairs, consult a doctor, not Instagram. – JP

I, like a lot of guys, was young when I got my first erection. I sat in wonder watching Charlie’s Angels, and I could feel the chemical balance of my body stirring. My cheeks were flushing, my breath was bated, and something was beginning to shuffle in my nether regions. A quick inspection would lead to the most startling discovery in my seven years of life: my penis could increase in size and point at the ceiling. After a good 10 seconds of analysis, I came to the grounded conclusion that it could only mean one thing . . . I had discovered my very own superpower. And it was amazing. After rigorous rounds of tests and trainings, however, I had failed to understand the meaning or purpose of my newfound gift. Finding justifications for its irregular moments of occurrence was not easy to understand. On one fateful Saturday morning, the truth behind my superhuman ability was revealed. As I sat with my dad watching Austin Powers get sexily manhandled by a bunch of fembots in pink negligees, I confided that my penis could grow and move around randomly. It was then and there I would discover the truth behind my penis and my so-called ‘superpower’ — but not before enduring my father’s wheezing laughter for 20 straight minutes. – JS

“All bodies are good bodies.” That’s the idea behind the body positivity movement and inclusive boudoir photography. Body positivity isn’t always easy, though. Unfortunately, it’s normal to fluctuate between feeling like the bomb-ass human being you are, to focusing completely on the few characteristics about yourself you’d like to change. Photographs and mirrors sometimes reflect only what you dislike, rather than the entire picture of who you are. The body positive movement seeks to challenge traditional, exclusive conceptions of beauty, to show that the spectrum of bodies is as vast as it is gorgeous. For my partner’s birthday this year, I decided to give him something a lil’ playful and risqué: I hired my photographer pal to take some boudoir photos. I found that what started off as a birthday present for him ended up being a present to myself. My body will not always look like it does now, as a 22-year-old; I don’t even look like I did three years ago. I like the idea of appreciating my body for what it is, at this stage in my life. Recognizing that it will inevitably change as I age, in both small and significant ways, but that those changes don’t really matter. Don’t get me wrong, I’m also a fan of the regular ol’ selfie, but there’s a beauty in relinquishing some control to another person’s camera. I wasn’t in charge; I didn’t see my appearance from frame to frame, and consequently couldn’t edit myself from shot to shot. All I could do is stand there, in different stages of undress, and trust my friend to present me as I am.  – NS

Women are more than our sexualities. I find all too often that women are reduced to descriptors about the gender(s) we find attractive. Mostly, this applies to non-heterosexual women. We are succinctly summed up as ‘the lesbian friend,’ or ‘the friend that’s also into girls,’ or who’s also bisexual, or whatever. There is also the ever-prevalent assumption that two lesbians or bisexuals or pansexuals will automatically become great friends because they share the same sexuality. That’s not true at all. That’s like assuming that all straight women or all straight men should be BFFs. Sexuality is not a defining feature of someone’s personality. There is so much more to a person than who they happen to love. The rarer the sexuality though, the more people try to group us together. Of course, that requires believing that your sexuality is valid (hello, biphobia) and real. Yes, I’m pansexual. No, I don’t find cookware attractive. Bisexuals find two genders appealing (not always from the male/female gender binary). Pansexuals are not limited in sexual choice with regard to biological sex, gender, or gender identity. If you want us to have labels, fine, but respect the labels we apply to ourselves and understand that’s not all we are. – CM

Growing up as a Catholic and attending a Catholic school meant that I was taught abstinence and that pre-marital sex was out of the question. I love my faith, and nothing can shake the fact that I am a Catholic, but I feel like I missed the boat on a lot of things due to the limited ‘sex education’ that was given to us. And by that, I mean I got no sex education. Puberty was horrible because of it: things were changing, hormones were raging, and everyone seemed too conservative to want to say anything. Adults shifted their weight uneasily, trying to throw the responsibility to someone else. So I went through this entire ‘coming of age’ process blindly. Breasts, periods, intercourse — it was all lost on me, not because of religion, but because of a lack of sex education. In today’s world, people are definitely a lot more open, and sex ed is being introduced much earlier. Young children need to understand their bodies. They need to learn about the body, appreciate it, and respect it. No matter what you believe, sex education is important for the full development of a person. – RW

Grade 10 was a critical, yet horribly embarrassing time to learn about my body. Kids in school were innocently holding hands, locking lips, and boasting about their ‘sex-pertise.’ And while I shrugged and rolled my eyes, I’ll have to give a few of them credit for discovering a bodily function that I probably wouldn’t have thought of for the rest of my life had I not overheard one boy in class make a remark about how his testicles shifted around on their own. Dumbstruck, I sat on the toilet after school that day, bent over and had my first real examination. No, it wasn’t an acid trip. They were moving ever so slightly. It was as if the miniscule wrinkles in the scrotum were giving my balls a tender massage as they expanded and contracted. Either that, or it looked like some sort of alien embryonic life form stirring in its biological sack. I honestly felt a little invaded, unsettled at the idea that a visible part of my body was moving against my will, nevermind that it was tucked away in my underwear. A quick Google search revealed that the wrinkles on a scrotum are part of the cremaster muscle, which stretches and shrinks depending on the temperature. There you have it, folks: it’s all connected to why hot days equal saggy balls, and cold days equal tight-tuckers! The more you know. – AVZ 

I’m 22 years old. And I spent 20 of those years thinking that I was straight. I grew up in a progressive, open-minded home — and I feel very blessed to be able to say that. Growing up, my parents wanted me to know that sexuality is fluid, and no matter who I loved they would love me all the same. I grew up honestly believing that everyone has a little gay in them — that everyone could appreciate attractive people of all genders. But for longer than I care to admit, I hid behind this idea. I would write off my attraction to women as just being a one-off, that it was just a ‘woman crush,’ and that it was nothing to think too much about. But 20 ‘woman crushes’ later, I finally admitted to myself that I was more than coincidentally homosexual. Deciding I was bisexual was not hard, but articulating it and telling my loved ones was not an easy feat for me. It was not until recently that I finally found the words to share my feelings with my friends and family. Now cue my beautiful, smart, kind, and sexy girlfriend. We met at work, and I knew the moment I saw her for the first time that she was going to mean a lot to me. I had made out and fooled around with women before, but this was different. The first time we had sex, I was terrified I was doing it wrong. I was taught about hetero sex. I saw hetero sex in movies. I had experienced hetero sex. This was all new, and I felt out of my depth. When we were in the moment though, slowly the nerves faded away and I felt happy to have such an incredible woman in my arms. – TC

Bisexual erasure is rampant in our society

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[dropcap]“[/dropcap]You are either straight or gay.” To some, that probably sounds like an offensive, or at least incorrect, statement. However, to many others, this statement rings true.

“Bi? No way, he’s just saying that for now. Give him a year and he’ll be out.” Maybe you, yourself, have heard this one before, or have even said it, without blinking an eye.

“Are you having lesbian sex? Then you should read this sex health pamphlet!” This one is great, right? Promoting healthy sexual practices and sex positivity! But the truth is, all of these statements are part of a large problem most people are not aware of; it’s called bisexual erasure.

Bi erasure, according to Wikipedia, is the “tendency to ignore, remove, or falsify evidence of bisexuality in history, media, and everyday life.”

Scholar Kenji Yoshino argues that there are a few key reasons why individuals would contribute to bisexual erasure; one being to categorize sexual orientation, so humans can only have one gender preference. People consciously or unconsciously deny the existence of bisexuals in order to feel relieved of any anxiety toward having their own sexual orientation questioned.

Fearing someone else’s sexuality affecting how another identifies is one of the most troubling aspects of bi erasure, and is the definition of homophobia. That fact that someone identifies as bi doesn’t discount your sexuality.  

If I, a woman, have sex with another woman, I am not having lesbian sex because I am not a lesbian. If I am in a relationship with a man, I am not in a straight relationship, because I am not straight. My orientation doesn’t change with who I am dating, fucking, or admiring. I am a queer bisexual woman, no matter how others perceive me.

This is why I am not bothered when my female friends make out with other women and still call themselves straight. Or when past boyfriends confessed multiple attractions to men and still called themselves straight. Or when proud queer friends call themselves lesbians even when they still have sex with men from time to time. The key is that it’s their identity and only they have the power to choose it — no one else.

What bothers me is when people try to define others’ sexualities or dismiss certain identities, and this is particularly a problem with bisexuality.

Sadly, bi erasure is still rampant. Robyn Ochs, who was one of the first to marry a same-sex partner in the US, was called a lesbian despite identifying as bisexual. Other examples of bi erasure exist in our history textbooks, our media entertainment, and within our own social groups.  

Erasure is even worse when it comes to the acceptance and representation of bisexual men. Personally, I find there is much more tolerance for bisexual women, and that bisexual men are often assumed just to be outright gay. Why is this?

We’ve heard this all before: we need more representation and more acceptance of minorities. But with bisexuality being erased from society, these notions are a little different. We need to fully recognize that bisexuality exists and has always existed, and we need to let go of the fear that our own sexualities waver based on others’ identities.
I call myself bisexual. What do you call yourself?

Sex Advice with Wally Bergmann

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“My partner and I were discharged from the hospital after discovering an inconvenient allergy to candle wax. On one hand, lighting them closes up our throats in two seconds flat and leaves us both at risk of asphyxiation. On the other, we’re too vanilla to try other kinks. How can we keep it spicy while staying safe?

I don’t wanna die,

Shay.”

 

Hey Shay,

Why not renovate one of your rooms into a sex dungeon? Since you two apparently don’t want to try toys, you can fill it with EpiPens instead. Double penetration is super hot.

Wishing you a speedy recovery,

Wally Bergmann

 

“I’m not outgoing enough to meet new people, so I limit my dating pool to my friends’ exes. I’ve been running into a problem; they keep saying the wrong name when we get dirty! Is there a quick fix?

Feeling inferior,

Alex.”

 

Hey Alex,

Luckily, your creatively-stunted parents handed you one of the century’s most common (read: basic bitch) names. Narrow your criteria from “friends’ exes” to “Alex’s exes”. You’ll still have a wide selection, but this way, you’ll never be certain that they’re fantasizing about somebody else.

Keep it real,

Wally Bergmann

 

“I’m a private person with many miniscule idiosyncrasies. It’s only natural that the one person who gets me is my split personality. We’ve tried every tactic imaginable to get intimate: hyper-realistic toys, mirror play, hot diary entries… Sadly, nothing’s successfully scratched our itches. Tips?

Internally conflicted,

Harley.”

 

Dear Harley (and your paramour),

Everybody has seven or eight lookalikes wandering the planet, right? Hire one! You say you can write; adapt those diary entries into a script for sensual roleplaying. Your doppelgänger can switch parts whenever you switch control of the toolset. With an agent’s aid, you might publish the next Fifty Shades of Grey!

Wishing you two the best,

Wally Bergmann

 

“My troubles originated with crash diet #4. I chose Catkins to avoid sacrificing tuna. Then the hallucinations began… Things came to a head when I envisioned my partner’s bone as a taquito. He can’t watch Teeth anymore, and I’ve gone vegan. How do I fix things?

Starved for affection,

Reggie.”

 

Hello Reggie,

  1. Add extra steps to your daily routine to burn the excess calories.
  2. Give him the space he needs.
  3. Meanwhile, ensure he’s constantly aware that you’re available if he needs support. Consider delivering occasional gift baskets of sausages (a reminder that there are other schlongs in the sea), or biting more acceptable body parts (softly!) to demonstrate that he’s still hot and sexy.

Here’s hoping your meat trauma fades,

Wally Bergmann

 

…and that’s a wrap! Don’t forget to submit your worries to [email protected] for our next release if you want to know how best to navigate your libidinous young-adult sitcom-lives!

NEW MUSIC FRIDAY

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By: Courtney Miller and Jessica Pickering

Follow The Peak on Spotify to stay up to date on New Music Friday.

“Go Off” – M.I.A.

Courtney Miller: Intro is too cacophonous and disconnected, and vocals are too autotuned. It’s dynamic enough to be interesting, but it’s overall not pleasing enough to sustain that interest.

Jessica Pickering: It’s not my favourite M.I.A. song but it’s OK. The backing track is really good but super distracting. I think I was able to focus on the lyrics a grand total of three times during this song. It did put me in the mood to listen to “Bad Girls,” though.

“Live in the Dark” – Jeff Beck

CM: I really like the classic rock feel to this. The stellar guitar licks throughout really bring the song up a couple notches. The vocals worked really well with the melody and atmosphere.

JP: I don’t know why, but there was a part of me that thought this might be Beck. Like, Beck Beck. I don’t know if I’m disappointed or relieved that it’s not. Anyways, I don’t care for this song. The guy is a famous guitar player so the song heavily revolves around that instrument. Honestly, it’s a bit overkill.

“Mean What I Mean” – AlunaGeorge feat. Leikeli47, Dreezy

CM: It’s fun, catchy, and not overly manufactured. That being said, it doesn’t stand out. This is one of those songs they play near the end of the party because by then no one cares if the songs are all winners or not.

JP: I like this song but I don’t like this song, you know? There are parts that hit and then there are parts that really miss. It’s fun but I wouldn’t voluntarily listen to it again.

“Cruel” – Snakehips feat. Zayn

CM: I really like the track, actually. There’s always something happening and there’s a sophistication as the song progresses. Zayn’s vocals are reliable, but aside from the chorus and bridge, they don’t elevate the song at all.

JP: I know Zayn’s doing his own thing but he’s always just going to be one of the guys from One Direction to me. I can’t take any of his solo stuff seriously because I just picture his cartoon face in The Adventurous Adventures of One Direction. If you haven’t seen the video I’m talking about, a YouTuber makes fun of One Direction in cartoon-form for an extended period of time.

“She Sets the City on Fire” – Gavin DeGraw

CM: I love Gavin DeGraw. Nothing will ever come close to “Cop Stop” for me, but this was pretty good. The intro threw me off a bit because it does not sound like what I think of when I think of DeGraw, but after that it worked really well. Catchy, rhythmic, and well-executed.

JP: Can we go back in time and make sure Gavin DeGraw stops making music? It’s like he never realized he was a one-hit wonder. He keeps making music and it’s all so subpar. Just stop dude, please.

“Behind Your Back” – Nelly Furtado

CM: This is pretty mellow. Too mellow for me and a bit too repetitive throughout. The bridge sounded promising at the start, but then it followed the same fate as the rest of the song. It’s one of those songs that you think TD Canada Trust will turn into ‘hold’ music.

JP: Holy shit, Nelly Furtado is still making music? Her and Gavin DeGraw in the same playlist? What year is it, 2008? I was never a huge Nelly Furtado fan and this song seems to just maintain the status quo for her. At least Furtado fans will enjoy it. Meanwhile, I’ll be trying my hardest to never hear her voice again.

“Semaphore” – Flock of Dimes

CM: It sounds like this is a misplaced tune from the ‘80s. Are the ‘80s coming back musically? I’m not down for that. The vocals work well with the music, and it’s not unenjoyable, it’s just not my style.

JP: I think this is the best song on the playlist so far. To me, it has a low-key Florence + the Machine feel, especially in the vocals. I have no idea what a semaphore is but I don’t think that really matters. Update: it’s either about flag signalling or computer programming. In both cases, gross.

“Vi Ses” – Lord Siva

CM: The vocals are too strained for most of the song and it doesn’t make an impact. It’s designed as background music, I hope, because that’s all I can see it being.

JP: This is a different language, right? I really hope so. I’m just very confused. I tried to google this guy to understand what this song is and I just kept getting results for the Hindu God Lord Shiva. Eventually, I found the guys on Facebook and had a really good laugh at the Danish to English translation. Point is, the song’s not great.

“Rush” – Skogsberg feat. Akdogan

CM: I could see this being a hit in a club. For regular listening, I don’t think it really works. It just has that club-directed dance vibe and rhythm that I don’t want to listen to away from that environment.

JP: No. Just no. This is shitty and I don’t want to listen to it. I’m not sure what it is, I just don’t like it.

“Let it Show” – Skylar Stecker

CM: Yeah, I can get down with this. It’s pop, but in all the right ways. Great vocals with spot-on falsetto, catchy melodies, and fun to move to in a desk chair.

JP: Oh man, what a refreshing addition to a genre where all the songs sound the same. (Is the sarcasm translating well?) Seriously though, you could play this song five times in a row and I’d just think I was listening to Virgin Radio. Also, I just realized this song is called “Let it Show” not “Let it Snow,” which makes much more sense but is nowhere near as exciting.

“Superlove” – Tinashe

CM: Her quick spoken-word is impressive and she can sing well. I dunno, it just doesn’t do it for me. It’s not a bad listen, but I’m expecting more from someone who seems to have a lot of talent. The male vocal interjections throughout detracted from the overall pleasure of the song. I think it needs a bit more maturation.

JP: “I’m trying to make you my baby daddy” is not a song lyric I ever want to hear again. If I didn’t have to listen to the words, I’d probably enjoy this song.

“Make Me. . .” – Britney Spears feat. G-Eazy

CM: Britney’s calling for “something sensational” but fails to deliver. Her experience shines through in this song, it’s extremely well-crafted. It has everything a chart would look for in a pop song these days. But I find the formula old, and Britney should be better than that.

JP: You have no idea how hard it is to not make an “Oops! . . . I Did it Again” joke right now. While you can tell it’s Britney the second you hear the vocals, everything else about this song makes it impossible to tell it apart from similar music. I played “Fly” by Nicki Minaj over it the second time I listened to it and not only does the music sound ridiculously similar but it would also be a pretty good mash-up. Fun fact: most mash-ups are good when they involve Nicki Minaj.

CENTRE STAGE: Rising star Jennifer Gillis says playing Maria in West Side Story is a dream come true

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Unrequited love under the stars.

Jennifer Gillis is full of gratitude these days. A rising musical theatre star who was featured on the 2012 CBC reality show Over the Rainbow at only 16, she’s now in her third year at Capilano University’s musical theatre program. This summer she’s putting her hard work into practice as Maria in West Side Story at Theatre Under the Stars (TUTS).

“It’s an absolute honour to be playing Maria,” said Gillis, “it’s such a classic musical, and so many people dream of playing this role. It’s been great to dive into the character.”

Gillis is particularly enjoying this role because she finds a lot of similarities between herself and Maria. “A lot of people think she is naïve, but Maria is strong and passionate and willing to stand up for herself. She has a big heart and her love for Tony is full-fledged.”

Based on the classic unrequited love story of Romeo and Juliet, West Side Story features the feuding New York street gangs the Jets and Sharks instead of the Montagues and Capulets. The themes of love and violence are timeless, and Gillis hopes that the show can open our eyes to some of the discrimination still present in society. “I know it sounds cliché, but I think West Side Story has the power to change the world,” she said. “I hope it inspires the audience to spread love, positivity, and acceptance.”  

Gillis said her favourite song from the show is “Somewhere,” which she describes as a tearjerker. “It encompasses what the whole story is about,” she said, referencing the line “Somewhere there’s a place for us,” and the way it promotes belonging and inclusivity.

“A Boy Like That” is also one of her favourites where Maria and Anita learn about each other and what they might have in common.

“There’s a deep message in West Side Story,” said Gillis, “and I’m blessed to be able to share it.” With TUTS’s long, storied history as a cultural institution in Vancouver, Gillis is thrilled and grateful to be performing at the Malkin Bowl. “Seeing all the previous cast member signatures on the wall; it’s a real honour to be part of the season.”

CENTRE STAGE: Dancing on the Edge returns with a packed line-up of contemporary dance

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Thus Spoke pushes the boundaries of dance.

As the longest running contemporary dance festival in Canada, Dancing on the Edge knows how to present a variety of local, national, and international dance artists with something for all tastes. From outdoor works, to mixed bills and premieres, July 7–16 will be an exciting time for the dance community.  

While there are always new works at Dancing on the Edge, some artists are festival regulars who return with new performances each year. Jennifer Mascall’s company MascallDance, who are performing The Outliner: an evening of solos in EDGE OFF One, have been a part of the festival almost every year since it began in 1988.

Donna Spencer, the festival producer, is thrilled to be presenting the 28th year of Dancing on the Edge. There are many shows that she is excited about, but one highlight is Frédérick Gravel and Étienne Lepage from Quebec. “They’re pushing the boundaries of dance and trying to challenge the form,” she said, explaining that the full-length show, Thus Spoke, involves the use of a lot of text.

Another notable work Spencer mentioned is Isaac y Diola by German Jauregui and Anita Diaz. In the mixed bill EDGE One they will be presenting an excerpt of the work. Other prominent choreographers featured in the festival include Joshua Beamish, Sylvie Desrosiers (Dorsale Dance), Serge Bennathan, and Wen Wei Wang.

Dancing on the Edge (DOTE) began commissioning new works for the festival three years ago, and this year they have commissioned works from Amber Funk Barton and Wen Wei Wang that will be shown as part of the mixed bill programs. Spencer explained that the festival wanted to support artists in the creation of new work, as it can be very difficult to find the resources to do so. The hope is that after the festival the artist can continue to develop the work and it will grow into something larger.

“A lot of the work does end up having a life after the festival,” said Spencer. A couple of the artists showed their works at the Canada Dance Festival in Ottawa before making their way west to DOTE. Some of the artists will be taking their shows across the water for Victoria’s Romp Festival and Nanaimo’s Infringing Dance Festival.

The festival also includes a couple of exciting site-specific outdoor works, which are free or by donation. The stunning acrobatics of the Aeriosa Dance Society will be on display in their work Pseudotsuga – Earth to Sky that will be performed high up in a grove of trees in Stanley Park. On July 15 and 16 in the SFU Woodward’s inner courtyard you will be able to see Naomi Brand’s All Bodies Dance Project perform En Route. Be sure to catch one of these free shows, or check out one of the many shows the festival has to offer. No matter your contemporary dance taste, there is something for everyone.

Pokémon Go has ruined my sex life

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He leaned in for a kiss. I did the same. We embraced, and it was great — there’s something about geeky guys that really gets my blood pumping. Our hands began to roam when suddenly his pants vibrated. I grinned and pulled back, about to make a lewd comment about a toy. He, however, pulled out his phone with excitement. “There’s one here!” He dismissed the notification and opened an app on his phone and began to scan the room. “One what?” I asked

I embraced him from behind, kissing his neck, trying to get the mood back, and looked down at his screen. He was playing Pokémon Go and was about to catch a Zubat that seemed to have been roosting in my closet. I’m all for bringing games into the bedroom, but this is a bit silly. Honestly, Pokémon Go has really puffed my jigglies.

I know this is another question of technology seeping into real life, and this isn’t an article about how tech is bringing about the downfall of civilization. This is more a commentary on how there are other balls I could be playing with, but the trainer is too distracted.

I’m not a luddite, I love my tech — in fact, I have had to avoid Pokémon Go because I don’t want my life’s goal to be finding a Squirtle (my love life is already like that, anyway). Nor do I think that no one should play this game. It’s just a matter of timing. If I bring you to my hideout to show you my Helping Hand, the last thing I want is for you to be distracted.

I get that you gotta catch ‘em all. I get that it is fun. I get that you want to keep playing. All I am saying is if you put the phone down, you can catch my Slowpoke.

The Peak is hiring for the fall semester!

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This what dreams are made of: The Peak is hiring for the fall semester. Applicants should send in a resume as well as a brief cover letter. Sample work relevant to the position(s) applied for is highly encouraged.

The Peak‘s hiring board is looking for the best and brightest SFU students to help report on stories that are of interest to the student body. If you are passionate about campus politics, student advocacy, arts and culture, local and regional sports, satire, leadership and management, photography, graphic design, and / or free pizza, this is the job for you.

Working for The Peak is an excellent way to gain hands-on experience in the field of journalism as well as skills in communications, public relations, illustration and design, critical thinking, leadership, photography, and more. You will meet like minds who work hard and play hard in a high-energy environment.

Applicants must be registered SFU students for the duration of the semester for which they are applying. Previous experience with our newspaper is preferred, but not required. Please address your applications to The Peak hiring board at [email protected], or drop them off at our offices in MBC 2900. Any questions about the process can also be sent to this address.

Applications close on Friday, July 29 at 11:59 p.m. Job descriptions for available positions can be found below:

Production and Design Editor

Copy Editor

Print News Editor

Web News Editor

Opinions Editor

Features Editor

Arts Editor

Sports Editor

Humour Editor

Photo Editor

Multimedia Editor

Website Manager

Layout Assistants (2)

Multimedia Assistant

Burlesque performers Shine in sensual show

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Saving a theatre has never looked so sexy.

She’s loud, foul-mouthed, and is the owner of a theatre whose crazy cast of burlesque dancers she calls family. But that description doesn’t do justice to Shine Mionne, the titular character of a burlesque musical that, while explicit, actually has a whole lot of heart.

The play is set in a rundown burlesque hall called ‘The Aristocrat’ on the Lower East Side of Manhattan, a year or two after the 2008 market crash. In a desperate attempt to keep her place running, Shine (Cass King) takes out a loan from the bank that she is finding increasingly difficult to pay off, and is continually threatened with the inevitable gentrification of her theatre. When a smooth-talking businessman named Richard Suit (Theo Budd) offers to help her restore the place and run the show, Shine is forced to choose between saving the show from financial ruin or continuing to run it the way she always has.

The musical had a shaky start, as it was plagued with technical issues (which continued throughout the night), and a band whose accompaniment sometimes overpowered the performers onstage. As a result, its opening number, “This is How We Do It Downtown” was confusing and overwhelming at best. However, the plot quickly picked up pace and one couldn’t help but be charmed by the characters and the story. There was also a whole lot of nudity (with colourful tassels artfully placed in the right places) to keep us entertained in between.

Shine is a story that acknowledges the existence of sex,” the show’s composer John Woods told The Peak. “It’s not gratuitous, it’s funny, hilarious, and speaks to sex.” There is no better description of the musical, as most of the characters aren’t shy about expressing their sexuality. The most hilarious number, “Blind,” performed by Frankie Avid and Allison Fligg, directly speaks to the power of horniness as they both proclaim that they want to “fuck [each other] blind.”  

A standout character was the gorgeously voluptuous Lulu (Danielle Lemon), the star of Shine’s show, who turns people on with her incredible voice and sexy confidence. Lemon’s solo number, “Large and In Charge,” brought her powerful vocals and seductive prowess together in the best way possible.

As for Shine, Woods described her by saying, “She is a character that you don’t really see in any sorts of media; she’s a woman who misbehaves, but is still a hero. Shine is hard-drinking, loud-mouthed, and still gets to save the day.”

King gave an amazing performance, showcasing crass humour mixed in with intense vulnerability, proving that a character can be sexy and relatably human.

In essence, Shine stands out by being sexy yet down to earth, the perfect blend of fun romp and sentimentality. Go see it if you want a good laugh and opportunities to say a couple of “awwws.”

Shine will be playing at the WISE Hall in Vancouver from July 6–16.