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WWE’s continuing decline after deal with Netflix

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Men and women wrestlers stand dramatically against a striking blue backdrop.
IMAGE: Courtesy of Netflix

By: Mason Mattu, News Writer

“Are. You. Ready?” 

These are the words World Wrestling Entertainment’s (WWE) chief content officer Triple H asked a Monday Night Raw audience on the company’s first ever Netflix broadcast. In January of 2024, the two companies announced a deal in which Raw would exclusively air on Netflix around the world. Alongside this, Friday Night SmackDown, NXT, and “premium live events” (pay-per-views) would stream live on Netflix in countries outside of the US. 

Triple H has been in charge of WWE’s creative processes since July of 2022 following the infamous retirement of Vince McMahon. Triple H’s booking strategy has always focused on “long-term storytelling” with lots of room for younger WWE talent to develop. However, one of the major criticisms that has been levied against him is that the company’s product has become too predictable. 

Following WWE’s recent Royal Rumble event, Triple H stated that “predictable can be good.” This comes as returning WWE superstar and 13-time women’s champion Charlotte Flair recently won the Royal Rumble in a move deemed unpopular by WWE’s fanbase. Talk about predictable.

This is an example of the decline in WWE’s quality in the Netflix era. I remember watching the first WWE Netflix episode of Raw on January 6, 2025 and thinking, “This is going to be great.” About an hour into this ordeal, I realized something was distinctively different from previous WWE shows. Something had totally changed

Matches on Raw now feel painfully slow-paced and drawn-out.

There used to be something special about sitting down, flipping over to Sportsnet, and watching some entertaining WWE matches. In a world that’s becoming more dominated by streaming giants, I am truly concerned that the quality of professional wrestling is continuing to erode. 

As WWE moves to an online streaming platform for almost all of its international weekly content, there have been some very obvious declines in the product. Matches on Raw now feel painfully slow paced and drawn out. Wrestlers take more time than before to walk down to the ring, and deliver awkward promos. Although Raw moved from a three hour time slot to a roughly two hour slot on Netflix, it feels as though WWE writers don’t know what to do with the time they have. If anything, I feel as though it’s more of a burden to watch two hours of Raw on Netflix than the traditional three hour slot. This is mixed in with streaming issues, glitches, constant commercial breaks, and Netflix’s streaming audio being undeniably crappy. 

While the shows that are directly aired on Netflix are clearly taking a hit in quality, so are WWE shows that don’t exclusively air on Netflix. Friday Night SmackDown, airing on the USA Network, has faced the trickle down impacts of the new Netflix era in WWE. It seems as though management is trying everything in their power to change the product to reflect the “innovating” time that the company is in. This means that on SmackDown, you are finding the same issues as on Raw. One user on r/greatnessofwrestling put it best: “This shit is like watching a super long ad with a little wrestling thrown in.”

It is hard to deny the fact that the WWE raked in the big bucks with this new Netflix deal — and we are in no doubt in a new era of WWE. However, this new era is proving to be extremely crappy.

Suspicious coughing in the classroom

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Students sitting in a dark lecture hall. There are only two masked students and most of the rest are coughing or sniffling. Germs are visible around them as though a UV light is being shone on them.
ILLUSTRATION: Fernando Valdivia / The Peak

By: Phone Min Thant, Staff Writer

People like to boast about ditching class, and honestly, why not? Why would you spend two to three hours of your life — that is 180 minutes — stuck in a room with people you don’t know and will never remember again after four months of forced academic camaraderie? But now, what if they start coughing? Maybe add a sneeze here and there? The academic struggle-buddy next to me right now is coughing and wheezing so much it reminds me why I was awarded the “you visit often” title on WebMD’s COVID-19 symptoms page

Before you say, “It’s just a cold,” please show me proof first. Why do you have the good old COVID-19 test tucked in your photos to send to your TA before missing tutorials but never get your coughs tested? Also, talking about ditching class, maybe don’t lie about your sickness when you are not sick. Now, you are forced to come on campus when you are actually in need of bed rest and Advil lest you risk failing your class discussion grades. I can’t tell you what to do, but maybe it is time to replace that vape in your pocket with a bottle of hand sanitizer. 

Stuck next to someone possibly having some unknown contagion and having to bear the weight of paving the way for a better future (a dreadful lecture), what am I to do? Wait, why is everyone getting up and leaving? The class is over? In my quest to find answers to my classmates’ cough, I have sacrificed my wonders about my participation grades or the date of the midterm.

The next class is walking in but I’m not finished with my little reflection. For example, has enough time passed since Valentine’s Day for me to stop worrying about the spread that might have happened when people visited a bougie fine-dining place on a date? What lovers do in the bedroom is none of my concern but perhaps reconsider doing a study date if you feel a tickle up your throat. It’s already bad enough that I am seeing lovey dovey scenes at a library (seriously, I know it is a tight competition but try to book a library room ahead), I don’t want to get some disease because some couple couldn’t wait to charm each other until they get back home.

Oh, the next lecture has begun and I’m not sure if I should go or stay. I’ve never learned about organic chemistry before . . . Maybe I could make friends with the person who just sat next to me. They have really cool stickers on their laptop and — NOPE! Was that a sniffle? I’m out. Catch me in the class Discord asking if anyone can send me the notes from week five’s lecture. No, I didn’t miss class; I just forgot to listen to the professor while figuring out if the guy next to me had too much to drink last night or got the flu. 

MAUVEY TO A BAWAH: A name, legacy, and cinematic journey

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Four photos of BAWAH: top left is of BAWAH standing by a window wearing a chromatic purple top. Top right is of BAWAH standing in front of water and mountains with his arms up wearing a patterned top with long sleeves that billow in the wind. Bottom left shows BAWAH sitting in front of a fireplace and brick wall. In the bottom right, BAWAH balances a basketball on his knuckles and stands in front of a basketball hoop outdoors.
PHOTOS: Courtesy of @lovemauvey / Instagram

By: Yasmin Hassan, Staff Writer

On a bone-chillingly cold Friday night, I made my way down to the VIFF Centre to watch the film premiere of MAUVEY TO A BAWAH. It’s directed by Andrew Huculiak and shot by Joseph Schweers. Most importantly, it’s about the man, the myth, the legend — BAWAH, or, as some know him, Mauvey. Recently, in honour of his family and his Ghanaian heritage, he decided to change his name to BAWAH, his family name. 

This project as a whole is “a four-part album series, a film series spanning 48 episodes, and a 48-chapter book.” This premiere is just the tip of a purple-coloured iceberg his outfits in the film prove it’s not just a choice, but a statement. These jaw-dropping ensembles were made by his wife, Bree Laryea, in collaboration with her brand, BREEFORD

BAWAH has lit up stages across the globe, delivering riveting performances and sharing the spotlight with artists like July Talk and Snotty Nose Rez Kids. Though I would give you a genre, as he says, “With all due respect, I’m not a rapper. I am not an R&B singer. I am not a soul singer. I am not ‘urban’ or someone making ‘Black music.’ I make music and I am Black!” I couldn’t agree more, and you’ll see why.

The theatre was packed. BAWAH was out greeting everyone which made the screening feel personal. He gave me a big hug and a hearty handshake, which immediately warmed my heart and made me feel so welcome in the space. Everyone was extremely excited, hyping him up for the big turn out. Surrounded shoulder-to-shoulder with creatives, close friends, and artists who knew BAWAH was a bit intimidating because they all looked so cool. 

“With all due respect, I’m not a rapper. I am not an R&B singer. I am not a soul singer. I am not ‘urban’ or someone making ‘Black music.’ I make music and I am Black!” — BAWAH

This first film lasted one hour and consisted of 13 episodes, each with their own accompanying song. My favourite aspect of these episodes was the preamble before they started being narrated by BAWAH’s father. Knowing that he changed his name to honour his family and his history only made that aspect shine even more. The episodes take viewers through the story of two days in the life of BAWAH’s journey as an independent artist, which he describes as a rollercoaster. “From looking forward to the biggest show of your career, to the show being cancelled and instead, finding yourself performing at a local dive bar on karaoke night,” this short film shows audiences the oscillating dynamics of “picking yourself up, only to feel worse moments later.” The scenes range from realistic everyday happenings, but others enter a sort of surreal or absurdist fashion of dreamlike states that captivate you with the intense and varied shots. The film portrays the stages of grief, humour, love, self-doubt, and dissociation, in a way that blends beautifully with unique songs fitting each scene. 

They shot this film in three days, all in Chilliwack, so viewers get a real local scene from beautiful shots of nature to neighbourhood businesses there. 

“We kept the crew super small,” Huculiak said in a statement to The Peak, explaining that, as a self-funded project, they made it work with a limited timeframe and budget. “I truly feel like small crews are the most invigorating, the most active, the closest to ‘truth’ so even though it’s ambitious it also feels within reach.” 

Keep your eyes peeled for more of BAWAH’s stuff by joining Club BAWAH, giving you exclusive access to music and events. There’ll be new music on Fridays, new episodes on Mondays, and new book chapters on Wednesdays. All of this will be accessible on his website and streaming services. MAUVEY TO A BAWAH: THE FIRST 13 will be out May 1, 2025.

Vinyls are the perfect musical medium

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stack of vinyl at a record store
PHOTO: Natalia / Adobe Stock

By: Yasmin Hassan, Staff Writer

Over the holidays, I finally got a gift I’ve wanted for years: a record player! I was so pleased with this funky little trinkit, but I needed actual vinyls to play on it. They’re not something you can have at the touch of your fingertips through a streaming service like Spotify or Soundcloud; vinyls are a more grounded way to listen to music. I needed a record player to hear my favourite songs and sounds, but it was more than worth it. Though streaming services are convenient and practical, the charm of physical media remains undeniable. Despite its perceived outdatedness, vinyl offers tactile engagement, superior sound quality, and a deeper appreciation for album artistry — experiences that digital formats simply cannot replicate.

From removing the record from its sleeve to placing it on the turntable, each step of handling a vinyl becomes part of a ritual that draws you into the music. While many often listen to music on the bus, while walking, or driving, playing music from a stationary device like a record player means you’re only listening in one place, purposefully immersing yourself in the music and space. Unlike the instant gratification of skipping through a digital playlist or just having headphones on for background noise, vinyl invites you to slow down and truly engage with your chosen album by literally being present with it. 

That fuzzy crackle and pop that you hear when listening to a vinyl adds a layer of texture in the audio that hones nostalgia.”

Vinyl records are also known for their incomparable sound quality. That fuzzy crackle and pop you hear when listening to a vinyl adds a layer of texture to the audio that hones nostalgia. The analog quality from groove to needle captures nuances in the music that digital formats often miss, resulting in a warmer, richer sound. When media is digitized, it’s compressed to minimize file size so you can fit more songs onto your device. However, high quantity doesn’t mean high quality, and compressing those audio files means the songs often lose fine tonal details, ultimately leading “to fatiguing, hyper-compressed songs that squish out the dynamics and textures that give recordings their depth and vitality.” 

We can’t forget the intricate and intentional designs of vinyls themselves. Each record is a work of art, from the cover design to the liner notes, to the vinyl itself, often uniquely designed or coloured. I recently bought De La Soul’s 3 Feet High and Rising album, and with the two sided vinyls came a special comic strip with unique illustrations about the story described through the songs. Collecting vinyl encourages listeners to explore entire albums, fostering a deeper connection to the artist’s vision; a complete album as a cohesive piece of art.

While collecting vinyl records may seem like a backward practice in the digital age, it offers something unique and valuable. If you get a chance to take a step back from all the hubbub of the world around you, I highly recommend accompanying yourself with a good vinyl record to unwind and enjoy the music at your own pace.

Fondness for my Chromebook (After Siaara Freeman)

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Woman sitting in front of her laptop looking upset. She’s surrounded by used tissues.
PHOTO: Kaboompics.com / Pexels

By: C Icart, Humour Editor

Oh, Chromebook. I heard you’ve restarted unexpectedly . . . again

And that’s OK. I’m not annoyed! 

I love restoring all my previous apps

It’s one of the many things I love about you 

I love that you don’t work unless you’re plugged into the wall

It doesn’t make you a needy bitch at all

I love taking you off life support 

In my head, it causes you to say the same phrase I do every time you prove your uselessness to me 

“I’m dead.”

 

I love that four tabs open at once seems to be your limit

Don’t listen to the others; four is a big number

I love that you are seemingly allergic to every Wi-Fi network to ever exist

Putting in the Wi-Fi password three times before you connect is our little fucking ritual, and it makes me feel so fucking connected to you 

The only way I could be more connected with you is if you let me swiftly connect my fist to your screen, over and over and over again

 

I want to take you out every night

With a baseball bat — No, sorry, on a date

To the smash room 

Where I could show you what RAM really means 

.

.

.

With a baseball bat

A conversation with SFU artist Casey Wei

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A woman with short black hair stands at a podium while speaking.
PHOTO: Courtesy of Alison Boulier

By: Phone Min Thant, Staff Writer

Last month, Casey Wei, an SFU Master of Fine Arts alum and a current PhD student in Contemporary Arts, was awarded the Philip B. Lind Emerging Prize for her work, The Zhang Clan 张家族. This experimental documentary project focuses on the experiences of her family members following their departure from China after the Tiananmen Square massacre of 1989. The Peak had an opportunity to speak to Wei last week to learn more about the inspirations and work behind The Zhang Clan, her ongoing projects, as well as her experiences as an SFU student.

The Zhang Clan is a beautiful representation of the experiences of diaspora, bringing to life the daily comings and goings of a family away from home. The documentary is the final piece to Wei’s 父母 (fumu/parents) trilogy, which also features Murky Colors (2012) and Vater und Sohn/Father and Son/父与子 (2014). Since the first two films focus on the relationship between fathers and their children, Wei was motivated to produce The Zhang Clan to share the relationship between her and her mother. 

“It’d be nice to make a film about my mom and my mom’s experience,” Wei explained. “And eventually, it happened with The Zhang Clan,” she added.

Ultimately, Wei said The Zhang Clan came to be after she took a snippet of her family studying and commenting on the family tree handwritten by her maternal grandfather, a moment she described as “the perfect timing.” The Zhang Clan is a special project, both in itself and for Wei. According to her, the choice of making it a documentary was deliberate, reflecting her “real life” and involving her “real family” without any need for extraordinary acting. The experimental aspects of The Zhang Clan also make it an innovative form of art, using “two channels and a sculptural element” instead of a usual film screening. 

The core philosophy behind Wei’s work is to showcase everyday lives of diaspora. This sentiment is mirrored by her methods of making the documentary, which she directed wholly using a “small, non-invasive” DV camera without any artificial lighting and mics. The transformation of daily happenings to something “important enough to record” is what makes Wei’s project unique. 

“That style of filmmaking of just everyday where not a lot happens, those are my favourite kinds of films.” — Casey Wei, SFU Contemporary Arts PhD student

“That style of filmmaking of just everyday where not a lot happens, those are my favourite kinds of films,” Wei said. “This kind of universal human experiences of the common person, I find really engaging.”

One thing that lingered with me beyond the interview itself was Wei’s explanation of a three minute stop-motion segment shot at one of SFU’s visual arts studios, where the pollen of a money tree was blown away to a new location. Wei elaborated that it is “symbolic of [her] family’s migration,” a “metaphorical” representation of the experiences of diaspora families. These themes of family and leaving home are also seen in Wei’s book, Tuning to Oblivion, which explores her experiences as a travelling artist in Thailand.

“It definitely did impact the way I make work in a positive way, and I think that’s just from the professors I had,” Wei explained. “Having that consistency in mentorship and guidance has helped my work be consistent.” 

Currently, Wei is working on her PhD project, trying to find connections between “the seemingly disconnected ideas” of communes in China in the late 1900s and how they affected artistic activities on the Canadian West Coast around the same time.

The Zhang Clan is a wonderful, thought-provoking insight into the daily lives of diaspora in a place continents apart from their original homes. Like Wei’s analogy of pollen being blown away, projects like hers show us how families drifted apart by the forces of history survive, adapt, and communicate with each other and the new world around them. In a world increasingly hostile to the issue of migration, The Zhang Clan offers a positive hope for families caught up in such challenges.

Brighter side: Joy and a heron

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an illustration of a baby blue heron
ILLUSTRATION: Abigail Streifel / The Peak

By: Elijah Dunham-Jasich, SFU Student

I find most of my Burnaby campus joy in myopic fashion. The AQ’s single-paned windows and their accompanying “be heat aware” posters bring me joy. It’s here where the optimism of an architectural vision long-gone meets the cost-cutting necessities of this moment. I chuckle. 

I don’t find joy in sitting for hours in heat-(in)efficient bodily discomfort (my hands sweat, and I take notes with a pen and a notebook). However, breaks from this allow me to walk outside and breathe in cold air — a joy in relation to the prior discomfort. 

Multiple cold breaths were taken on the northern steps of the fourth floor AQ, greeting a juvenile great blue heron who seemed to be navigating the campus “reflecting pond” as if it were any of Burnaby’s carp-inhabited waters. It seemed, to me, too small to catch any of our ornamental alumni, poking around the pond’s edge with discomfort. I realized then that I can’t attest to the heron’s emotional state. 

I reminded myself to get a croissant at Renaissance, maybe breathe some more cold air. Even those who carry themselves with over 6 feet of flight-optimized wingspan navigate the campus’ concrete stratum with a snack.

Student protests gaining traction in Serbia after 15 killed in train station collapse

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This is a photo flooded with people in the streets protesting, holding some signs written in Serbian. There are so many people that not a single inch of the ground can be seen.
PHOTO: Courtesy of @f666 / Instagram

By: Kaja Antic, Sports Writer

Content warning: mentions of violence against protestors.

Editor’s note: The quotes taken from the interview conducted for this piece were translated from Serbian to English independently by the writer, who is fluent in Serbian.

On November 1, 2024, a concrete roof collapsed in Novi Sad, Serbia’s second largest city, killing 15 people. Since then, mass protests have erupted across the country, alleging government corruption and incompetence caused this tragedy. These protests have been organized largely by students, with the support of the broader Serbian population, as the collapse “has come to symbolize a wider discontentwith government corruption

The Guardian called the protests “the biggest student-led movement in Europe since 1968.” They also called it the largest movement since the 2000 overthrow of former Yugoslavian president Slobodan Milošević. He was accused of corruption and facilitating war crimes during the Yugoslav Wars of the 1990s. The recent protests have pointed out that those in power have “blood on their hands,” supposing corrupt government processes led to the collapse. 

The Peak spoke with two students from Belgrade — Teodor and Mateja — who are acting as security for the protests. The Peak has only published the students’ first names to protect their identities. During the interview, the pair was on duty for a student blockade at their college in Serbia’s capital, as schools have been on strike for weeks.

“The most important thing is to fight against corruption in this country. If we hadn’t stood up, [the government] would have just gone over it,” said Mateja.

Peaceful protests have been ongoing since the initial collapse of the train station entrance. This includes 15-minute traffic blockades — a minute per fatality in the Novi Sad incident. Minutes of silence begin at 11:52 a.m. during protest activities (the same time the concrete roof collapsed) and have also been observed by the international Serbian diaspora. There have also been multiple student-led marches that go on for days as hundreds walk over 80 kilometres from Belgrade to Novi Sad. 

The protesters have made multiple demands from the Serbian government, the first being a release of all documentation related to the Novi Sad station’s recent renovation. The second demand is for those who approved the allegedly insufficient renovation to be held accountable for their negligence.

“The most important thing is to fight against corruption in this country. If we hadn’t stood up, [the government] would have just gone over it.” — Mateja, security for the Serbian protests

“All authorities who were involved in that project should be sanctioned adequately with the provisions of the law,” said Mateja. “Those people who approved such a project [ . . . ] should be responsible.”

The third demand from protestors is the prosecution of groups attacking the protesters. These attacks involved physical beatings and cars driven into the traffic blockades by those displeased with the movement. It has been alleged by protesters that some of these attackers are affiliated with President Aleksandar Vučić and the conservative nationalist Serbian Progressive Party (SNS). 

“They were not arrested. They were not taken into custody. Confirm their identity from the footage and start the appropriate procedure,” Teodor explained. “Not only for them but also for all the people who went out after that or in any way endangered the students.”

The fourth demand is the release of arrested protestors who students allege have been arrested without due process. Mateja alleged the police arrive once the anti-student attackers have fled, resulting in the students being the ones arrested. “It’s more like they don’t want to find them,” Teodor added, concerning the police’s seeming inaction in finding those attacking the students.

The fifth demand is a 20% increase in government funding for post-secondary education, giving opportunities for more students across the country. More recently, on February 26, the government followed through with this increase, which granted a “50% reduction in tuition fees for self-financing students.”

On January 28, Serbian Prime Minister Milos Vučević resigned, following reports of a young woman being hospitalized after an alleged attack by pro-SNS assailants during a protest. Vučević remains in power as prime minister as the National Assembly has yet to confirm his resignation, and he has yet to pick a new prime minister or call a snap election.

Protests continue across the country. The protestors, as a group, have been nominated for a Nobel Peace Prize, though the movement has not been widely acknowledged outside of the Balkans.

“I think it’s nice to see that someone supported you from some other country,” Mateja commented, regarding international support for the movement. While celebrities like tennis player Novak Djokovic and musical artist Madonna have shown support for the students, there is still a long way to go in the student’s eyes to topple Vučić’s government and get justice for those affected by the roof collapse.

SFU professor develops guidelines for social connection

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This is a photo of someone with medium-length hair and a brown jacket walking along the shore of the ocean alone.
PHOTO: Sergii Mostovyi / Adobe Stock

By: Lucaiah Smith-Miodownik, News Writer

When sick or injured, we’re told to go to the doctor. But what about when we’re lonely? As cited by SFU News, a 2023 study from the US Department of Health and Human Services found that social disconnection, or being socially isolated and lonely, increases the likelihood of premature death just as much as smoking 15 cigarettes a day does.

Now, an initiative led by SFU assistant professor of health sciences Kiffer Card is trying to eliminate the public health issue of loneliness. Card, also the scientific director for the Canadian Alliance for Social Connection and Health (CASCH), headed a project focused on developing national guidelines for improving social connection for individuals and groups. These guidelines were designed in collaboration with GenWell — an organization that creates programs and campaigns aimed at strengthening social connections for Canadians. Similarly, CASCH works “to combat loneliness and social isolation by fostering collaboration among institutions.”

While “loneliness and social isolation can lead to stress [and] depression,” they can also lead to a weaker immune system, according to the project. Cortisol, known as the stress hormone, tends to go up when we’re lonely. For one, cortisol reduces bodily functions that are not absolutely necessary in a moment of high stress, like digestion. If sustained for long periods, this state of stress can lead to an increased risk of issues like heart disease, digestive issues, muscle pain, and more. Cortisol also reduces inflammation. While this may be positive in the short term, it can ultimately suppress the immune system over time. 

The recent study, which informed these guidelines, recruited “expert consultants” on loneliness. These consultants were found by contacting known authors within the academic field of loneliness and emailing professional organizations. Through iterative interviews, researchers asked these consultants how the guidelines should look. 

“By prioritizing social connection, we can combat the rising mental health crises, reduce healthcare costs, and build a more resilient and cohesive society.” — Kiffer Card, assistant professor of health sciences, SFU

Results from the first round of interviews were converted into thematically similar groups, which were then presented to participants as statements. Individuals were asked how much they agreed with the statements, and how much importance they attributed to them. Next, researchers created a set of guidelines based on data from these two rounds. A focus group with people who are 2SLGBTQIA+, non-white, immigrants, and live with disabilities also rated their level of support for these guidelines, which were then fine-tuned. 

Ultimately, researchers settled on six individual and community guidelines for improving social connection. Individual guidelines include emphasizing social connection, focusing on social confidence, and building multiple kinds of relationships. Community guidelines include prioritizing social connection “in policies and practices,” emphasizing “accessibility and inclusion,” and creating spaces that lend themselves well to social connection.

In a recent SFU News release, Card stated “the guidelines are a crucial advancement in public health.” He noted, “Implementing these guidelines may present challenges, but the potential benefits for individual and societal health are immense.

“By prioritizing social connection, we can combat the rising mental health crises, reduce healthcare costs, and build a more resilient and cohesive society.” He also acknowledged that transforming these guidelines from paper to people’s lives can come with challenges. Social inequalities like lack of housing, transportation, and suitable outdoor spaces can make social connections harder.

For a full list of individual and community guidelines, and to learn more about the project, visit socialconnectionguidelines.org.

Vancouver Rise FC represents growing women’s sports in Canada

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A group of women and trans individuals wearing toques, shirts, and scarves with Vancouver Rise FC’s green logo: an emblem of a mountain with the words ‘RISE’ in the middle.
ILLUSTRATION: Bithi Sutradhar / The Peak

By: Quin Kohlman, SFU Student

The newly established women’s soccer team, Vancouver Rise FC, is ready to move mountains in the Vancouver sporting world. As part of the Northern Super League (NSL), the first women’s soccer league in Canada, this team isn’t just about scoring goals and winning matches; it’s about promoting gender equality and the inclusion of the 2SLGBTQIA+ community in sports. With Canadian soccer icons like Christine Sinclair and Stephanie Labbé on the Rise’s executive team and Canadian national team star, Quinn, on the pitch, this team is sure to turn heads in their spring 2025 debut. 

Although there is still a long way to go, women’s sports have been steadily gaining traction in Canada. According to Statistics Canada, women and girls represent 49% of all sports participants in the country, yet they receive less media coverage and fewer sponsorships than men. There are two professional men’s soccer leagues in Canada, the MLS and the CPL both of these leagues have a team in Vancouver, Vancouver Whitecaps FC (MLS) and Vancouver FC (CPL). The Rise will be the first independent women’s professional team of any sport in Vancouver. 

“The establishment of the Vancouver Rise brings more than just a new team to cheer for; it represents a powerful movement towards inclusivity in Vancouver.”

The Rise’s establishment brings more than just a new team to cheer for. This team has the potential to inspire young girls and 2SLGBTQIA+ individuals who may have previously felt marginalized by the men’s sports teams in Vancouver. With many other professional women’s sporting leagues across the world fostering a safe place for women and 2SLGBTQIA+ athletes and fans, we can hope to see the same from the NSL and the Rise. 

The success of women’s sports in Vancouver in the Canadian Women’s National Soccer team and the Professional Women’s Hockey League (PWHL) Takeover Tour shows promise for high interest in women’s sports and proves why Vancouver can support a professional women’s team. On December 5 2024, Rise part-owner and Canadian soccer legend, Sinclair, played her last game with the Canadian Women’s Soccer Team and drew record-breaking numbers of over 48,000 fans to BC Place. Earlier this year, the PWHL Takeover Tour brought 19,038 fans to Rogers Arena, surpassing the Vancouver Canucks’ January 2025 average of 18,942 fans. With the continued outcry of support for women’s sports in Vancouver, it is clear to see the Rise can succeed. 

In a city renowned for its breathtaking landscapes and cultural richness, the Vancouver Rise is crafting a new narrative one where everyone has the opportunity to thrive, and rise.