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Monday Music: Songs to turn the cautious into risk takers

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"Monday Music" in giant yellow block letters with a red background
Monday Music: your weekly themed playlist. Image courtesy of The Peak.

By: Dilpreet Tatla, SFU Student

As a cautious and anxious person, music has allowed me the confidence and adrenaline to take risks in different aspects of my life. If you’re like me and seek music to pump you up, here are a few tracks to replace your worried thoughts with an adrenaline high. Maybe one of these songs will finally get you to go bungee jumping or to text your crush. 

“The Fear” – The Score 

Courtesy of Republic Records

This is the type of alternative rock song that is played in a movie during a montage scene when the protagonist is rising after being knocked down. Forceful lyrics like, “It’s time to stand up, stand up / Show me what you’re made of,” accompanied by loud drums, will cause you to feel invincible. Truly, this is a song to make you feel like the protagonist in a movie. So look at that bucket list of yours, pick something you’ve always wanted to do but feared, and play this song — before you know it, you will be able to say you went skydiving.  

 

“Every Kind of Way” – H.E.R. 

Courtesy of RCA Records

R&B singer H.E.R. is known for her soulful and soft, angelic voice. Accompanied by slow tempos, her voice can help soothe anxious thoughts that have you second-guessing yourself in romantic situations. The lyrics will convince you to take a risk in putting yourself out there and making the first move. H.E.R. sings, “I want you off my mind and on me” — a sentiment many of us have likely been able to relate to at some point in time. So why wait? Send that first text. 

 

“Doubt” – Mary J. Blige 

Courtesy of Capitol Records, LLC

We sometimes think that betting on ourselves is a risk, so instead, we stay in our comfort zone. Contemporary R&B singer Mary J. Blige speaks to this by singing about how there may be losses, but there are also wins when you believe in yourself. These lyrics, along with her powerful voice, reassure listeners and give them a boost of confidence. The change from a slow to moderate tempo in the song allows for listeners to feel the build up of an adrenaline rush, causing nervous feelings to slip away. This is a song to be played prior to any situation you feel you need to take a risk, whether it be at school, work, or somewhere else.

If you liked those you should also check out: 

Renaissance Coffee reopens at SFU Burnaby

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PHOTO: Ahmed Ali / The Peak

Written by: Dev Petrovic, Staff Writer

Local vendor and coffee chain Renaissance Coffee reopened on September 28 after closure due to COVID-19. The Peak spoke with owner Parminder Parhar about the business’ integrated protocols, as well as some of the challenges that have come with SFU’s decision to remain primarily remote. 

“We have followed all the protocols from the Simon Fraser Safety Department. We have shields for the safety of workers and customers, elevated training, sanitizer for the customers, no more self-serve, and everything is packaged,” Parhar said.  

Due to remote classes, Renaissance Coffee has experienced a significant decrease in customers and has changed some of its product offerings. Parhar explained that they’re currently not offering their full menu, only coffee and baked goods.

“The main difficulty was that the business went down to zero,” stated Parhar, explaining that the cafe had nearly seven months of no business. “We depend on this,” he continued, “[it is] how we are able to provide for our family. We had our share of challenges, but we are not alone in this. Everybody is going through the same challenges.” He added that the worst is behind them, and that they are now looking forward.

“I think we have to start somewhere,” he said, “we can’t be sitting at home forever. We all have to do our part, we have to restart, we have to get going [ . . . ] Going forward there may not be classes next semester, so we have taken this bold step that we’re going to be open,” Parhar explained.

When asked about the possibility of extending their hours of operation, Parhar noted that “it will all depend on when [SFU is] going to reopen the campus and when there is going to be more people on campus. As soon as that happens, [they] will extend [their hours].

“We have been a part of this campus for almost 23 years and we have never experienced this situation before. We are in a situation where there is [ . . . ] very little business, so I just want to make an appeal to the community [to] please help us out. We’ve been a very intricate part of this campus, this community, so this is a time when we are really asking for this community’s help to get us going,” he concluded.

The Renaissance Coffee in the AQ is currently operating Monday through Friday from 7 a.m. to 3 p.m., and is closed on holidays. The SFU community can find updates on SFU Food.

My first sexual awakening

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ILLUSTRATION: Tiffany Chan / The Peak

By: Going Through Ch-Ch-Ch-Ch-Changes, One Hexed Girl, and Parawhore

David Bowie (by Going Through Ch-Ch-Ch-Ch-Changes)

While most know David Bowie as the lightning bolt face guy or “singing something about an alien named Tom or whatever the hell,” his role in the entertaining yet fucking weird film Labyrinth was unforgettable. At around age 13, David Bowie was just about the coolest person in the world to me and, well, Jareth the Goblin King was his face that I knew best. 

His incredibly tight leggings in the movie showed off his body in ways that I didn’t quite understand at the time. I knew that there was something attractive about the glitter-covered man surrounded by puppet henchmen. As he fondled his smooth (crystal) balls in the sexiest but most sinister way, the movie left me thinking that this androgynous icon was magic in more ways than one. 

As the Goblin King stole Sarah’s baby brother, I wished he would steal me into his maze of mischief too. When he brandished his magic rod, all I wanted was to see his other magic rod that was painfully obvious in every scene . . . and maybe learn why he carried a riding crop. As he said goodbye to Sarah, I was nowhere near ready to say goodbye to that half-unbuttoned shirt of his. Labyrinth definitely showed off Davie Bowie’s talents and body, making him the “Babe with the Power” that really awoke something in 13-year-old me.

The Hex Girls (by One Hexed Girl)

My brother was obsessed with Scooby-Doo — for whatever reason, children were obsessed with unmasking old men dressed as werewolves. Me? I was obsessed with it because of the Hex Girls. I will never forget watching their introduction when Scooby and Shaggy took time away from smoking bowls and discovered these potential witches in the woods. Those two may have been afraid, but what sparked in me was a different response — a response that would soon be suppressed by my Catholicism until the eighth grade when I realized that my best friend was way cuter than guys who sported DC shoes. That Scooby-Doo film was the first time I ever related to boring preppy Fred as he ogled over those three. 

Thorn singing “I’m gonna cast a spell on you / You’re gonna do what I want you to” was formative to my identity. It made me queer. It made me a bottom. It made me always long for a goth girlfriend, despite me currently having the antithesis of that: a gamer boyfriend. 

And most importantly, the Hex Girls made me eco-conscious. Whenever I use a plastic straw, I think of how disappointed they would be in me, and then I think of how they might punish me, and then I think thoughts not suitable for The Peak.

Hayley Williams (by Parawhore)

Hayley Williams has it all: she’s hot, she’s talented, she’s an entrepreneur, and again, she’s hot.

I’ve had “That’s What You Get” stuck in my head since 2009 and that woman living rent-free in my heart for longer. What I’ve always admired most about her is how bold she is. The only thing bolder I can think of is when I had that dream where she kicked me square in the nose when I was front row at a concert. To this day, I’ve never washed my nose. 

The orange hair, her fun outfits . . . she blew my mind and I was never coming back from it. As a regular Twitter user, I’ve found out this is somewhat of a universal experience. Every emo reject questioning their sexuality back then remembers the women of Warped Tour. I’m talking Jenna McDougall, Lynn Gunn, Ash Costello . . . if you know, you know. But Hayley, that woman has been my phone wallpaper for like five years. I still don’t know if I want to be her or if I want to be pegged by her.

My first impressions of skateboarding as a WOC

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Illustration by Maple Sukontasukkul.

By Winona Young, Peak Associate

The first time I went to a skatepark with my board and helmet, I remember feeling excited. I chose to go on a BC holiday — which would turn out to be a big mistake — and opted for the park that was closest to my neighbourhood, which was nestled in a little suburban area. The park itself was small but versatile; it featured two bowls, a rail to slide on, and little hills that featured colourful graffiti against smooth, sleet-coloured concrete. 

It was a little past 11 a.m. with the sun full-frontal in the sky, which already had me sweating by the time I got to the park. As soon as I entered the green fence, however, my confidence dropped. I chose to come alone, thinking I’d have time to skate around an empty park, but instead, I found myself in a buzzing hive of white boys (baggy shirts, jeans, and all) ranging from kids to grown men, blasting past on their scooters and skateboards.

I was the only woman (and for that matter, only person of colour) there, in a sea of skaters who were younger and more talented than me. I gulped, my body suddenly tense, and my hands more than ready to text my mom to pick me up. 

I decided to start skating several months ago. It was a move that surprised not only my family, but me too. But in hindsight, it really shouldn’t have. 

I grew up in a Catholic Filipino household. Being the youngest of three daughters, I always noticed I was deviated from my parent’s expectations of being a proper Filipina girl. When I was eight, I often opted for baggier t-shirts, hated the colour pink, and listened to my dad’s Queen CDs. It wasn’t until I turned 12 my mother outright told me that video games were for boys and began dressing me in more pastels that I quietly closed the door on being a tomboy.

From that age, I would explore my femininity for a very long time. This past year, at the age of 23, I saw my partner ride his skateboard and felt electrified just seeing someone cruise down concrete.. Wide-eyed in my pink skirt and tight ponytail, I thought about how cool it was to be the girlfriend of a Sk8er Boi, á la Avril Lavigne style. But as soon as he let me ride his skateboard, I thought to myself: oh wait, I can be the cool Sk8er Boi. 

I began looking up skate tutorial videos on YouTube, excited to dive into something new — but then, I was painfully reminded of the fact that there was a standardized Sk8er Boi look that I didn’t fit. Namely, a white male in a baggy t-shirt. So whenever I walked the streets with my skateboard, or moreover, saw a white dude with his board skate past, I would feel immediately defensive. I felt paranoid if others, especially men, would immediately see that I was a beginner and would call me a poser like we were in a generically mediocre 90s TV show. 

However, I understood that it made sense for skateboarding to be populated by white males because it was founded in California during the 60s by Caucasian beach-blond boys who wanted to surf on the sidewalk. 

This isn’t to say that there were only white skaters; men of colour, especially Black men, were part of the skating scene. Skaters like Steve Caballero (pro skater and creator of the skate trick, the Caballerial), and Christian Hosoi (pro skater and past rival of Tony Hawk) were also big names that are integral to the history of skateboarding. 

But I still felt alone. I did, however, begin improving over the next few weeks. Every single time I rode my board, I felt this incredible urge to prove to others I was competent enough to ride. I kept trying to prove that to myself so I didn’t feel like an impostor. It’s not that the skate community, online and offline, wasn’t welcoming, but I found it hard believing myself that I was part of that community and I belonged there as a woman of colour. 

Then, enter Skate Kitchen. Skate Kitchen is an all-female skate collective based in New York City. Their members include Rachelle Vinberg, Dede Lovelace, and Moonbear, who are all women of colour and even actresses in the HBO series, Betty, wherein it showcases the lives of fictional characters based on themselves. 

When I first saw Vinberg and her all-female crew spill into a male skate park in the series, I remember feeling a surge of empowerment and the striking feeling of being found. Although I didn’t immediately feel less of an impostor, I definitely felt more safe.

After seeing Skate Kitchen, I began looking to my own community; I hit up a fellow female SFU student I met from Emo Nite Vancouver, and began asking her where to go in the big old skate world of Vancouver. She recommended that I follow @vancouverqueerskate, a pro LGBTQ2+ skate account based in BC, @latebloomersskateclub, an inclusive skate account that posted daily inspo-videos of (usually) women sharing their skate progress, and suggested I joined Chickflip, an all-female Facebook group of female skaters in BC. 

After months of looking inward and looking outward at skate videos online, I decided to get my skateboard at Skull Skates, Canada’s oldest skate shop downtown in Vancouver. So when I walked into the skate park, alone, with my new board, shaking in my pastel-coloured Converses, I did the only thing I (sort of) knew how to do. I skated — badly. 

I pushed around on my board, doing small turns around the hurdles and not so much stopping, but stumbling to a halt every time I circled the bowl. Guys did laps around me, getting air time, doing tricks, and out-racing their friends, but I kept pushing through the anxiety until all the other skaters left the bowl. 

I remember feeling my face erupt in the smallest smile meant only for myself because I knew, despite the fact I was the only woman of colour there, I was a skater, and nobody could tell me otherwise. 

Fast forward to the end of this summer and I was in Surrey, skating on a late afternoon day. There’s a road of fresh concrete that spans a block down at the block my partner lives. He and I were skating down that concrete after a board session at the park nearby. I followed behind him, my right sneaker pushing off the pavement hard, my left hand at my hip holding my bubble tea order as my eyes focused forward. The wind whipped past me and I stood up straight on my board, enjoying the sunlight. 

But as soon I cruised down the concrete, I saw a girl cruising towards us, her bangs in her face as she stared down at her board, arms flailing as she tried to steady herself on her board. I sped past her but stole a look as I was riding away. She looked like me, five months ago, struggling to skate in a parking lot while better skaters passed me. 

I thought more about her as I put away my helmet and board once I got home. I thought of how I wanted to tell her that it was OK to struggle, that all she’s gotta do is commit. But mostly, all I wanted to tell her was how good it was to see her, and how just like me, she belonged too.

SFSS 2020 AGM: Moving towards equity and democracy

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Illustration courtesy of SFSS.

By Balqees Jama, SFSS Board of Directors (At-Large Rep)

Recent SFU Student Activism

SFU has witnessed a wave of student activism over the last couple of years that was inspired in 2018 by an interconnected combination of movements on campus. This includes women’s rights advocacy sparked by the impeachment of the Simon Fraser Student Society (SFSS) president, calls for equity within our student society over the Rotunda Space issue, and the ongoing battle against yearly tuition increases. Student activists organized around issues, mobilizing to pressure both SFSS and SFU for equity and transparency in the way both organizations make decisions.

The highly politicized campus climate led to engaged student activists being elected as SFSS representatives with a mandate of building back student power. The SFSS is a student-led organization that represents and advocates for the rights and interests of the 25,000+ undergraduate students at SFU. It provides undergraduate events, services, and advocacy to SFU. The Society continues to advocate for anti-oppressive practices and structural support for students during COVID-19 advocacy.

SFSS has successfully lobbied for the construction of the Burnaby Mountain Gondola, mobilized students across North America to take action for climate justice and Indigenous rights, and supported the Don’t Forget Students campaign. 

Attacks on Student Democracy 

Currently, the SFSS consists of two governing bodies: the Board of Directors and the Council. The Board consists of 16 elected student representatives, including six Executive Officers that carry out the day-to-day responsibilities of the Society, and 10 Faculty and At-Large Representatives.

The Council is an advisory body to the Board and serves as a space for students across SFU to connect and bring their issues to the governance table. It represents every faculty and departmental student union at SFU, and equity-seeking constituency groups including the Women’s Centre, First Nations Students Association (FNSA), Disability and Neurodiversity Alliance (DNA), Out on Campus (OOC), and Students of Caribbean and African Ancestry (SOCA).

Unfortunately, there have been attacks on Council from the Board in recent years. In the spring of 2017, Councillors mobilized against by-law changes which diminished the Council’s role in the Society, removing its role in SFSS governance with the intention of eradicating Council. 

SFSS by-laws are governing rules and principles agreed upon by membership that define our governing structure. In Spring 201–20, Council held the Board accountable for their decision to go against providing equity-seeking groups space in the new SUB. The Board drafted by-laws in response that removed the Council’s governance powers, systemically writing Council out of existence. 

This year’s elected Board scrapped those drafts and worked with Council to create new by-law proposals for membership to vote on at the SFSS 2020 Annual General Meeting. When it comes to equity and representation, SFSS must ensure that Council’s powers are systemically ingrained into our governance structure so that student democracy is protected.

SFSS 2020 Annual General Meeting 

Moving Towards Equity and Democracy

To advance student advocacy efforts, the SFSS Board and Council have worked together to propose a new model for the Society that involves redistribution of governance power to a more diverse range of students at SFU. 

The SFSS Board proposes that Council become the new legal Board of Directors, as defined in the BC legislation we follow. The model aims to establish the new executive role of VP Equity and Sustainability within SFSS. 

As part of the anti-oppressive shift within the student body, the newly proposed model ensures that marginalized equity-seeking groups have a direct vote at the decision-making level of student governance. These would include the Women’s Centre, FNSA, DNA, OOC, and SOCA.

SFSS Condemnation Vote Against SFU Tuition Increases

After refusing to join students’ calls to lobby the BC government together for increased educational funding, SFU is raising tuition during the COVID-19 pandemic. A motion is being proposed at the AGM to condemn SFU tuition increases as a student body.

SFSS President Osob Mohamed’s briefing note on the tuition condemnation states the significance sending a unified message to the SFU institution:

“A formal, public group condemnation can be a powerful tool in the lead up to a bigger action, and to a direct concession from the University in the near future.

Why it’s Important to Vote at the SFSS AGM

Along with the regular procedural matters that the student society updates membership about, such as the financial status of the Society, students can actively participate in student democracy by vocalizing their thoughts and ideas.

It’s essential that membership votes in favour of adopting the structural changes proposed in the new bylaws; it would be the start of a new era for the SFSS. 

These systemic changes in our student union would advance student engagement and advocacy efforts, including fighting against tuition hikes, providing academic advocacy, advancing SFU’s role in racial and climate justice, and more. The new structure would be a move towards equity and democracy, as it systemically redistributes power to students to include representation of every faculty and departmental student union and marginalized group on campus.

How to Vote at the Oct 26 SFSS AGM

All undergraduate students are encouraged to attend and participate in the SFSS AGM on Oct 26 at 3:30 p.m. Cast your vote in formally condemning SFU tuition hikes as a student body and vote to build student power within the Society through equity and democracy. 

Quorum is reached at 250 members, the minimum number of members required to conduct AGM business. Changes to SFSS bylaws must pass by a 2/3 majority to be successful. All relevant AGM documents are available for download.

By attending the AGM, students will be automatically entered in the draw to win prizes ranging from Skip The Dishes gift cards to smart tablets, and more. There is also a prize for the student union that has the highest number of students to attend the AGM.

SFSS 2020 Annual General Meeting Details

Date: Monday, October 26, 2020

Time: 3:30 p.m.–6:30 p.m.

Register on the Eventbrite page.

See Relevant AGM Documents: bit.ly/SFSS2020AGM

Need to Know, Need to Go – October 19 to 25

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Illustration of a blue calendar, with "Need to Know, Need to Go" written on top
Arts & Culture events to catch around the city. Image courtesy of Brianna Quan

By: Meera Eragoda, Arts & Culture Editor

Simon Fraser Student Societies (SFSS) Events | October 19–23 | Free

The SFSS is hosting a string of events this week. They’re starting off with a mental health workshop on Monday — perfectly timed given this is a busy period in the semester for many. Tuesday’s event is about organization, and starting Wednesday they’re getting into the Halloween and fall fun with: an apple pie making workshop on Wednesday, lantern making on Thursday, and jack-o-lantern carving on Friday. Follow them on Instagram (@sfss_events) for more details about these events.

SFU Creative Writing Minor Launch | October 21, 3:30 p.m. | Free

SFU’s creative writing department is hosting an online launch for their new minor program on October 21. The event will feature readings from Carleigh Barker (previous writer-in-residence), and SFU professors Clint Burnham, David Chariandy, and Stephen Collis. There will also be a video montage of previous writers-in-residence, and attendees will have an opportunity to win a $100 Massy Books gift card when registering with an SFU email. Registration details can be found online.

PANDEMONIUM: Being Kind — How much does sociability matter? | October 21, 5 p.m. | Free

Presented as part of the SFU urban studies lecture series, this panel discussion will be exploring the value of kindness in a pandemic and its connection to public health. The discussion seeks to answer whether being kind provides wisdom for improving cities in the long-term and “will address the connections between social cohesion and public health and ask what it will take to insert principles and practices of kindness and sociability in urban policy, moving forward from the pandemic.” This event is free but requires registration.

Amy Lam in Conversation with HaeAhn Kwon about Bathrooms | October 24, 12 p.m. | Free

Amy Lam’s Make-Believe Bathroom is an online exhibit at SFU Galleries. In this talk, she sits down with installation artist HaeAhn Kwon, who contributed graffiti to Lam’s exhibit, to talk about the politics of bathrooms and “the relationship between civility and necessity.” Preceding the talk is Go Together, an opportunity to talk to the artist in the Make-Believe Bathroom exhibit. The Zoom link can be obtained by emailing [email protected].

Ease into the Halloween mood with these digestible and engaging comics

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Courtesy of LR Hale

By: Kelly Chia, Peak Associate

Sing the Moon Down by Loki

Courtesy of Loki

Sing the Moon Down is an adorable queer webcomic featuring a witch named Sam and a werewolf named Santiago. Sam moves into town to start an apothecary, and Santiago is looking for ways to handle his werewolf transformation without outright repressing it. The two find acceptance in each other as they talk about their past. Sing the Moon Down gives me the same cozy feelings as Stardew Valley, with a splash of the supernatural. It’s illustrated in a lovely watercolour wash, and is a short and sweet read at 22 pages.

 

The Night Belongs to Us by LR Hale

Courtesy of LR Hale

The Night Belongs to Us began in 2012, and is an ongoing webcomic featuring the adventures of Hank, a newly turned werewolf, and Ada, a vampire. Set in Denver, this gritty comic explores the complications Hank faces while adjusting to werewolf life and being infatuated with Ada. Hank is described as “an out lesbian, left-wing liberal, and tree-hugging vegetarian, but she’s too nice to be snooty about it.” Balancing out Hank’s idealistic personality is Ada, a classically broody vampire whose sense of justice saves Hank. The first chapter is titled “Things to Do in Denver When You’re Undead,” which perfectly exemplifies the grim humour of the story.


DeadEndia by Hamish Steele

Courtesy of Nobrow

DeadEndia is a story that was originally published online, but has been turned into a graphic novel series. It centres Barney, Norma, and Pugsley (an actual pug) who are three employees at a haunted house attraction. The twist? The attraction is actually haunted! It’s goofy, colourful, and the different demons and ghosts interact with the characters in a lighthearted way. 

 

Mooncakes by Suzanne Walker and Wendy Xu

Courtesy of Wendy Xu & Suzanne Walker

This comic immediately drew me in when I found it. It’s not often that I find Chinese teenagers in a supernatural setting in fiction, let alone queer ones. Nova Huang is a powerful witch who works at her grandmothers’ bookstore, The Black Cat, during the day and investigates supernatural events at night. Along the way, she reunites with her childhood crush Tam Lang, a werewolf. Nova’s grandmothers, Qiuli and Nechama, seem like such cool people and as hosting a coffee shop/bookstore is a distant romantic dream of mine, the comic makes me wish they were real people I could meet. The setting and characters go down like a warm cup of tea, and if you’d like to check it out, the comic is updated on the first and 15 of every month.

U.S. presidential debate formats that would have gone better than what happened on September 29

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PHOTO: Charles Deluvio / Unsplash

By: Kyla Dowling, SFU Student

I know what you’re thinking: what the flag-thumping-fuck was that Trump-Biden debate? There’s nothing worse than chugging tequila thinking “oh, this might be easier to sit through if I make it a drinking game,” only to realize as you’re driven to the hospital for alcohol poisoning that A) having a Libra as a moderator was a horrible idea and B) facism never looked so orange. Let’s take a look at some ideas for the format of the next debate that might be more productive than that dumpster fire — and may lead to an actually funny SNL parody (hopefully with Pete Davidson playing Biden. I’d just like to see that.)

 

  • A Karaoke-Off

 

It’s every theatre kid’s dream and every normal person’s nightmare. I imagine Trump starting with a rendition of white-trash anthem “Sweet Home Alabama.” He’ll probably get dubbed over, just like Zac Efron did in High School Musical (sorry to have to break this news to you so abruptly. Now your dreams of Troy Bolton and the United States as a whole are both crushed.) 

Biden, however, seems likely to go the hip-with-the-kids route — even though there’s nothing less hip-with-the-kids than picking a cop as your VP. Personally, I’d like to see him rap “Fuck Donald Trump,” but given that he plays it safe, he’ll probably go for something from Hamilton (told you the theatre kids would be happy.) 

Side note, imagine the power Kanye would have here if he had stayed in the running. The mention of independence arises and he just goes, “Your titties, let ‘em out, free at last. Thank God almighty, they free at last . . .”

 

  • Kahoot

 

Is there anything that brings more fury and violence than Kahoot? Designed to be played in grade school classrooms, this is the perfect option for these two candidates that act like children. With Kahoot, there’s no grey area. When asked “do you condemn white supremacy?” Trump can’t tell the Proud Boys to “stand back and stand by” because YEAH, that was a thing that happened (???) Instead, all he has to do is click that red “yes” button. 

Kahoot is also time-sensitive, which will help Biden avoid prefacing every answer with “well . . . here’s the deal” and waving his hands around a bunch. If wanted, the American people can even play along! Now that’s a better voting system than the mail-corrupting mess of the USA, folks. 

 

  • American Ninja Warrior

 

What better way is there to stress to the candidates that they’re too old for this job than with an athletic competition? Due to Trump’s heavy steroids because of his “mild” COVID-19 symptoms, he “feels better than he did 20 years ago” and really wants us to believe that he has the advantage. So let’s ignore the debilitating illness that he has and send this 74-year-old man through a physically taxing obstacle course that only three people have ever completed. I’m sure nothing bad will happen! Well, nothing bad by my standards. 

 

  • MasterChef

 

Being a chef and being a politician need the same amount of experience: none. Just ask Remy from Ratatouille! The rat had no cooking experience and straight-up vibed his way into a job by pulling some dude’s hair. I’d take this rat as president over the other two rats in suits any day. 

Biden will make a sorry attempt at some kind of ethnic food in order to appeal to voters that he definitely never cared about in the first place. Trump, on the other hand, will tweet “MCDONALD’S. VOTE!” and then UberEats a Big Mac to present as his meal — but not without a fly landing on it, probably. 

In the end, both of them will be bettered by it. This reality show may actually be good for Trump; if he won, that prize money could pay off his next 15 years of taxes!

Opinions in Dialogue: Trump and COVID-19

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Shaheen Virk / The Peak

by Kelly Chia and Emma Jean

With Trump’s diagnosis of COVID-19, the internet has been swarmed with arguments to be empathetic while weighing the irresponsibility of the Trump administration in their management of COVID-19, leading to over 200,000 deaths. Peak Associate Kelly Chia and Staff Writer Emma Jean discuss below.

Kelly: To start, while I definitely believe it’s in poor taste to wish sickness on a person, I find it really difficult to empathize with Trump being diagnosed. This was a man that, most recently in the presidential debate, mocked Biden and his family for wearing masks. This was a man that, after being diagnosed, was admitted to a luxurious six-room suite receiving top treatment. My biggest fear was that should he recover swiftly, he would downplay the seriousness of this disease, and that’s exactly what he did in this tweet

Emma: I agree. It’s very hard to not abide by the traditional sentiment of not wishing harm on another person, but when the health of a single person could dictate by proxy how seriously countless governments and individuals address a literal plague . . . it feels almost wrong to hope for a swift and full recovery. If some of the more severe symptoms of COVID-19 had taken hold of Trump, and there were people other than Claudia Conway who could publicize it, it could be a global example of how even the most powerful people in the world can be dramatically affected be this virus — even if they’re receiving the kind of world-class care you described at a world renowned military hospital. Instead, though, we got this horseshit, and he can justify all the lies he’s spread about COVID because he’s lived it. I never thought I’d say that beating an illness is the worst case scenario, but in Trump’s case, it really is.

Kelly: As a politician, it feels like he has already done the most dangerous thing he could in his situation: say COVID-19 is nothing to be afraid of. A study from the 2020 Health Care Trend Report states that COVID-19 treatment costs about $14,500 a person. For him to talk about his recovery like it represents all Americans is to spit in the faces of the citizens that can’t afford this treatment. I also take issue with Trump continuing to call COVID-19 the Chinese virus. He continues to aggravate Anti-Asian sentiment, and I can only imagine how nerve-wracking that must be when voting at the polls. 

Emma: I couldn’t imagine how he could possibly cause more damage than he already has, but, jester, he has done it again. The rhetoric he’s used the last six months seem to exemplify the greatest hits of his presidency, namely racism, fear-mongering, and science denial — but it’s all applied to an issue that forces everyone to listen to him talk about it because he’s technically the leading public authority on it. The exorbitant cost of healthcare that you highlighted also makes it even more despicable that the other favourite talking point of his campaigns have been the slandering the Affordable Care Act, which was flawed but still began to provide bare minimum of public health insurance, and any form of Medicare for All. Considering that comes from one of the most privileged people in the world, it’s beyond insulting and exponentially damaging to know how much this combination of lack of health coverage and reckless handling of a pandemic will cost in human life, as well as the financial ruin COVID-19 leaves behind to those affected by it.

Kelly: In other words, Trump’s own treatment of the virus has largely informed how we empathize with him in the virus. As we are writing this article, Trump has claimed that he has fully recovered from the virus, and we know that he has been receiving treatment that most Americans can not afford to see. Regardless of whether he has truly recovered, I don’t think that the reactions to him getting diagnosed is a true measure of anyone’s empathy. Many people are understandably hurt by the way he has navigated the COVID-19 crisis in the States, and they are still suffering from the effects of it. 

Emma: Exactly. I think there’s nothing wrong in taking some satisfaction that Trump can finally experience a fraction of the pain he’s caused others, nor with hoping his situation would have become a lesson on how contagious and serious the virus can be. Obviously, the latter hasn’t come true, so settling for the former is the best we can do. That being said, I think everyone’s entitled to feel however they do about this, because we all have our own relationship to illness and death. Twitter should not be banning accounts that are making jokes about Trump’s death (especially after they’ve ignored countless death threats against racialized people, trans people, and women in the public eye for years). Ultimately, there is no reason you should feel bad for feeling good about Trump’s COVID-19 diagnosis. (FBI, please don’t come to our homes.)

NDP pledges SFU will get BC’s second medical school program

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PHOTO: Simon Fraser University Communications & Marketing / Flickr

Written by: Karissa Ketter, News Writer

The BC NDP announced that upon re-election, they will begin the conversation with SFU to put British Columbia’s second medical school at the Surrey campus. The Peak interviewed NDP Burnaby-Lougheed Member of the Legislative Assembly, Honourable Katrina Chen, to discuss the pledge. According to Chen, Surrey’s quickly growing population and the location of the SFU campus makes an ideal time and location to develop a medical program. 

Assuming the NDP government is re-elected in the upcoming provincial election, a more in-depth discussion on funding, educators, and program development will need to take place, according to Chen. She noted that the discussion phase of the project would likely “take about four years of planning.” She hopes to have SFU welcome their first medical school class in the 2024/25 academic year. 

Chen stated that this is “great news for our community as a whole” as an additional medical school in the area will help to deflate wait times for medical attention by training more local doctors. According to Chen, excessive wait times in clinics were “a problem that was really left by the previous government [ . . . ] not being able to address wait time.” 

SFU’s potential medical school training would partner with the Fraser Valley Health Authority and the First Nations Health Authority to put training programs in place for culturally sensitive healthcare services. Chen noted that it is a priority for the NDP government to be aware of BC’s large and diverse population, and that the new “medical school will be able to connect with those needs” across a number of marginalized groups in Canadian communities.

“We need more locally trained doctors. BC [has been] lagging on that” despite the recent attempts to invest in healthcare, stated Chen. “We need to do more,” she added, expressing that during the pandemic, the importance of healthcare has been made clearer. 

The NDP has and will continue to “[work] really hard on the primary care network,” as stated by Chen. She said that the new medical school will be a unique partnership in the community across the coming years. 

There is more information on the NDP’s platform website detailing their priorities for the upcoming election.