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Sexy librarian

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By Ljudmila Petrovic
Photo by Mark Burnham

What bestsellers like Twilight and Fifty Shades of Grey say about women and sexuality

Let me get one thing straight: I have never read nor seen Twilight. At the height of its popularity, I picked up the first book to see what the hype was about. Twelve pages were all I needed to know that I could not read any more poorly-written melodrama. But I digress. Despite my snide opinion, there is nonetheless something about Twilight that made the book reach the number five spot of the New York Times bestseller list within a month of its release. I don’t personally care about Team Edward or Team Jacob, but the fact that these “teams” even exist says something about the appeal of these characters: readers care, they empathize, they identify. Most importantly, for a character considered to be so shallow, the debates surrounding the protagonist Bella Swan are extremely dynamic and complex: is she submissive, or fighting for love? Is she a negative role model, or a strong one?

The general plot seems simple enough: Bella falls in love with Edward Cullen. She’s 17, so you’d think it was dramatic enough, but he also happens to be a vampire. I don’t know the logistics — I’m sure most Twi-hards could explain the nuances better than me — but the main problem appears to be inter-species dating, and how much more complicated consummating their relationship is. As long as Edward is a vampire and she is a human, he is capable of accidentally hurting Bella during sex (something about not knowing his own strength). Very long story short, she leaves her family, gives up life as a human, and eventually transforms into a vampire in order to be with Edward. One of the main criticisms of Bella’s character is that she has no ambitions and goals of her own, but rather only sees a future as defined by her relationship with Edward Cullen; despite his efforts to dissuade her, she insists on being transformed into a vampire in order to be with him. Another criticism — mostly made by feminist groups — is that Bella seems to always need a male figure in her life: she lives with her father, and then falls in love with the possessive Edward. When he leaves, she is drawn to Jacob, a werewolf. This cycle has led to the general belief that Bella is a submissive, dependent woman, and is not fit to be a strong role model for the young girls that make up the series’s demographic.

A blog titled Twilight Gurls: Because Twilight does NOT suck!, had a post that addressed this very issue. The evidence for Bella being a solid role model lies in her appearance, her popularity, and her willingness to fight for Edward. “Bella Swan is so pretty!!! that’s [sic] really good and it gives girls something to aspire to! [Bella is] inspiring girls to take better care of themselves and try to be prettier!!” writes a user that calls herself LizzieBella. “She teaches you about love…she shows how its [sic] important to be in love and all the things people do for love!” It is unclear whether this blog is satirical or whether it is written by true Twilight fans, but it nonetheless reflects a very real position. Bella certainly does fight for love, and when you think about it, Bella is submissive and makes errors in judgment, but perhaps that’s what makes her so real and relatable to readers. Literature has been filled with strong women who fight for themselves and uphold their pride, but the reality is, nobody does that on an everyday basis, making “weaker” female characters — though not the best role models — appealing, because they are so relatable.

This brings me to what has been called “Twilight for the grown-up set,” and the newest craze to hit the New York Times bestseller list: Fifty Shades of Grey. E. L. James’s erotic novel has topped the list for 19 weeks, with its sequels — Fifty Shades Darker and Fifty Shades Freed — at second and third, respectively, for 19 and 18 weeks. The premise follows Anastasia Steele, a 22-year-old college literature student. Anastasia is a blushing virgin when she stumbles into Christian Grey’s office. She is meant to interview him for her campus newspaper, but they end up engaging in a sexual relationship that would have been described as “kinky” or even “perverted” before Fifty Shades of Grey became a best-seller and brought the topics of bondage and other fetishes into the spotlight for housewives and young women alike.

What is surprising about this book’s rise to mainstream is the extensive descriptions of the BDSM (bondage/discipline, domination/submission, and sadism/masochism) in which the couple engages. The steamy sex scenes are graphically described, bringing the book to the public’s attention. Ellen DeGeneres called this series “mommy porn,” referring to the assumed demographic of the readership: middle-aged, suburban mothers and wives.

James is herself a mother in her forties and, in an interview on The Today Show, she spoke about how a mid-life crisis led to Fifty Shades of Grey — and how the series started as a Twilight fan fiction, with the aforementioned series being a foundation for the characters in Fifty Shades. Recently, however, the publisher’s data (collected from social media, Google searches, and fan sites) revealed that a majority of readers are younger than the perceived age — usually in their 20s and 30s.

Certainly, the demographic of the readership is largely female, but that does not mean that it hasn’t sparked male interest. A blog on the Men’s Health website tackled the topic of why women were so swept away by the series. One of the comments — by a female — explained that it was because Christian made Anastasia feel like she was a goddess, but more interestingly, because Anastasia managed to “fix him” and rid him of the emotional baggage he had at the beginning of the story. It is interesting that a book that is not particularly well-written or insightful could open so much discussion. For example, on askmen.com, a reader wrote in that he and his wife are reading the book together, and are using it as a starting point for discussion about their sexual fantasies. A recent article in the Georgia Straight addressed this as a positive effect of the books: they are a platform for discussion. The article argues that this book is not just an outlet for the fantasies of sexually repressed women; rather, it is responsible for making less conventional sexual practices that have previously been deemed “kinky” a topic of discussion for women of all classes, ages, and relationship statuses.

“Mainstream pornography is generally made by and made for men,” Vancouver clinical counselor and sex therapist Teesha Morgan told the Georgia Straight. “Women are desire-seeking, sexually driven creatures as well. It just has to be packaged to them in the right way.” This corroborates the idea that discussion can and should be open on these topics, and that the gender differences lie not in what individuals want, but in how it is presented to them.

However, while both Bella and Anastasia are submissive, their love interests — Edward and Christian, respectively — treat them as if they are fragile, and protect the women. Because the characters of Fifty Shades are directly based off of Twilight’s, it’s not surprising that the relationships are similar. There is also a very specific balance in these relationships that draws women to these stories: the males are unquestionably dominant — women may feel much the same in their own relationships — but they are also uncharacteristically caring and protective. In the case of Fifty Shades, there is also forbidden eroticism.

The character of Christian Grey never has to ask Anastasia what she wants from their sex life; instead, he is in control in every sense of the word. In fact, only several pages into the first book, the reader learns that he likes to have control over all aspects of his life. There are many — including Katie Roiphe in a Newsweek opinion piece — that believe that the appeal of these books lies in control. Proponents of this theory elaborate that, while the contemporary woman has a successful career and control over her life, she still fantasizes about being submissive in bed — a fantasy that is played out quite vividly in the pages of Fifty Shades.

However, Anastasia says that, deep down, she just wants more affection and love. So, what is important is not that she herself is particularly drawn to sado-masochism. Rather, it is that she loves a man that is, and she is willing to do what makes him happy, making her even more of a submissive character than she already was.  “Women have more sexual freedom and more power than ever before in our history,” feminist Katha Pollitt told Newsweek on the topic of Fifty Shades. “But that does not mean they have a lot of either, and it doesn’t mean they don’t have complicated feelings of guilt, shame and unworthiness.” Pollitt and many others have used this to explain female fantasies about sexual submission: it is about a dissonance between different social roles, and many of these women are more comfortable being pursued rather than the instigator. A character like Anastasia in a relationship like the one portrayed in Fifty Shades is exactly relatable to women that fit Pollitt’s theory: she is engaging in sexual acts that can be seen as deviant or wild, but the feelings of guilt and shame that Pollitt speaks of cannot be applied to the character or the reader, because somebody else that is initiating it.

When a book is as popular as Twilight or Fifty Shades of Grey, it is important to investigate why; by finding recurring themes or characteristics, we can also find underlying topics and discussions in society as a whole. On the surface, Twilight is a mediocre book for preteen girls about adolescence and vampires. But its characters spark debate, and Bella’s merits as a role model are still unclear. Her submissive character and her relationship with the more domineering Edward is an important aspect of the series, and a jumping point for James to develop Fifty Shades of Grey. The latter eliminates the fantastical aspect of supernatural creatures, and extends the submissive female character into an erotic novel, which sparked discussions about sexuality among women who wouldn’t normally chat about bondage and sado-masochism.  Girls and women should not necessarily strive to be like these characters, but should nonetheless observe and question their values and qualities.

SFU Engaged

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A quick video on SFU’s Engaging the world motto, and what the SFU community thinks about it. Engage!

Leave us a comment below about what you think of SFU’s slogan.

Created: Julian Giordano
Contact: [email protected]

Score: Music Club – Chase & Status

Board short

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By David Dyck

Fall concert takes shape

An estimated budget was brought to board by Morgan Blake of Public Transit Co. last week for the upcoming “Welcome Back” concert that will take place this fall. The expected expense for the event is $120,250, while the expected revenue is $148,000.

Blake was on hand to field questions from board members regarding security, transit, and other details. He also outlined a rough idea of how the day would progress, with festivities starting in the morning around Convocation Mall and culminating in the concert in the evening.

Some of the proposed headliners were the electronic group MSTRKRFT from Toronto (one half of whom also plays as the rock group Death from Above 1979) Team Canada DJs out of Montreal, and Chromeo were all mentioned.

One guest to the board meeting asked how this event would be different from the failed K’naan concert that was attempted in 2010. “The biggest difference between that event and this event was that this is being done by the student society itself, that was done by  . . . a student-run club,” responded Humza Khan, the member services officer. “We have the resources, we have the manpower, we have more outreach into the student community, we have professionals who are working for us that advise us. As far as the production side, the legal side, and all of the technical aspects of the event are concerned, we’re much better covered than the K’naan event.”

“The key difference is that the board isn’t running it,” added president Lorenz Yeung. “We’re bringing a third party professional to plan it for us, and we can focus on the liability issues, as well as the student interest. . . . In the past, students would be doing all the production.”

SFU’s school of computing science receives award for dual degree program

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By Kelli Gustafson 

Students can obtain two Computer Science degrees: one from Simon Fraser University and the second from Zhejiang University in Hangzhou, China

Simon Fraser University’s School of Computing Science dual degree program received the 2012 British Columbia Council for International Education’s (BCCIE) award for “outstanding program in international education.” This province-wide award was accepted by Dr. Rob Cameron, the associate dean of the Faculty of Applied Sciences on June 26. This was BCCIE’s third annual International Awards Banquet, which coincided with their annual Summer Seminar in Kelowna. The award is described by the BCCIE as recognizing “high quality and highly creative programming in international education.”

The program was introduced in 2005, and was Canada’s first dual degree program offered to undergraduate students studying computer science. This program allows students to obtain two degrees in computer science; one degree from Simon Fraser University, and the second degree from Zhejiang University (ZU) in Hangzhou, China.

Hangzhou is the capital of Zhejiang province, southwest of Shanghai. Zhejiang University is known as one of the top three universities in China, and in 2011, the ZU computing science team won the championship in the ACM International Collegiate Programming Contest World Finals.

Chinese and Canadian students who complete the dual degree program not only obtain a degree in computer science from each university, which gives them a competitive advantage, but also gain a unique cultural experience from both Canada and China.

Danyu Zhao, coordinator of the dual degree program at SFU, stated that the program “will benefit students’ personal and professional growth.” Zhao also said that “the program is preparing students with cross-cultural skills, and the ability to navigate different cultures effectively, and experience working in the IT industry in a foreign country.”

Most dual degree programs in North America consist of a one-way exchange of students. Zhao therefore considers SFU’s computing science dual degree program to be “one-of-a-kind” in the sense that both sides of students from each university study at both SFU and Zhejiang University. Zhao also stated that the dual degree program at SFU has had a significant role in fulfilling SFU’s vision of “Engaging the World” by providing students with the opportunities to travel abroad.

In 2011, this same award was presented by BCCIE to Thompson Rivers University for their International Days, which showcases an array of cultures and international experiences. BCCIE accepts nominations for their International Education Awards Program from colleagues working at recognized independent schools, designated public and private post-secondary institutions, EQA-designated language schools, and public school districts within BC. Winners are selected by a peer committee, and are invited to the BCCIE’s annual Summer Seminar to accept their award.

University briefs

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By Ariane Madden

York bolsters security after repeat attacks

Police and campus security at Toronto’s York University were on high alert last week after a series of attacks on women by what seems to be the same suspect. Victims described a male perpetrator approaching them and attempting to initiate conversation after they got off the bus near a popular student centre building, then proceeding to sexually assault them. The attacks took place June 5 and 6, and police say it may also be possible that the perpetrator had an accomplice who did not actively participate in the attacks.

 

U of C study takes aim at Stampede animal rights concerns

A recent study commissioned at the University of Calgary will look into the risk of heart attacks for horses during the Calgary Stampede chuck wagon races. The western-themed rodeo festival — now in its 100th year — faced harsh criticism in recent years following numerous horse deaths, including six deaths in 2010 alone. The study will attempt to determine the optimal time for racing or rest for the highly athletic thoroughbreds, thereby reducing their risk of injury or heart attack.

 

Prestigious Lebanon university accused of pro-Israel agenda

Officials at the American University of Beirut defended against recent accusations of a pro-Israel stance, made after awarding an honorary degree to an alumnus with ties to “Zionist” beliefs. Anti-normalisation groups on campus claimed that the conferring of honorary degrees upon openly pro-Israel recipients serves to represent the university as showing favour to the controversial Jewish state.  It is not the first time that the university has received such criticisms; the former World Bank president James Wolfensohn was forced to withdraw his participation in a degree-conferring ceremony after drawing criticism for his own political ties to Israel.

Entrepreneurs integrate education and social media

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By Graham Cook

Students from SFU and FIC create StutorPlus, a project that aggregates social media content to answer academic questions

A group of three students from SFU and Fraser International College are putting together a website that aims to make social media addiction into something more productive. FIC student Krishna Krishna, SFU accounting student Flora Yang, and SFU economics student Harmanjeet Singh are working on creating StutorPlus, an online network based on the platform of knowledge.

This website was originally the brainchild of group leader Krishna, with Singh and Yang joining in once he presented them with the idea. While speaking with The Peak about the project, Krishna said that he plans to include functions like online classes and the ability to request help with confusing academic material. However, unlike services like Yahoo! Answers, those answering the questions will have to prove that they are a university student or instructor, most likely by supplying a student ID number during registration. For example, if an SFU student wants to answer a question another user has posted, they must provide proof that they are in fact a student for their profile to reflect that expertise. Krishna says he believes that this will lead to more trustworthy and accurate information than is found elsewhere on the Internet.

Krishna also stated that the trio has invested approximately $2,000 of their own money into the project to date. He said that they will have to raise another $20,000 in order to get the website up and running. Krishna concluded by stating that neither he nor the site will, at least initially, focus on profit, but rather on the educational experience of the user. He did hint that, much like Youtube partnerships, they would like to one day add a feature that rewards users for their services in teaching classes or providing content.

Engineering student mentors space settlement design competitors

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By Graham Cook

Bhupinder Rathore will accompany 10 high school students to Houston, Texas, to compete in the 18th annual Space Settlement Competition

Simon Fraser University undergrad Bhupinder Rathore is mentoring a group of Surrey high-school students while they create a plan for a city in space. Rathore, a computer engineering student, plans to once again lead his pupils into the 18th annual International Space Settlement Competition, funded by Boeing and NASA.
Rathore spoke with The Peak about the competition, stating that he is “helping them create a proposal for . . . a city in space. We are supposed to provide for everything: food, water, recreation, the dimensions, the material we are going to construct it with, the schedule, the cost . . . the mode of transportation, and the power.” The contest, which includes high school students from around the world, began with an online submission that is sent to the event organizers.
From there, the best submissions were chosen and 12 teams received an invitation to attend the final round in late July at the Lyndon B. Johnston Space Centre, located in Houston, Texas. These top 12 groups are divided into teams, which often span multiple countries, and have 41 hours to work together to create a new proposal. This time, the information from their previous proposal on the internet is no longer allowed to be used. The teams instead utilize their mentor, NASA’s library, and supporting astronauts and engineers. Rathore’s group will be working with teams from Colorado, Pakistan, and Australia.
He stated that this provided one of the most prevalent challenges last year, as there are cultural and language barriers to overcome. One problem that he said could arise with this year’s pairing is a possible lack of co-operation between the Pakistanis and the Americans.
Rathore said that he was drawn to this work, as he “was always into space.” He added, “last year one of the high school students who was my friend told me that there is a high school competition and that they wanted to do it, but they did not have anyone to guide them.” The student knew that Rathore had an interest in space and requested that he be their mentor. Rathore then made a small presentation to the high school’s administrators, who were in favour of the idea.
According to Rathore, one of the most interesting things about the competition is that it spans multiple fields other than physics and engineering, such as biology and business. He stated that it “gives [the students] a demo of actual engineering. . . . You have a project, a deadline, and a CEO yelling at you.” He added that “last year it was the first Canadian team to make it to finals, this year it’s the second Canadian team to make it to finals. . . . we didn’t win last year . . . hopefully we’ll win this year.”

SFU documentary takes off

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By Alison Roach

SFU student Matthew Cimone tracks the launch of the last space shuttle

SFU Residence Life coordinator Matthew Cimone has been watching the skies since his childhood, when he would go up to his grandfather’s cabin in Northern Ontario, and he’s been fascinated ever since. When he learned that the Kennedy Space Centre shuttle program was being discontinued after a final flight of the Atlantis space shuttle, he decided that he would be a part of it.

“I wanted to make sure I was there for the last launch,” Cimone told The Peak. Luckily for those of us not in the crowd of nearly one million that day, he took a film crew with him. The end result is the documentary Chasing Atlantis, which explores Cimone’s personal journey to the historic last launch as well as the shutting down of the space exploration program.

Cimone described it as a road trip movie, driven by a simple idea: “We thought we would bring a camera, and see what happens.” After first coming up with the concept, Cimone contacted his friend Paul Muzzin of Riptide Studios, who happily agreed to film the entirely self-funded project. “It was all credit cards,” said Cimone with a laugh.

After emailing several individuals the crew wished to speak with for the film, he was overwhelmed with the response. “It was what I expected and a lot more. I never thought we would get responses from NASA and the Canadian Space Agency,” said Cimone.

The film includes interviews with Canadian astronaut Chris Hadfield, former director of the Kennedy Space Centre Jim Kennedy, several former NASA engineers, and residents of the community of Titusville, who will be affected by the shutdown of the program. “People had amazing stories of their time on the shuttles and near disasters that they had to share,” Cimone explained. The crew even gained access into NASA’s vehicle assembly building, where they witnessed three of the shuttles being prepared for retirement.

The crew also managed to get an interview with actor Will Wheaton, who played Wesley Crusher on Star Trek: The Next Generation.

“The interesting thing is there weren’t many people listening. A lot of people weren’t telling the story,” recalled Cimone. He was hoping to encounter more film crews and interviewers during the course of the filming, but was disappointed.

What concerns Cimone is the uncertain future of space travel following the discontinuation of the program. Cimone anticipates the rise of a private industry in the field and the possibility of space tourism developing in the coming years. However, in terms of exploration there is little planned for the future.

The film itself will be a 90-minute documentary that Cimone hopes to complete in October of this year, in time to be entered into the film festival circuit.

For now, a 20-minute preview has been screened at Polaris in Toronto, and Cimone hopes to show the film back home at SFU as well. In the coming weeks, Cimone plans on putting up the clip on Kickstarter, a social media funding network which he hopes will help him pay back some of that credit card debt.

Cimone describes the entire experience as one of high energy and high emotions. “It was a huge geek fest. I felt like a child all over again.”

Art by the masses, for the masses

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By Ljudmila Petrovic
Photos courtesy of EMI

Masterminds behind Bill You Murray Me back with a Spice Girls-themed art show

A group of friends, drinking cocktails, and making art: casual night in, or the beginnings of a series of themed art shows? For Christina Chant and the other members of the Quick and Dirty Collective, it was both. The premise of their art shows is that they are a group effort: anybody can submit an art piece, as long as it fits the theme of the chosen celebrity. The first show, “Steven Seagallery”, had the theme of — you guessed it — Steven Seagal. Chant says the initial idea for the Steven Seagallery was a friend of hers’ and that, after several nights of collective art, it became clear that a show of that sort would not be too difficult to put together.

In October 2011, with her friend’s blessing, Chant and several of her colleagues put together the Steven Seagallery. “It got people that don’t typically make art to make art,” says Chant of the show’s success. That and the high turnout convinced the organizers to do another show: this time, the theme was Bill Murray. Bill You Murray Me?! took place in February and March of this year, and had even more success than its predecessor.

“After the last show, we were pumped on the results,” says Chant, which brings us to last Saturday’s show: Zig-a-zigallery, a Spice Girls-inspired art show. The show took place at The Fall and, as per its theme, all the art represented the Spice Girls in one way or another. The mediums varied from drawings to installations to videos to paintings — the only possible reason a piece would get rejected is if it had nothing to do with the theme; everything else has the green light.

The art show was true to Spice Girls form: lots of music and colors, with a surprise performance by the Spice Boys. The atmosphere had a casual, just-for-fun vibe, where all mediums, ideas, and skill levels are welcomed with open arms — much like the approach the organizers themselves take to their shows. “It’s meant to be fun, and meant to lower barriers”, says Chant. “I have a day job. If [putting together the shows] wasn’t fun, I wouldn’t do it.” Unfortunately, the fact that it’s not for profit and only a fun project means that the organizers don’t have time to expand the project as much as they would like.  “Ideally, we would be able to have a website, with links to artists that have contributed,” continues Chant. “If there’s time, we’ll do it, but it’s on the backburner for now.”

The upcoming show has a theme that’s just as fun as the last few: Snoop Dogg. So, what do Steven Seagal, Bill Murray, the Spice Girls, and Snoop Dogg all have in common that got them chosen as themes? Celebrity subjects are picked based on being nostalgic, easy to poke fun of, well-loved, and something that people will want to come see, says Chant. “If people respond, it’s kind of a deciding factor,” she explains. “It’s what the public wants, man.”

The Snoop Dogg show is set to take place in November, with a punny title still in the brainstorming process.

These shows are meant to be fun, and they are meant to be about collaboration and art, uninhibited by skill or fear of judgment. Admission into all their shows is by donation, and the art pieces are for sale, with all the proceeds going directly to the artist themselves. The shows are about inclusion, and about community. So, contribute to the next show — even if it’s a stick drawing of Snoop Dogg. Or just get dressed up, come down, have a drink, and support local artists.

Coaching project gives a voice to DTES writers

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By Monica Miller
Photo by J. Paxon Reyes (Flickr)

Organized by members of SFU Continuing Studies, the project’s mentors give students individual attention over three months 

Addiction, transphobia, and oppression were just some of the heavy-hitting topics of the script readings at GritLit, which took place on July 5 at the Rhizome Cafe. Over 30 people attended these readings, which were the outcome of a new writing program aimed at writers living in the DTES.

This is the DTES Manuscript Coaching Project, the brainchild of Betsy Warland and Katherine McManus, the writing and communications program director for SFU Continuing Studies.

Warland, the founding director of the SFU Writers’ Studio, had approached Joan Flood, a previous volunteer with Thursdays Writing Collective at the Rhizome, to coordinate the project.

“I was absolutely thrilled to be a part of it,” says Flood, who was surprised by how many writing groups are in the DTES. Many of these writers have already had experience with sending out submissions to magazines, and been published in anthologies, but needed one final push to create a full manuscript.

“[What has always impressed me] was all these writing groups that met weekly without fail, the sheer number of groups in the neighbourhood, and that the people running them are all volunteers,” says Flood, who says that perhaps the circumstances of our lives are unimportant, and what does matter need to express ourselves. “It’s what makes us human.”

Fiona Tinwei Lam, one of the project’s mentors, has heard firsthand the kind of dedication her students have to writing. “Even when they were homeless, they would write — on napkins, scraps of paper, anything — to communicate to themselves and understand their own self.”

Lam, along with two other mentors, came together to discuss six potential students from a pool of about 15 manuscripts. “We looked for pieces that touched us or that we could offer something to,” explains Charles Demers, an SFU alumnus, comedian, and author of Vancouver Special.

Each coach selected two writers and spent three months working together. Each pairing had nine one-on-one meetings and set individual goals from the collaboration. Demers knew his two pupils wouldn’t be able to put together a full book-length manuscript in three months, but it would be enough to put together the skeleton for one.

“It sounds awkward to say ‘student’ and ‘teacher,’ and even ‘coach’ seems too strong,” reflects Demers. “What we really did was editing and advising, offering an outside perspective to a solitary endeavor.”

Working on this project has even helped the coaches, Demers says. “It has helped reinforce the fundamentals, and reminded me of this exciting phase. It’s an inspiring place to be, with a lot of creative energy.”

The future of the program is up in the air at the moment, as funding for a 2013 edition has yet to be confirmed. Flood says they want to be able to offer the program to more people, but its intensive nature limits the number of students that each coach should take on.

Wayde Compton, the director of SFU’s Writer’s Studio, hits the nail on the head. “So often people talk about the neighbourhood. So it is important that we have people speaking from the DTES, that these voices get heard.”