Home Blog Page 1255

Poets Corner: The beauty of any romantic endeavor is its inherent mortality

0

 

The beauty of any romantic endeavor is its inherent mortality.  It is beautiful because it mirrors life: eventually, it will die.  This, Love, is beautiful because it is only a moment.  In fact, even in its totality it is only ever captured in moments.  That look, those legs lying there, that little smile,

that mischief, that outrage.  Love is a fleeting feeling.  We feel it even in the first meeting,                          we just don’t know to call it love yet.  We feel it on the good first dates and hope for more of it.  For it to deepen. The romantic moment takes on a transcendent beauty because it is a doomed endeavor.  We can say so when we are young because we expect many new romances ahead, and the older folk can say it too, but with more conviction, the evidence of life on their side.

To explore the romantic forest, to play with the tail of Love, that mysterious cat, is to play with death.

At best, we will be long lost in that wonderful forest.  We will hear trumpets for a while.

The cat will snuggle up to us and keep us warm.  But in the end, the forest will become our tomb; Love will devour us like a helpless mouse. This is not the sentiment of a broken-hearted man. No,

Love’s death is the most beautiful thing of all.

Because if not consciously then subconsciously we know all of this.  We are well aware that we are doomed.  Doomed to heart-break and doomed to death.  But we are blissfully, delusionaly brave in this respect.  We are fighter pilots.  Some kind of heroes.  You may disagree and remind me that we are seeking for happiness, fulfillment, companionship, our soul mates; and you would be right, we are searching for those things.  But behind it all, behind all the cowardice that eggs us on into seeking a final answer, we must know that if we are lucky and find it all we will still lose it again.  We will lose everything we have gained,

                                                          and then some.

The decay and death of a romance, the end of the evening, leaves a deeper hole than we began with.  So we can say we are brave heroes or delusional cowards but either way, how beautiful is our crusade! We are hopeless yet we fight on hope.

I think this is lovely.

 

Dusting for Prints

0

WEB-fingerprint

In our Orwellian modern era of NSA surveillance and spyware, it’s hard to blame tech users for worrying about their online privacy. In an effort to dissuade fears of hacking, Google recently released a list of common — and therefore insecure — password topics: these include birthdays, holidays, sports teams, pet names and, of course, the word “password.”

These days, most attempts to join a site like Facebook or Twitter will be met with security measures that require your password to be a certain length, and to be comprised of a healthy mix of letters, numbers and obscure symbols.

However, with the announcement of their upcoming iPhone 5S, Apple has announced an alternative to passwords: their new phones will feature Touch ID, a fingerprint scanner which will allow users to log in to their phone, as well as purchase items from the iTunes Store and the App Store, without having to remember anything.

With biometric authentication, you’re leaving potential copies of your password everywhere you go.

No more numbers, and no more fear of thieves peering over your shoulder. As long as you buy the iPhone 5S — and not its less expensive counterpart, the iPhone 5C — all you’ll need is the touch of a finger.

It’s easy to see why Apple chose to implement fingerprint identification technology: unlike other forms of biometric authentication, such as voice or facial recognition, fingerprints are more difficult to fake and the currently existing technology is far more sophisticated. “Your fingerprint is one of the best passwords in the world. It’s always with you, and no two are exactly alike,” Dan Ricco, Apple’s Senior Vice President of Hardware Engineering, boasts in a video on the company’s website. But this may be a design flaw: since fingerprints never change, your ability to switch your password is restricted.

Other issues with biometric authentication shed light on why this seemingly intuitive technology is only now surfacing. When you deposit a cheque at the bank, they compare your signature with the copy that they have on file. Though no two signatures are a perfect match, they employ experts who are able to ensure with near certainty that the penmanship matches. Similarly, no two scans of a fingerprint are exactly the same, even though the fingerprint is.

But even that assurance is questionable: fingers that have been burned or cut will not retain the same print, and damaged, dirty or temperature-sensitive sensors may lose their capacity to accurately read the grooves of an individual print.

The upside here is that you’ve got ten potential passwords — possibly even twenty, as Touch ID can read toeprints — but it’s still a little bit nerve-wracking to have your pool of potential codes limited to a few digits  (pun intended).

Numerous studies have confirmed that built fingerprints are able to fool sophisticated authentication technology; some can be tricked by a photocopy, while others require a gelatin mold or a fake finger. Either way, you’re leaving potential copies of your password everywhere you go. Your password is a secret, but your fingerprint is not.

Naturally, debate has already begun over whether the era of password protection is nearing an end. Many have hypothesized that it’s only a matter of time before PIN numbers are replaced by biometric authenticators — of course, this technology is expensive, and banks would need assurance not only that this technology actually works, but that users would be willing to trust it.

NEWS-quotation marksYour fingerprint is one of the best passwords in the world.”

– Dan Ricco, Senior Vice President of Hardware Engineering at Apple

To be fair, the early reviews for the Touch ID feature have been almost universally positive. The new iPhone requires an additional security code — a standard four-digit numeric PIN, as previous iPhones have featured — in case biometric systems should fail. Of course, this is a little ironic, since the feature was likely designed to minimize the micro-annoyance of numeric codes in the first place.

Apple has done one thing right: once the iPhone recognizes your fingerprint, an algorithm converts the information into a numeric value which is stored on an A7 chip inside the phone. No iCloud, no central database. Users won’t have to worry about their most sensitive personal information being accessed by Apple bigwigs — this is especially reassuring given the recent controversy behind Google’s terms of service for its Drive.

But what about others? If biometric authenticators take off and passwords become obsolete, a stolen fingerprint could mean a one-way ticket into your bank account, smartphone and social networks, all at once; and there’s no doubt that some companies will be less careful than Apple has been.

Consider UPEK Protector Suite, a Windows software that allowed users to log on to their laptops via fingerprint. Elcomsoft, a Russian-based password-cracking software, found that the passwords were being stored in plain text, without any encryption. “Having physical access to a laptop running UPEK Protector Suite, we could extract passwords to all user accounts with fingerprint-enabled logon,” they advised in 2012.

The main takeaway here is that, until we can be sure that the technology is bulletproof, fingerprints and other biometric measures should be used with passwords and codes, not instead of them. It’s hard to deny that they’re more convenient, and have a sci-fi coolness factor that makes the nerd in me foam at the mouth. But with computer hackers remaining a serious threat and government surveillance invading our day-to-day routines, we just can’t be too careful.

Manifesto Corner: Men of Boner Hill Unite!

0

This week’s manifesto was sent to us by Eric P. and features the demands of a coalition of SFU men frustrated by unseemly erections caused by the shaking of buses as they ascend Burnaby Mountain!

Men of Boner Hill unite!

Too long have we suffered, desperately rushing to tuck our torqued members into our waistbands as we approach the West Mall bus stop.

Too many times have we hung our heads in shame, hiding our rigid shlongs under binders, textbooks or anything that will serve.

Too often have we ridden all the way to the top bus loop because our throbbing units are just too bonerfied to get up.

Men of Boner Hill unite!

Enough is enough, we say.

The Administration spends money on new water fountains, new bathrooms and even compost dumps but cannot be bothered to repair the bumpy and uneven pavement that gyrates just perfectly enough to cause thousands of male students to become victims of unruly and sudden genital vascularization (a.k.a. surprise boners).

When we arrived at SFU, we had naively believed the awkward pubescent days of middle school and spontaneous boners over! We bussed up for our first days, full of hope, eager to start afresh and saw it all dashed to the wind the moment the bus started shaking.

The years have passed and nothing has changed. A black man was elected president and yet the curse of Boner Hill remains as powerful as ever, subjecting hundreds, nay thousands to public shame daily!

Now is the time for change! Men of Boner Hill unite!

Rise together and let your bulges be seen with pride so that our erectile struggle be known and our penises may one day enjoy the freedom of erectile choice we had once believed to be our unalienable post-pubescent right!

Make it YOUR student union building

1

WEB-build SFU booth-courtesy of buildSFU

The SUB needs to be a community space, first and foremost. The lack of community at SFU is a constant topic of conversation, meaning our SUB needs to be a walk-through space — a central hub.

Unless you’ve walked to and from class without looking up, you’ve noticed Build SFU posters everywhere. Architects have begun their focus groups to get a sense of the layout we as students need for the SUB.

After gathering information from students, the architects, and what ideas they had laid out, this is what I think the SUB needs, and what students should strive for.

Although it would have a wicked view and might have fewer issues with accommodating other structures, The Treehouse location is not ideal at all. I feel it’s highly unlikely applied science students, for example, would make the trek from the other side of campus. So, although this space would be great for me, it doesn’t seem inclusive enough. And let’s not kid ourselves, the Business students would take it over, anyway.

UBC’s new SUB is going to be net-positive, so let’s not fall behind.

The two other proposed sites can achieve the goals of this building; however, both of them come with building constraints, particularly on top of the Rotunda. That area needs renovations, and it does seem practical to do it all at once, but where does that leave groups such as SFPRIG, Out on Campus, the First Nations Student Union, and the Women’s Centre? Will they even get a place within the new SUB? We can’t just accept a location without asking questions.

So what does a genuine community and accessibility look like? Communities need places to gather. SFU currently lacks a place like this, Convo Mall for example, is too large for anything other than convocation, and other events seem to get lost in the space — it requires music so loud that students interested in participating seem to only end up repelled. For this reason, we need a giant open foyer as a place for people to meet, rally, and be informed.

We also need spaces for student organisations and clubs. The best way to strengthen community is to get students involved, but it’s difficult when clubs, departmental student unions, and student organisations are hidden in back corners that require you to navigate a labyrinth just to find them (I’m looking at you, Sustainable SFU).

We need a giant foyer as a place for people to meet and be informed.

The SUB must also be sustainable. The architects have promised the highest level of sustainability in their plans, and this is a promise that needs to be fulfilled. UBC’s new SUB, for example, is going to be net-positive, so let’s not fall behind. Would we, as a university, want to be any less than our UBC counterpart? If we’re going to invest, it should be done right — plus, we’re paying for it!

My outlook is hopeful that the firm will deliver what we need, and from what I heard voiced by other students in the Think Tank, we have a lot of common ideas on what the SUB will look like. We don’t need fancy things like games rooms or fireplaces, but I wouldn’t mind if we splurged on comfy seating and a decent place to study — this is a university after all.

Community, student involvement, accessibility, and sustainable architecture are what our SUB needs most. Our SUB needs to facilitate student engagement, and so far, I’m pretty impressed by the ideas I’ve heard. I just hope that promises made to date are kept, and that our SUB will truly meet the needs of SFU students.

New leadership sets Clan up for positive year

0

WEB-captain volleyball-mark burnham

With a brand-new coaching staff and a new team mantra, the Clan women’s volleyball team is ready to be taken seriously. The 2012 campaign was far from successful, but the team is ready to apply what they learned from last year’s difficult season, and make their mark in the Great Northwest Athletic Conference this year.

The young team went 4-22 overall in last year’s competitions, winning only one conference match over the three-month period. But the Clan is ready for 2013 now, headed by a new coaching staff, and fueled by the desire to show the conference that they belong.

Team captains Kelsey Robinson, Amanda Renkema and Brooklyn Gould-Bradbury explain the transition, and their new outlook and passion for the game, “The past few seasons have been tough,” said Renkema, a middle blocker, and the only one of the three to have donned a Clan uniform in 2012. “The losing wasn’t so much the hardship as much as the not winning. We took so many teams to five sets, and were competitors in every match. Not being able to finish many games was very tough.”

The 6’1” Delta, BC native was second on the team in points per set and in blocks in 2012, averaging 2.59 points each set, and had 75 blocks on the season, a clear leader on the young squad both on and off the court.

Robinson, a 5’11” left side from Surrey, BC was sidelined by a knee injury for the 2012 season, but the junior found her red-shirt season to be eye-opening as well. “I really learned about the level of passion I have for volleyball when I sat out last season,” she explained. “I feel like I will be a more passionate and competitive player now because of it, which hopefully I can translate into my leadership role.”

Leadership will come from the trio of juniors, as well as from new head coach Gina Schmidt, a former University of Montana assistant.

“The reason that I came to SFU was because I knew Gina from high school ball as well as from playing in college,” explained Gould-Bradbury, a transfer from North Idaho College and a Seattle native. “I respect Gina a lot as a coach and am looking forward to what the team can learn from her expertise.”

Gould-Bradbury joins the Clan after two seasons at North Idaho, where she was named a National Junior College Athletics Association All-American and served as team captain in 2012. “My role as a leader will be different this year than in years past,” the 5’7” setter explained. “Not knowing a lot about the school, area, or even other athletes, my role as a leader so far will be on the court. I’ll be focusing on trying to bring hustle, communication, and encouragement to practice and game play.”

“This year’s group of athletes seem more mentally tough than in the past,” continued Renkema. “Everyone wants to succeed, especially as a team, and there have been a lot of selfless actions taken by many players for the betterment of the group as a whole.”

And the 2013 freshman class is an important part of that group, with the incoming selection of players offering both skill and spirit to the team. Freshmen Alison McKay, Devon May and Mackenzie Dunham have already seen the floor, with McKay leading the team in digs after the first weekend of play.

“I am really excited about the freshman class,” outside hitter Robinson shared. “They all bring something unique to the program that we will be able to use throughout the season. They are also extremely competitive, which bodes well for the future of the program.”

With hard work and perseverance planned for the 2013 season, the women will also be looking to use their NCAA experience to help them move forward, a first for the team who’s junior and senior contingent have been rather diminished in recent years.

“I think we experienced a sort of roller coaster with our mental game last season, which can be attributed to our lack of experience as players, so I am excited for this coming up season,” Renkema said. “Not only do most of the starting players have at least one year of NCAA experience under our belts but also because over the past year, we have become a lot more united, understand our roles as individual players better and have got some new perspective and insight on mental game from our coaches.”

With that kind of attitude, and a goal of completing their first winning season in the GNAC, the SFU women’s volleyball squad is ready for 2013 and the challenges and growth it will bring.

Local man unaware of what an asshole you think he is

1

buspassenger

YOUR REGION — A local man who is just going about his day reportedly has no idea how much of a douchebag you think he is. According to reports, this dick sitting across from you on the bus who you’ve been glaring at for the past half-hour doesn’t even have a clue that he’s infuriating you.

Sources have indicated that the man who is just keeping to himself listening to music has zero awareness for your distaste in those stupid flip-flops he’s wearing and doesn’t even have the slightest idea that you think his haircut looks really dumb. Apparently, the man was too busy selfishly thinking about what he was going to do today — which includes going to the grocery store to buy some fruit, playing basketball at the park and visiting his elderly grandmother for dinner at her retirement home — to look outwards and become aware of your irrational hate for him.

Some sources have also indicated that his mind was even further clouded by thoughts of the shoes he lost recently and his regret that he wasn’t more specific with his barber last week. While this all remains just speculation, sources inside your own head indicate that he’s probably the worst and there’s a good chance that  you’re way better than him.

SFU Art Gallery has new “bathroom graffiti” exhibit, reports student who took wrong turn

1

Grafitti

BURNABY — According to Tim Burns — a student who must have taken a wrong turn somewhere on his way to the Art Gallery — there is a brand new exhibition that highlights the work of bathroom graffiti artist, as well as a significant tribute to sink fixtures and mirrors.

While SFU galleries’ spokespeople claim that their current featured display is of the work of Samuel Roy-Bois, an artist who, to their knowledge, was not primarily inspired by lavatories, Burns was thoroughly impressed by the work he saw on display, going as far as to say it was “the best work he’s ever seen at the gallery.”

Burns said the work he encountered was quite awe-inspiring and contained some of the most detailed penis sketches he’s ever seen. He also said that he was almost brought to tears by some of the poetry on display, particularly one entitled “Jaspreet is a fag” which was written by a literary genius with the pseudonym “your mom.”

While it seems pretty clear that Burns was just in one of the AQ’s nearby men’s washrooms and not the art gallery, he’s been promoting the exhibit enthusiastically with his only warning to potential visitors being not to use flash photography since fellow patrons take that very seriously and may eject you from the premises.

Words around Vancouver

1

WORD

At the end of September for nearly the past 20 years, lit lovers and word nerds from all backgrounds gather at Library Square for a free book and magazine festival. Streets are blocked off, large tents emerge, and a stage is erected at the corner of Robson and Homer.

Publishers, booksellers, authors, illustrators, literacy advocates, and performers of all kinds flock to the festival formerly known as The Word On The Street Vancouver.

This year, celebrating its renewal as Word Vancouver, the festival is better than ever. Best known among local literati as a one-day event on the last Sunday in September, the Vancouver team lengthened the festival in 2011 to span the weekend coinciding with Culture Days.

This year, the festival has five days of programming from Sept. 25 to 29, at various locations around Vancouver. Also, with only two episodes of unfavourable weather in 19 years, Word Vancouver has an excellent track record with the weather gods.

Wednesday, Sept. 25 features the kickoff event for the Automated Poetry Project at the recently opened secondhand bookstore, The Paper Hound. Word Vancouver just wrapped up a month-long crowdfunding campaign to convert old vending machines into poetry dispensers. They managed to raise more than half their intended goal and will be going ahead with the project, although it may be slightly modified due to budget.

NEWS-quotation marksit’s literally words on the street with nothing but a tent and a mic.”

Mariner Janes, poet

Festival attendees may be conflicted between multiple programs on Thursday: in addition to programming at the Carnegie, the Twisted Poets Literary Salon will be at the Cottage Bistro, and a cooking demo and book signing will be at Banyen Books & Sound.

Friday features a talk about stage and screenwriting at the Historic Joy Kogawa House, and Saturday has professional development workshops for writers at the central branch of the Vancouver Public Library on W Georgia St.

Wanda John-Kehewin, a 2011 graduate of The Writers’ Studio at SFU, says the poetry vending machines are something she’s personally looking forward to — she will be reading from her first book of poetry at the festival on Sunday in the Poetry Tent.

Her poetry is influenced by the lives of people. To say she finds inspiration in other people’s pain sounds callous, but she finds it is a “way to make a connection. Pain is universal; it doesn’t discriminate [between] those in a war torn country [or] people on a Reservation.”

John-Kehewin began writing seriously in 2008 after the Indian residential schools apology. She found herself drawn to global politics and social issues, drawing on events such as the earthquake in Japan or conflicts in the Gaza Strip. Her collection of poetry, In the Dog House, was published with Talonbooks this spring.

The sheer number of events may seem overwhelming, but that is exactly what poet Mariner Janes appreciates about the festival, “The setting is different from a formal reading, it’s literally words on the street with nothing but a tent and a mic. [Word Vancouver] showcases a lot of different authors.” Janes, who earned his BA and MA in English at SFU, will be reading from his first book of poetry, The Monument Cycles, on Sunday in the Poetry Tent.

The festival, being in various neighbourhoods around the city, gives attendees a chance to see different sides of Vancouver. Janes witnesses this daily while managing a mobile harm reduction unit in the downtown eastside.

“Moving around the city all day — walking, driving — allowed me to think about space and the people within the city.” Janes’ observations resulted in a collection of poetry framed around these themes, stemming from ideas about the role of monuments from a course at SFU.

Poetry seems to be a recurring theme at this year’s Word Vancouver, but there is something for everyone including children’s literature and storytelling, magazine talks, writing workshops, booths for local arts organizations, displays for literacy associations, and even musical performances. Of the festival, John-Kehewin says: “it’s free and all class statuses are welcome, it doesn’t matter your income level.”

Preamble

0

Junius Brutus Stearns' 1856 painting George Washington Addressing the Constitutional Convention.

 

The original preamble is as follows:

The purposes of the Society are educational and artistic, to wit:

a)   the publication of newspapers, magazines, papers, books and documents to take an active role in educational and artistic endeavors including, but not limited to, The Peak,

b)   the promotion of academic excellence and journalistic excellence, according to the Canadian University Press Statement of Principles and Code of Ethics, except that the Society shall not have the power to grant or confer a diploma or degree of literary, technical or scientific standing,

c)    the sponsoring of lectures, debates and all other activities designed to advance the purposes of the Society, students at universities throughout the world and the members of faculty and administration of those universities, and members of the journalistic profession,

d)   the awarding of prizes, scholarships, bursaries, medals, certificates or other suitable recognition of contributions made both by members and non-members to the purposes set out in Section 2.b.

The following problems have been identified with it:

  • It explicitly lists formats in which the Society may publish materials, but this list is profoundly outdated, not including references to any sort of electronic media.
  • It refers to the Canadian University Press Statement of Principles and Code of Ethics, which is not easily available. Additionally, the future of CUP and of The Peak’s relationship with it is very much in question.
  • It requires sponsorship of events and prizes that, in practice, are rarely organized.

The following text has been suggested as a revision:

The purposes of the Peak Publications Society are as follows:

  1. The Society shall publish material for the benefit of the SFU community in whatever forms it is able;

  2. The Society shall report on matters of import and interest to the membership; to provide a forum for discussion and debate of issues important to the SFU community and beyond, and to defend freedom of speech within that forum; and to provide a venue for original entertainment material for the membership;

  3. The Society shall maintain independence from editorial or financial pressure from any external agents; pursuant to this, editorial policies, advertising policies, staffing policies, and organizational structuring shall be decided within the organization, within the bounds of applicable law;

  4. The Society may sponsor events and prizes for the benefit of the SFU community;

  5. All officers and agents of the Society shall adhere to the Code of Ethics.

 

All publications of the society and all involved in their production shall adhere to the following Code of Ethics, which is intended as a minimum standard of conduct.

  1. Journalists shall strive for accuracy in their reporting at all times, and shall never misrepresent, falsify, or distort facts.

  2. Journalists shall seek all perspectives relevant to their topic, and the Society shall allow space for conflicting views.

  3. Journalists shall respect the confidence of sources and private documents, within the bounds of the law and freedom of the press.

  4. All writers and producers shall be aware of libel and copyright laws and conduct all of their activities in accordance with them.

  5. Mistakes and inaccuracies shall be swiftly and prominently corrected.

  6. The interests and viewpoints of those who may be harmed by coverage in the Society’s publications shall be considered in all publishing decisions.

  7. Material intended to promote bigotry or violence against a group or person shall not be included in any of the Society’s publications, except in the context of reporting or commentary upon it. This provision shall not be interpreted to exempt groups or persons from legitimate criticism.

Please leave your thoughts and concerns below.

Interview with Marc Fontaine (BuildSFU)

0

The Peak spoke with Marc Fontaine, BuildSFU general manager, about progress on the Simon Fraser University SUB development; Fontaine details the three proposed locations for the SUB and talks about how students can get involved.

Questions? Opinions? Shoot an email at [email protected]

Created by Brandon Hillier

Article Photo