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Breastfeeding in public should not be frowned upon

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It frustrates me to see that people living in a country as progressive as Canada are still so disapproving of women who breastfeed in public. I’m from a conservative country (Pakistan, if you’re wondering), and outrage over breastfeeding there would be expected (although not justified), because a woman publicly breastfeeding there would most likely face repercussions. However, no matter the country, this disapproval over breastfeeding needs to stop.

The Canadian Charter of Rights and Freedoms guarantees all those living in Canada gender equity, as stated in Section 15. This means that breastfeeding in public is legal, and according to Canadian law, so is roaming around topless for every person, as can be interpreted in Section 28 of the charter, which ensures both males and females have equal claims to rights that are guaranteed.

Yet, when you go around asking people if they have a problem with breastfeeding, many seem to think it’s inappropriate. An online poll conducted by New Jersey 101.5 asked if people were uncomfortable with a woman breastfeeding in public, and 32 per cent voted in the affirmative. A friend of mine even went as far as saying, “it’s a woman who’s exposing herself in public, and she would make others uncomfortable.”

Why this hostility towards a woman who just wants to feed her baby? If you feel uncomfortable or cannot resist the urge to give her cringe-worthy looks, there are other directions you can look in; you’re the one who needs to change your perspective.

As many women nowadays like to argue, female breasts are not a sexual organ — we merely brought them into the realm of adult sexual relations. If you look at it from a logical perspective, the function of breasts (from a mother’s perspective) is to nourish by providing food for their baby. That’s all. So why, then, are mothers frowned upon by people for choosing to breastfeed in public?

There are many online forums where mothers share their discomfort and anger over getting strange looks from people — especially men — over breastfeeding in public. Some users’ stories reveal how they were asked to move to the washroom, and some discuss how they were told that their actions were “inappropriate.” One of these discussions included a woman commenting, “I think it’s okay to do it as long as a woman does is very discreetly.”

It’s sad to hear all this while trying to absorb the reality that this is in fact the 21st century — the very century that people claim no longer needs the fight for gender equality because we’ve conquered it all.

Every time a man tells me that it’s inappropriate, I force him to imagine the same scenario with him as the breast feeder; it’s hard to see why anyone would walk up to a man because of a problem with him exposing his chest in public. This is where the issue of equality comes in. We might claim it’s all hunky dory, and that feminism has achieved its goal and that there is honestly nothing to fight for anymore.

However, when a man looks me in the eye while saying he can roam around topless on the street, but he takes issue the minute a woman tries to feed that crying baby of hers in public, there is something wrong. This double standard is what makes me believe we have a problem.

Let emotions be your guide

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As an English student, evaluating the creative works of others is what I spend my time doing. My classmates and I can approach this in a plethora of different contexts: historical, political, through a gendered lens, and more. We can also broach a work in its overall form (the text at large), or choose to look at a portion of it and do a “close reading.”

Of course I enjoy each of these avenues, because they reveal so much information I wouldn’t have known otherwise. However, emotions count too; they are the reason I became an English major.

Analyzing a work on the basis of where and when it is written is very helpful, but ignores some aspects of what the text can do. A text moves, a text inspires, a text makes you feel in your darkest hour. If a text fails to do this, is it successful?

The American Gothic writers presented a division between logic and emotion, so this debate is nothing new. Living in a nation prioritizing science, reason, and classification, their works played to the human psyche and tested the boundaries of the American reader; how far could audiences be pushed?

Affect theory acknowledges this type of reading, because it recognizes emotion as the initial way we respond to a work, and supports the belief that how we emotionally respond to a text reveals something about our inner selves.

Looking to emotion also allows us to connect with the artist and their work in a non-contrived way. When looking to a writer, we typically draw up a portrait of them and keep it in mind when viewing their work: their gender, race, nationality, and sexuality all become points of focus, and become “symbols” that we aim to find embedded within their works.

But is this the right way to read? By doing so in this way, we are essentially cherry-picking the features we wish to see, and ignoring or undervaluing those not aligning with the portrait of the artist. At the end of the day, the writer is a human individual, and I like to believe we are not merely the sum of all our parts, but are something more.

Claude McKay, an African-American writer from Harlem during the 1920s, makes reference to this expectation. He explained how he was expected to read his poetry while wearing a dress suit out of respect for the image the public desired of him. Instead, he maintained that he “abhorred that damnable uniform” and that “poets and novelists should let good actors perform for them.” I feel that this is exactly what we do when ignoring the emotion of a work of art — putting the artist on a stage rather than looking to ourselves and our own interpretation of the text.

This all isn’t to say that I desire no critical thinking beyond what I can feel. It is valuable to know an artist’s personal politics, and what sort of a family upbringing they had, because their experiences and ideology do influence their work and their creative process.

However, writers read the books they do out of emotional enjoyment, so we should make sure to remember to do the same, and not make idols of the artists we adore.

Lightning in a bottle

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WEB-Lightning People-Alison Roach

In celebration of Nikola Tesla’s birthday, students from the Physics Student Union gathered last Wednesday to construct a Tesla coil, which is an electrical resonant transformer circuit that can be used to produce high-voltage, low-current, high frequency alternating-current electricity.

Tesla, who may be best known for his contributions to the design of the modern alternating current, used to invite the press to his birthday parties to announce new inventions he was working on.

Tesla coils were mainly used for electrical experiments in areas like phosphorescence and X-ray generation, but were also sold commercially until the 1920s for spark-gap radio transmitters for wireless telegraphy. Today, Tesla coils are found at places like the Telus World of Science and are mainly used for entertainment and educational purposes.

 

Because of the specific nature of the solid state coil, it can also be hooked up to an iPod to broadcast music, just like a speaker.

 

“Our parts didn’t arrive on time for his birthday on July 10, so we had the cake but we didn’t get to eat it too,” said Brandon Denis, Vice-President of the Physics Student Association and SFSS Forum Physics Representative, “So this is when we get to eat it too.”

Denis has always wanted to build a Tesla coil, but he credits his girlfriend with providing extra motivation to actually begin the project. “I told my girlfriend that I wanted to build a Tesla coil at some time in my life, and she told me to just go for it,” said Denis. “She pushed me to make the event and organize it, and now here we are making the project.”

WEB-Lightning-Alison Roach

The ultimate goal of the day was to build a large scale version of a Tesla coil, which would reach about one metre in height. However, instead of the more common spark-gap Tesla coil, the team hoped to build a solid state Tesla coil, which instead of having to constantly recharge is able to be turned on and off.

By being able to turn the coil on and off at will, the team hopes to be able to convert the low voltage high current through the primary coil into a high voltage low current. “This is done by winding a primary coil around a secondary coil,” explained Denis. “The primary coil will have 5 or so winds where as the secondary will have just over 2500 winds. Because of the way transformer coils interacting work we are able to convert from AC 25 Volts into 12,000 Volts at the business end.”

Because of the specific nature of the solid state coil, it can also be hooked up to an iPod to broadcast music, just like a speaker.

If the coil works, Denis and his team plan to display it at FROSH, Geek Week, and other science events throughout the year. The team also hopes to host many more events in the future where physics students, engineering students, and tinkerers alike can collaborate to work on similar projects.

The What?

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Before I ever set foot onto SFU’s Burnaby campus, I already had a fully-formed mental image of how my future school would look. “It’s got the highest suicide rate of any Canadian university,” quipped a Douglas College-bound friend. His explanation was that the campus, set atop a peak which I equated in my mind with the Misty Mountains from The Fellowship of the Ring, was made entirely of concrete and barbed wire.

Though this image was hyperbolic, my first visit to what would become my main campus was less than encouraging — I picked a particularly windy, overcast afternoon to discover my new school, and the prison-like roof of the Convocation Mall seemed to forebode a depressing and bleak post-secondary experience.

However, like many first-year students, I eventually fell in love with my campus. Its wintry landscape in mid-December reminded me of watching The X-Files in ninth grade; come June, the Academic Quadrangle became an oasis of quintessentially BC foliage. I pledge allegiance to Arthur Erickson’s ingenious architecture: there are very few scenarios in which I am forced to walk outside during a rainy day. Come September, I’ll be starting my second year at SFU, and I’m excited to continue my education.

The newspaper you’re holding in your hands has been one of the main conduits through which I have learned what SFU means to me. The Peak has helped me make friendsand improve my scholarly abilities, and it’s one of the main reasons that I love being an SFU student. But after a year of involvement with the university’s student newspaper, I’ve realized that there’s one thing I’d like to change: its name.

When I picture Simon Fraser University in my mind, I see the same image that themajority of SFU students likely see: the quaint waterfall near the bus loop, the koi fish inthe AQ’s pond, the smiling faces on the baristas at the Higher Grounds coffee shop. But SFU isn’t limited to its main campus: we are lucky enough to attend a university with three beautiful campuses throughout the lower mainland, even if some students forget that the latter two exist.

SFU Vancouver is made up of two buildings: the Woodward’s Building, which houses SFU’s dance, film and contemporary arts programs; and Harbour Center, which offers a variety of courses, from Business Administration to Urban Studies. Located in the heart of downtown Vancouver, this campus is a fast-paced hub for creatives and entrepreneurs to take advantage of many of SFU’s most rewarding programs. It doesn’t hurt that the campus is a stone’s throw away from Gastown, which is home to some of the best coffee houses and restaurants in the city.

SFU Surrey is situated in Surrey’s Central City building, and its programs include the school of Interactive Arts and Technology and a variety of Computer Science and Engineering classes. Though many are quick to crack jokes about Surrey’s reputation for gang violence, Central City is located in one of downtown Surrey’s most beautiful areas, and the school is populated by motivated and intelligent SFU students. Downstairs, the Central City Brewing Co. gives the Highland Pub a run for its money, featuring some of the best craft beer in BC.

I didn’t discover either of SFU’s satellite campuses right away, but I’m glad that I took the time to explore my school in greater depth and meet many students I otherwise might not have had the chance to. Burnaby Mountain might be my main campus, but I know that Simon Fraser University means different things to different students. Our newspaper should reflect the interests of our university’s entire student base. So why have we held on to the title The Peak, even after expanding our university to include a wider variety of locations?

Our student newspaper was founded on October 6, 1965, after the previous two newspapers — The Tartan and The SF View — decided to merge. Though its first issue was published unnamed, the October 20 follow-up bore the title The Peak for the first time. It’s a catchy title, it’s easy to remember, and it’s easy to adopt clever titles for columns and otherwise (see Peak Speak, Peak Week, etc). Plus, let’s be honest: SF View is pretty weak. In 1965, Burnaby Mountain was SFU’s only campus; but this hasn’t been the case since SFU Vancouver first opened its doors in 1989.

As one of the newspaper’s most frequent contributors, I hate to think that SFU students have become reluctant to write for The Peak because they feel that the paper excludes them. Including issues which affect Vancouver and Surrey students is a process, and one of the first steps that we can take as one of SFU’s most tenured student organizations is to choose a name which strives to include its student audience rather than exclude them.

After all, at the end of the day, The Peak is written by SFU students, for SFU students. I believe that Simon Fraser University is one of the best schools in the country, and I’m proud to study here. But I also recognize that the campus I love is not everyone’s campus. Surrey and Vancouver students have a right to their student paper as much as any other student, and our title should reflect that.

Rex Morgan MDMA

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Board Shorts

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Board Shorts

Committee Reports

The Board heard presentations from the chairs of its several committees: events, advocacy, financial and administrative (FASC), and space. All committees reported that their discussions this semester had been productive and fruitful, with money being spent diligently on projects.

The two largest financial expenditures made by FASC were towards the planned Welcome Back event for the fall, and increasing the advocacy budget. Advocacy spent a large chunk of time preparing and approving a budget of $11,000, and are in talks with SFU Financial Aid and Awards to collaborate on a student financial literacy initiative in the fall and spring semesters.

 

Website Evaluation

The Board also discussed at length the option of hiring an external professional website consultant to take at look at the SFSS website and evaluate what need to be done to improve collaboration and communication between SFSS departments.

Since the Board already plans to hire an employee to oversee social media and taking into consideration the expense of hiring an external consultant, the Board was hesitant to move forward, but tasked treasurer Emad Shahid to look into the potential expense.

Michael McDonell’s passing

The Board acknowledged the passing of community member Michael McDonell, who tragically drowned the weekend prior. The Board agreed to involve themselves if possible in the memorial services, and to help the family at this difficult time. A motion was passed to put $200 towards helping the McDonell family.

Capricorn man with leukaemia prays he’s compatible with Cancers

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KALAMAZOO, MI — A man received some startling medical news yesterday morning which has left him scrounging through newspapers, franticly visiting psychics and downloading dozens of Horoscope Facebook apps, praying that Capricorns like him are compatible with Cancers.

“It really caught me off guard,” explained Paul Hewlett, who was born January 19, 1975 and recently diagnosed with acute lymphocytic leukemia. “I haven’t really thought about my zodiac sign since I was a teenager trying to use a fake ID, but now my life could really depend on it.”

According to Hewlett, after being informed about his cancer diagnosis over the phone by his doctor, he immediately hung up to get to the bottom of his problem.

“At first I was like, no big deal, because I knew for a fact that Capricorns were compatible with Leukemias, but when I found out it was actually a Cancer, I got a little nervous,” Hewlett recalled, saying that he had an ex-girlfriend who was a Cancer and that she was ‘a real pain’.

“So I started my research almost immediately” Hewlett continued, saying he picked up the first newspaper horoscope he could get a hold of. “I found out a lot about myself: that I was a hard-worker who’s generally pretty friendly but at times can be a bit oblivious . . . but for some reason I couldn’t find any concrete answers!

“Everything I read was just you ‘might receive some interesting news’ or some bullshit like that — never any specifics, no practical advice, it’s like these things could’ve been written for anybody!”

Hewlett then says he decided to take his problem more seriously and went on to the internet for advice, but was met with similar difficulties.

“One site would say that Cancers and Capricorns could come together to create a very stable and long-lasting relationship,” Hewlett explained, “but then the next would say that since they’re both Cardinal signs that it could be ‘a catalyst for some dynamite conflicts’, and I definitely don’t want that .”

After hours online, Hewlett was unable to find a consensus among the thousands of totally legitimate Astrology webpages currently in existence, and began panicking that he was definitely going to die.

“Things really took a turn for the worse when I came across a website where I wasn’t even considered a Capricorn but was an Aquarius, which really freaked me out because I’m pretty sure my friend’s dad died of Aquarius.”

It was at this moment that Hewlett decided to stop wasting his time with silly horoscopes and take some real effective action by praying to God that his cancer will be okay.

Hewlett’s doctor has been unable to reach him despite several phone calls and voicemail messages, but he did tell The Peak that his patient has been dealing with his problem completely wrong and that if people really want to do something about their medical problems they shouldn’t waste their time with astrology or religion but simply look up their symptoms on WebMD to put their mind at complete ease.

Guide to Pride

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Pride Week 2013 officially starts July 29 with the City of Vancouver proclamation, followed by a full week of official (and unofficial) events and parties. August is also host to several other Pride events, so there is a lot to do and see all month long. While this list contains several major Pride events, it is by no means complete. Practically every nightclub on Davie Street has theme parties planned, and many other groups are celebrating achievements of the LGBTQ community. Some additional events of note include the Clean & Sober Pride Ball, The Vancouver Gay Men’s Chorus Big Gay Sing, and the G(r)AY and Glamorous social and dance.

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Pride Pavilion at the Vancouver Public Library

The Vancouver Pride Society has partnered with the Vancouver Public Library to hold a public fair August 1 to 3. The three-day event is free, family-friendly, and takes place at the Central Branch downtown. There will be film screenings by Out in Schools, the Vancouver Queer Film Festival’s youth program, entertainment by queer comedy troupe, The Bobbers, as well booths staffed by local LGBTQA groups. vancouverpride.ca

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The Vancouver Queer Film Festival

Later this month, the Vancouver Queer Film Festival celebrates 25 years of queer filmmaking. The festival takes place over 11 days, August 15 to 25. Second only to VIFF in size, the Queer Film Festival has more than 70 films from 20 countries worldwide. The 25th Anniversary focus is “Who Are We, Cinema?” and includes a PechaKucha-powered event. There are several other themes this year including India and Fierce & Under 25.

www.queerfilmfestival.ca

 

Vancouver Dyke March

The Vancouver Dyke March is celebrating their 10-year anniversary on Saturday, August 3. The March and festival leave from McSpadden Park at noon and walk to Grandview Park for a family-friendly music festival.

www.vancouverdykemarch.com

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Vancouver Pride Parade and Festival

The annual parade is the mainstay of the Pride festival, which takes place this year on August 4, celebrating its 35th year. In May 2013, City Council designated the Pride Parade as an official Civic Parade, organized by the Vancouver Pride Society. There were several events leading up to Pride Week, including the Legacy Awards, Gay Day at Playland, and Pride Walk & Run. However, the bulk of the activities take place during BC Day long-weekend. The festival is the place to be before and after the parade, featuring a marketplace with vendors, entertainment, and food and drink. The parade route begins at Robson, turns onto Denman, and then follows along Beach Ave.

vancouverpride.ca

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GenderFest

GenderFest started as a response to Pride’s lack of programming for people of all genders. While Pride is inclusive of LGBTQ folk, Genderfest seeks to celebrate gender diversity and to be unoppressive. They accept any flavour or combination of sexual orientation as well as all other social, economic, and political backgrounds. From July 25 to Aug 4, GenderFest has organized workshops, fundraisers, and parties. Highly recommended is the All Bodies Swim event on Tuesday, July 30.

www.genderfest.ca

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Queer Arts Festival

The 2013 Queer Arts Festival is already in full swing, running from July 24 to Aug 9. The festival features multi-disciplinary exhibits, performances, and workshops, and is an artist-run celebration of queer art and artists. This year’s theme is TransgressionNow, which is expressed through a visual art exhibit curated by Glenn Alteen and Paul Wong. The exhibit examines ideas of social, gender, and political boundaries and how they have changed over the years. Another highlight of this year’s QAF is Canada’s first lesbian opera, When the Sun Comes Out by Leslie Uyeda and Rachel Rose. It was commissioned and produced by the Queers Arts Festival and is receiving a lot of media buzz.

www.queerartsfestival.com

Vanquished Vancouver

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Despite never having a “Vancouver proper” postal code my whole life (unless you count fetal development), I’ve always considered Vancouver and not wherever I was currently situated my home.

It’s not surprising, really. A large part of my childhood was spent there. I went to school in Vancouver for the first and second grades, despite living in Surrey. Every Friday night until I was six was spent at Science World, with a stop at the McDonalds at Main and Terminal so I could ride the Merry-Go-Round in the Playplace.

I enjoyed the PNE less for the rides and more for the fact that my mom would drive around to the houses she grew up in north of Hastings. Then we’d trudge from the car, parked in front of her high school friend’s house on Franklin near Nanaimo, all the way to the fair grounds, and she would point out the houses that were the same, who had lived where, how upset they’d be over the state of the rose garden, the houses that had been rebuilt, and any number of factoids about the area.

I love the landscape of Vancouver: its old narrow houses and notoriously un-open space floor plans, brick walk-ups downtown with once-grand, now-motheaten carpeted entrances, and even the Vancouver specials in the south. Part of why I’m terrified to leave in September is because in the two years I’ll be gone, I’m not entirely sure if I’ll be coming back to the Vancouver I knew.

When the Vancouver Police Museum offered me and a friend admittance to their “Sins of the City” walking tour of the DTES, I jumped at the opportunity. The tour was unique in that it told a different history than the one we usually get. A lot of the first settlers came here for the gold rush, and yes, many of us know that Gastown was Vancouver’s first real area to develop, and it happened because “Gassy Jack” opened a saloon; but you probably didn’t realize the Vancouver Police Department (a version thereof at least) began because of the amount of drunks causing trouble. In a historical context, the Granville Strip reads less as a wart on our city and more as a weekly pioneer days celebration.

Vancouver, it turns out, had quite the string of corrupt politicians and higher-ups in the police force. Making it big was all about who you knew and how much you could pay them. Busts might have happened, and businesses may have shut down, but eventually they’d pop up elsewhere. Not quite the “we’re just tryin’ to have a little advisory committee, for fuck sakes” city we all love.

While a lot of the tour was spent marvelling at the facades of decades-old buildings, trying to envision a tapestry of the seedy exchanges that occurred within, many times our group found ourselves looking at a 70s-90s built building where the sin den in question once sat, which is unsurprising. In a city predicated on vice, gambling and hedonism, it makes sense that we’re always trying to move on to the next big thing, find the next cash cow, no matter what gets burned in the process.

The DTES is hardly the only area currently affected by the push to build and redevelop in Vancouver. It’s more obvious, given that you have the nouveau-riche cashing in on quickly built condos, eager to demonstrate their wealth outwardly mixed in with inhabitants of what is for now still the poorest postal code in Canada, but other areas are getting architectural facelifts as well, coming out looking as plastic as Heidi Montag.

The West Side is seeing many of its character homes demolished rather than renovated, something Caroline Adderson has been working to catalogue on her Vancouver Vanishes Facebook page. Citing its fruition in “naivety and frustration,” Adderson began taking photos of the houses she was witnessing being demolished and sending them, along with letters, to city council. Protests falling on deaf ears, she got the idea to put the photos online in January of this year.

One of the biggest issues she sees here isn’t that the houses are in massive states of disrepair, requiring serious work to make them liveable again. Most of these homes are being sold for their property value alone. In the West Side, says Adderson, “lots are generally much larger, so the houses are picked off one by one. The condition of the house is irrelevant; many are newly renovated.”

However, for those that do want to buy a character home for its quirk and charm, trying to make even basic renovations can quickly become a nightmare. The Vancouver Courier recently ran a piece explaining the hoops Alex Burgers and Kyrani Kanavaros had to jump through to renovate the 1912 bungalow they purchased. They aren’t just any home-buyers, either. Burgers has worked for 15 years in the construction industry.

The family waited over a year to get the necessary permits, whereas if they had opted to demolish the house, the permits would’ve taken four months, tops. There isn’t much incentive to reuse as much existing structural material as possible, which seems shortsighted given Vancouver’s constant strides towards greenification. Right now, Adderson quips, “Seventy-four per cent of Vancouver’s DLC (Demolition, Land-clearing and Construction waste) Landfill is waste from residential demolitions. More than 750 homes are demolished annually. Reduce, reuse, recycle. Remember that?”

For us as students, it’s easy to write things like this off. With the job market and economy the way they are, it’s not like home ownership is on the near horizon for the large majority of us. But therein is part of the problem. When we erase the way our city was built, who it was built for, we forget where we came from.

One of the reasons I enjoy (in a remorseful way) the Vancouver Vanishes page so much is because Adderson includes the original owner’s name and their profession. Some houses were turnkey houses people moved into, the more exquisite obviously ordered to fit with a vision in mind. Their owners, though, were ordinary people. While their titles were certainly reflected in the size of the home and its location, whether someone was a manager of a large trading company, a clerk, or a piano teacher, they managed to afford a detached house with a modest to large yard in Vancouver.

It’s not just about having a scenic vista of brightly painted houses like Newfoundland proudly boasts in their tourism brochures (although having a distinct culture doesn’t seem to hurt tourism), it’s about preserving a memory of where we’ve been as a town. When we knock down our second oldest house, a testament to one of Canada’s first architects, when we sell-off Arthur Erickson’s design that he saw fit to call home that likely will be razed while I’m away, we aren’t just making way for more families, we’re saying “fuck you” to our past. More importantly, we don’t have to care about our wrongs if there aren’t visual testaments to them.

One of my favourite stops on the walking tour we took was only accessible through Jane’s Tea and Art, a small tea shop that teaches traditional Chinese tea ceremonies and sells tea, accessories, and any number of desirable shiny things. Through the shop we came to a courtyard, backed by the two-story building we’d walked through and walled in by tall brick buildings. The only way in was through the buildings, but there were small corridors leading to unassuming doorways back onto the street.

In 1907 when the Asiatic Exclusionary League incited the Vancouver riots, smashing windows throughout Chinatown and what was then Japantown (now Oppenheimer Park), the courtyard served as a safe haven for those lucky enough to be in the buildings with access to it at the time of the attack. Once everything died down, people left the alley. Not understanding how so many had managed to escape the riot, stories of underground tunnels in Chinatown began to emerge.

If the alleyway behind the tea shop had been flattened and built over, we wouldn’t have an antidote to conspiracy theories like a system of tunnels under the city, but more importantly, to the whitewashing we like to do when scars of our past become visible. Fortunately, the whole block was owned by a wealthy opium manufacturer who never sold the properties and maintained the buildings largely as they were.

When you’re standing in the alley, however peaceful it seems, you can imagine what it must have been like, hundreds of people packed in a small area, waiting, listening, trying not to breathe, having nowhere to look but up because of the then-sky-scraping buildings keeping them blind, but also obscured from their would-be attackers.

Their owners being interned in labour camps during WWII and all of their possessions seized by the Canadian government, the homes and businesses of Japantown largely didn’t survive to tell the same stories as those in Chinatown. Only a few of the original buildings at Jackson Ave and Powell Street remain.

History tends to be cyclical, but that doesn’t mean we have to repeat ourselves. While I’d like to think we’re well past race riots, we made it clear two years ago we weren’t past rioting altogether (even if it was in the name of nothing, it would seem). I’m not trying to give you some meandering Golden Age Fallacy about how much better Vancouver was before, although I do personally favour the aesthetics of days gone by.

I would be heartbroken to come back to Vancouver and see the streets I liked to walk down dramatically changed, even though change is inevitable. Rather, I’m troubled by our willingness to throw out history with the yard trimmings and organic matter. Too easily we move on to the next big thing.

In an article detailing Hastings Crossing Business Improvement Association’s initiative, in partnership with Ninja Games, to use an incremental clue treasure hunt throughout the DTES to teach people about Vancouver’s history through architecture, Wes Regan explains that “Vancouver’s architecture tells us the story of our city, the myth, meaning(s) and power of place.”

This is as true of the East, West or South Sides as it is for the DTES. While single-family homes surely don’t carry the history of as many people as Vancouver’s original skyscrapers, they still tell the story of a generation’s hopes and desires. They tell us who was living where, and who was able to afford what.

Vancouver isn’t an old city, at least in our Euro-centrist view of Canada, but it’s old enough that we no longer get to have the luxury of pretending we all came here with nothing. If we’re looking to improve the way our city operates and the fairness with which our inhabitants are able to access things like safe and affordable housing, we need to pay attention to our past so we aren’t doomed to repeat the same mistakes. CMYK- Gore Ave - CVA

Secret Set List Revealed!

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Peak Humour obtained this photo that reveals the TOP SECRET set list for the much anticipated national anthems portion of August 3rd’s Vancouver Whitecaps game in Portland against the Timbers. Check it out!