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Campus Cuisine

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When you stay up all night cramming and have to pick between showering for the first time in two days or making a lunch, finding cheap food on-the-go can be a necessity. It’s easy to grab a sandwich at Tim’s or a McDicks burger on the cheap, but some days you just want to eat like royalty without royally screwing your credit score.

Here are three options under $10 at each campus to keep you off the corner and the collection agency’s call list.

Surrey

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1. Pho Tam

Located directly across the street from the Surrey Central SkyTrain entrance/exit, this gem is usually packed because everyone from Surrey knows it’s the place to go for Pho. The portions are huge, and for $7 you get a bowl of soup large enough to feed a small family. Even if soup with floating meats isn’t your jam, only one of the dinner items is more than $9, and it’s enough food to share with someone else. If you’re feeling fancy, get the Salted Lemon Soda. It might sound weird but it’s refreshing and worth the extra $2.75.

2. Top King’s 

With a mix of Canadianized Chinese and traditional dishes, Top King’s is another Surrey favourite. Located in the same complex as Pho Tam but directly facing the station, their buffet-style menu is insanely affordable. Three items with steamed rice is a whopping $5.50 while two will only set you back $4.75. Everything there is good, but the beef and green beans and the sesame chicken really do it for me.

3. Boston Pizza on a Tuesday

Ok, so you’ll have to spend $9.95, but deal with it. Pasta Tuesdays mean what would normally be a $16 pasta dish is yours, with a side of garlic toast, for $9.95. This is the perfect option for post-cram session eats. If you’re able to drive, BP is open until 1:00 a.m. (later than the SkyTrain), so you can wallow in spaghetti until the wee hours after flunking that midterm or treat a date to a dinner that turns into late dessert that turns into breakfast. Schwing!

 

Downtown

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1. The Famous Warehouse

Once a food-primary dive-bar that kept menu prices low so bros could keep drinking without having to spend a mint, The Warehouse now has multiple locations whose food menu contains nothing over $4.95. And we’re not talking “french fries” and “grilled cheese.” On Sundays you can get steak and prawns for $4.95. Some people question the quality, but when you’re getting a full meal with wrapped cutlery for under $5, don’t expect gastronomie.

2. Nu Greek 

A short walk down Hastings onto Water St, Nu Greek offers Souvlaki in a pita for $7, or $5 for students with a valid ID. If you’re feeling extra fancy, you can grab a chicken lunch plate for $9 which comes with all the fixings you’d expect with a usual souvlaki dinner. It’s fresh and it has a really cute vintage café if you have time to eat in.

3. The Cambie

The Cambie recently released a student-budget centred menu, most likely to compete with the newly erected Hasting’s Warehouse. Really, who cares why. Cash in while you can. Their $5 menu is in effect from 11 a.m. – 6 p.m. and includes pulled pork tacos, cobb salad and mac ‘n’ cheese. Pitchers are usually cheap, too. I’m just sayin’.

 

Burnaby

1. Club Ilia

Newly moved into the MBC food court, Ilia’s lunch buffet offers a decent daily variety and good value for the money paid. This isn’t your usual cafeteria-style dining experience. The baba ganoush is fresh, and the fish has never disappointed. It’s hard to cook fish right at the best of time, but en masse and kept warm in a bain-marie behind a sneeze guard? Kudos to them. You won’t be disappointed.

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2. The Ladle

For $9 here, you can feed three people moderately. But if you’re the only one ordering, you can eat like a damn king. Get a large soup AND a panini or grilled cheese or tofu nuggets. Get mac-n-cheese and get them to put some tomato soup on top. Go buck wild, because you won’t be paying more than $9. And if they have the Arabian Nights hummus soup, get it all while you can. It is hands-down their best.

3. The Highland Pub on Tuesdays and Wednesdays

Unadvertised, but after 5, Tuesdays are Toonie Tuesdays at the Highland, where you can get a cheeseburger, a basket of fries, jalapeno poppers, cheese sticks or edamame, all for $2. Wing Wednesdays offer ¢25 wings (they come in dozens, so it works out to $3 a basket). The pub has saved me countless times when I’m screwed until Friday payday. Tuesdays and Wednesdays make up for paying regular price other days at the pub, and frankly, you’re not an SFU student until Darryl, one of the managers at the pub, knows your name.

A Fate Worse Than Death

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In Canada, it’s called the Special Handling Unit. Most prisoners know it as the SHU, or by its colloquial titles, such as “the hole” or “the hotbox”. It’s a tactic reserved for prisoners that are deemed particularly dangerous or threatening, and its prevalence is increasing. Between 2010 and 2013, the number of inmates admitted to the SHU per year rose from 8,000 to 8,600, and experts expect that this number will continue to grow.

But solitary confinement is more than a punishment. It’s a form of psychological torture. For between 22 and 24 hours a day, prisoners are confined to bleak, unfurnished cells for months — sometimes years — on end. They are often denied access to TV or even radio, and are isolated from other prisoners. Most inmates in solitary confinement are allowed a limited supply of books, a bar of soap, photographs of friends and family members, tools for writing, and little else. Some cells lack windows, and virtually all of them are under constant video surveillance.

Ingoing and outgoing mail is heavily monitored. Visits from friends and family — if they are allowed at all — are aggressively surveilled and devoid of any physical contact. The cells themselves range from about 60 to 80 square feet, and the concrete “yards” in which prisoners are allowed to exercise for approximately an hour each day are rarely much larger.

Ironically, solitary confinement was originally envisioned as a humane alternative to the sadistic prison conditions of yesteryear. Social activists of the time – Quakers and Calvinists chief among them – saw solitary confinement as a more ethical alternative to the  rotting, overcrowded jails and Hammurabian “eye for an eye” punishments of the day. They were the first to consider the prison system as a potential conduit for rehabilitation, and the Walnut Street Jail, built in Philadelphia in 1790, was the first prison to resemble our modern institutions.

Most inmates in solitary confinement are allowed a limited supply of books, a bar of soap, photographs of friends and family members, tools for writing, and little else.

Expanding on their revolutionary idea of isolation as punishment, Eastern State Penitentiary was established in 1829 as the first jail made entirely of solitary cells. But despite noble intentions, the system was quickly revealed to have unintentional effects. Prolonged periods of solitude led inmates to such ends as psychosis, anxiety and suicide.

By 1890, over a century after Walnut Street Jail first opened its doors, the United States Supreme Court condemned the practice of solitary confinement. Inspired by a wealth of medical evidence from around the world, they stated: “A considerable number of prisoners fell, after even a short confinement, into a semi-fatuous condition . . . others became violently insane, others, still, committed suicide, while those who stood the ordeal better were not generally reformed.”

But in the recent past, solitary confinement has regained popularity. According to The Globe and Mail, about 850 of the 14,700 prisoners in federal Canadian prisons are in the SHU. Our neighbour to the south is no better: over 80,000 prisoners are held in solitary confinement in the United States at any given time, the highest percentage of any democratic nation.

Inmates are chosen for solitary confinement based on a wide variety of criteria. Prisoners who are considered at risk of violence from other inmates, such as pedophiles or witnesses, are held in the SHU as a form of protective custody. Super-maximum security prisons – better known as “supermax” prisons – are composed of almost entirely SHU cells.

Prisoners are also put into solitary confinement based on their alleged connections to prison gangs. Many of these connections are tenuous at best — leftist literature and writings on prison rights can be considered sufficient evidence for incarceration, as well as unverified accusations of gang affiliation from prison informants.

One of the most infamous supermax prisons in North America is Pelican Bay State Prison, located just outside Crescent City in California. Of the 1,126 prisoners held in the prison’s SHU, over half have been in solitary confinement for at least five years; over 78 of those inmates have been confined for more than 20.

Having been put in solitary confinement in an Iranian prison himself, photojournalist Shaun Bauer’s investigation of Pelican Bay in 2012 is eye-opening. He describes the cells in the prison as smaller than the one he was confined to for 26 months. His had a window, whereas the rooms in Pelican Bay do not.

All of the gang validation proceedings — that is, the system through which the prison’s gang investigator makes his case for a prisoner’s involvement — are internal, with no judicial involvement. Of 6,300 validations submitted to Sacramento for approval in the past four years, only 25 were rejected. Only the gang investigator and the inmate are present during the sentencing.

Bauer’s report is not only remarkable due to his unique experience with solitary confinement — it is one of the few available reports of its kind. There is an absence of accurate statistics concerning many supermax prisons in the United States and Canada. As Debra Parkes, a University of Manitoba law professor, told The Globe and Mail, “There are no meaningful mechanisms for accountability in provincial and territorial corrections. . . . We essentially have no idea what goes on inside them.”

Although information concerning the treatment of Canadian prisoners in solitary confinement is troublingly sparse, there is little doubt about the psychological effects of the process. According Terry Kupers, a psychiatrist at the Wright Institute, “What we’ve found is that a series of symptoms occur almost universally. They are so common that it’s something of a syndrome.”

Stuart Grassian, one of the most prominent specialists in this field of study, has referred to this disorder as the “SHU syndrome”. Grassian described symptoms like increased sensitivity to stimuli, hallucinations, memory loss, and impulsiveness as resulting from prolonged periods in solitary confinement.

Craig Haney, a professor of psychology at the University of California, has included headaches, chronic fatigue, heart palpitations, chronic depression and violent fantasies as potential symptoms. Roughly half of all prison suicides occur in solitary confinement.

“People who have been in long-term solitary confinement almost inevitably emerge with major impairments in their ability to cope with the larger world and the larger community,” Dr. Grassian told The Globe and Mail.

Canadian prisons have also seen a rise in violence within the past decade: between 2007 and 2012, the population of Canada’s prison gangs rose from 1,421 to 2,040, according to CBC News. This rise correlates with the rise of solitary confinement tactics. But these tactics only serve to separate gang members from each other, rather than rehabilitate them as contributing members of society.

After all, prisoners in solitary confinement have no access to prison programs and treatments. Even if these tactics are successful in segregating gang members and reducing rates of violence in prisons – rates that have been climbing steadily within the past five years – those prisoners who eventually see the other side of a jail cell are often incapable of re-assimilating into Canadian society.

Considering the presumably well-intentioned beginnings of the practice, we have to ask ourselves: is solitary confinement ethical?

The United Nations defines torture as “any act by which pain or suffering, whether physical or mental, is intentionally inflicted on a person for such purposes as . . . punishing him for an act he or a third person has committed or is suspected of having committed, or intimidating or coercing him or a third person, or for any reason based on discrimination of any kind, when such pain or suffering is inflicted by or at the instigation of or with the consent or acquiescence of public official or other person acting in an official capacity.”

Juan E. Méndez, the United Nations Special Rapporteur on torture, has spoken out in favour of banning the practice altogether. “Considering the severe mental pain or suffering solitary confinement may cause, it can amount to torture or cruel, inhuman or degrading treatment when used as a punishment,” he told the UN General Assembly in 2011. “Indefinite and prolonged solitary confinement, in excess of 15 days, should also be subject to an absolute prohibition.”

The Optional Protocol to the Convention against Torture is a treaty that would allow a subcommittee of the United Nations to perform routine investigations into the places where “people are deprived of their liberty”, in order to ensure that no torture is taking place. As of this article’s publication, Canada and the United States have yet to ratify this protocol.

We have to ask ourselves: is solitary confinement ethical?

But what about those prisoners who pose a threat to correctional officers and their fellow prisoners? “There will always be a few inmates who simply prove too dangerous to be in the general population,” says Jamie Fellner, the senior counsel for the United States Program of Human Rights Watch, an organization which advocates for the preservation of human rights.

“For them, some form of segregation may be the only option. But even then, the nature of segregation should be rethought. No one should be confined in small, empty cells with nothing to do – and no one to talk to – day in and day out, year in and year out.”

This thought is echoed in the recent hunger strike taking place in California prisons. Beginning on July 8, 2013 and the hunger strike reached its 50 day mark last Monday and, at time of publication, is ongoing. It is the largest hunger strike in California’s history. Originating as a protest towards the harsh conditions of Pelican Bay’s SHU, it has spread to several other Californian prisons. An estimated 400 prisoners have participated in the strikes; one of the participants has since committed suicide.

Among the prisoners’ demands are to “end group punishment and administrative abuse,” “expand or provide constructive programming and privileges for SHU inmates”, and “provide adequate nutrition and food.” They have also demanded that prisons “abolish the debriefing policy and modify gang status criteria.”

Debriefing is the most common means through which inmates escape solitary confinement. Prisoners are persuaded into offering incriminating information about their fellow inmates to correctional officers. Prisoners argue that this process places inmates in unnecessary danger, and leads to them being targeted as “snitches.”

Jeffrey Beard, the secretary for the California Department of Corrections and Rehabilitation, has characterized the strikes as a “gang power play.” In a recent op-ed for the Los Angeles Times, he vilifies and dehumanizes the inmates participating in the protest: “Many of those participating in the hunger strike are under extreme pressure to do so from violent prison gangs, which called to strike in an attempt to restore their ability to terrorize fellow prisoners, prison staff and communities throughout California.”

But Beard’s article refused to acknowledge the tortuous and dehumanizing conditions of solitary confinement in North American prisons. In an article by Angela Y. Davis for The Sacramento Bee, she calls the strike “a courageous call for the California prison system to come out of the shadows and join a world in which the rights and dignity of every person is respected.”

If there ever was a time for the United States and Canada to reevaluate their use of solitary confinement as an ethically acceptable form of punishment for prisoners, it is now. The California prison strike only serves to highlight something that many of us already know, but choose to ignore: that solitary confinement is still in widespread use in North America, despite being considered torture by Amnesty International, the United Nations, and the majority of the free world.

Fyodor Dostoevsky once said in his novel The House of the Dead that “The degree of civilization in a society can be judged by entering its prisons.” We must consider the way in which we treat our prisoners in North America, whether or not they are violent, whether or not they are gang members. Our prisons are intended as a means of keeping inmates safe and rehabilitating them, but solitary confinement does neither.

Weather Review For August 30, 2013

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Rain showers, sunny breaks, partly cloudy . . . this day had everything and kept me on the edge of my windowsill for hours! I loved it! I give it one sun out of a cloud!

Album Reviews: Volcano Choir, Earl Sweatshirt, and a throwback to Sonic Youth

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Volcano Choir – Repave

By Max Wall

On “Perth”, the opening track of Bon Iver’s self-titled second album, Justin Vernon proclaims, “This is not a place.” Indeed, the ethereal sound of Bon Iver seems not to be part of any physical space. On Repave, his new record as the Volcano Choir, a collaboration with fellow Wisconsin residents Collections of Colonies of Bees, Vernon touches ground.

The band adds musculature and rhythmic focus to the sound developed on the second Bon Iver LP through ping-ponging stereo guitars and warped stadium-rock drums. Announcing that he would be winding down and walking away from Bon Iver, Vernon’s latest record with the Volcano Choir is the declaration of a new beginning. Repave is an effort to start again, to redefine. Vernon subsumes his identity in the press photos. He is the least visible band member, off to the side, covered in a sort of purple light-leak mist.

Repave is not the first time Vernon has recorded as the Volcano Choir. 2009’s Unmap was a scattered Pro Tools effort, full of rough loops workshopped across continents. It was like a journey into the woods or a long road trip where you just get lost and are okay with it. Repave is what emerges on the other end of the process. Boldly moving forward from the collapse of Bon Iver, heedless of what might be left behind, the Volcano Choir is like the TV screening of a quality movie, cropped to a boxy 4:3, yet brilliant.

Gone is the creaky “Skinny Love” balladry of For Emma, Forever Ago. The closest thing to this is Repave’s “Alaskans” which evokes the warm copper tones of Vernon’s favourite TV series Northern Exposure. On album closer “Almanac” Vernon even attempts a red-blooded “Wolf Like Me” era TV on the Radio singing style. “Dancepack” is a standout, managing a subdued yet driving rhythm throughout. This is not a drafty cabin record, it’s as if Vernon and the guys spent a warm winter inside the studio this time and emerged with, yet again, another fine record.

 

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Earl Sweatshirt – Doris

On the heels of his debut mix-tape Earl — recorded when he was 16 — hip-hop wunderkind and Odd Future member Thebe Kgositsile was sent by his mother to Coral Reef Academy, a boarding school for troubled youth in Samoa.

Though it was behavioural issues and not his violent, sexual music that inspired his mother’s choice, Kgositsile — better known as Earl Sweatshirt — only contributed to the Odd Future gang once during his exile, and was absent while the group’s popularity climbed.

“I have trouble wrapping my head around things like OF being on the Coachella ticket or there being a more-than-substantial international fan base,” he told The New Yorker. “You can’t really experience that vicariously, no matter how hard you try.”

The emotional turbulence of Earl’s absence and his sudden return colour most of the tracks on Doris. Only a few of the tracks have hooks, and fewer still see Earl stray from his monotone, MF DOOM-inspired delivery. The album’s production is similarly austere, relying on atmosphere and minimalism that give all 15 songs gravitas.

But despite its funeral march tone, Doris is (arguably) the best hip-hop album to come out of the Odd Future collective. Earl’s raps are clever and cynical far beyond the rapper’s 19 years. “Chum”, the LP’s crown jewel, is a deeply felt piano-based autobiography that may be the best hip-hop song this year — sorry, Kanye.

Like Frank Ocean, whose verse on “Sunday” is an album highlight, Earl is working on a higher level than his OFWGKTA comrades. Though his surrogate big brother Tyler, The Creator’s fingerprints are all over Doris’ more childish passages, Earl’s intelligence and undeniable talent make it only a matter of time before he moves on and makes a name for himself.

 

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Sonic Youth – Daydream Nation

Sonic Youth were on their third drummer. They’d toured the States, but found that their enigmatic brand of avant-rock appealed more to Europeans. Their star was on the rise — each of their four studio albums had sold better and fared better with critics than the last. Critical of the business practices of their previous label, SST, they made the jump to Enigma Records.

Then Daydream Nation dropped.

The 12 tracks on the LP — 14, if you elect to separate album closer “Trilogy” into three distinct songs — are the unofficial high water mark of indie rock. Whether you plan to dominate the charts or win hearts in the underground, Daydream Nation is the album to beat, the one that proves just how good it can be.

Twin guitar virtuosos Thurston Moore and Lee Ranaldo, both former members of Glenn Branca’s avant-garde guitar orchestra, duel it out over the album’s expansive instrumental passages, short-form versions of the band’s now-legendary live jams.

Kim Gordon’s simple bass-lines anchor the album’s more formless experiments, while Steve Shelley’s energetic drumming simmers to a frantic boil.

But beyond the technical wizardry of Daydream Nation — not to mention its lofty status as indie rock’s creative zenith — this album is fucking awesome. Moore’s vocal was never more emotional; Ranaldo’s, more polished; Gordon’s, more ferocious.

It’s the latter’s lines that stand out to me the most: her frenzied interrogations of American consumerism and insincerity on tracks like “The Sprawl” and “‘Cross the Breeze” are among the album’s most visceral moments.

Most Sonic Youth fans separate the band’s pre-millennial output as pre and post- Daydream Nation. Before, the band’s output was challenging and esoteric; afterwards, they signed to a major label and went mainstream.

But no record from either period can match this one. Sonic Youth didn’t just perfectly sit on the fence between total discord and rock-and-roll with their fifth studio LP: they built the fucking fence, and painted it, too.

 

How to be an SFU student

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Buy Some Boots — Good Boots

Getting ready for the fall at SFU can be an exciting time. There’s always an electric buzz in the air (although that may be the electric hum of your credit card) when you’re buying your textbooks or shopping for back-to-school clothes. But no matter how mature and fashionable you hope to look on your first day back, the truth of the matter is that you’re going to need to dress like someone who actually goes to this school. That’s because after the first week of sunshine that seduces all first years, the weather here snatches away all your hopes and dreams and reduces you to the sweatpant-wearing umbrella-bearing student we all are inside. As a native Vancouverite, I still deny that I live in one of the rainiest cities in Canada and try to trudge up the mountain in my spring blazer and Lulu cutoffs, but the facts are the facts. If you don’t buy a decent winter jacket and boots, you’re going to regret it — especially when you’re digging your car out of a two-foot-tall snow drift in B Lot.

Accept That You’ll Never Figure Out the Online Enrollment System

In Greek mythology, the labyrinth was the elaborate maze that King Minos ordered Daedalus to construct in order to imprison the Minotaur, a creature with the head of a bull and the body of a man. A skillful craftsman and artificer, Daedalus built the labyrinth to be so difficult to navigate that he himself barely escaped it. SFU took a page from Daedalus’ papyros when designing their online enrollment system: unfortunately, in this version of the myth, the students are the Minotaur. Complete with a vast array of pages and links — many of which seem to lead nowhere — and an antiquated layout that hearkens back to the golden age of dial-up, the online Student Center is sure to challenge even the most patient first-year applicants. You may go through several stages in your struggle: denial, anger, bargaining, depression. But the mark of a true SFU student is advancing to that final stage: acceptance. You will never understand the online enrollment system. You’ll think that you’ve finally got the hang of it, and then you’ll click a link and realize that you just dropped all the courses you applied for. The sooner you let go and accept the hopelessness of your situation, the happier you will be.

Learn Your Acronyms, ASAP

At SFU, it’s easy to feel like you’re one of those parents whose tweens are just getting into texting. TBH, I still feel that way after three years here. You don’t understand what a TSSU is or why it’s always angry, and you get pretty disappointed when you sign up for REM and “It’s the end of the world” has a totally different meaning. You might as well be a Rosetta Stone-wielding Robert Landon if you want to solve the riddle of all these abbreviations. Well, before you get mad at somebody for trying to SASS you, it may help to take a look at what all these various acronyms actually mean. Not only will it help you navigate between classes in the WMC, the AQ, the SSB, and the RCB; before you know it, you’ll be able to rattle them off like any MBC alumni, and conversations about the SFSS’s recent elections or the collaborative efforts of SFPIRG and the FNSA will finally make sense. Kind of.

Cheer on the Clan, not the Klan

SFU loves to pretend it’s in Scotland. With our world famous pipe band, Robbie Burns day poetry reading, and kilted mascot McFogg the Dog, naming our athletics teams the Clan only seemed natural. However, we didn’t exactly prepare for the reaction from some of our more sensitive spectators. It seems like calling yourselves the Clan can be a bit of a turn-off, especially for our large contingent of American-born athletes.This is particularly important since SFU has recently become a member of the NCAA, which is the organizing body of the athletic programs of many colleges and universities in the United States and Canada. So to ensure that new members of our fan base show up in tartans and kilts instead of white robes and pointy hats, perhaps remind your friends that we’re not clansmen, but members of the SFU Clan.

Hate UBC Blindly

If you go to SFU, you have to hate UBC. You do not have a say in the matter. It’s like you clicked the “I agree to the terms and conditions” button without actually reading them: once you begin your post-secondary education here, you are obligated to despise UBC with every fibre of your body. No one quite knows why. Maybe it has to do with the two schools’ long-standing athletic rivalries, which range from hockey to football to basketball. Maybe it’s about the Beedie School of Business and the Sauder School of Business, both of which rank among the best in the country. Maybe it’s simply because UBC and SFU are the two best-known and most revered post-secondary institutions in Vancouver, and that naturally breeds a sort of competitiveness. Whatever the reason, part of your contribution to the SFU community is to think of the most damaging and snicker-inducing UBC jokes you can, and recite them to anyone who will listen. It’s the least you can do to preserve this honourable tradition.

Beware of the Robert C. Brown Hall

Much has been written about SFU Burnaby’s remarkable architecture: Arthur Erickson’s concrete design is often one of the first things that people mention about our school, whether they’re praising its angular beauty or lamenting its grey scale bleakness. But whatever your opinion on SFU’s unusual aesthetic, you can’t help but question what was going through Erickson’s mind when he designed the Robert C. Brown Hall. SFU students are well aware of that familiar shiver that runs down your spine when you see those three fateful letters — “RCB” — on your class schedule. The simple fact is that the Robert C. Brown Hall bears a striking resemblance to a Victorian Era dungeon. Its hallways are thin and winding, its random staircases confusing and disorienting, and its haunting silence more than a little unsettling. Maybe Erickson deliberately designed the hall to be confusing as a means of hazing for new students; maybe he intended to give any potential ghosts intending to haunt SFU an adequately spooky wing in which to do so. Whatever the case, abandon all hope ye who enter the RBC. It very well may be the last thing you ever do.

Read The Peak

Sometimes, campus news is boring. I’ll be the first to admit it: After the eighth time the TSSU and SFU have a disagreement, or the SUB building changes its location, it’s hard to get excited. But if you’re looking to become a member of SFU’s student body, that means more than just attending classes and complaining about the weather: It means becoming involved with your community and your campus. A big part of that is staying informed, and the best way to do that — sorry, SFU News — is to read The Peak. Not to be confused with the local radio station, The Peak is the newspaper you’re holding in your hands: student-run and -operated, we publish content about SFU, local events, and subject matter that pertains to the student body. If you’re new to SFU and looking to get a leg up on your classmates, you should consider writing for us, especially if you’re looking to get into journalism or creative writing. There’s no better way to get involved in campus life than to join a club, and — just between you and me — ours is the best one.

Make the Trip to the SFU Bus Exchange

At least one day a week, it’s likely that your schedule will be packed: You’ll have had at least two lectures, a few tutorials and maybe a lab to boot. Maybe your last class finished in the West Mall Centre, and you just don’t have the energy to walk all the way back to the SFU Bus Exchange. You think to yourself, I’ll just catch it at the Transportation Centre. But this is a sign of weakness. Especially if you depend on the 145 for your trip home, it is usually worth it to take the extra walk past the AQ to the University High Street bus loop. More often than not, you’ll be able to wriggle your way into a seat, or at least be able to catch the first bus you see. Not so at the Transportation Centre: any transit dependent SFU student who’s waited at this stop will know all too well the sinking feeling that comes with seeing a 145 bus full of students barreling past. Even if you catch your bus, your chances of sitting down have significantly diminished. Don’t be the person who wasn’t willing to walk an extra five minutes to catch the bus the first time around.

Treasure your U-Pass

I think most students can agree that one of the best things about going back to school in the fall is having your U-Pass. The U-Pass is easily taken for granted, until you really start looking at its finer details. This magical ticket can transport you to all the wonders that Vancouver has to offer, and let’s face it: without it, commuting between three campuses (in three different cities) all in the same day would be next to impossible. Not only is this ticket easily nabbed at the end of each month, but it’s included in your fees for just $35! Compare that to a regular two-zone pass, which costs $124 a month. Let the lowly peasants pay the full fare while you gallivant downtown, riding your SkyTrain to glory. Heck, just ride the bus back and forth all day for free. Live it up, because once you no longer have your U-Pass, you’ll be paying full price with all the other plebeians.

Engage

Because if you don’t, Petter will be very very stern with you. But seriously, our president, Dr. Andrew Petter, is all about students getting involved with their university community. You can see his trademark all over campus: at the Thelma Finlayson Centre for Student Engagement, on the bus banners that yell at you about “Engaging the World,” or in every speech he will ever give. Despite all the joking and the “Count how many times Petter says engage” game, he does have a point. Your university experience has the potential to be the best years of your life. Join a club or a team, get involved in university politics, or get a job on campus. By doing so, not only are you participating in an activity you enjoy, but you’re making connections with other students who share the same interests.

SFU Pipe Band hired to play at parade celebrating SFU Pipe Band

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After another strong performance at the World Pipe Band Championship this summer in Glasgow, Scotland, the SFU Pipe Band has received the enormous opportunity to lead a parade celebrating one of the best pipe bands in the world after being invited to play at the “SFU Pipe Band’s Fourth Place Victory Parade”.

At the parade, the band is also expected to earn the tremendous privilege of playing alongside the recently crowned world’s number one drum major, Jason Paguio, from the internationally renowned pipe band, the SFU Pipe Band.

With files from High Note Times

Provincial government to start public consultation on liquor policy

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Starting this fall, the provincial government will start a major public consultation process as part of a province-wide liquor policy review. This will be the first time BC’s liquor laws have been reviewed since 1999, and the first review that includes a public consultation process.

Last month, the Ministry of Justice started reviewing what they called “BC’s outdated and inefficient liquor laws” by asking for feedback from major stakeholders, more than 10,000 liquor licensees, and liquor agency stories.

NEWS-quotation marksI know many British Columbians have a lot of opinions and our government is open to hearing them.”

– John Yap
Parliamentary Secretary
for Liquor Policy Reform

The government had noted several laws that it deemed to be “limitations to convenience and economic activity,” including prohibiting minors that are accompanied by a parent or guardian into pubs that serve food during daytime hours, not allowing wines and local liquor to be sold at farmers’ markets, not allowing establishments like spas to be eligible for licensing permits, and taking upwards of a year to obtain a licence for bars and pubs.

John Yap, the Parliamentary Secretary for Liquor Policy Reform, will be taking charge on the review, gathering feedback, and meeting with local populations and  associations throughout September and October.

“I know many British Columbians have a lot of opinions and our government is open to hearing them as we move forward in this process,” said Yap, according to Business in Vancouver.

Yap is expected to submit a final report on the liquor policy review by Nov. 25 to attorney general Suzanne Anton, which will be made public.

“Right now, some of BC’s liquor laws go back many years,” said Anton in a public statement. “. . . we are looking to make practical and responsible changes which promote consumer convenience and economic growth in the province, with a strong eye to maintaining public safety and protecting the health of our citizens.

According to Dr. Rob Gordon, director of the school of criminology at SFU, BC’s liquor laws, which have been called Draconian, have been heavily policed by government policy for two main reasons: morality and revenue.

“They wanted to effectively control access to the labour force so that people would not be able to drink themselves into a stupor, and related to that was the access on the part of Aboriginal peoples,” said Gordon.

He continued, “And then of course there is the revenue issue. Currently, the provincial liquor stores yield significant revenue for government. Government also controls wholesales. It’s less a moral objection there, more a revenue issue.

“The question is, should that be privatized, and the major objection that comes back is well, no, because that’s a significant source of revenue for the government and we would have to make that up in some way.”

Liquor sales currently result in over $1 billion each year in revenue for the provincial government.

When asked whether a completely privatized model like that seen in Alberta would be feasible in BC, Gordon said, “Yes, absolutely. I think what we have is an absurd situation.”

He explained that the approach Europe and the United States have taken treats liquor no differently than any other commodity in a grocery store.

“Wine and beer and liquor are all available in supermarkets,” said Gordon. “You can go into a small corner store in a Parisian suburb for example and buy a bottle of wine, buy beer, buy whatever spirits you want to buy, along with tea and sugar and milk and apples.”

In her statement, Anton reiterated the desire for public feedback: “Once the public consultation process begins in September, British Columbians can let us know how they would like to see BC’s liquor laws reformed.”

Get caught in the Fringe

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The shows are literally drawn out of a hat. With a “theatre for everyone” mentality and a truly fair and open-minded approach to programming their line-up, the Vancouver Fringe Festival welcomes all kinds of theatre artists. This year’s festival features 91 shows, ranging from one-man dramas, to naked comedy, to a new Jane Austen musical “Promise and Promiscuity.”

From Sept. 5–15, 800 performances will happen at over eight venues on and around Granville Island, including the Waterfront Theatre, Performance Works, and the New Revue Stage. With 100 per cent of box office proceeds going directly to the artists, the Fringe is a great way to support independent theatre artists.

One artist with quite a bit of Fringe experience is Jackie Blackmore of Strapless, a five-women comedy show with a variety of smart, funny sketches. Having performed at the Vancouver Fringe for nine years in addition to a few appearances at the Victoria and Edmonton festivals, Blackmore said that these festivals are so important because they allow artists to create their own work.

“They don’t discriminate, and the work is welcome no matter how shocking or how avant garde it is. I love the classics of course, but I get fired up about seeing new works on stage, and I think it really expands and pushes theatre in many ways,” she says.

Blackmore also described the atmosphere of the Fringe: “Actors and playwrights come outside their comfort zone, and up and coming directors show what they can do and there is a magical energy in that risk; there’s a creative magic because no one is doing it for money, but for love.”

The Fringe is also a great place for actors to create lasting contacts and build their careers, as well as honing their craft by just doing it and experimenting. “That’s how I cut my teeth . . . it was a huge help to my career,” Blackmore says.

Blackmore originally applied to write her own show and was number 97 on the waitlist, but then she was contacted by a few of the women from the Vancouver Film School Sketch Comedy Company who asked her to direct their show and perform with them. Blackmore has known them since she started teaching at VFS about four years ago, which makes preparation and rehearsals fun: “You know it’s going to be a great show when you can’t stop laughing in rehearsal.”

The title and promotional material of Strapless may make some think this show will appeal more to a female audience, but Blackmore says, “Absolutely not. We had a huge discussion at the beginning about ‘are we feminist or not’ . . . we’re not doing comedy just to give women a voice.”

There are some racier sketches, Blackmore says their show covers a whole range of topics and aims to be universally funny. “It’s a gift to make a room full of strangers laugh. Entertainment is first and foremost . . . I want people to forget their lives.”

From here, the Strapless comedy girls are going to try to find other venues to perform their work, and they have been busy applying to other fringes and sketch comedy festivals. Blackmore is also very excited to be a part of the Vancouver Sketch Comedy Festival that is returning this January after a seven-year hiatus: “There’s a resurgence of comedy in Vancouver and it’s very exciting.”

When asked which shows she is looking forward to at the Fringe, Blackmore recommended Assaulted Fish, a show by a local sketch comedy group, Scotch and Chocolate, a show by one of Blackmore’s ex-students, and Searching for Dick, an existentialist show by her good friend Tara Travis of Monster Theatre.

These suggestions might help get you started, but the performances are just the beginning of the Fringe. Each night there are also free concerts at the St. Ambroise Fringe Bar, including Dominique Fricot, and The River and the Road. If you are unsure about which shows to check out this year, perhaps the Fringe-For-All will help; the whirlwind preview evening allows artists to perform two-minute teasers from their shows. You can join host David C. Jones at Performance Works on Sept. 5 to see which shows catch your attention.

After the festival itself, the fun continues with the Public Market Pick of the Fringe, which takes place from Sept. 18–29 at Performance Works and the Goldcorp Centre for the Arts at SFU Woodwards. The shows in this series are determined by audience votes and judges selecting a few of the most popular ones to hold over for more performances. Ballots are available at each Fringe show, and the winners are announced at the Awards Night at Performance Works on Sept. 15.

BC student debt highest in Canada

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A recent study released by the Bank of Montreal says that BC students can expect to graduate with more debt than those in any other province.

The federal government estimated the total cost of a post-secondary education in Canada at $14,500 a year. This means that with tuition, school supplies, housing and other expenses, students are paying nearly $60,000 in total for a four-year degree.

According to the 2013 BMO Student Survey, which was conducted by Pollara, BC students graduate university with an average of $34,886 in debt. Compare this number to the national average — $26,297 — and the gap becomes all the more chasmal.

Manoj Bhakthan, SFU director of Financial Aid and Awards, attributed this differentiation to the high cost of living in BC, and Vancouver especially.

“I think that part of it is the fact that Vancouver is considered one of the most expensive cities to live in and that an increase in expenses may be related to living costs such as rent, food . . . These would probably be more expensive in BC than in other parts of the country, so from that perspective I could see students perhaps taking on more associated expenses,” said Bhakthan. “For SFU, there has been a 2% increase in tuition fees for 2013/2014 for domestic students. Since 2005, government policy has limited it to this annually.”

 

On average, SFU students’ loan debt is a little bit over $24,000 when they graduate.

 

From 2000 to 2010, SFU tuition fees were raised from $2,310 to $4,815 for domestic undergraduate students and from $6,930 to $15,816 for international undergraduate students.

Although tuition costs are increasing, the percentage of Canadian students who receive money from their parents for school has dropped in the last year from 52 per cent to 44 per cent. To cope, 55 per cent of students are relying on loans, up 6 per cent from last year.

Having amassed such large quantities of debt, students can expect to pay off their debt within an average of 10 to 14.5 years after graduating — much longer than the 6.4 years they anticipate, says the study.

Still, Bhakthan has reason to hope that SFU students will not find themselves in such dire straits.

“As much as possible, what we’re trying to do is empower students by providing them knowledge about what’s available, and I think that’s one of the keys to ensuring the financial success of students.”said Bhakthan. “The more information the student has up front, the more proactive they can be about these opportunities.”

The Financial Aid and Awards Office’s services include bursaries, scholarships, awards, work study, and government student loans, in addition to one-on-one advising appointments with students and various workshops to provide students with information about Financial Aid and Award Office programs.

Bhakthan spoke to the importance of the work study program in particular: “This is a part-time on-campus opportunity for students to earn a supplemental income while gaining experience at SFU, so that could be anything from working with professors on research projects to supporting the CJSF radio station. This is a needs-based program, and those eligible can potentially earn an income to supplement their studies while adding something to their resume and hopefully putting them a step ahead in terms of their career path.”

On average, SFU students’ loan debt is a little bit over $24,000 when they graduate, according to a June 2012 survey. This is dramatically lower than the BC average of $34,886.

For students struggling with money woes, Bhakthan suggested some simple tips and tricks to ease the financial burden. These include living at home instead of renting, purchasing used textbooks or even electronic versions, and evaluating wants versus needs. If these aren’t enough for the overburdened, Financial Aid and Awards is always there to help.

“I’m hoping that students come in and see us if they have questions,” said Bhakthan. “Spend a little bit of time doing research using our financial aid and awards website, and if you have further questions, we’re here to support you.”

Paradise where?

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What is paradise? The Pacific Islands are often thought of as a permanently idyllic place full of white sand beaches, palm trees, and tourism. Curator of the Museum of Anthropology, Dr. Carol Mayer, explains, “The Pacific is thought of as one place that is slightly dangerous, but not really, and the point is actually that isn’t the Pacific. It is large and complicated with thousands of cultures and languages.” The contemporary artists featured in Paradise Lost? have taken on the idea of paradise and are challenging it to set the record straight: “We’re not what you think we are.”

Thirteen artists from Fiji, New Zealand, Papua New Guinea, Samoa, Solomon Islands, and Vanuatu explore, through diverse media, themes of cultural heritage, the environment, migration and diaspora, and the confluence of their belief systems with western religions. Their culture is “expressed with just about every material, and each has its own method of speaking,” explains Mayer.

The title of the exhibition is multi-layered, with allusions to Milton’s Paradise Lost and the allegory of the evil snake as the impact of colonialism on the Pacific Islands. The exhibit also questions what paradise is, and asserts that perhaps everyone has their own interpretation. The “lost” refers to the reality of these places being overtaken by Hollywood and tourism, as well as growing environmental concerns.

NEWS-quotation marksWe’re not what you think we are.”

– Paradise Lost? artists

The way that the exhibition is scattered throughout the museum requires a map, which gives visitors the experience of being lost or disoriented. Although it ended up that way as the result of another show occupying the gallery space, it has created a tangible, physical sense of being lost.

Along with the exhibition at the museum, two artists are also featured at the Satellite Gallery downtown. Mayer described Shigeyuki Kihara’s amazing video installation: “It’s an analogy between the tsunami in Samoa and colonialism showing that they both cause destruction.”

Coinciding with the Pacific Arts Association Symposium at MOA, this exhibition has a wide range of styles and shows the diversity of contemporary art from the Pacific Islands. One of the most memorable pieces is the giant styrofoam cube by Maori artist George Nuku in collaboration with Haida/Squamish artist Cory Douglas. With a mixture of Haida and Maori designs, the hollow cube has many intricate cut-outs that have been carved to mimic the traditional wooden pieces surrounding it in the MOA’s Great Hall.

Another large structure is the plexiglass sculpture by Nuku that fits right in against the glass wall of the museum amongst the wooden totem poles. There are also many paintings, including the colourful work of Pax Jakupa that is used on the promotional brochures. Some of the artists also used textiles or other materials in their work, notably Rosanna Raymond and her garments which were made in an on-site workshop, and Te Rongo Kirkwood’s ceremonial cloaks made of hundreds of fragments of coloured glass. Another impressive work is Cathy Kata’s Bilum, a woven sac made of recycled coffee sac fibre and decorated with candy wrappers, shells, and feathers.

Just outside the gift shop is a beautiful totem pole that was also created onsite: Clan Pole by Teddy Balangu was carved in the Great Hall out of a European Birch taken from the UBC grounds.

What makes this exhibition unique is the context of each piece. Placed amidst much older works of art, a dialogue is created, often with a very strong sense of belonging. With such diversity in styles and materials, Paradise Lost? provides a vision of the Pacific from the perspective of its contemporary artists, and it is clear from their work that there is no one true ‘paradise.’