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Calgary feminist group takes back Halloween

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The event encourages party-goers to don costumes that are empowering, clever, and diverse.

A feminist theatre company in Calgary is taking back Halloween from what they consider to be an oversexualized costume industry.

The group, Urban Curvz, is holding an event on October 31 called Take Back Halloween, which “promotes the opportunity for all genders to make and wear costumes that are empowering, clever and diverse.”

The organizers were inspired to launch the campaign after they spotted a sexy leopard costume geared towards three-year-olds in a costume shop window.

“When we saw that [. . .], the artistic director of Urban Curvz and I thought, ‘You know what, this is a problem for all ages,’” said Pam Rocker in an interview with the Calgary Eyeopener. “And this is something that we want to take back by having something like a feminist costume contest where you actually have to be creative and think about things that don’t gender stereotype and that maybe actually empower women.”

Some of the plans for the event include a feminist costume contest and a patriarchy haunted house, which will illustrate the spooky side of gender issues.

In the description for their Halloween event, the organizers defined feminist costumes as costumes that do not appropriate cultures, are not racist, and are not misogynistic, while at the same time are not slut-shaming.

“We are not saying that if you want to be a sexy nurse that’s bad, but we want to provide an alternative to something that isn’t gender stereotyping,” said Rocker.

The group also acknowledged that it is not only women and girls, but people of all genders who are victims of this oversexualized holiday.

“There is also a ‘mac pimp daddy’ costume for eight-year-old boys [. . .] I also saw a sexy Bert and Ernie and a sexy pizza slice,” explained Rocker.

Gals and ghouls looking to don feminist costumes this Halloween can reference Suzanne Scoggins’ costume guide, Take Back Halloween, which markets itself as “a costume guide for women with imagination.”

Created in 2011, the guide is divided into four categories: Glamour Grrls, Goddesses and Legends, Notable Women, and Queens. Costume ideas include Athena, Josephine Baker, Audrey Hepburn, and Jane Austen.

In addition to providing viewers with ideas from diverse backgrounds, the guide offers tips for creating these costumes at a reduced cost.

The guide, as well as the event, aim to deconstruct and dispose of the harmful gender stereotypes surrounding this holiday and to make it more friendly and accessible to the whole gender spectrum.

Rocker concluded with her hopes for the event: “Awareness doesn’t have to be a drag and that’s really important to us, so we want it to be an exciting night for people.”

Polar bears ruin Halloween for Nunavut children

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The mayor of Churchill reported that trick or treaters do not dress up as seals or polar bears.

This year, Halloween night is going to look a little different for children in the Nunavut village of Arviat.

The Hamlet of Arviat has issued a public notice advising against trick or treating, as there have been more than the average number of polar bears spotted in and around the village in recent years.

As an alternative to the night’s door-to-door festivities, there will be an indoor event for children held at the community hall with activities such as face painting and a haunted house. They also hope to provide a shuttle bus to and from the event as a further safety precaution.

The public notice read, “It was clear that the majority of people liked the idea of providing a safer environment for kids to celebrate Halloween.”

The village is located about 250 kilometres north of Churchill, Manitoba — another city that deals with the dangers of bear activity in late fall, when the bears are waiting to start the seal hunting season once Hudson Bay is frozen over.

“Picture 1,200 kids going door-to-door in Arviat in the middle of polar bear season,” said Steve England, Arviat’s senior administrative officer.

“It’s a pretty obvious conclusion of what tragedies could come out of that. We’re just trying to safeguard the younger population by offering an alternative.”

Some have attributed the rise in bear activity near Arviat this year to the reduction of the polar bear harvest number — this winter, Cree and Inuit hunters are limited to 45 instead of 60 bears in Nunavut, Ontario, and Quebec.

In the past, Churchill has managed to keep trick or treaters safe with a helicopter warning to scare the polar bears off, as well as with consistent bear patrols, equipped with noisemakers, cracker shells, and rubber bullets.

These safety measures were even reflected in the costume choices in Churchill; mayor Mike Spence explained: “Nobody dresses up as seals. Nobody dresses up as polar bears here.”

Sesame Street for adults

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Did you watch Sesame Street as a kid? The hilarious Broadway musical Avenue Q is the perfect grown up version, complete with full puppet nudity. The show won Best Musical, Best Book, and Best Original Score at the 2004 Tony Awards, and the music and lyrics are catchy, irreverent, and universal. Having seen the Broadway Across Canada production a couple of years ago, I was eager to see what Arts Club’s version would be like.

There are many parallels to be seen between Avenue Q and Sesame Street. Bert and Ernie are roommates Rod and Nicky, the Cookie Monster is Trekkie Monster, a grumpy, porn-obsessed bachelor. Some of the show’s familiar devices are also used, such as sounding out words one syllable at a time to introduce a new concept.

The other puppets in the show include Princeton, who is trying to find his purpose in life. He delivers the opening line: “What can you do with a BA in English?” His love interest, Kate Monster is also trying to find her purpose while spending her days as a teaching assistant for Mrs. Thistletwat. Things seems to be going well for Princeton until he decides he needs some time alone to find his purpose and he gets involved with performer Lucy T. Slut.

The non-puppet characters include Gary Coleman, the superintendent of the apartment block on Avenue Q, the aspiring comedian Brian and his Chinese wife, Christmas Eve, who is a therapist with no clients. Christmas Eve’s strong Chinese accent seemed a bit difficult to sustain throughout the show, but she is very funny as she imparts her wisdom and provides therapy to a few of the Avenue Q residents.

It can be a bit hard to get used to watching the puppets instead of the people manipulating them, but once you get into the story, this becomes less distracting. The songs are what really carry this show. With titles like “Everyone’s a Little Bit Racist,” “I’m Not Wearing Underwear Today,” and “The Internet is for Porn,” how can you go wrong? “Schadenfreude” also stands out as the cast sings about taking pleasure in the misfortune of others.

I also loved the Bad Idea Bears, who coax Princeton into buying a case of beer when he has no money, and convince Kate Monster that she should chug a few long island iced teas on a work night. Each character starts out thinking that their life sucks, spends some time looking for their purpose, and ends up accepting themselves and taking control of their life.

Arts Club Theatre Company presents Avenue Q on tour from October 4 to November 15, and on the Granville Island Stage from November 20 to January 3 2015. For more information, visit artsclub.com.

 

SFU experts question whether Ottawa shooting linked to terrorism

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Canadians were left distraught last Wednesday, October 22, 2014 after an attack was made against Canada’s political leadership, resulting in the death of a Canadian war soldier.

At 7:00 a.m., Cpl. Nathan Cirillo, 24, lost his life while guarding the National War Memorial in Ottawa.

The incident has caused multiple media outlets to speculate as to the reasons behind the attack, with some labelling it as an isolated incident while others point to links with terrorism.

Rob Gordon, an SFU professor of criminology, says that his initial reaction to the attack was to believe that this “may have been linked to the hit-and-run that occurred in Quebec two days prior, and that it might be connected with the intention to bring terrorism to Canada.”

However due to recent reports, Gordon now believes that this “deranged individual” was probably not connected to an extremist group, as evidence suggests that he was a loner, appearing from nowhere, and who, within minutes of shooting a war soldier, tried to force his way into Parliament.

His choice of weaponry also suggests that he was poorly equipped for a potential terrorist attack.

“Had he not been shot and killed, we might have more answers to this individual’s actual motives for taking fire Wednesday morning,” said Gordon. “I doubt this man is linked to any extremist groups, and he is likely just a copycat killer; attempting to repeat Monday’s incident, which resulted in the death and injury of two other Canadian soldiers.”

He continued, “Terrorist attacks usually harbour subsequent threats and, at this point, we have not witnessed any.”

New intelligence reports also indicate that the shooter in Ontario, Michael Zehaf-Bibeau, and Martin Couture-Rouleau, the driver in the fatal hit-and-run in Quebec, might have possessed similar character traits, but that there is no direct link between the two individuals or either incident.

“I doubt this man is linked to any extremist groups.”

Rob Gordon, SFU professor of criminology

Contrary to Gordon’s view, Andre Gerolymatos, an SFU professor of history and international security expert, believes that Zehaf-Bibeau was following directions from ISIS, and that this might be the first of many terrorist-like attacks against Canada.

“It is a mechanism to cause fear,” said Gerolymatos of the shooting. “Whether you kill one individual or hundreds, it causes the same effect — fear has been instilled upon the country and its government.”

Gordon noted that there were certain government actions that took place on Wednesday morning that would make the incident extremely well-timed if it was connected to terrorism.

For one, Stephen Harper was in the process of passing a security bill that would grant the Canadian Security Intelligence System (CSIS) more power to track and investigate potential terrorists. This bill was scheduled to be tabled Wednesday, but has been deferred for the time being, with government house leader, Peter Van Loan refusing to acknowledge when this bill will come to light.

Secondly, Malala Yousafzai, a Pakistani woman, was being awarded honorary Canadian citizenship in Toronto, due her courageous efforts in trying to establish activism for young girls in her region of Pakistan and her resilience in the face of brutalization from the Taliban.

Whether or not Wednesday’s events symbolize a terrorist attack, both SFU experts agree that more security precautions and surveillance will be increased across the country.

Gordon said, “RCMP enforcement will be expected to be hyper-vigilant, in the off chance that something does happen again.”

“Fear has been instilled upon the country and its government.”

Andre Gerolymatos, SFU professor of history

Gerolymatos echoed these thoughts: “Politicians and legal enforcement will have tremendous pressure to make sure a tragedy like this doesn’t happen again — whether that be to increase levels of electronic security or take preventative detention measures; although this could prove difficult and upsetting to Canada’s legal system.”

Despite this, if Harper’s new security bill is passed, it might include measures to allow preventative detention — as long as these remain within the scope of the law.

Gordon added, “Although an abundance of caution is needed, police and government officials must strike a balance between conducting activities in a normal manner, while constructing a surveillance mechanism that will allow them to take dangerous perpetrators down.”

Happy Halloween from The Peak!

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The Peak’s carved pumpkin! Hope you have a spooky Halloween SFU!

À toi, pour toujours, ta marie-lou is deeply captivating

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The first thing that struck me as outstanding about Theatre la Seizième’s season opener was the set. With three raised platforms to separate the space, each character was isolated and stood out when they delivered their lines. Marie-Lou sat on the far left in her rocking chair, knitting while watching TV, and her husband, Léopold, sat at his table full of empty beer glasses on the other side. In between them, and a bit lower down, were their two daughters, Manon and Carmen.

Carmen has returned home to visit Manon, and as they revisit their childhood we learn shocking things about their parents’ relationship and their tragic death. Manon is a single, religious woman who is obsessed with their death, and Carmen has become a country singer who wants to forget the past all together.

As the sisters discuss their versions of the past, their parents shout at each other across the stage demonstrating the scenarios that the girls discuss. It isn’t too hard to follow as the four characters speak in quick succession, but I could imagine that if I was relying on the surtitles alone, it might be.

Manon feels the need to mourn her parents’ death and honour their memory, while Carmen thinks it would be better to just let go. The two also argue about which parent was at fault, and it’s very interesting have their interpretations as the audience witnesses Marie-Lou and Léopold launching bitter remarks across the stage and draws their own conclusions as well.

France Perras as Marie-Lou was wonderful as she never missed a stitch while yelling expletives at her husband and defending herself against his own verbal attacks. Joey Lespérance as Léopold was perfectly gruff, cynical, and fed up with his life. Siona Gareau-Brennan was heartbreaking as the anguished Manon, and Julie Trépanier lit up the stage as Carmen.

The structure of this play is a feat of melding past and present while telling a compelling story that meets itself in the middle by the end. Tremblay is an icon of Quebecois theatre, and this work is a powerful story of regret, pain, and loss.

À toi, pour toujours, ta marie-lou is presented by Theatre la Seizieme October 14 to 25. For more information, visit seizieme.ca.

Clan smash the Hardrockers in second victory

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Defensive back Matt Isherwood had four total tackles.

SFU marched to their second victory of the season off of a dominant second half, defeating Great Northwest Athletic Conference rivals, the South Dakota School of Mines  (SDSM) Hardrockers, who are ranked seventh in the conference.

Quarterback Ryan Stanford had his first start in three weeks, as head coach Jacques Chapdelaine started backup Tyler Nickel the last two games. Throwing for 372 yards, and going 28 for 36 on pass attempts, Stanford proved that he is still the team’s go-to quarterback.

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In spite of the end result, the first half exposed some Clan weaknesses, with the team down 31-26 at halftime. Scoring was not an issue, but defensive lapses were.

SFU won the coin toss to start, and elected to receive. However, a fumble gave the ball to the Hardrockers, who promptly opened up the scoring with a touchdown. Although they answered back quickly with a field goal and touchdown for a momentary lead, the Clan never seemed in control.

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The tide began to turn for SFU at the end of the second quarter, as Cole Tudor ran the ball in for a touchdown with 39 seconds left in the half — only down by five points, this play set the tone for SFU’s second half teardown of South Dakota.

The beginning of the second half mirrored the start of the game, but this time in the Clan’s favour: SFU middle linebacker Jordan Herdman sacked Hardrocker quarterback Trenton McKinney, forcing a fumble, which led to a Clan touchdown 1:04 into the half.

With the touchdown, SFU took the lead, at 32-31, which they would keep for the rest of the game. The Clan did not allow the Hardrockers a single point more, shutting them out to a score of 27-0 in the half.

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In the third quarter alone, SFU scored 20 straight points, with wide receiver Lemar Durant taking in the second and third touchdowns of the quarter.

He nearly made it three straight touchdowns at the start of the fourth quarter — catching a 30-yard pass from Stanford — but SFU took a penalty on the play and it did not count.

As a testament to the Clan’s play, Justin Buren made up for the mistake, catching a 35-yard touchdown pass, notching the final points of the game, with the score at 53-31.

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The Hardrockers did not throw in the towel, though, and appeared to be making their way to their first touchdown of the half with 60 yards in a single drive, but Tolbert forced a fumble, which Jordan Herdman recovered, sealing the win.

Jordan Herdman once again led the team in tackles with 12.5, while Tudor and Stephen Spagnuolo led the team in rushing yards with 96 and 86 yards respectively.

One of the highlights of the game was Justin Buren, who replaced injured wide receiver Kyle Kawamoto the previous weekend; he put up a stellar performance, notching 123 receiving yards, and two touchdowns, leading the team.

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“We knew Justin [Buren] was a very capable player in training camp, he just didn’t have a lot of experience, which he is gaining rapidly now,” said Chapdelaine. “The last couple of weeks have been very good for him.”

Chapdelaine attributed much of his team’s second half resurgence to the previous weekend’s loss to Division I Idaho State Bengals.

“We just executed honestly,” he explained. “We played a very tough opponent last week, and although the score did not flatter us, we learned a lot of things in that game that we did not apply in the first half. In the second half, it was important for the guys to apply what we had learned, how we had gotten better.”

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Chapdelaine stressed the need for greater consistency from the team: “We need to be better at understanding the little details of the game. This is not high school football; guys have got to prepare in a way I don’t think they have [. . .] in the past.”

Although their overall record is 2-5, the Clan are now 2-1 in the GNAC, and move to third place in the conference.

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University Briefs

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Student swaps sandwiches for stories

University of Calgary third-year communications student Sam Sawchuk has begun Sandwich for a Story, an initiative where he provides a homeless person with a sandwich in exchange for the story of how they came to live on the streets.

Working with fellow Calgarian Evan Beck, Sawchuk said the stories they’ve heard countered popular stereotypes about homeless people.

“Everyone has a unique story. There are a lot of successful people these days that grew up in harsh environments and I don’t think that the circumstance of being homeless can really dictate where your life could be headed,” Sawchuk said.

With files from The Gauntlet

Queen’s launches support group for sexual assault survivors

A new support group at Queen’s for survivors of sexual assault, called Psycho-Educational Group for Survivors of Sexual Assault (PEGaSUS), is looking to help students cope with their trauma and work towards recovery.

The support group — which is kept to around 10 to 12 students in order to maintain an “intimate” setting — meets every Thursday, but anyone is able to join.

“The primary goal is for students to have a forum where they can be invited to use their voice, express themselves in a safe environment, to break that isolation and to develop [. . .] that sense of empowerment through the collective experience,” said Arig al Shaibah, assistant dean of student affairs and support group chair.

With files from The Journal

ISIS supporter hacks UNBSU website

The University of New Brunswick Student Union website is back online after it was overtaken by an organization supporting the Islamic State of Iraq and Syria last Monday night.

A group called Team System DZ hacked the site, along with hundreds others, and posted their organization’s name as well as anti-American rhetoric and the following phrase: “God’s law is in progress. The Islamic nation is coming and god’s law will be applied. You have been warned.” Below the organization’s name on the site read, “i love you isis.”

UNBSU vice president external Nicole Saulnieri said, “We are working with our website provider to protect ourselves from this type of vandalism in the future.”

With files from The Aquinian

Construction begins for Trottier Observatory and Science Courtyard

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You can follow the site’s construction progress on Howard Trottier’s blog, Starry Nights @ SFU.

Construction crews have finally broken ground for the Trottier Observatory, a $4.4 million project on SFU’s Burnaby campus dedicated to engaging the community and its youth in science.

According to Howard Trottier, an SFU professor of physics whose brother and sister-in-law have provided the funding for the project, the observatory and its surroundings are meant to be a “focal point of campus life.”

The building is expected to be completed sometime in February or March 2015.

Trottier, who has worked in the physics department for over 20 years, has been an integral part of the observatory’s development and creation. However, this project is not one man’s work. The original proponents of the observatory imagined its opening alongside of Simon Fraser University back in the 1960s. The idea had bounced around between different professors and community members since then, before finally being set into motion over the past few years.

An integral part of the project expands outside the walls of the observatory itself, something many community members are not yet aware of. The observatory is being built in conjunction with the Science Courtyard, which is meant to benefit everyone in the SFU community and greater area.

The Science Courtyard will include a community table, with room for two more tables to be added later on. These tables will have room for groups of 20, ideal for hosting groups of friends — when weather permits — to enjoy the sights, and perhaps small classes who opt to learn outdoors from time to time.

The area will offer many other astronomy attractions besides the main telescope within the observatory, which will be nestled between the AQ and Strand Hall. There will be two eight-foot tall concrete barriers, creating a sort of tunnel reminiscent of ancient observatories, through which attendees can view the stars. There will be star charts for each of the four seasons on the inside of these barriers, with the smaller and fainter stars etched into its surface, and LED lights illuminating the larger and brighter stars.

There will also be a few smaller telescopes scattered around the site, which people can also use to see the star formations, as well as a sundial.

Another interesting architectural design for the space manifests in the long concrete bench that runs along the entire site, divided into six sections. Each division will put out a faint light representing the electromagnetic spectrum and six of the different elements, and will also be spaced to show the powers of 10. From the atom to the horizon of the atmosphere, the bench will also show the scales of important structures in the universe.

Trottier emphasized that the observatory will be open and inviting to all, within and without of the SFU community on Burnaby Mountain.

Science in Action, for example, is a school program for all young students in the area led by SFU professor of chemistry Sophie Lavieri. With this new observatory, SFU programs such as this will be able to branch out into the province, giving schools the opportunity to enter project contests and win the chance to control the observatory telescope, all virtually from within their own school walls.

For Trottier, the most important part of the observatory is that it will foster a personal connection between students and their universe. “If you’ve experienced science, you feel you are a part of it,” he concluded.

The grand opening of the SFU Trottier Observatory is slotted for sometime in May, but the goal is for the space to be functional as soon as it is completed early this spring.

Whiplash explores the definition of success

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What is success? Is it being wealthy? Having a spouse and children? Being highly respected? Or . . .?

Damien Chazelle’s Whiplash is an occasionally invigorating thriller about a jazz drummer who is pushed to his physical and emotional limits by his abusive, unorthodox instructor in order to become the best he can be, at the expense of relationships and everything else in his life. The film presents a young man, Andrew (brilliantly played by Miles Teller), who would do anything to achieve prestige. But is this real success, and does it matter how he gets it?

Mediocrity is profusely encouraged and raw talent isn’t developed into something monumental in Andrew’s society. His father is an unremarkable high school teacher and those in his extended family are praised for their role in a third division college football team. Andrew directly contrasts these characters as he is enrolled in the superlative music school in the United States where the feared and respected Fletcher teaches the studio jazz band. 

Andrew wants to be something special, so he ignores his family, rudely drops a love interest, and doesn’t pursue friendships. He is achieving what many would consider success, but shows no hint that he enjoys his craft or does it for love’s sake. He’s talented and driven, but we are never given a glimpse of him getting fulfillment or happiness from his drumming. Near the end, Andrew is a better and more refined player, but he has also allowed his ego and devotion to his craft destroy the environment and relationships which would have made it worthwhile. Is this success?

Chazelle directs his movie like a thriller, with Andrew’s action (accompanied by sweat and blood) of crashing snares and cymbals to the conductor’s precise tempo overlaid with being screamed at to stay in time. The editing and other stylistic choices are precise and calculated, as the use of handheld cinematography and powerful close-ups of the wickedly talented actors amplify the tension (J.K. Simmons is an explosive scene-stealer as Fletcher). The storytelling diverges from clichés and plays with the archetypal idea of a teacher as a mentor. 

Yet Whiplash does not fully succeed beyond being like a good drum solo; you leave impressed at the artist’s talent and precision, but really there is little to ponder. The director is hitting the skins as hard as he can while keeping an entertaining pace, but forgetting the depth of sound that would have made the film unforgettable. Whiplash lacks profundity and sympathetic characters. We admire Andrew’s skill, but for the most part he’s one dimensional and acts deplorably. I understand that this is the point, but by consequence, Whiplash is about as successful as Andrew.

As I ponder Andrew and what it took for him to achieve prestige and climb above the mediocrity, I can hear that haunting question: what is success?