The first thing that struck me as outstanding about Theatre la Seizième’s season opener was the set. With three raised platforms to separate the space, each character was isolated and stood out when they delivered their lines. Marie-Lou sat on the far left in her rocking chair, knitting while watching TV, and her husband, Léopold, sat at his table full of empty beer glasses on the other side. In between them, and a bit lower down, were their two daughters, Manon and Carmen. Carmen has returned home to visit Manon, and as they revisit their childhood we learn shocking things…
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