By Aaron Richardson During the walk to your seat at the recent production of The Goblin Market you were accompanied by a half-naked man in a goblin mask fingering a cantaloupe. Far from the most sexual use of fruit in the performance, the pre-show to The Goblin Market set the stage for the entire event. The performance is an adaptation of Christina Rossetti’s narrative poem published in 1862. The poem follows the story of two sisters, Laura and Lizzie, who give in to the irresistible temptation of the fruit sold at the travelling goblin market. Filled with figurative…
Continue reading
