If a revolution is a release of pressure, what becomes of the force following its release? Andreas Bunte, a recent SFU Audain Visual Artist in Residence, attempts to address this question by looking at two spaces of differential pressure in the former German Democratic Republic (GDR). Bunte’s two films, presented as a double film installation at the Or Gallery, use an athletic training facility, Underdruck (Low-Pressure), and a synthetic diamond manufacturer, Künstliche Diamanten (Synthetic Diamonds), as respective subjects to document the technological achievements of the GDR. Bunte primarily works in the medium of 16mm celluloid film. The grainy, anachronistic look…
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