Hurt and healing, dependency and recovery; these were the subjects of my favorite films from 2016, a year where cinema was not simply art or entertainment, but a form of sustenance, a means to keep on keeping on. But if these films are of any value, it’s because they’re more about feelings than answers, less about advocacy than about therapy. Knight of Cups No American narrative filmmaker working in the last decade has expanded the possibilities of cinema more than Terrence Malick. His films Tree of Life, To the Wonder, and this year’s Knight of Cups have pioneered a whip-whirling…
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