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Album Reviews

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Anohni – HOPELESSNESS

By Beau Bridge

The debut release of Anohni is a jewel to behold. She heads straight for the gut with the phenomenally strong opening track “Drone Bomb Me” — the general of an army of 10 knights.

Each of the album’s 11 songs is a euphoric ball of synth-electronica with a sharp core of political protest against Western capitalism, modern technology, and the slow downfall of contemporary society. A surprising product which could come from none other than the former lead singer of a band known for sad piano ballads — Antony and the Johnsons.

The approachable pop style that is reflective of our current nostalgically ‘80s zeitgeist (i.e. Swift’s 1989, The 1975, etc.) mixes perfectly with the strength of Anohni’s voice to produce an album that defies the segregation of pop and art. Contrary to its title, there is a hope in music, in government, and in the world that is still standing on its weak legs.


James Blake – The Colour in Anything

By Zainah Merani

Reaching into the very depths of our souls, James Blake has yet again moved us into another dimension of time. Since his last release in 2013, we have been waiting tirelessly for this moment — the moment where we feel things we didn’t even know were humanly possible.

The electronic R&B artist captures us with his unique voice and his even more unique beats, transporting us into a world of complete (un)awareness. I can’t even describe how I feel about the tracks on this album — the only thing I know for sure is that no other artist has ever made me feel so close to them. Passion seeps from every moment, every second of The Colour in Anything. Every track is extremely different from the other, yet it has this uncanny ability to come together oh so gracefully and take over your soul, if only for one hour and 17 minutes.


Strumbellas – Hope

By Tessa Perkins

The Strumbellas’ third album has recently gone Gold in Canada, and their breakout hit, “Spirits,” keeps gaining momentum. With lyrics like “I’ll be a dreamer ’til the day I die / But they say oh, how the good die young,” this single is immediately infectious. As soon as “Spirits” comes on the radio, you find yourself turning up the volume and rolling down the windows.

The rest of the album is equally worth your time, and presents a mix of slower, folk- and country-inspired tunes. “Shovels and Dirt” references banjos, cowboy hats, and a strong work ethic. “Young and Wild” is a likely candidate for their next single with its singalong potential and carefree theme. Their alternative country sound is refreshing, with an edge of raspy vocals and the same rousing melodies that thrust Mumford & Sons into the spotlight.

This is a hopeful, beautifully crafted collection of songs that I look forward to enjoying many times over.

The Pack a.d. explores a funner sound on their latest release

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The Pack A.D. Rebecca Blissett Photograph

The Pack a.d. played a hometown show at The Cobalt, a smoky bar with a disco ball that provides great rock ambience. For those who missed the live performance, The Pack a.d. recently released a music video for their latest single “So What,” off their upcoming record, Positive Thinking. Joined by Glad Rags and Dead Soft, the show was high-tempo from the get-go. The two openers took well to their mission to amp up the crowd. Once the Pack a.d. appeared in the wing of the stage, the crowd was roaring for them to begin.

The female duo market themselves as having a lot of sound for only being two people, and they are not wrong. Singer and guitarist Becky Black and drummer Maya Miller used their garage band/psych-pop style to get the Cobalt positively humming with excitement. Combined with their surprisingly good stage presence — despite being restrained by mic stands and a drum kit — the Pack a.d. is a musical force to be reckoned with.

The Peak got to chat with Miller following the back-to-back nights at the Cobalt. On the performances, she said, “They went great, yeah, super. It was really great to play something smaller again, just to get a real sort of punk-feel back. [May 13] was good and sweaty — it was pretty hot.”

The Pack a.d. formed 10 years ago, after the end of the duo’s summer fling band. They got started on music on a whim, recalled Miller.

“I can’t even remember who said it, but someone was like, ‘Oh, we should be a band,’ and then all of a sudden — within a week — we were all buying instruments. So we made a band, and that band didn’t last, but through it, Becky and I found that we played well together. We liked the same stuff.”

They originally named themselves The Pack, recounted Miller, “Because we like wolves. And then there was another The Pack in California. A rap group. They were giving us grief so we added the a.d,” she laughed. “[E]very single album we go to make, we think ‘Oh, this is the time, we’re gonna do it. We’re gonna drop the a.d.,’ but it’s already so ingrained for anybody else that it’s just what it is.”

Miller and Black played “So What” at the shows, because according to Miller, “Everything from the upcoming album is really fun.” That doesn’t mean they’ve changed: “We’re still the same band. It’s only one facet of the album. There’s traces of that throughout the album, but there’s definitely heavier psych rock songs,” said Miller. “Creepin’ Jenny” also made an appearance, and for Miller, “That’s kind of a personal favourite.”

Miller’s open to branching out in their music in the future, too. “If there was some way I could throw some rap in there, I probably would, but it hasn’t happened yet.” She listens to a lot of rap, and Black listens to psych rock and ’80s music. Miller specified that the music she likes to listen to and the music she likes to play are different: “I really enjoy playing rock.”

A writer in addition to being a drummer, if Miller wasn’t in the Pack a.d. she’d be “Slogging away at writing for film and TV.” According to Miller, Black “[w]ould be pursuing her neuroscience aspirations.” However, Miller advised that if you like music, “Always pursue music. It gets you at different spots. Neither of us had any thought of going into music, and did it on a whim, but it’s a whim that lasts. Music’s a very gratifying profession.”

Catch the Pack a.d. this summer as they embark on a cross-country tour — with a few stops in the US — and stay tuned for their August release, Positive Thinking.

The best and worst summer songs of the past 10 years

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Ah, summer. A time for patio drinking, long road trips, and getting sunburnt on the beach.

While all of these are part of having a successful season, the most important part of summer is the music. It’s the kind of music that you want to get day-drunk on pitchers of sangria to; the kind that says roll the windows down and push the speed limit, but also the kind of music you can chill on a beach to.

Summer songs are hard to define, much like when summer — not the season determined by the sun — actually starts. Is it the first day you wear flip-flops, or is it when the patio opens? Our friends at Billboard say summer is from mid-May to mid-September, and put together handy lists of summer songs based on their charts.

But are any of these actually capable of capturing the feelings of summer, and what I expect from a summer song? Based on my super biased, feelings-based definition of what a summer song is, here are my five best, and worst, summer songs of the past 10 years — presented in chronological order.

Best:

“Lose Control” – Missy Elliott feat. Ciara and Fatman Scoop (2005): OK. Stick with me for this one. At first listen it doesn’t have the classic summer song vibe, but the more you listen to it you realize it has the perfect mix of upbeat and chill to make a great summer jam.

“I Kissed a Girl” – Katy Perry (2008): It might be overplayed now, but when it was released it was fresh and perfect for the summer, with its fun yet slightly chill vibe.

“Give Me Everything” – Pitbull feat. Ne-Yo, Afrojack, and Nayer (2011): I could solely be saying this is a great summer song for nostalgic reasons, but this was the song that summer. I road-tripped, drank on patios, and got sunburnt on the beach to this song. 

“Summer” – Calvin Harris (2014): This is just a really fun summer song. Harris knew what he was doing when he named it “Summer,” even if it does come across as a little self-aggrandizing for a song title.

“Lean On” – Major Lazer and DJ Snake feat. MØ (2015): This is a summer jam. It’s fun and screams ‘Let’s get turnt,’ but is also chill so you won’t get kicked out of anywhere for getting too turnt either.

Worst:

“You and Me” – Lifehouse (2005): We get it, this song was big in the summer. But if I remember slow dancing to it in middle school and high school, it’s not a summer song.

“Unfaithful” – Rihanna (2006): Ah, nothing says summer fun like breaking your SO’s heart so much that you feel like you are killing them. Well, not really — but hey, summer is when the song came out.

“Hey There Delilah” – Plain White T’s (2007): No. Not fun, not summer, and super overplayed. But to be fair, even when it was new it was never a summer song.

“Bleeding Love” – Leona Lewis (2008): I do still think of being stuck inside working at Safeway during the summer when I hear this song. But this is just too depressing to be a good summer jam.

“Fight Song” – Rachel Platten (2015): It’s empowering, but I didn’t like it as a summer song when it was new last year. It doesn’t give a fun, carefree, I’m-just-here-to-have-a-good-time vibe.

Despite the uphill battle Black Sea was a labour of love

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Even when they are just hanging around you can see that they are doing something they love.

See below for more photos from the night. All photos courtesy of Chris Ho. 


 

Post-punk Calgary band Ultrviolence kicked off a mini-tour with their EP release party in Vancouver at the Emerald in Chinatown. Black Sea is their latest, following 2012’s Burn then Shine EP. During an interview with The Peak, singer and bassist Nate J., drummer Kirk Power, and guitarist Ali Abbas discussed the uphill battle it took to make Black Sea a reality.

Power: It’s taken two years to get to this point.

J.: It’s been quite the hardship.

Abbas: The plates kept on breaking. Every time they’d get pressed, something would go wrong with the plates.

It took four broken plates, one “bunk test pressing,” and one remaster to get the EP out to the world, according to Power. Abbas joked that “it wasn’t meant to be,” and it certainly seems that way. The band hasn’t had an easy road. Their tour vehicle was at the mechanic’s the night of the show. It was spitting fire earlier.

J. and Power have been friends since childhood. They started the band in 2002, back when they were a “rock, metal, Danzig band,” said J. They made the switch to post-punk because “It seemed like a natural transition. . . and a more interesting avenue,” Power explained. Abbas only came on board two years ago, but their signature moody sound was tight on stage.

During every pause in singing throughout their set, J. would take the time to very enthusiastically dance to the music. In true post-punk form, the set was dark with sorrowful, with soulful lyrics and moody guitar and bass. The rollicking drum riffs helped elevate the sound to another level.

The fan favourites happily coincided with Ultrviolence’s own favourite songs to play. “One of my favourite songs, I think, is probably “Turn the Lights Off” — the first song,” said J. Abbas added that, “It gets things started.” Power really enjoyed their cover of an Actors song, which is a local band in the same genre. They ended on “Do You Love Me,” which has a “slow, jazzy bit” of which J. is a fan.

They also commented on their band name, saying that it’s drawn from New Order’s song “Ultraviolence,” but that they made themselves the modern version by leaving out letters. “It’s kind of a play on that. A bit satirical,” said J.

“A way to stand out, too. Especially because then Lana Del Rey had a record that came out right away that was called Ultraviolence. Every time you’d search, that’s the first thing that would come up,” added Power.

When asked to self-describe Black Sea, they said that, “it’s kind of our answer to second- or third-wave punk, like AFI. We just got the idea that that all these songs are very expressive, very dark, very moody, so we used that whole metaphor of oceans and waves for that specific reason.

“We just had to create that abstract commonality between everybody. It’s multi-dimensional and works on a lot of different levels.”

Ultrviolence’s tour ends in their hometown of Calgary, where they spend almost every spare moment in their out-of-town farmhouse practice and recording space. All three of them are car and motorcycle nuts, with Power building car engines and Abbas working on bikes. They all have ‘day jobs,’ but whether your dream is music or something else, the guys said “just do it and don’t give up. Just go no matter what, or how hard it is. Follow your heart and you’ll never fall.”

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Andrew Bird asks Are You Serious? in his latest release

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Ever since getting married and becoming a father Bird's music has become more domestic.

The first time I listened to Andrew Bird was a decade ago, cross-legged on my high school crush’s bedroom floor. The song was a release from one of his early projects, Andrew Bird’s Bowl of Fire. As I tapped my foot to the twisting violin, my crush asked me if I knew what I was listening to. I paused, focused on the winding falsetto, and hazarded a guess: “Billie Holiday?”

It is very unlikely that anyone would hear traces of Billie Holiday in Andrew Bird’s newest record Are You Serious? This speaks to how awful my ear is, as well as the ease with which Bird effortlessly moves along a continuum of sound.

Over the last two decades, Bird has released 13 studio albums, a number of EPs, collaborations, a score to the new Zach Galifianakis show Baskets, and singles — one of which was featured in the most recent season of Orange is the New Black. In doing so, Bird has traversed the unexplored corners and combinations of jazz, blues, folk, pop, and experimental classical soundscapes.

Yet there is still continuity to his music. Bird always sews together playful semantic puzzles and eerie whistling hooks, couching them in the cadence of his violin.

Prior to Are You Serious?, his last release was Echolocations: Canyon, a seven-track album that Bird recorded in Utah’s Coyote Gulch. Using the natural acoustics of the hollow space to whistle and play his violin, the environment became an interchangeable part of his songs, embedded in the aching draw of the violin. The stark and sweeping album plays in sharp contrast to the loud, raw licks of Are You Serious?, which also reflects the environment of its inception: the studio.

In an interview with The Peak, Bird described his new record as forceful, loud, and intentional. He approached it thinking that “If the record is dead or dying, let’s do one more attempt at a high-quality album. [I] was determined to get people in the room as good as [myself] or better.” As a result, he enlisted the help of a producer for the first time and sought to challenge conceptions about his sound.

Are You Serious? is “an act of restraint from a virtuosic record,” carving out space for lyrics and hooks to move to the fore. Bird explained that he wanted to “grab people by the gut,” scaling back on his use of the violin and focusing on a dense, tight rhythm section.

Acknowledging the central role the violin plays in his music, Bird substituted it for the whistle or the guitar on this record, explaining that, “[the violin] has a lot of associations that can pull you away from the matter at hand.” Bird joked about the “Celtic mists” that the violin can summon, adding that he seeks to move away from those associations, as well as the impression people get when they see him and think, “A whistling violinist — how cute, how whimsical.”

The opening track of the album, “Capsized,” smashes through any cartoonish conceptions listeners may have of Bird, as its distorted guitar and vocal effect are more reminiscent of Breaking Bad than Planet Earth. Bird pointed to this song as emblematic of the struggle with sparsity he had on the record, as he constantly removed layers of violin and whistling that he worried would distract the listener from the raw power of the track.

“Valleys of the Young” is another track that reflects the changes Bird has made on this album. It’s a simple and stunning song about the life adjustments that come with parenthood.

Bird explained the process to creating this song: “A couple months ago we were people without a kid and now we have a kid. . . [we’re] in the trenches thinking, why didn’t anyone help us?” Bird wanted the song to be unavoidable in its honesty. He crafted it as a scouring, overwhelming message in order to force the listener to confront the wild reality of parenting. Bird speaks to this reality as beautiful and shattering, because “when you have a child, it’s kind of like your heart is constantly broken for the rest of your life.”

Referring to his notorious and enigmatic wordplay, Bird explained that his love of lyrical ambiguity was pushed to the side for this record. Bird took himself to task on this record and challenged himself with honesty, because “I like to do the thing that feels like it’s asking the most.” Scaling back on the coded metaphors led to the creation of sharp and intentional lyrics, which carve a narrative arc through the album for the listener to rest in.

Are You Serious? finds Bird asking himself the titular question throughout his songs, whether he jokingly sings about health and chemotherapy, or quietly confronts the changes of adulthood. You can catch Bird at the Orpheum on May 21, for a show which he promises will be sharp, tight, and oh-so-groovy.

Ten reasons your cat thinks you’re an asshole

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You may adore your fuzzy feline, but it feels quite the opposite about you. In truth, your cat probably thinks you’re a real ass-hat most of the time. It continually observes you and your strange human practices and has concluded that there are infinite reasons to hate you — but it doesn’t have time for that with all the midday naps she takes. So here are. . .

1) Your stinky friends.

I would not like to be coddled by all these odorous flesh bags, thank you.

2) Your strange hygiene practices.

You waste so much time washing your genitals manually. You ought to try licking them clean instead.

3) Your forceful belief in your hygiene practices.

The amount of dried shit in my fur isn’t unreasonable at all. Honestly, I really don’t understand what the big fuss is about.

4) Your irregularly hairless body.
Your unsightly nude figure makes me wretch.

5)  Your vegetable choices.

If you ever bring another cucumber into this house, I will shit on your dead mother’s satin pillowcases.

6) Your trust in veterinarians.

Health? If death wants me, she can have me — I just never want that man’s finger in my asshole again.

7) The dirty poop box.

It’s a warzone in there, man. You go into a dark room full of week-old shit to relieve yourself and tell me how you feel. I, however, will enjoy a pleasant piss on the couch.

8) Your rejection of gifts.

It’s only polite that you feast on the mangled mouse corpse a cat has brought for you to enjoy. It’s really just simple manners — I don’t understand why you insist on being so extravagantly rude.

9) Your alien dialect.

Look I don’t understand what you’re yelling about, but I just wanted to inform you that I may have puked on the rug several times. Just in case you weren’t already aware. Watch your step!

10) Your prolonged absences.
Baby needs rubs, and baby needs rubs often. I guess I’ll just have to pass the time knocking over your mother’s urn. Maybe then I can have a clean place to shit.

Local police warn about increase in unicycle thefts across the Lower Mainland

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Unicyclists in the Greater Vancouver area are being advised to be extra-cautious with their rides this summer, as the number of unicycle thefts across the Lower Mainland have nearly doubled since last year.

“Our research has shown that men between the ages of 18 and 35 are the most likely to have their unicycles stolen — mostly because no one else would even think about riding a unicycle in the first place,” Police Chief Will Schneider told reporters last Wednesday. “Follow-up interviews did reveal that some individuals would consider riding a unicycle if they were in a situation that called for one, like maybe being part of a circus or if they were dared to do it, but other than that, it’s a mystery.”

In a statement released in conjunction with the press conference, police revealed that over 40 unicycles have already been reported stolen across the Greater Vancouver area in 2016. Police suggest that the number might even be higher, as some individuals fear the ridicule that comes with being publicly known as owning a unicycle. Trevor Stills is one of those 40 who reported their unicycle stolen.

“I had just left my barber shop for my bi-weekly moustache conditioning when I noticed my fixed-gear unicycle wasn’t where I’d locked it up,” Stills explained. “That’s when I knew that some thief with probably modest-but-refined taste had stolen my ride.”

Stills’ story is a common one, and Vancouver police are utilizing new tactics in hopes of preventing future unicycle thefts. Following the press conference last week, authorities released a map using collected data to show the areas of the city where thefts are more likely to occur. Included amongst these “hot spots” are outside the Urban Outfitters on Granville Street, several vegan juice bars located in the downtown Vancouver core, and literally every block of Main Street.

“If it’s impossible to stay away from these high-risk places 100 percent, then we recommend that people use alternative modes of transportation,” advised Schneider.

“In the ideal world, we want potential future unicyclists to reconsider and instead purchase bicycles. Bike thefts in the Lower Mainland are actually higher in sheer number and frequency, but at least those folks don’t look like assholes when they’re riding around town.”

Fuck Donald Trump — really?

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[dropcap]I[/dropcap] used to be extremely anti-Trump. “He’s a racist, the wall is ridiculous, he’s a bad businessman, and he has no experience,” I would say. Like many, I was quick to attack the man but not his policies. Last week, The Peak produced the front-page opinion-editorial by Sarah Finley called “Fuck Trump.” Now, there’s a lot of misinformation causing unjustified hate toward the Donald that needs to be cleared up.

Is the wall a stupid idea?

Trump’s wall is his most controversial proposal. People sometimes overlook the fact that there is already a border wall. It doesn’t function well at all, and illegal immigrants — specifically unescorted children — have poured into the United States recently, causing what’s known as the “2014 American Immigration Crisis.” Getting Mexico to pay for it is a long shot, but it is possible if you read his plan.

A nation is not a welfare system for other countries’ citizens. Canada has geographic luck on our side, and we don’t have to worry about walls to keep out illegal immigrants. Countries should have full control over who comes in, and a wall would do just that.

Is Donald Trump a bad businessman?

Trump has oddly come under criticism for his supposed business failures. He said he started off with “a small loan of a million dollars,” as Business Insider reports, and turned it into his multi-billion dollar empire and some of the most renowned buildings on Earth.

Oh, Trump’s companies have declared bankruptcy? Yes, he admitted in a 2015 debate on Fox News that he “used the Chapter laws” in four cases to legally protect his businesses when they were closing. The Trump Taj Mahal in Atlantic City became a subsidiary of Icahn Enterprises in 2016; but in the last few years, several Atlantic City casinos have declared bankruptcy or shut down.

Finley called Trump a “reality television personality,” something I’ve heard time and time again. He was famous before his appearances on The Apprentice, though: his book The Art of the Deal, released in 1987, was on the New York Times’ bestseller list for 51 weeks.

How about we hate on the GOP instead?

Fuck Donald Trump? Fuck the GOP for not producing any strong candidates. John Kasich was the managing director of Lehman Brothers, the Wall Street investment bank that went bankrupt in 2008 and almost took the US economy with it. And the Bush dynasty simply shouldn’t hold another US presidency for obvious reasons.

Finley said Trump is “the harshest GOP candidate,” partly because he said he would “bomb the shit out of [ISIS].” Meanwhile, Ted Cruz’s policy was to “carpet bomb [ISIS] into oblivion,” adding that we’d soon find out if “sand can glow in the dark.” Former speaker of the House, Republican John Boehner called Ted Cruz “Lucifer in the flesh,” and said he has “never worked with a more miserable son of a bitch in [his] life.” Would you prefer Cruz to Trump?

Trump is by no means perfect — just like Bernie Sanders and Hillary Clinton, the only other candidates still running. His position on torture is horrifying, and his lack of experience is a drawback.

But in the end, many of Mr. Trump’s policies are actually well-done. His China-US trade policy addresses the $365-billion trade deficit through tariffs. For those of you interested in policy, and not perception, check out Trump’s positions on immigration, healthcare, and especially the wall. I think you may be pleasantly surprised.

Opening of Menchie’s upsets Yeti Yogurt fanatics

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A group of students calling themselves the FroYo Freedom Fighters (FFFs) are livid with the recent opening of a Menchie’s yogurt bar at SFU. According to them, Yeti Yogurt is the one true frozen yogurt place, and the new Menchie’s is an affront to the purity of what Yeti Yogurt brings to the mountain.

Connor Anderson is one of the students affiliated with the dessert disruptors. He said that he’s been loyal to Yeti Yogurt for years now, aggressively pulling out his Your Yeti rewards card during our interview and shoving it in my face.

“You see this shit?” he asked, oblivious to the fact that it was now the only thing in my line of vision. “I’m a Frosty Member. That’s next-level dedication right there. I don’t have a whole lot going for me, but I’ll be damned if Menchie’s takes anything from me.”

Anderson acknowledged he has no plans to physically take action against Menchie’s — “I love frozen yogurt as much as the next guy, but I’m not going to jail over this,” he said — but plans to spend a few hours over the upcoming weeks telling anyone who will listen to him that the Yeti Yogurt versus Menchie’s debate actually matters.

Over at Menchie’s, located within the Simon C’s Convenience Store, customers aren’t necessarily feeling the same obsession with their new treat on campus, but acknowledge it is nice that it’s there.

“It’s perfect just in time for summer!” said Amy Evans. “I’m still kind of bummed I have to take summer courses up here, but it’s much nicer having a Menchie’s than not having one.”

When asked about the FroYo Freedom Fighters, she was taken aback: the group hadn’t yet infiltrated her life in any way, for which she had been thankful.

“I think both places are nice!” she said, remaining blissfully unaware of the gravity of the situation. “I don’t understand why people have to be so weird about these things. It’s just frozen yogurt.”

So far, the Menchie’s seems to be a big hit, but is still in the honeymoon phase where anything new to campus is still exciting and hasn’t been tainted yet like most things available to students. Anderson and the rest of the FFFs are trying to hasten that, standing outside the location with picket signs and yelling at potential customers.

“Give it time,” scoffed Anderson. “They’ll come crawling back to the Yeti way.”

 

Meanwhile, the Highland Pub remains closed, which is what everyone on campus really wants open.     

SFU could be doing more to combat waste

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[dropcap]S[/dropcap]FU continually boasts about its commitment to environmentalism, often while citing the Zero Waste Initiative. That kind of thing sounds great on a brochure that’s handed out to naïve prospective students. But is SFU truly doing its part to cut down on waste? The answer is no.

With more than 25,000 students, a proper waste management initiative could actually make an impact on a large scale. We have compost, and plastic- and paper-recycling — but that’s it. We could take initiative and recycle batteries (pretty much every science and business student has a calculator), metals (tinfoil included), and extruded polystyrene foam — also known as styrofoam.

My main beef with our recycling system is the fact that we still have styrofoam containers on campus. Styrofoam is not only a possible human carcinogen, but it is not easily biodegradable. It lingers in landfills long after most other waste.

Zero waste plus styrofoam equals ‘does not compute.’ True, not every restaurant on campus uses foam products — but a handful do, and that can add up in a hurry. If one percent of the student population, or 250 students, buy a meal complete with styrofoam packaging every day, then over the course of the year that’s more than 90,000 foam containers heading to our landfill.

Yikes.

Instead of styrofoam, food vendors on campus have a wide array of recyclable and compostable take-out packaging to choose from. Eco Products®, GreenWare®, PrimeWare®, and many other manufacturers have greener options. There are paper containers and compostable plant-made plastic containers to suit any possible food-related need.

Yes, there is the concern that it could cost a couple more cents per container, but I for one would happily pay the extra nickel to avoid using styrofoam for both food and beverages. It would be great for SFU’s current vendors that don’t use compostable coffee cups to make the switch.

A second major problem we should all look into is the recycling of soft plastic. With Nester’s, Subway, and now the BC Liquor Store sharing our campus space, recycling plastic bags, plastic wrap, and other similar items would do a lot to boost our ‘Zero Waste’ reputation.

Would this mean that every current four-bin waste stop would have to grow to six bins? Not exactly. But soft plastic could be part of another recycling category, and it might be best to take away the trash option on these Zero Waste stations, as there are plenty of standalone trash cans as it is.

Will it take students three seconds longer to put their shit in the right receptacle? Probably. But three seconds of your life in order to ensure that there’s a life-sustaining planet in your future seems like a small price to pay.