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Horoscopes are back

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By: Katie Walkley, Peak Associate

Aries (March 21April 19)

Go lay in grandma’s lap, tough guy. You deserve it. If you don’t have a grandma, any scruffy-looking dog will do. It’s gotta be scruffy, though. 

Taurus (April 20May 20)

Stars are aligning in a way that hasn’t happened in 2 million years. With this new luck on your side, try a backflip . . . you may end up in the hospital, but . . . wait a second . . . is that a vision of Pedro Pascal doing your X-rays?

Gemini (May 21June 21)

Your sign makes you a strong, powerful person. However, this week, you have to ignore all that. Hone in on all your twisted subconscious thoughts and make a salad. 

Cancer (June 22July 22)

Don’t leave the house. I hate to be the one to break it to you, but it doesn’t look good for you. Sorry, babes. 

Leo (July 23August 22)

The cancers in your life may be avoiding you by staying inside their homes. What a bunch of weirdos, right? Take this as an opportunity to confess your undying love for them that will last whether they are perpetually inside OR outside. 

Virgo (August 23September 22)

As you take on new projects this week, you must learn that you cannot control everything. Start teaching jazz. And if you don’t know how to play the trumpet, just blow, baby.

Libra (September 23October 23)

You are the master of looking at all sides, but your disarrayed spirit is unbalancing the stock market. Get your money out of the stock now and open a penny arcade.

Scorpio (October 24November 21)

This week, if your bangs naturally drift to the side, don’t straighten them out. The shortening days are awakening your emo vampire powers and only your flawless side bangs can make the time we must wait for the sun more bearable.

Sagittarius (November 22December 21)

When’s the last time you thought of your feet? Got you! It’s time to show your feet some TLC, girlypop. 

Capricorn (December 22January 19)

A moment’s rest is on its way to you. When you feel it, shake that powerful finger of yours and bellow from the bottom of your gut, “Not yet!”

Aquarius (January 20February 18)

Get out the red thread. It’s time to look into the conspiracies you’ve been avoiding investigating. First order of business: don’t trust the moon; it might just be a round cloud.

Pisces (February 19March 20)

This Monday, you may be feeling a calling to put things off until the end of the week . . . wait ‘till Friday to see if that’s a good idea.

Reimagining Shakespeare: The campus is but a stage

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EDIT: Gudrun Wai-Gunnarsson / The Peak

By: Zainab Salam, Opinions Editor

Jess: a fourth-year student, burdened by ambition and Wi-Fi issues.

Advisor: a keeper of bureaucratic riddles, and a destroyer of hopes and dreams.

Professor: philosopher, lecturer, and a veteran of many, endless faculty meetings. 

Barista: servant to the gods of caffeine and despair.

Student 1: group project hero in theory, ghost in practice. 

Student 2: master of excuses, chronic vanisher when deadlines draw near.

Weather: omnipresent, dramatic, and really a main character in its own right.

 

ACT 378

Scene I  

Fog blankets the concrete halls. Students wander, pale and sleepless. The wind whispers bad omens. Midterms approach. Enter Jess, dressed in a super puff, hunched beneath a broken umbrella, clutching a binder swollen with rain and regret. Jess heads towards the academic advising office. She takes a seat in the waiting room. 

JESS (raising her phone to the heavens): I have awoken at dawn, taken the R5, walked through the foggy pathways, only to find that my Wi-Fi doth vanish at the very moment of the dreaded submission of mine own cursed assignment. The portal hath betrayed me! Nay, it mocks me, spinning its cursed wheel of eternal loading! 

Enter the advisor into the small room. 

ADVISOR: Good morrow, pupil. Dost thou seek guidance, or merely to lament thy fate aloud more?

JESS: Kind oracle, I wish to drop ECON 302. The graphs taunteth me. The numbers sneer. My calculations mocketh me. 

ADVISOR: Alas, the deadline hath passed. You may appeal to the Board of Academic Sorrows, but they require three signatures, two tears, and a doctor’s note declaring existential fatigue. 

JESS: Then I am undone. 

The advisor exits, weighed down by policy and despair. 

Scene II

Renaissance Cafe. The line stretches into eternity. The air smells of espresso mingles with wafts of hopeless ambition. Students swarm by, clutching loyalty cards as if they were talismans. 

BARISTA: Step forth, good patron! What manner of brew shall please thee this day?

PROFESSOR: (enters, muttering lowly) I seek caffeine strong enough to revive the will to grade. Make it a double — nay, a triple.

BARISTA: One doth remortgage their nonexistent house for that. 

PROFESSOR: Aye, that would not be the first of such misfortunes; for in these latter days, the economy doth wither like a neglected houseplant. 

At a nearby table, students discuss their group project. No one has read the rubric. The tension could fuel a small reactor. 

STUDENT 1: Methought it was thine honour to present, good friend. 

STUDENT 2: Nay, I did believe the burden rested upon thy shoulders, fair friend. 

A silence heavier than the Burnaby Mountain’s fog descends. Outside, the rain intensifies, drumming against the windows with the persistence of unpaid tuition.

WEATHER (from beyond): Behold! I am the true protagonist of this tale! 

JESS (sipping her latte): Indeed thou art, sky. For even the sun feareth to climb Burnaby Mountain.

She glances at her phone — Canvas notification: “Grade posted.”

JESS: (Whispers) I shalln’t open it. Mighty flesh of mine, in the darkest night! Thy seductive flair shalln’t — I . . .  

ADVISOR enters the room. 

ADVISOR (chuckling menacingly): Jess, oh jess, where art thou chest? Have thy no guts? Or have thy no flames? I received word that you’ve received an F, so you shall stay in damnation at SFU for ten thousand more days.

JESS (crying to the ceiling): I begeth of thou, prithee! Spare my soul! Allow me to leaveth this cage — locked I am among the birds who die in this here glass. I am merely a student with a wandering past, and wander I shall ‘till the end of time, alone with my thoughts and Canvas notifications to keep me composed as twine! 

ADVISOR pulls out a staff and bangs it against the floor, opening it up. As asbestos surrounds Jess, she looks panicked. Weather watches anxiously. When the asbestos cloud arises, Jess is in a trance-like state and proceeds back to class. ADVISOR exits on stage left, holding a sign reading:“WELCOME TO SFU: WE WANT YOU TO STAY FOREVER.” 

FIN

Freshet News flows through community

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Four of Freshet’s founders sit at a long white table and smile for the camera. Their table has a small sign saying, “Save Our Local News.”
Courtesy of @saveourlocalnews / Instagram

By: Lucaiah Smith-Miodownik, News Writer

When snow begins to melt and gives way to spring, rivers in BC rise and rush in response. This high water phenomenon is known as a freshet. Now, in the Tri-Cities and surrounding areas, a new paper bears the same name. Similar to the turbulent nature of the river’s flow, Freshet News sees itself “as a disruptive force in the corporate media landscape, where quality local news has been all but abandoned.” The Peak spoke with Janis Cleugh, one of the publication’s founding members, to learn more about the local paper. 

Freshet News is the product of the Save Our Local News campaign, which launched on June 4 in response to parent company Glacier Media shuttering three local papers — Burnaby Now, New Westminster Record, and Tri-City News. From the campaign’s inception to Freshet News’ website launch, the founders have had “quite a journey,” Cleugh explained. “We’re learning about how to build a non-profit,” she added. “We’ve been fundraising and getting out into the community during the summer, and meeting people and hearing what they want, and largely it was they’re very much welcome to have the local news back.”

As a non-profit and worker-owned co-op, Freshet News draws funding through sponsors, advertisements, donations, and government grants. With this business model, “you don’t have to chase the numbers and satisfy the shareholders like we did in our previous employer,” Cleugh explained.

“We are responding to the community,” she added. “We’re writing stories that are meaningful, we’re spending time talking to people.”

 — Janis Cleugh, co-founder of Freshet News

Without pressure to chase “the high clicks,” Freshet News can focus on stories that the publication believes will mean the most to readers.

“We’re covering a lot of city hall, and arts, and sports,” Cleugh told The Peak. “We’re going big on events. People want to know what to do on the weekends and during the day [ . . . ] we have a pretty comprehensive directory that drops every day of things you can do in your community, Westminster, Burnaby, the Tri-Cities.”

In addition to her work as a reporter and editor, Cleugh serves as board treasurer. Alongside her are her three co-founders, Mario Bartel, Cornelia Naylor, and Theresa McManus. The four currently make up the Board of Directors and will look to onboard more community members soon. All four worked under Glacier Media at their respective publications until their sudden closures. “It was incredibly disappointing when our employer shut down [ . . . ] our news outlets, in April, in the middle of the federal election,” Cleugh said. “We hope to do better.

“We’re really honoured to be back working in the same communities as we were before, and we’re incredibly happy to reconnect with people after being laid off.”

Freshet News is currently working to bring their publication into print. Those interested in reading more can find the publication at freshetnews.ca.

 

Vancouver to require exempt staff in-office five days a week

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The outside of Vancouver City Hall is pictured on a bright day, with trees around it.
PHOTO: Thomas Roessler / Wikimedia Commons

By: Lucaiah Smith-Miodownik, News Writer

For Vancouver city employees, pyjama bottoms at work may no longer be feasible. 

CTV News reported that on October 21, workers received an email from city manager Donny van Dyk informing them that “effective January 1, 2026, all exempt staff will return to a city office site five days a week.” The same applies to non-unionized city workers. Exempt staff are not covered under the Employment Standards Act and are generally paid a salary rather than an hourly wage. 

Additionally, unionized city employees will be required to work “a minimum of three days in-office each week” come the new year. This announcement originally came in May, but delayed the change until next year due to a grievance filed by CUPE 15 “in connection with the notice and transition period,” reported the Vancouver Sun. CUPE 15 represents indoor Vancouver city workers. 

This order is a stark contrast to the onset of the COVID-19 pandemic, when Vancouver implemented the flexible work program, allowing employees “to work remotely between one to four days per week, depending on their department and position.”

Mayor Ken Sim “believes this approach will lead to greater efficiency and productive outcomes — particularly over the busy year ahead,” reported Daily Hive. A city spokesperson told Postmedia News that “the city has not observed a decline in productivity with hybrid work.” 

In an open letter to the City and Parks members, CUPE 15 highlighted “the toll this takes on families and work-life balance; challenges securing appropriate childcare and its cost; health concerns for many who will now have to crowd onto transit and into tight office spaces; climate impacts; as well as several other personal and practical implications, such as impacts to recruitment and retention.”

Some believe, however, that these consequences are by design. 

“The general feeling is that this is being done as a strategy to get rid of people,” 

 — Vancouver city employee

With the city “in cost-cutting mode ahead of the 2026 budget,” some see the in-office mandates as a “backdoor method” to “reduce the workforce.” One study reviewed such requirements in technology and finance firms and found this approach leads to “abnormally high employee turnover.” 

The City responded to concerns by stating, “We understand this is a significant change for some and that life requires flexibility. While the model may not suit everyone, we’re facing important challenges that require us to work together. ”

Regardless of whether Vancouver aims to make workers quit, some believe budget cuts are a near guarantee. The 2026 city budget includes a 0% property tax increase, a motion called for by Sim heading into a mayoral election year. Sim’s move comes despite reports from city staff “that maintaining existing service levels would require a roughly 7% property tax for next year, factoring in wage increase, inflation, and other factors,” reported the Vancouver Sun. Without money from a property tax increase, the budget will require “huge cuts to Vancouver’s public services,” said the Coalition of Progressive Electors through Instagram. In October, the Vancouver Sun reported that “some non-union employees have already been laid off in recent months, and potentially hundreds of additional job cuts could be ahead.” 

In a virtual all-staff meeting on October 16, van Dyk also explained that the City plans to seek out “incentives for departure from the organization,” and “would look at offering early retirement” as well. 

 

Bangladesh Students’ Alliance’s Shoroter Mela celebrates the fall spirit

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Seven men stand together and smile for the camera in traditional Bangladeshi attire in a brightly lit room with big windows.
PHOTO: Bangladesh Students' Alliance

By: Heidi Kwok, Staff Writer

On October 25, the SFU Bangladesh Students’ Alliance (BSA) celebrated the fall season with a Shoroter Mela event in the Student Union Building ballroom. In Bengali, Shoroter Mela translates to “autumn fair.” The cultural event featured traditional Bangladeshi street food, fair games, vendor stalls, live music, and performances. Attendees also came dressed in traditional attire.

In Bangladesh, both rural villages and cities alike host over 5,000 festive fairs or “melas” throughout the year. A Shoroter Mela, in particular, is a seasonal fair that’s held during Sharat, the autumn period that lasts between Bhadra and Ashvin (mid-August to mid-October). The Peak was unable to attend the event, but spoke with BSA vice-president Md Rownak Abtahee Diganta to learn more.

Diganta shared that during a meeting to plan future events, BSA members reflected on what they missed most from back home and decided on the mela. “We never had melas in Canada that much or that often, none of the [SFU] cultural student associations ever did that. So, we thought, you know what, let’s organize our own mela.”

The mela featured traditional Bangladeshi fair games like darts, Ludo (a popular board game), pen fight, Panch Guti, and other classics. “I thought, let’s remind all our people about their childhood so they can be a little nostalgic,” Diganta said. Attendees also had the opportunity to purchase a variety of traditional handmade arts and crafts created by vendors. A free Mehndi station was also on-site, decorating attendees with intricate pattern designs.

Diganta and BSA president Abrar Shahriar reached out to small, local food businesses to bring the event catering to life. To emulate the atmosphere of an outdoor mela, food vendors, including Gulshan’s Cuisine, Nimontron Bari, and Sharmin’s Kitchen, were recruited to serve popular traditional Bengali street foods. The mela featured delicious treats like Chop, Fuchka, Jhal Muri, Samucha, Biryani, and Pitha, a cake-like delicacy that’s both sweet and savoury, as well as Chotpoti, a spicy dish made with chickpea and potato.

The latter half of the evening featured a live music and singing segment. The night ended with an original BSA stage drama written and directed by Diganta that drew inspiration from Meena, a cartoon character from a UNICEF film series. Diganta told The Peak that Meena is beloved by children across South Asia, “so it’s really close to our heart.” He decided to bring Meena to Canada, dramatizing her life as a newcomer and a student at SFU. The drama was well-received by the audience.

Diganta said the BSA organized the event to cure homesickness, as attendees “can commemorate what they used to do back in the country.” He said these events are a “good way of gathering a lot of people,” so the event turns into a reunion, and bonds “become stronger because these events give us some good memories to share together.”

He also said he hopes that by attending a mela far from home, attendees will realize that

“Home is not made of bricks. Home is the people around you — home is the small moments or experiences to enjoy.”

— Md Rownak Abtahee Diganta, vice-president of the Bangladesh Students’ Alliance

“[I hope] they felt, for a little bit of a moment, they feel like they’re at home, enjoying with their loved ones.”

 

SFU’s contracted food service workers stage demonstration

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A crowd of people in jackets surrounds the entrance to a building, with the building’s sign being displayed near the entrance (“Strand Hall”). The person closest to the camera is waving a large red flag that says “UNITE HERE Local 40,” while others hold a few signs here and there as well. Another sign says, “ONE JOB SHOULD BE ENOUGH.”
PHOTO: Mason Mattu / The Peak

By: Mason Mattu, Section Editor 

On November 5, SFU’s contracted food service employees took their lunch break collectively to stage a demonstration, demanding a living wage and improved working conditions. Employees from Tim Hortons, Starbucks, Mackenzie Café, the Dining Commons, and catering participated, holding signs and banging drums as they walked around the perimeter of strand hall, SFU’s administrative building.

Workers delivered a letter asking SFU president Joy Johnson to meet with them on November 10 at 6:00 p.m. to hear their concerns. The workers’ union, UNITE HERE Local 40, said they are open to arranging another time with Johnson, for now just wanting to hear from her by Monday. 

They added that if they don’t hear back from Johnson or SFU by Monday at 6:00 p.m., they would initiate a full strike. “Today was just a strike action. An actual strike is pending,” said Preet Sangha, Local 40 union representative. 

On Friday, November 7, SFU stated that “the university has responded to their letter and declined their offer to meet. Terms and conditions of their employment, including rate of pay, are matters between employees and their employers.” They added, “It would not be appropriate for SFU leadership to discuss those matters, or to comment on ongoing collective bargaining between an SFU-contracted vendor and their employees.”  

In terms of the living wage, SFU stated “the university negotiates contracts with its service providers to ensure contract workers earn a living wage, based on living wages for Families BC’s rate at the time of negotiation. ”

SFU does not directly employ food service staff — they are employed by a third-party contractor, Chartwells (a sector of Compass). However, union representatives and community members have argued that the university has a responsibility as a living wage employer to either uphold their values and pay a living wage, or bring the food service employees in-house. Living Wage BC sets the living wage for Metro Vancouver at $27.05. At SFU Burnaby, the highest wage listed in Chartwells’ food service job postings at the time of publication is $23.58

Mitch Hoganson, a senior supervisor in the dining services and catering department who was present at the rally, told The Peak that although the contractor had offered to go to mediation with the workers, none of the proposals were in good faith.” 

“Our real fight is with SFU.” He added, “UVic, UBC, and even the government of BC have brought food service workers in-house.”

“SFU has the opportunity to do the right, ethical thing. They can showcase to the world that they are the university they claim to be, instead of being a university of hypocrisy.”

 — Mitch Hoganson, senior supervisor of dining services and catering 

“We want a living wage,” one striking worker said. “Some summers, we get laid off. December, we get laid off. The benefits are not good.” 

“When inflation continues to rise, people’s wages are standing at a standstill. How do people survive? How do people [take care of their] kids and families? How do people pay their bills? The majority of workers here probably have two to three jobs and barely sleep,” Felisha Perry, an individual in attendance, told The Peak. “So, yeah, I think [food service employees] frickin’ deserve a liveable wage! 100%.”  

In the case of a food services strike, SFU stated Chartwells “has contingency plans in place to ensure essential services can operate, such as reduced service for meal plan holders in Dining Commons.”

 

Putting celebrities on pedestals amplify their harmful views

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thin-framed round eyeglasses, on top of a paper. The Paper has a Hogwarts letterhead.
PHOTO: Tuyen Vo / Unsplash

By: Heidi Kwok, Staff Writer

This fall, the Vancouver Park Board announced the replacement of Stanley Park’s Bright Nights, an annual holiday staple and charity fundraiser, with Harry Potter: A Forbidden Forest Experience. The outdoor walkthrough installation will reportedly feature immersive lights, sounds, and animatronic displays, modelled after the original films’ scenes. By partnering with Warner Brothers, proceeds from the experience trickle back into the pockets of Harry Potter’s author, J.K. Rowling, who uses her profits from the franchise to fund anti-trans groups and legal cases. This decision reflects a broader failure, by our societies, to recognize the ethical element of our cultural and financial endorsements. Simply put, it’s unethical to continue supporting Rowling’s work, and if you choose to purchase tickets to the Forbidden Forest Experience, you’re directly undermining the rights of 2SLGBTQIA+ people. 

As much as I loved the Harry Potter novels (apart from its questionable representation of minorities), we should not put its creator on a pedestal — nor should we excuse her harm under the guise of nostalgia or creative input. To put someone on a pedestal is to worship them as if they are incapable of causing harm.

In over-idolizing celebrities, we inadvertently downplay and overlook their more problematic beliefs.

We likewise run the risk of enlarging the platforms on which people like J.K. Rowling weaponizes to target and harm marginalized communities. 

The world has very plainly put Rowling on a pedestal, and in doing so, amplified her hateful, transphobic rhetoric. Why do we continue to grant the author this undeserved exposure? In fact, why grant her relevance at all? It’s practically impossible to escape Rowling’s shenanigans when news outlets and internet users jump at every opportunity to broadcast and publicize her latest contentious actions or remarks. Understandably, people are pushing back against her diabolical views, but in engaging with her provocation and taking the bait, the issue of trans rights is dragged back into controversy — when it really shouldn’t be up for debate in the first place. This continued circulation of her name and legacy reinforces the harm that her tirades have on plenty of people. 

The Vancouver Park Board and other public institutions have a duty to make ethical decisions about the events and figures they choose to endorse — as do we as individuals. The Board’s late apology is meaningless considering Rowling’s long-standing harmful stances on human rights issues. It simply feels cheap, considering that they hadn’t initially prioritised the well-being of 2SLGBTQIA+ folks. As consumers of art and media, we must consider our own social responsibility and the accompanying repercussions. We must resist the pull of childhood nostalgia or the allure of a night of “harmless” fun and magic, when doing so makes us complicit in the further marginalization of trans individuals. True allyship demands that we act with awareness of how our daily decisions decide just how much injustices persist to exist in this world. This mindset should extend to all public figures that we admire. After all, celebrities are flawed human beings who should be held accountable for their actions, and our endorsement could make or break their views’ relevance.

Investing in mail service is a nation-sustaining project

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a photo of three Canada Post mailing boxes.
PHOTO: Prerita Garg / The Peak

By: Sofia Chassomeris, Peak Associate

Like many of us recently, Canada Post has a money problem: they don’t have enough. On September 25, the Canadian Union of Postal Workers’ (CUPW) strike resumed in response to a statement by the minister of government transformation, public works and procurement. Minister Joël Lightbound declared that Canada Post would end door-to-door delivery and restructure to sustain itself financially. As a reminder, the strike began in November 2024 and was forced to halt by the government a month later. This pause, along with unresolved negotiations over key bargaining issues, surrounding wages, safe working environment, among other issues, ultimately led CUPW to adopt a rotating strikes strategy. This strategy is used to maintain pressure on Canada Post, while minimizing disruption to the public.  

As a public service, it should only need to break even, but the company claims it hasn’t been able to in eight years. Canada Post is a Crown corporation, which is a government owned entity that seeks profit like a business, while under orders of the federal government. The introduction of the Canada Post Corporation Act in 1981 outlined “the need to conduct its operations on a self-sustaining financial basis,” which severed the service from government funding in exchange for a nationwide monopoly on letter mail. This means Canada Post, as we know it, does not run on taxpayer money; it uses the money it makes from stamps sales and parcel delivery to cover the cost of delivering mail. Of course, there’s been a notable decrease in letter postage since the dawn of the digital era. Competing retail and delivery services are also able to offer cheaper shipping by mistreating their workforce. Canada Post is noted to be mistreating their workers as they are negotiating for better safety protocol and healthcare benefits. And yet, according to the corporation, the revenue can no longer cover operating costs or offer the union wages that match inflation. 

The interests of the CUPW are principally at odds with the interests of the corporation. For example, one of the union’s key demands is improved wages for the employees, considering the overall rising costs of living, and the lack of reciprocal rise in wages by Canada Post. Unsurprisingly, they had most recently tabled a worse version of previous offers to the union. In an open letter to the minister of labour Patty Hajdu, the national president of the CUPW, Jan Simpson, expressed that the announcement is dismissive of significant negotiations while maintaining unaccountability for its negligence. She clarified that calls to restructure are intentional ways to discourage employees and shift the public’s blame onto them. 

Mail has been a fundamental Canadian service for correspondence since the 19th century. These days, anything slower than instant is inconvenient, and the implications of a dying postal service are cause to worry. 

Prior to 1981, mail delivery was run through a branch of government called the Post Office Department with a Cabinet Minister overseeing its finances. Nearly 45 years later, we’ve come back to the government using loans from tax dollars for the postal service. Instead of acknowledging the service’s necessity and the dignity of thousands of Canadian workers, the federal government has decided not to fund Canada Post beyond a $1 billion “bailout” loan earlier this year to keep the company afloat. It’s here we see that Prime Minister Mark Carney’sspend less and invest more” mantra translates abysmally to policy that actually benefits Canadian workers. This struggle reflects a broader shift in Canadian governance; one that increasingly prioritizes corporate profit and state surveillance over public welfare and workers’ rights.

Following his party’s federal win in March, Carney has flaunted several “nation-building” projects, such as doubling LNG production here in Kitimat, BC. His framing is: spending equals loss, and investment equals gain.

I can’t help but feel this is a sinister abuse of the fact people think “good economy” equals “personal survival.” Inflation’s going down, and groceries still cost more than ever.

But it’s easier to blame your mail carrier than it is to imagine a government that cares.

Bill C-12 (the newest iteration of the Strong Borders Act) has already completed second reading in parliament. When it was introduced, the bill allowed warrantless mail searches. Written into the Canada Post Corporation Act are the guarantees of security and privacy — it’s currently illegal to open, keep, or hide someone else’s mail, save for a few cases under an Act of Parliament. Even though this has been removed in amendments, it’s disturbing that this was even proposed because mail is the most secure communication we have. 

Bill C-12 threatens how we communicate online. If passed, the bill could allow police and the Canadian Security Intelligence Service (CSIS) to obtain “lawful access” to internet providers’ client account data without a court order. The amendments put forward in C-12 are a breach of privacy hidden behind the flimsy pretext of safety. If the government can do something without a warrant, in this case intercept communications, then they will create grounds for suspicion to do so. 

Criminalizing political opposition is not new within the Canadian context; it has always been an integral aspect. Just as the government forced CUPW workers to stop the strike, this shows how the Canadian government cares more about profit than its people. For example, three Indigenous land defenders (Sleydo’, Shaylynn Sampson, and Corey “Jayohcee” Jocko) upholding ‘Anuc niwh’it’en (Wet’suwet’en law) were given suspended sentences to be served if they continue to defend their land from construction of the Coastal Gaslink pipeline. According to Amnesty International, land defenders are consistently, continuously, and aggressively surveilled by police.

Carney’s “nation-building” is not only premised on economic growth that won’t help us, but it also manufactures the “need” for increased suppression as a solution to silence the voices raised in opposition.

It positions First Nations as obstacles instead of allies, perpetuating colonial violence and barrelling further from real truth and reconciliation. 

If the Liberal government wants to take seriously its claim to “build Canada strong,” it should invest in Canada Post instead, and by extension, their postal workers, connecting and actually resourcing out-of-reach communities. Postal workers have already been planning how the service can grow and adapt with us; the government could take initiative to have delivery trucks replaced with electric vehicles and invest in domestic manufacturing for them. It could create jobs building facilities and a coast-to-coast system of charging stations. To compete with private delivery services, the government could grant the corporation a monopoly on small parcels as well, which would lessen Canadian dependence on giants like Amazon. In addition to expanding CUPW positions, this would employ many Canadians with livable wages and job security that has been so scarce. The only thing stopping this from being a feasible reality is that it will not make CEOs or their investors disgusting amounts of money. But Carney, employing Canadians is only a waste of money if you don’t care about them.

Email your MP and the Minister of Labour in support of the CUPW at cupw.ca/en/campaign/resources/take-action-stop-attack-canada-post

Support the Wet’suwet’en land defenders legal fund at chuffed.org/project/yintahlegal

 

Student journalism’s role in our media cycle can’t be ignored

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a collage of various news articles from different student-led publications.
COLLAGE: Gudrun Wai-Gunnarsson / The Peak

By: Niveja Assalaarachchi, News Writer

The media landscape we live in is diverse. From social media platforms, to traditional news sources like cable news, there are many different ways in which we can consume media. However another form stands: the iconic newspaper. Once, it was the main way Canadians interacted with the news cycle — but has since seen a precipitous decline. According to a CBC article, 11% of  independent newspapers and other media outlets have closed since 2008. 

As The Peak celebrates its 60th anniversary, it might be relevant to revisit, what makes  celebrating a dying form of media important? Especially since this publication is student-run. I mean, really, what is the point of relying on student journalists like us, who might not have prior formal training? I might have the answer to that. Simply put, with the decline of traditional news media, student journalism fills the gaps left by mainstream media, shapes student identity, preserves local voices, and stands as a resilient symbol of free expression and accountability. In many ways, student journalism is a fantastic source of information due to its connection with the members of its community.  

Currently, student journalism is a vital media platform. Through its coverage of underrepresented stories and keeping authorities accountable, student journalism not only stands as a symbol of their school, but as a symbol of free press in this country. Student newspapers have historically helped to highlight issues that matter to students and help shape the image of the institution it represents. They have reported on issues like student governance, local controversies, and unique insights into life here on campus and the Lower Mainland. The Peak is one among many other student publications that does such work. Other student newspapers like The Ubyssey, and high school publications like The Griffins’ Nest have contributed to the coverage of community relevant stories. 

Student newspapers also play an important role in reporting issues that often go unnoticed by bigger media organizations. Due to news deserts, which are particular geographical locations with little to no coverage, some stories go unreported. They often come as a result of bigger outlets leaving areas they deem to be unprofitable. In this void, student journalists help report on issues that impact people on a daily basis, that might otherwise not get reported on. Moreover, student journalists help uncover stories that can later get picked up on by larger media institutions, and thus can occasionally serve as a primary source. 

The relevance of student journalism does not always exist unobstructed. For example, slightly less than a hundred years ago, the student journalists of The Ubyssey, in 1931, faced threats from their university administration to cease publication. An order that was denied, leading to the then editor-in-chief being suspended due to his comments regarding the government’s short-staffing. 

It is clear that student publications have remained vital for decades because they have served as an outlet where students can contribute and document their communities’ issues. In an age where media outlets are under attack from authoritarian governments throughout the world, or face severe financial issues, student journalists stand strong and send a strong message: we aren’t leaving.

We will persist to bring stories to the attention of readers, not just on our campuses but throughout our local communities.

 

SFYou: Kelly Chia discusses Memories of Home zine

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A headshot of Kelly Chia, next to the cover of her zine, which has beautiful purple pastel flowers.
PHOTO: Euan Secaluya IMAGE: Courtesy of Kelly Chia

By: Michelle Young, Co-Editor-in-Chief 

Memories of Home is a vivid and tender zine written and illustrated by SFU alum, Kelly Chia. It explores identity, and interrogates the dominant narratives that outline history. The zine’s opening is striking: “I am Malaysian-Chinese. There is so much this hyphen is carrying.” Memories of Home also features colourful hand-drawn illustrations of durian, starfruit, the Tambuakar (a water dragon), and more. Chia writes, “Home in the sense I’ve been exploring in this zine, is the stories we continue to tell, to listen to, and to learn from.” Memories of Home is filled with emotion, imagery, and crafted with care. The Peak sat down with Chia to learn more about her work. 

This interview has been edited for concision. 

 

Can you tell me more about what it means to you to be “Malaysian-Chinese” and how you view your identity in the context of being part of the diaspora? 

It’s really interesting to hyphenate my identities to explain who I am. Like, when I’m speaking in Chinese, there isn’t that sort of nuance. But because I’m speaking in English, the most succinct way I can summarize my identity is by using “Malaysian-Chinese.” I feel like I have to explain a bit more when I use this term because I’m not Malay. I’m Chinese, born in Malaysia

I was also living in Singapore for a number of years before I migrated to Turtle Island. I wanted to explore a bit more about what that meant to me — it was a lot of conflicting feelings because I haven’t lived there in such a long time. Having political opinions about Malaysia and Singapore feels difficult because I don’t feel like I have as much knowledge as I need. I also don’t have the lived experience that I would have had if I were raised as an adult in Malaysia. 

Sometimes, there’s an outpouring of love I feel towards where I came from”

— Kelly Chia, author of Memories of Home

“That I can’t otherwise express, except in writing. Memories is a way to say, “This is the way I’m engaging with my countries.” I’m entering my home through my memories.  

 

What inspired you to create this zine and what was the process of creation like? 

Among my small friend group of artists, they invited me to join a zine group. It’s something I’ve wanted to do for a while because of the qualities that make a zine great: it’s affordable, it’s often made by one person, and a way to connect with your community. I’ve sort of been burnt out of writing over the last few years. It was about Malaysia and Singapore specifically because the original prompt was “folklore,” and I remembered a lot of stories growing up. Ironically, the original folklore part is contained to a two-page spread. As I started writing it, I had a lot more to say. 

It’s always challenging to write about diasporic experiences, because like I said, I haven’t lived in Malaysia and Singapore for a while. Whenever I’m talking about Singapore, I feel like I have to talk about the nuances of it being a strong economy. It’s a great country for its size, but it also has a very militant governance and you can’t talk about one without the other. I don’t have those same feelings about Malaysia because I was six when I left the country. Though, I was also pretty young when I moved out of Singapore. 

As an immigrant, when you’re discussing your own experiences, you’re like, “Am I making my countries, am I reducing them for someone else’s experience? Am I compartmentalising these very complicated and nuanced histories just to be like, ‘Hey, this is the place I came from?’”

As a creative person, I think you always worry about whether you’re being authentic or packaging your authenticity. 

 

You wrote about complex feelings on how your education covered Singapore’s Japanese occupation in-depth, but didn’t discuss pre-colonial history. Can you tell me more about what particular aspects of history you’d like others to engage in?

This is tough, because as a Chinese person growing up in Singapore, it’s a lot of acknowledging that I’m Hakka. I don’t speak Mandarin as well as I speak Hakka, but other dialects get subsumed into you having to learn Mandarin in schools. There’s this perspective that Chinese history and immigration feel the most important, even though it’s not what’s said, it just feels like it’s “economically important” to learn Mandarin.

I had a few friends who were from Myanmar, or who were Filipino, and there was no option for them to learn Tagalog or other of their so-called mother tongue languages in school, so oftentimes they’d be assigned to learn Chinese instead.

So much of what dominates my thought of the history of Singapore has to do with the Japanese occupation, that even the founding story feels almost mythical — it’s very real. In the zine, I mention that the founding story includes a slim mention of Sang Nila Utama and primarily focuses on Singapore after Sir Raffles comes and sets up a post, but that there’s 500 years of respectable history prior to this, when Utama named Singapore “Singapura.” I had to step back and reexamine my privilege and history, to be like, “I never learned this part.” 

There’s a narrative that our national history starts in 1819, when in 1299 we already had years and years of trading history and it would be cool to elevate it to the same amount of importance.  

 

Having graduated with a Bachelor’s in English, and also being a previous Peak Editor-in-Chief, how did your experiences at SFU inform your work?

I feel like what I enjoyed most about working at The Peak was that SFU stopped being just a building, but became communities I connected with. A lot of my work was informed by speaking with the fellow people around me. A lot of these experiences, and thinking about what’s important when you put out a work that other people are going to read, plays a lot into how I write. It’s been a long time since I felt that writing was just for me. Working at a small news publication, knowing who can read it, who might be impacted by it, has infinitely impacted how I approach my work. I always hope that they either feel seen by it, or can engage with it in a way that makes sense to them. Overall, I would say my SFU experiences made me more community minded.

 

Read Memories of Home at heyzine.com