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Horoscopes: July 23rd

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Aries (March 21 – April 20)
Good news! This week you can expect your baleen to absolutely overflow with krill. (Note: This week’s horoscope only applies to grey whales)

Taurus (April 21 – May 21)
Like the bull, this week you’re going to need to be strong, stubborn and adept at avoiding being stabbed by fancy Spanish men.

Gemini (May 22 – June 21)
Social awkwardness will ensue when you realize you’ve shown up to the party wearing the same outfit as everyone else. The grand exalted leader suggests forgetting about it with a nice glass of punch.

Cancer (June 22 – July 22)
Mars is retrograde in your sign this week. I saw it with a Walkman earlier, it’s been on a weird ‘90s kick this whole month.

Leo (July 23 – August 22)
Look, you didn’t hear it from the stars, but don’t be too “surprised” if it seems like everyone’s forgotten your “birthday party.” They did.

Virgo (August 23 – September 23)
Your loneliness will reach a tipping point this week when you find yourself moving furniture at 3 a.m. just so you can hear someone’s voice through the walls.

Libra (September 24 – October 23)
No, being locked in a cedar chest for 20 minutes is not grounds for childhood trauma resulting in vigilante crime-fighting. Besides, mothballman is a stupid name.

Scorpio (October 24 – November 22)
Your sign is in the rising House this week. It looks like lupus, but will turn out to be a South American frog parasite by the second act.

Sagittarius (November 23 – December 21)
More like Vag-ittarius, am I right? Dude, this week you’re going to be killing it! If you’re a woman, uh, prepare to have some very confusing experiences.

Capricorn (December 22 – January 20)
Avoid that butterflies-in-your-stomach feeling when public speaking by eating fewer caterpillars beforehand.

Aquarius (January 21 – February 19)
By failing to follow last week’s horoscope, you have rendered your lives and the lives of those in your district forfeit.

Pisces (February 20 – March 20)
Get ready to scale major obstacles! Be ready for a photo fin-ish!
(Submitted by Will Ross)

KPU senate should not ban recording of public meetings

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By The Runner Editorial Staff

At Kwantlen’s June 25 senate meeting, President John McKendry ordered Runner editor Matt DiMera to delete his audio recordings of the meeting and not to publish anything that was said in his reporting. The senate has no rules about electronic recording of meetings, but the presumption should be toward openness and transparency. The reporters weren’t breaking any rules or laws – they were merely doing their jobs as responsible reporters and student-citizens.

McKendry accused The Runner of not granting him “due process.” If public officials and elected representatives don’t want their words to be published in a newspaper, then perhaps they shouldn’t be saying them during a public meeting.

Runner reporters have been regularly recording senate meetings over the last year. They are open and public, and should remain so. The senate performs a vital role at KPU (and other universities). It is centred on principles like academic freedom — a close cousin of objective journalism.

For journalists, there is no difference between electronic recording and shorthand, other than the improved efficiency of the former. It is hard for reporters to keep track of every single word said by everyone present during a three-hour meeting using only a pen and paper. These recordings aren’t used for broadcasting, but to ensure the accuracy of quotes or statements made during these public meetings.

It was this accuracy that protected The Runner’s reporting during the Kwantlen Student Association (KSA) controversy last fall. We made many of these same arguments when the KSA went so far as to ban all electronic recordings of all public KSA meetings.

Many senate members, including faculty, staff, and student representatives, spoke in favour of allowing The Runner to continue recording senate meetings. During the meeting, the matter was referred to a senate committee, which will make a recommendation as to whether audio recordings will be allowed in the future.

It is imperative that Kwantlen students be given access to the KPU senate via their campus newspaper. Engaged, informed students are the lifeblood of Kwantlen’s vibrancy, as they are in any university. We urge the senate to stand up for academic freedom, openness and transparency, and to establish clear rules allowing the electronic recording of public meetings.

Altar Boyz: leave it at the altar

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By Kelly Thoreson
Photos by Emily Cooper (Arts Club)

Running jokes wear thin on the soles without the support of a real plot to the production

Four young and attractive Catholic boys and one Jewish man form a boy band called the Altar Boyz and tour to sing about God and Christian values: it could have been a pretty good sketch on Saturday Night Live, but it leaves something to be desired as a musical.

Altar Boyz parodies both boy bands and religious tours with all of the trills, over-enthusiasm, and abs that are to be expected, and is jam-packed with energy and songs that will be stuck in your head for days. What it’s missing, though, is a story.

Sure, there is the plot wherein the Altar Boyz try to save the souls of the audience and come to some understandings about themselves. However, this story doesn’t develop until near the end of the show, and very few of the songs actually contribute to any kind of plot. It always feels as though you are waiting for the story to really “start” — even after you have left the theatre.

Where there isn’t story, there is humour. There are a few gags that the show relies on, including the aforementioned boy band and religious group parodies, the irony of the presence of a single Jew in a Catholic singing group, as well as Mexican, addict, and gay stereotyping. While the jokes might get you laughing the first time they come around, they are not grounded in the story or in dynamic characters and feel hollow.

There is so much opportunity for social commentary to make the humour and story of Altar Boyz richer, but it is a missed opportunity. The diversity of the Altar Boyz — with an out-of-place Jew, a Mexican immigrant without a family, a recovering addict, and what the audience assumes is a closeted gay member — appears to be token and only there for the laughs. This gimmicky feel to the characters makes the jokes feel uncomfortable at times, like the audience is laughing at them instead of with them.

The two actors that really pull off the laughs are Geoff Stevens, who plays the flamboyant character of Mark, and Jeremy Crittenden, who portrays Matthew, the leader of the Altar Boyz. Both performers keep their energy at the over-the-top levels necessary to pull off a parody of boy bands and religious tour groups, which was arguably the most entertaining aspect of the show.

Shallow script and empty humour aside, the harmonies and synchronized steps of the Altar Boyz were impressive, and they had me pumped for at least a half hour of the show. It was enough fun to carry me to the end of a particularly lengthy YouTube video, but definitely not to the curtain of a 90-minute musical.

Sacre Bleu: fun, but below Moore’s standard

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By Monica Miller

Christopher Moore’s newest venture flops on inventiveness, but it’s saved by the little things

Sacré Bleu: A Comedy d’Art begins with the death of Vincent van Gogh in the countryside of France. Believed to have gone mad and committed suicide, his friends are troubled by the situation. Vincent had recently become deathly afraid of the colour blue and refused to paint with it.

A satirical take on the Impressionist era in Paris, the story turns to Lucien Lessard, a baker and aspiring artist in Montmarte whose father raised him with a strong appreciation for the arts. Lucien, along with his close friend Henri Toulouse-Lautrec, a fellow painter as well as Count, are convinced that van Gogh’s death was not a suicide and begin to seek the truth behind his death.

As Lucien and Henri get deeper into the history of the mysterious, twisted dwarf simply called The Colorman, they discover more unsettling details about their own lives and their friends.

Sacré Bleu: A Comedy d’Art is well-written and thoroughly researched, definitely Moore caliber. However, it falls short of the unstoppable praise that has characterized his past novels.

The characters are either loosely or fully based on historical truths. Lucien, the main character, is written with depth and his character feels authentic. Though most of the artists are seen only in passing, kept interesting only by the amusing personality tidbits thawt Moore includes.

The satirical elements are strong, and the humour is mild, save for occasional classic Moore-isms that came out of the blue and had me in tears laughing.

It’s similar to Fool, Moore’s 2009 novel loosely based on Shakespeare’s King Lear. Basing his novel on previous work or history seems to stunt Moore’s own creativity. As he explains in the afterword, “I simply set out to write a novel about the color blue; I can’t remember why now. When you start with a concept that vague, you have to narrow your scope fairly quickly or it will get out of hand, so very early in my research great bits of history had to go by the wayside so I’d have room to make stuff up.”

In the end, it is the small touches that count: the blue ink throughout the novel, and several dozen full-colour masterpieces from Monet, Manet, van Gogh, Renoir, Seurat, Michelangelo, and other renowned artists. Oh, and the ridiculous number of times the word “penis” is used.

Sexy librarian

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By Ljudmila Petrovic
Photo by Mark Burnham

What bestsellers like Twilight and Fifty Shades of Grey say about women and sexuality

Let me get one thing straight: I have never read nor seen Twilight. At the height of its popularity, I picked up the first book to see what the hype was about. Twelve pages were all I needed to know that I could not read any more poorly-written melodrama. But I digress. Despite my snide opinion, there is nonetheless something about Twilight that made the book reach the number five spot of the New York Times bestseller list within a month of its release. I don’t personally care about Team Edward or Team Jacob, but the fact that these “teams” even exist says something about the appeal of these characters: readers care, they empathize, they identify. Most importantly, for a character considered to be so shallow, the debates surrounding the protagonist Bella Swan are extremely dynamic and complex: is she submissive, or fighting for love? Is she a negative role model, or a strong one?

The general plot seems simple enough: Bella falls in love with Edward Cullen. She’s 17, so you’d think it was dramatic enough, but he also happens to be a vampire. I don’t know the logistics — I’m sure most Twi-hards could explain the nuances better than me — but the main problem appears to be inter-species dating, and how much more complicated consummating their relationship is. As long as Edward is a vampire and she is a human, he is capable of accidentally hurting Bella during sex (something about not knowing his own strength). Very long story short, she leaves her family, gives up life as a human, and eventually transforms into a vampire in order to be with Edward. One of the main criticisms of Bella’s character is that she has no ambitions and goals of her own, but rather only sees a future as defined by her relationship with Edward Cullen; despite his efforts to dissuade her, she insists on being transformed into a vampire in order to be with him. Another criticism — mostly made by feminist groups — is that Bella seems to always need a male figure in her life: she lives with her father, and then falls in love with the possessive Edward. When he leaves, she is drawn to Jacob, a werewolf. This cycle has led to the general belief that Bella is a submissive, dependent woman, and is not fit to be a strong role model for the young girls that make up the series’s demographic.

A blog titled Twilight Gurls: Because Twilight does NOT suck!, had a post that addressed this very issue. The evidence for Bella being a solid role model lies in her appearance, her popularity, and her willingness to fight for Edward. “Bella Swan is so pretty!!! that’s [sic] really good and it gives girls something to aspire to! [Bella is] inspiring girls to take better care of themselves and try to be prettier!!” writes a user that calls herself LizzieBella. “She teaches you about love…she shows how its [sic] important to be in love and all the things people do for love!” It is unclear whether this blog is satirical or whether it is written by true Twilight fans, but it nonetheless reflects a very real position. Bella certainly does fight for love, and when you think about it, Bella is submissive and makes errors in judgment, but perhaps that’s what makes her so real and relatable to readers. Literature has been filled with strong women who fight for themselves and uphold their pride, but the reality is, nobody does that on an everyday basis, making “weaker” female characters — though not the best role models — appealing, because they are so relatable.

This brings me to what has been called “Twilight for the grown-up set,” and the newest craze to hit the New York Times bestseller list: Fifty Shades of Grey. E. L. James’s erotic novel has topped the list for 19 weeks, with its sequels — Fifty Shades Darker and Fifty Shades Freed — at second and third, respectively, for 19 and 18 weeks. The premise follows Anastasia Steele, a 22-year-old college literature student. Anastasia is a blushing virgin when she stumbles into Christian Grey’s office. She is meant to interview him for her campus newspaper, but they end up engaging in a sexual relationship that would have been described as “kinky” or even “perverted” before Fifty Shades of Grey became a best-seller and brought the topics of bondage and other fetishes into the spotlight for housewives and young women alike.

What is surprising about this book’s rise to mainstream is the extensive descriptions of the BDSM (bondage/discipline, domination/submission, and sadism/masochism) in which the couple engages. The steamy sex scenes are graphically described, bringing the book to the public’s attention. Ellen DeGeneres called this series “mommy porn,” referring to the assumed demographic of the readership: middle-aged, suburban mothers and wives.

James is herself a mother in her forties and, in an interview on The Today Show, she spoke about how a mid-life crisis led to Fifty Shades of Grey — and how the series started as a Twilight fan fiction, with the aforementioned series being a foundation for the characters in Fifty Shades. Recently, however, the publisher’s data (collected from social media, Google searches, and fan sites) revealed that a majority of readers are younger than the perceived age — usually in their 20s and 30s.

Certainly, the demographic of the readership is largely female, but that does not mean that it hasn’t sparked male interest. A blog on the Men’s Health website tackled the topic of why women were so swept away by the series. One of the comments — by a female — explained that it was because Christian made Anastasia feel like she was a goddess, but more interestingly, because Anastasia managed to “fix him” and rid him of the emotional baggage he had at the beginning of the story. It is interesting that a book that is not particularly well-written or insightful could open so much discussion. For example, on askmen.com, a reader wrote in that he and his wife are reading the book together, and are using it as a starting point for discussion about their sexual fantasies. A recent article in the Georgia Straight addressed this as a positive effect of the books: they are a platform for discussion. The article argues that this book is not just an outlet for the fantasies of sexually repressed women; rather, it is responsible for making less conventional sexual practices that have previously been deemed “kinky” a topic of discussion for women of all classes, ages, and relationship statuses.

“Mainstream pornography is generally made by and made for men,” Vancouver clinical counselor and sex therapist Teesha Morgan told the Georgia Straight. “Women are desire-seeking, sexually driven creatures as well. It just has to be packaged to them in the right way.” This corroborates the idea that discussion can and should be open on these topics, and that the gender differences lie not in what individuals want, but in how it is presented to them.

However, while both Bella and Anastasia are submissive, their love interests — Edward and Christian, respectively — treat them as if they are fragile, and protect the women. Because the characters of Fifty Shades are directly based off of Twilight’s, it’s not surprising that the relationships are similar. There is also a very specific balance in these relationships that draws women to these stories: the males are unquestionably dominant — women may feel much the same in their own relationships — but they are also uncharacteristically caring and protective. In the case of Fifty Shades, there is also forbidden eroticism.

The character of Christian Grey never has to ask Anastasia what she wants from their sex life; instead, he is in control in every sense of the word. In fact, only several pages into the first book, the reader learns that he likes to have control over all aspects of his life. There are many — including Katie Roiphe in a Newsweek opinion piece — that believe that the appeal of these books lies in control. Proponents of this theory elaborate that, while the contemporary woman has a successful career and control over her life, she still fantasizes about being submissive in bed — a fantasy that is played out quite vividly in the pages of Fifty Shades.

However, Anastasia says that, deep down, she just wants more affection and love. So, what is important is not that she herself is particularly drawn to sado-masochism. Rather, it is that she loves a man that is, and she is willing to do what makes him happy, making her even more of a submissive character than she already was.  “Women have more sexual freedom and more power than ever before in our history,” feminist Katha Pollitt told Newsweek on the topic of Fifty Shades. “But that does not mean they have a lot of either, and it doesn’t mean they don’t have complicated feelings of guilt, shame and unworthiness.” Pollitt and many others have used this to explain female fantasies about sexual submission: it is about a dissonance between different social roles, and many of these women are more comfortable being pursued rather than the instigator. A character like Anastasia in a relationship like the one portrayed in Fifty Shades is exactly relatable to women that fit Pollitt’s theory: she is engaging in sexual acts that can be seen as deviant or wild, but the feelings of guilt and shame that Pollitt speaks of cannot be applied to the character or the reader, because somebody else that is initiating it.

When a book is as popular as Twilight or Fifty Shades of Grey, it is important to investigate why; by finding recurring themes or characteristics, we can also find underlying topics and discussions in society as a whole. On the surface, Twilight is a mediocre book for preteen girls about adolescence and vampires. But its characters spark debate, and Bella’s merits as a role model are still unclear. Her submissive character and her relationship with the more domineering Edward is an important aspect of the series, and a jumping point for James to develop Fifty Shades of Grey. The latter eliminates the fantastical aspect of supernatural creatures, and extends the submissive female character into an erotic novel, which sparked discussions about sexuality among women who wouldn’t normally chat about bondage and sado-masochism.  Girls and women should not necessarily strive to be like these characters, but should nonetheless observe and question their values and qualities.

SFU Engaged

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A quick video on SFU’s Engaging the world motto, and what the SFU community thinks about it. Engage!

Leave us a comment below about what you think of SFU’s slogan.

Created: Julian Giordano
Contact: [email protected]

Score: Music Club – Chase & Status

Board short

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By David Dyck

Fall concert takes shape

An estimated budget was brought to board by Morgan Blake of Public Transit Co. last week for the upcoming “Welcome Back” concert that will take place this fall. The expected expense for the event is $120,250, while the expected revenue is $148,000.

Blake was on hand to field questions from board members regarding security, transit, and other details. He also outlined a rough idea of how the day would progress, with festivities starting in the morning around Convocation Mall and culminating in the concert in the evening.

Some of the proposed headliners were the electronic group MSTRKRFT from Toronto (one half of whom also plays as the rock group Death from Above 1979) Team Canada DJs out of Montreal, and Chromeo were all mentioned.

One guest to the board meeting asked how this event would be different from the failed K’naan concert that was attempted in 2010. “The biggest difference between that event and this event was that this is being done by the student society itself, that was done by  . . . a student-run club,” responded Humza Khan, the member services officer. “We have the resources, we have the manpower, we have more outreach into the student community, we have professionals who are working for us that advise us. As far as the production side, the legal side, and all of the technical aspects of the event are concerned, we’re much better covered than the K’naan event.”

“The key difference is that the board isn’t running it,” added president Lorenz Yeung. “We’re bringing a third party professional to plan it for us, and we can focus on the liability issues, as well as the student interest. . . . In the past, students would be doing all the production.”

SFU’s school of computing science receives award for dual degree program

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By Kelli Gustafson 

Students can obtain two Computer Science degrees: one from Simon Fraser University and the second from Zhejiang University in Hangzhou, China

Simon Fraser University’s School of Computing Science dual degree program received the 2012 British Columbia Council for International Education’s (BCCIE) award for “outstanding program in international education.” This province-wide award was accepted by Dr. Rob Cameron, the associate dean of the Faculty of Applied Sciences on June 26. This was BCCIE’s third annual International Awards Banquet, which coincided with their annual Summer Seminar in Kelowna. The award is described by the BCCIE as recognizing “high quality and highly creative programming in international education.”

The program was introduced in 2005, and was Canada’s first dual degree program offered to undergraduate students studying computer science. This program allows students to obtain two degrees in computer science; one degree from Simon Fraser University, and the second degree from Zhejiang University (ZU) in Hangzhou, China.

Hangzhou is the capital of Zhejiang province, southwest of Shanghai. Zhejiang University is known as one of the top three universities in China, and in 2011, the ZU computing science team won the championship in the ACM International Collegiate Programming Contest World Finals.

Chinese and Canadian students who complete the dual degree program not only obtain a degree in computer science from each university, which gives them a competitive advantage, but also gain a unique cultural experience from both Canada and China.

Danyu Zhao, coordinator of the dual degree program at SFU, stated that the program “will benefit students’ personal and professional growth.” Zhao also said that “the program is preparing students with cross-cultural skills, and the ability to navigate different cultures effectively, and experience working in the IT industry in a foreign country.”

Most dual degree programs in North America consist of a one-way exchange of students. Zhao therefore considers SFU’s computing science dual degree program to be “one-of-a-kind” in the sense that both sides of students from each university study at both SFU and Zhejiang University. Zhao also stated that the dual degree program at SFU has had a significant role in fulfilling SFU’s vision of “Engaging the World” by providing students with the opportunities to travel abroad.

In 2011, this same award was presented by BCCIE to Thompson Rivers University for their International Days, which showcases an array of cultures and international experiences. BCCIE accepts nominations for their International Education Awards Program from colleagues working at recognized independent schools, designated public and private post-secondary institutions, EQA-designated language schools, and public school districts within BC. Winners are selected by a peer committee, and are invited to the BCCIE’s annual Summer Seminar to accept their award.

University briefs

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By Ariane Madden

York bolsters security after repeat attacks

Police and campus security at Toronto’s York University were on high alert last week after a series of attacks on women by what seems to be the same suspect. Victims described a male perpetrator approaching them and attempting to initiate conversation after they got off the bus near a popular student centre building, then proceeding to sexually assault them. The attacks took place June 5 and 6, and police say it may also be possible that the perpetrator had an accomplice who did not actively participate in the attacks.

 

U of C study takes aim at Stampede animal rights concerns

A recent study commissioned at the University of Calgary will look into the risk of heart attacks for horses during the Calgary Stampede chuck wagon races. The western-themed rodeo festival — now in its 100th year — faced harsh criticism in recent years following numerous horse deaths, including six deaths in 2010 alone. The study will attempt to determine the optimal time for racing or rest for the highly athletic thoroughbreds, thereby reducing their risk of injury or heart attack.

 

Prestigious Lebanon university accused of pro-Israel agenda

Officials at the American University of Beirut defended against recent accusations of a pro-Israel stance, made after awarding an honorary degree to an alumnus with ties to “Zionist” beliefs. Anti-normalisation groups on campus claimed that the conferring of honorary degrees upon openly pro-Israel recipients serves to represent the university as showing favour to the controversial Jewish state.  It is not the first time that the university has received such criticisms; the former World Bank president James Wolfensohn was forced to withdraw his participation in a degree-conferring ceremony after drawing criticism for his own political ties to Israel.