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Adios Camilo

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Just a few months ago, former Vancouver Whitecaps star Camilo Sanvezzo declared how happy and settled he and wife Jessica had become in the city of Vancouver — there was even talk of him making a Canadian national team appearance. You can scratch that.

Camilo Sanvezzo has joined Liga MX Querétaro for a record multi-million dollar fee in what seemed like a never-ending, agonizing process. Here’s the breakdown of Camilo’s not-so-popular exit to the south.

Without a doubt, Camilo earned the right to be named an MLS All Star following his performance in what was otherwise another mediocre and inconsistent Whitecaps campaign. At season’s end he famously netted a hat trick to claim the MLS Golden Boot award with 22 goals and steal the show during Y.P. Lee’s retirement match.

Camilo was also etched into Whitecap folklore after scoring an astounding scissor kick volley against rival Portland Timbers at a boisterous BC Place — a goal so spectacular it won the AT&T Goal of the Year.

In 2013, Camilo earned $247,500, but upon former head coach Martin Rennie’s firing, the Brazilian saw a chance to renegotiate his contract. When new manager Carl Robinson was appointed, he vowed to meet with Camilo to discuss his contract; Camilo vowed he was a committed player.

Fast-forward to three days later and Camilo is seen on Twitter in a medical examination room wearing a Querétaro jersey — smiling, and giving the “thumbs up” gesture.

More and more pictures of Camilio taking part in training sessions surfaced and tickets to a player presentation event at the stadium to announce his arrival were being sold. With Camilo still under contract to the Whitecaps, Robinson and company flew down to Mexico to try to recover their best player, but things turned sour quickly.

Ultimately, Vancouver was forced to undergo negotiations with an apologetic Querétaro president, Adolfo Rios, who was under different impressions of the players transfer status (Camilo’s agent had told his client he was under Free Agent status and could negotiate with other clubs).

Instead of a major dispute, the clubs were able to reach a multi-million dollar settlement. But with Toronto FC’s recent acquisitions of Jermain Defoe and Michael Bradley from top European leagues, the question on every Whitecaps fans’ mind is “Who are we picking up now?”

With the multi-million dollar windfall from Camilo’s departure, the possibilities have certainly opened up. Yet, the Whitecaps faithful can’t help but wonder what this ordeal will do to the clubs on-field success and how quickly it can be recovered.

Reviving Warhol’s Kitchen

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Gob Squad Prater der Volksbuehne mit "Kitchen" UA 30.03.07

Is the best still yet to come? Gob Squad’s Kitchen, a production presented by the PuSh Performing Arts Festival, seeks to find authenticity in a time less optimistic than that of yesteryear.

While the show’s title refers to Andy Warhol’s film Kitchen, artist Sharon Smith explained that the original concept of the show had nothing to do with Warhol. The Gob Squad, a collective of artists from the UK and Germany, wanted to create a show using film that “ate audiences” by involving them so that there was no longer any audience left by the end. During their research they came across Warhol’s work, and that’s when the show really took shape.

“We started to re-enact films,” said Smith, “but the really obvious ones, like Titanic and Jaws, and then we started looking at art films and one-shot films, and of course we thought of Warhol.” These reenactments did in fact take place in a kitchen, with some of the crew watching on a screen in the living room. “We enjoyed the idea of having a screen in one room and a camera in the other — the uncanniness of that,” she said.

“I think it’s very different now. We’re trapped in something so completely capitalist. [Warhol] was beginning to critique it.”

Sharon Smith

After playing around with various ideas and delving deeper into Warhol’s work, they realized how much of their work is really influenced by him. “We were always very aware of Warhol; we’ve always been fans,” said Smith. “As a collective we don’t agree on anything, but I think I can speak for all of us when I say that. He was saying the right things in the right place at the right time,” she explained, “I’m not sure whether he knew it or not, the way it changed our relationship to art.”

Gob Squad Prater der Volksbuehne mit "Kitchen" UA 30.03.07

“There was the myth of Kitchen,” said Smith, “we were all aware of it, but not sure if we’d seen it. We decided to never watch it, to just go with memory and imagination.” In the end, that plan didn’t follow through; it turned out that a friend of a friend owned one of the four original copies of Kitchen, and the rare opportunity of a private screening was something they couldn’t pass up.

The show begins, as the audience walks through the kitchen itself, behind a giant screen, and then in front of it and to their seats. Seeing what’s behind the curtain doesn’t detract from the enjoyment of the work at all, and actually adds a deeper understanding of it. This walk through also serves a practical purpose for the actors: they are sizing up the audience to see who they might pick to become part of the action.

Sharon Smith and Sean Patten are the first to be displayed on the big screen in black and white, describing objects in the kitchen and whether or not they are suitable for the time period.

There are three projectors: the second one shows the film Screen Test, a version of Warhol’s video portraits of people sitting in front of a camera. The third projector plays Sleep, which is exactly that — a film of someone sleeping. Each of these narratives has compelling twists, and Sleep also has some very intimate audience participation. By the end of the show there were four audience members on stage instead of the four actors, and they became the show.

Since first performing this show in 2007, the Gob Squad has toured extensively, performing it over 160 times. “We did a three week run in New York and met some people who were involved in the Factory,” said Smith, “they were in the epicenter of something.” It was a time when people felt like they could start a revolution or write a manifesto, and they had a great deal of optimism for the future.

“I think it’s very different now,” said Smith. “We’re trapped in something so completely capitalist. [Warhol] was beginning to critique it. Now we’re part of the problem, and it’s hard to imagine a solution or real change.”

Gob Squad’s Kitchen demonstrates that even though life is complicated, sometimes living in the moment is the best thing you can do.

Gob Squad’s Kitchen was presented at SFU’s Goldcorp Centre for the Arts Jan. 16–18 as part of the PuSh Performing Arts Festival. For more information, visit gobsquad.com.

Clan down Vikes in final home meet

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A day that began with a big splash from Tim Rahilly, SFU’s associate vice president of students, ended with a Clan swimming team victory over the University of Victoria Vikes in SFU’s final home meet of the season.

Before diving into the races, Rahilly led a ceremony recognizing five Clan swimmers — Nicole Cossey, Kristine Lawson, Alexandria Schofield, Jordyn Konrad, and Carmen Nam — who represented SFU at last year’s NCAA Championships.

That championship pedigree led the Clan to an impressive 226–186 win over their BC rivals. Cossey and Schofield started the day with a win in the 200m-medley relay, and with help from teammates Grace Ni and Katie McEvoy, the Clan quartet finished in just 1:57.78. In the same race on the men’s side, Brandon Bronson, Julian Monks, Ciaran McDonnell, and Hans Heyer also swam their way to a win.

Schofield would earn the day’s first individual race — the 100m-butterfly — in 1:03.77, while sophomore Justin Kiedrzyn won the same event for the men. Cossey would win the 50m-freestyle event, with teammate Katrina Sharpe finishing second. Later in the day, Monks would race in his final event with SFU, a win in the 200m-breaststroke, with a time of 2:18.21.

SFU’s women would dominate the 200m-freestyle race, taking first-, second-, and third-place in the event with strong showings from Meghan Quon, Claudia Mathieu, and Grace Ni, respectively.

The Clan put a stamp on the day with a win in the final event for both the men and women, the 200m-freestyle relay. The men’s squad, featuring Heyer, Kiedrzyn, McDonnell and freshman Igor Gasovic-Varga won in a time of 1:35.57. Meanwhile, the women’s first entry, featuring Schofield, Quon, Cossey, and freshman Lauren Swistak won with a time of 1:49.08.

It was a notable finish for SFU’s home schedule, and another highlight on a strong season. Though the team will finish the season at Margaret and Paul Savage Aquatic Centre, there are still a number of events left to prepare for — not the least of which being the NCAA Championships in March.

Freak Out! Five bizarre cases of mass hysteria

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WEB-last word

The brain is an incredibly powerful machine. It has been proven time after time that our minds can convince us of all manner of things. Throughout our history, there have been many confirmed cases of completely incomprehensible and unexplainable outbursts shared by a large group. We classify these cases as mass hysteria: widespread fear, anxiety, irrational behaviour or unexplained illness shared by a group or subculture of people.

Some are simply coincidental oddities — others seem to confirm that truth is, indeed, stranger than fiction. Here are a few of the most notable cases.

The Dancing Plague of 1518

In 1518, a case of dancing mania took place in what was then the Holy Roman Empire, and is now Strasbourg, Austria. It all started when one woman began to dance wildly in the streets; she continued doing so for four to six days without stopping. Within the following week, over 30 joined in, and in under a month there were 400 dancers in the streets of Strasbourg. The local law enforcement even set up a temporary stage in the town centre.

No one knows why they danced, and why they would not stop. Local doctors ruled out any supernatural causes, and decided to blame it on the “hot blood” of the victims. They encouraged the dancers to simply continue, with the belief the plague would end on its own. They were right — most of the dancers collapsed due to fatigue, and some actually died from heart attacks and dehydration.

Gives a whole new meaning to dance ‘til you drop, doesn’t it?

The Meowing Nuns

Ever since the Middle Ages, many religious communities in Western Europe held the belief that animals were capable of possessing human beings. After the incident involving the French meowing nuns, you might believe it, too.

One day in 1844, in a large covenant in central France, a nun began to meow. It wasn’t long before the nuns around her joined in, until every single one of them began to mimic the noises of cats, screeching and purring in unison. Every day thereafter, the entire convent would meow in unison for hours at specific times. Eventually folks from the neighbouring houses began to complain, and soldiers were called in to intervene — they threatened to whip the nuns unless they stopped meowing.

Though the nuns stopped cooing in unison, occasional outbursts of animal noises and behaviours continued throughout the region for many years. No one knows why.

The Tanganyika Laughter Epidemic

Another case of mass hysteria occurred in 1962 in a small village of Tanzania, known as Tanganyika at the time. Beginning at an all girls’ boarding school, three young girls began to chuckle to themselves. Chuckling turned into laughter, and laughter turned into a full scale guffaw. Suddenly, their laughter spread like contagion, and 95 out of about 150 students began laughing uncontrollably.

With the students unable to do their schoolwork due to their incessant laughter, the school closed down, and the girls returned to their village. Upon returning home, the laughing epidemic spread; over 200 people in their village began to experience the same bizarre symptoms as the girls. Soon, it spread to the surrounding villages.

Overall, it is estimated that a thousand people were affected to some degree, with symptoms that stemmed from the high levels of laughter such as fainting, pain, crying attacks, random screaming, and respiratory problems. The crazy phenomenon took about six months to abate, and 18 full months to die down completely.

The War of the Worlds 

A great example of panic before logic can be found in the 1938 Halloween radio broadcast of H. G. Wells’ science fiction novel, War of the Worlds, performed by a pre-Citizen Kane Orson Welles. Though the radio play began with a disclaimer, most tuned in halfway through the program — and got more than they bargained for.

The radio play was so realistically portrayed, with no commercial breaks for the hour and formatted as a stream of news bulletins, that 1.7 of their six million listeners actually believed that the world would soon be at war with the Martians. Accurate depictions of real life places led to people imagining that they could actually see the destruction occurring in the distance, and some saying they could smell poison gas in the air.

Historians say that the mass hysteria experienced may have been a result of the vast technological changes of the era. After all, with the advent of the radio and the automobile, who’s to say that Martians can’t land on Earth?

Strawberries with Sugar

Thought you hated soap operas before? Think again. In 2006, a popular Portuguese drama for teenage girls, Morangos com Açúcar (Strawberries with Sugar), aired an episode in which a life-threatening virus affected the fictional TV show’s school. After the episode was broadcast, teenage girls across the country began to experience the same symptoms as seen on their favourite show. Soon boys and schoolteachers began to report similar symptoms.

These included difficulty breathing, dizziness, and rashes. Across the country, over 300 students at 14 schools were reportedly “ill.” When these symptoms were all found to be false, the incident was classified and dismissed as epidemic hysteria. Eventually the symptoms all but disappeared, along with most of the girls’ TV privileges.

Minds of the Moment #4

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Image credit: Kenneth Uzodinma.

Board Shorts

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board shorts

Spring Advocacy budget increased

As recommended by Financial and Administrative Services Committee (FASC), board voted to approve a $7000 increase to the budget for Advocacy, a committee that addresses “issues of concern to students,” for Spring 2014 campaigns and events.

Brandon Chapman, business representative, raised concerns as to what the funds would be used for, speaking in particular to the previously launched Tap SFU campaign and a proposed three-day trip to Victoria.

Chardaye Bueckert, external relations officer and Advocacy committee member, outlined that the funds would be used for tax clinics, a trip to Victoria in February for members to “engage in interactive dialogue with elected officials,” four outreach days where Advocacy would offer free food to students, and production of live videos of Advocacy workshops.

Bueckert explained that Advocacy decided to suspend the Tap SFU campaign because it had diverged from what the committee had originally approved.

Build SFU appoints representative for engineer selection

It was brought up at board last Monday that, as Build SFU moves into the design and development phase of the SUB project, there is a need for representatives from SFU Facilities Services to work alongside the Build SFU general manager in selecting mechanical, structural, and electrical engineers for the project.

It was recommended at the building committee meeting in Dec. that a student board member serve as a representative on the committee. Brandon Chapman, business representative and Build SFU committee member, was appointed upon recommendation by Marc Fontaine, Build SFU general manager.

Concern was raised by at-large representative Clay Gray as to whether or not the committee would be better served by a board member who is an engineering student, indicating Moe Kopahi or Raham SaberiNiaki. SaberiNiaki responded, “In terms of the education that we get here from the engineering department being relevant to the project, [it is] not at all.”

Men’s hockey moves into first place

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The Simon Fraser University men’s hockey team captured sole position of first place in the BCIHL with wins over the Trinity Western Spartans and bitter rivals Selkirk Saints.

Each victory, especially the nail biter against Selkirk, gave SFU the inside track on home-ice advantage throughout the playoffs as the season begins to head down the final stretch.

Before the marquee matchup against the Saints, SFU had a tough matchup with TWU.  After their hot start to the season, TWU has hit a bit of a rough patch, seeing their lead atop of the league vanish into a fourth place seed.  Simon Fraser did not take their opponent lightly as they staved off a furious Spartan rally to win 5–2.

Simon Fraser got off to a perfect start, as 35 seconds into the contest Trent Murdoch gave the visiting Clan a 1–0 lead on a wraparound attempt.  The Clan continued to pepper TWU goaltender Silas Matthys’ net for 12 shots in the first, but were unable to add another goal.

The Clan’s furious offensive pace and control of the puck paid off with two second period goals from Jared Eng and Aaron Enns, giving the Clan a commanding 3–0 lead.

SFU was heading towards a decisive victory when TWU’s Jamey Kreller and Brett Wur both scored just 3:17 into the third period. However, SFU didn’t panic and elevated their play, potting two more insurance goals late in the frame in order to set up a game for first place with Selkirk on Saturday evening.

Continuous back and forth action was the theme of the game against Selkirk, as the BCIHL’s top two teams displayed all kinds of skill.  The period was not SFU’s most cohesive effort, as sloppy play in their defensive zone led to Stefan Gonzales and Logan Proulx finding the back of the net giving the visiting Saints a 2–0 lead.

Head coach Mark Coletta finally woke his team up in the first intermission as from the second period on, SFU controlled the play. Nick Sandor finally put his team on the board, finishing a two-on-one rush with Jono Ceci. Defenceman Eng then joined a rush, was given a partial break, and finished the play with a smooth forehand-to-backhand goal, tying the affair at two.

SFU eventually took a 3–2 lead late in the third after Sandor found Trevor Milner all alone in front. Despite being outplayed in the final two periods, the Saints showed their championship mettle as Proulx roofed his second of the night, with only 2:06 left, to tie the game and send it to overtime.

Although playing much of the extra frame in the opposition’s own end, SFU could not beat Saints’ netminder Chris Hurry, which meant the game would be decided by a shootout. Milner scored the winning tally in the shootout and Clan goaltender Andrew Parent only surrendered one goal to give the home side the victory and, for the time being, top spot in the BCIHL.

SFU hits the road for three straight away games which will test their spot at the top of the standings, a test the Burnaby side should be well prepared for.

Questionable Information: The Beatles

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Beatles manager, Brian Epstein, originally suggested that the band get “broom-top” haircuts.

Woohoo, boohoo

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Web-ants-Dan Pearce-Flickr

Woohoo: ant bravery

For a species that populates more than a quarter of a region’s animal biomass, it’s surprising how often ants are overlooked by human beings. It’s even more surprising when you realise just how badass these tiny creatures are, especially when it comes to defending what is theirs.

Take the Southeast Asian species of the Camponotus ant, for example. These ants are so committed to protecting their colonies that they would rather explode in the face of the enemy than be conquered. That’s right, these ants are living grenades who, when confronted by enemies, are able to contract their abdominal muscles and explode at will.

This is not the only instance of kamikazee-like behaviour: sterile workers, in turn, flood enemy colony entrances and drop bits of gravel into the hole. Although the structure is bound to collapse, these ants trade their lives for those of their enemies — an adaptation for which Darwin would award them medals of bravery.

Boohoo: ant slavery

While you can argue that ants are the bees knees when it comes to battle, some species of ants tend to use this strength for evil rather than good. A prime example is the Polyergus, or Amazon ant, whose one adapted function is simple: the destruction of enemy ant colonies and capture of ant slaves.

These ants idle about all day, burnishing their armour and commanding their slave ants around until it’s finally time to conduct a raid. At this point, the ants charge out of their hill, wielding their sabre-like mandibles, slaughtering enemy ants and seizing the cocooned ant babies.

Captured babies are returned to the nest where they are raised by the adult ant slaves. The worst part? These ant babies will never know the difference; ignorant and alone, this slave life will be their existence. No matter how successful or impressive, baby-stealing ant juggernauts are definitely not brave warriors in my book.

West Side Story goes west

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westside

Jarrad Biron Green is living a childhood dream. West Side Story has been his favourite musical since he was in the fifth grade, and now he is playing the lead role of Tony in the show’s North American tour.

“It was insane to get the call for this; I have to pinch myself sometimes,” he said. “Sometimes I get caught up in the moment and then I stop and think: I’m actually on the West Side Story tour.”

This is Green’s first professional job, but he is more than qualified for the part. He first played the role of Tony in a high school production, and then again as a student at NYU in one of the largest productions the school had seen.

The North American tour is a recreation of the Broadway revival version of the show, with some modifications: there is more Spanish used in the words and lyrics, as well as a bolder, contemporary representation of violence and sexuality. Green thinks that the addition of more Spanish works well and equalizes the playing field for the gangs: “It’s had mixed results, but I think it’s more believable.”

The cast of this production is also young, especially in comparison to the film version, which Green said gives people the wrong idea about how old the characters are supposed to be. “The cast we have is more suitable, and we can connect with the audience better,” he said.

“The show asks, ‘how can love survive in a world of bigotry, violence, and hate?’ That message stays with you.”

Jarrad Biron Green

Relating to Tony comes easily to Green. “Tony is very similar to me at this stage of my life. He’s 18 or 19, and I’m 21, so we’re close in age. He wants to become more mature and leaves the gangs behind, gets a job, and finds his purpose in Maria. I’m kind of going through that since this is my first big professional job, figuring out the purpose of my life.”

Performing in Vancouver and other Canadian cities on this tour marks another first: “I’ve been to Canada once when I was young with my parents, but I couldn’t even tell you where it was.” He’s looking forward to visiting Vancouver. “I’m a big fan of the hockey community,” he said.

West Side Story has thrilled audiences since its debut in 1957, which Green thinks is because of the conflict between the Jets and the Sharks and the fact that it’s based on Shakespeare’s classic story, Romeo and Juliet. “The show asks, ‘how can love survive in a world of bigotry, violence, and hate?’ That message stays with you,” said Green. “At the end of the show there is a little bit of hope that there can be some change,” which is why, Green says, audiences find this show so powerful.

Although the show deals with themes from Romeo and Juliet, Green explained that “the music and dance adds so much more to the piece.” Of Jerome Robbins’ choreography, Green says “[It] is still pleasant to watch, but there is something more feeding the moves.”

Apart from enjoying performing a coveted role in a world-renowned musical, Green is having fun experiencing so many new cities on this tour and said that he usually has time during the day to explore. He’s soaking it all in, enjoying every minute of his first professional tour, and says, “It’s been a blast so far.”

West Side Story is presented by Broadway Across Canada Feb 4–9 at the Queen Elizabeth Theatre. For more information visit vancouver.broadway.com.