Home Blog Page 1001

Laugh Track: Dino Archie

0
Illustration by Serena Chan

“It’s nice to meet you, man,” Dino Archie smiles at me from across the table, then pauses before asking a follow-up, “I haven’t met you before, right?”

Archie and I are seated in the back patio of a Cambie Street bistro, the meeting place he suggested. Archie likes the restaurant, if only because it’s nearby his house and usually pretty empty, as he explains. We both skip the menu anyways; Archie orders an Americano and I order a pint of 1664 Blanc.

He’s right in that we’ve never met before (though I’ve been lucky enough to see a few of his live performances). His question seems like a valid one, considering a large part of breaking into comedy is a never-ending game of handshakes and getting to know the right people and promoters. But Archie’s introductory double-take stands out to me for a different reason: his potent combination of humour and a laid-back attitude make Archie such a relaxing person to be around, our interview runs nearly twice as long as most of the Laugh Track ones I’ve conducted so far. It’s a demeanour that inevitably translates nicely into Archie’s live performance as a comedian.

They say you can’t be in two places at once, but Archie proves to be a defier of physics: while born in Fresno, California, he has spent the last four years split between Vancouver and Los Angeles, simultaneously carving a niche for himself in both cities and both comedy scenes. As for local accolades, Archie’s been featured on Vancouverite Graham Clark’s popular podcast Stop Podcasting Yourself,  done sets at home-grown favourites like Talent Time and Kings Head Comedy, and even took over for a night of The Sunday Service while the rest of the troupe was away in New York this past June.

Wherever there’s comedy in Vancouver, there are traces of Archie.

But few local institutions are as intertwined with Archie as downtown’s The Comedy Mix, where Archie used to produce a monthly show called Simply Dope Comedy and even filmed five different shows for his debut comedy album, Choosy Lover. Recorded over three nights at the stand-up club, Archie recalls the experience as a mixed bag. Highlights included a packed show on Halloween night and having someone leaving the bathroom while dressed as Captain America asking Archie to “zip him up”; lowlights involved a show where Archie accidentally burned through his entire set’s worth of jokes in his first 10 minutes.

And while Archie’s content with the final product of Choosy Lover (which was released online this past February), he admits that some of the jokes don’t match up with the comedy he’s performing nearly a year after Choosy Lover was recorded. Archie doesn’t get as “turnt” as he used to, but that doesn’t mean his comedy’s suffered because of it. It just means he’s less likely now to make jokes about being someone’s prison girlfriend than he might have been back in 2014.

Regardless, his relentless performing and craft-honing seem to be paying off; the week of our interview in particular seems to be a busy one for him. In addition to headlining three consecutive nights at The Comedy Mix (July 16–18), Archie is sharing a time slot with fellow Vancouver comedians Ivan Decker and Levi McCachen at this year’s Pemberton Music Festival. Because of the time delay between The Peak’s editorial cutoff and when the article comes out, I ask Archie to brazenly predict the future and name for me three things that will happen during his time at Pemberton:

“Festivals are weird, so I’ll probably say something extreme just to see if the audience is paying attention, maybe drop an n-word or the r-word,” Archie anticipates the limited attention of a crowd who’s spent the last several days taking in way too much sun, among other things. “I’ll also run into Missy Elliot and get to hang out with Kendrick Lamar. Probably.”

So whether it’s bouncing back and forth across the 49th parallel or prophesying an encounter with Missy “Misdemeanor” Elliott, Dino Archie’s a welcome comedic presence to any scene he comes upon.

To stay up to date on all things Dino Archie, check out his website www.dinoarchie.com. His debut live album, Choosy Lover, is also available on iTunes and Soundcloud.

HUMOUR: Ash’s Squirtle called out of retirement to help battle BC wildfires

0
Photo illustration by Phoebe Lim

With over 200 wildfires (as of print time) currently blazing across British Columbia, the provincial government has called Ash Ketchum’s Squirtle out of retirement to help combat the growing numbers.

A once prominent member of the Pokémon trainer’s roster, Ash’s Squirtle was last used in a trainer battle over 14 years ago. The Squirtle will first be deployed to Puntzi Lake, and then to near Bobtail Mountain Provincial Park, where two of the largest fires in the province are currently raging.

“In 2015, we’ve already doubled the number of forest fires we had in all of 2014,” Forests Minister Steve Thomson said in an announcement this week. “Ash’s Squirtle isn’t a last resort, but we are certainly exploring all of our options in order to get these fires under control. “

Squirtles are small water-type Pokémon that closely resemble turtles, but are substantively larger in size. In particular, Ash’s Squirtle was used to help control the devastating Garnet fire in 1994 and the Salmon Arm fire in 1998 — after which Ash’s Squirtle grew to level 13 and learned the special move Bubble.

News of Ash’s Squirtle returning to the fold brought nostalgia-induced praised from BC Wildfire Management spokesperson Kendrick Mackenzie, suggesting that it might be the return to form that BC needs: “Nothing against the province’s new methods of fighting forest fires. I’m sure they’re perfectly adequate, but you just can’t compare them with the original 150 methods.”

Since the beginning of April, the provincial government has spent about $108-million on controlling and extinguishing the fires ripping across the province. According to statistics from the BC Wildfire Service, lightning is still the number one cause of forest fires, while people-caused fires hovered around the 44 per cent mark last year. The third starter of fires in BC, trailing by a large margin, is from wild Charizards carelessly wagging their flame-tipped tails around in dry forested areas while hot-headedly ignoring their trainer’s commands.

BC Wildfire Service is reminding residents to never leave fire Pokémon unattended and to always make sure to keep at least one water Pokémon in your party, partly for safety reasons but also because that’s what any half-decent trainer should already be doing.

When asked how he felt about leaving retirement to help deal with BC’s forest fires, Ash’s Squirtle was humble yet proud, saying that he was more than happy to be helping the province and that, “Squirtle, Squirtle! Squirtle!”

This week in comics

0


GOOD AGORA
The Adventures of Agoraphobia Man: World Defender (by Jacey Gibb)

seagullsquare (3)
Seagull Square (by Jill Mandrake)

Serena Chan
Election season comes early for Canadians (by Serena Chan)

Screen Shot 2015-07-17 at 8.44.53 PM
C
reator’s Pet (by Destiny Hsu)

 

 

 

Ten statements that demonstrate how confusing it is to live in the year 2015

0
Photo courtesy of Dave Cournoyer (Flickr)

“Boy, I sure wish it would rain in Vancouver.”

“I wonder what will happen in the new season of Twin Peaks.”

“Have you listened to Hilary Duff’s new album? It’s pretty good.”

“If only BC was like Alberta and had a majority NDP government.”

“My favourite show on television is probably that prequel to Silence of the Lambs.”

“Did you see Donald Trump’s presidential campaign announcement?”

“I just couldn’t get into this season of True Detective.”                        

“You’re right. Pluto has been in the news a lot lately.”

“Do you want to go see that Ant-Man movie this weekend?”

“I love Mike Tyson’s new show. It’s so quirky!”

Being kind alleviates social anxiety

0
Even the simple act of holding the door for a stranger can have positive effects. - Momo Lin

According to psychology research out of SFU and UBC, random acts of kindness can be used to alleviate some of the symptoms of social anxiety.

Jennifer Trew, a postdoctoral research fellow at SFU who conducted the study, sees social anxiety as “the fear of social situations where you may be judged or negatively evaluated by other people.”

She elaborated, “This can include social interactions, and can also include performance situations, like giving a presentation or speech in front of people. This can lead to a lot of anxiety for some people, as well as avoidance of these types of situations.”

The study measured the effect of performing random acts of kindness on people with social anxiety. Some of the participants engaged in the acts of kindness, some were engaged in social interactions that they would usually avoid, and then third control group were participants who wrote down what was going on during their day.

Participants were not limited to any specific act of kindness. However, they were given a list of examples they could use, and many different kinds of acts ended with the same positive result. These ranged from something as simple as opening a door for a stranger to interacting with someone online or in person. Trew asked them to “go do things that would help other people out or make other people happy,” and let them interpret that however they chose.

In the end, though the results were as she expected, Trew found them impressive. What the study found was that the participants who performed the acts of kindness reported less avoidance of social situations in relation to the other groups.

Being kind helped them stave off negative expectations associated with those situations. They weren’t as focused on avoiding things that might make people look at them negatively, meaning they had decreased levels of social anxiety.

Trew concluded, “It helps to reduce their levels of social anxiety and, in turn, makes them less likely to want to avoid social situations and negative social outcomes such as embarrassment.”

Fall Kickoff concert changed into a day-long event

0
(Erik Sagmoen / The Peak)

The third annual Fall Kickoff concert will be taking on a new spin this year.

Put on by the Simon Fraser Student Society (SFSS), the event will be a part of the 50th anniversary celebrations, with a day-long festival experience on Friday, September 25.

The budget for the Fall Kickoff was recently revised to a smaller scale. SFSS business representative and Fall Kickoff director of finance Hangue Kim explained, “What we’re basically [doing] is under-promising, but over-delivering.”

Kim also added that they are only anticipating 1,300 to 1,500 students to attend this concert, whereas the expected number of attendees for previous Fall Kickoffs was between 1,800 to 2,200. This was done with the understanding that the previous Fall concerts garnered around 1,650 and 1,800 attendees.

The current revenue expected for the Fall Kickoff is $60,250, with $58,000 in expenses, anticipating a $2,250 gain.

The SFSS has budgeted $25,000 in sponsorship, of which at least $10,000 has been committed by SFU’s 50th anniversary project.

The final expenses for the Spring Jam 2015 totaled $80,295, and with a revenue of only $23,564, the SFSS incurred a loss of $56,731. In their projections for the event, they only expected a deficit of $12,000.

infographic

The Spring Jam was likely less successful due to competing events on the same night. “What we’ve learned, especially from this past Spring [Jam] was that [. . .] the timing of it has to be very specific,” explained Sharma.

Concerts in the past have typically run from 5:00 to 10:00 p.m. By starting earlier, organizers hope to create a “community experience,” engaging a wider audience and variety of students.

“One of our biggest priorities come September is going to be student engagement,” said VP Student Life and Fall Kickoff project lead, Deepak Sharma. The SFSS plans to use the event as a means to inform students of the various services they offer.

During the day, there will be various activities in effort to create a festival vibe in Convocation Mall, and in the evening it will transition into a music event. The performing artists are currently being determined, and will be announced during the Week of Welcome.

The SFSS identified two main focuses for this concert: celebration and retention. The celebrate aspect encompasses celebrating the 50th anniversary, while fostering a festive atmosphere to engage the community.

The goal of retention refers to acknowledging and retaining the support of the volunteers. “We have about 110 to 120 volunteers working and volunteering for the event,” said Sharma, “and what we want to ensure is that these students are always [appreciated].”

The collaboration with SFU’s 50th anniversary project will include communication and advertising of the Fall Kickoff alongside the rest of the campaign.

They will also look into making involvement in the event a credited volunteer experience through SFU’s myInvolvement program.

Another change in this year’s concert planning is a shift towards outsourcing management positions, which were previously held by SFSS board members, to student volunteers in order to allow the board members and staff to focus on bigger priorities.

Kim explained, “We’re planning on making it more efficient and effective this year, and that’s what we’ve been working on internally as an organization.”

Frost/Nixon is a battle of wits

0
Photo courtesy of Matt Reznek/Bold Rezolution Studio.

Before adapting it to film in 2008, Peter Morgan wrote Frost/Nixon as a play in 2006. It is based on the 1977 interviews between David Frost and Nixon that were broadcast on national television to the largest TV audience ever for a news interview. The interviews set a precedent for exposés in journalism and changed the face of politics with Nixon’s personal revelations and discussion of Watergate.

Ensemble Theatre Company presents Frost/Nixon this summer at Jericho Arts Centre, and Artistic Director Tariq Leslie said those who are familiar with the film will see “the same story, but very different performances.” Michael Robinson takes on the role of the besmirched former president, while Leslie sits across from him as Frost.

“You can create filmic scenes in the theatre,” said Leslie, explaining that they are going back to the roots of storytelling and that, in the theatre, “the story and performance has to be king.” Watching these interviews on stage as opposed to on film creates a different dynamic, and with the live audience, explained Leslie, “there’s more of a chance to be clever on stage.”

The production will give the feeling of being in a live studio audience, with seats on all four sides of the theatre and the farthest seat only about five feet from the actors. With the configuration of the stage and audience, Leslie said he views it as akin to a boxing match. “These interviews were to politics, in terms of journalism, what the Ali–Foreman rumble was to boxing,” he said.

The stage design does a good job of recreating the era of the 1970s, said Leslie, but he laughed, saying “It makes one feel old that a play set in an era when you were growing up is now a period piece.” But that was a very different era. As Leslie said, “TV hadn’t become as savvy; politicians weren’t as aware of the power of TV.”

The interviews didn’t go as planned for Nixon and his advisors, and many didn’t expect Frost to be a shrewd interviewer. “Frost was thought to be outperformed,” said Leslie, “but they were each using their own skill sets.” In that sense, the interviews are a battle of wits, and it is very interesting to see what resulted when guards were let down and the truth was set free.

The three plays that Ensemble is presenting this summer (’Tis Pity She’s a Whore and The Children’s Hour being the other two) have some connecting themes according to Leslie: truth, lies, and consequences. Frost/Nixon also deals heavily with abuses of power.

“The Canadian equivalent of Nixon is our Prime Minister,” said Leslie, explaining that “unless we move towards a utopian world, these themes will be relevant.” That being said, it’s hard to imagine Harper participating in a similar interview, especially given his unwillingness to even participate in the primary leader’s debate. When asked whether he thinks these kinds of lengthy interviews would happen in this day and age, Leslie said, “Could I see it happening? Yes. With [Harper]? No. I’d be shocked.”

Politics is one of those timeless themes that make a play relevant long after its era, and Frost/Nixon is a must-see classic for anyone interested in journalism or politics.

Frost/Nixon is presented by Ensemble Theatre Company from July 17 to August 7 at Jericho Arts Centre. For more information, visit ensembletheatrecompany.ca.

Out On Screen presents diverse cinema at the Vancouver Queer Film Festival

0
Photo courtesy of Hollywood Reporter.

With the mandate of “illuminating queer lives through film,” Out on Screen’s Vancouver Queer Film Festival plans to celebrate its 27th year of building inclusive space in the city. From August 13 to 23, thousands will gather in Vancouver to experience the power of film and community at the largest queer arts event in western Canada and the second-largest film festival in Vancouver.

Showcasing an array of performances, workshops, panels, and parties, the 11-day festival will feature over 80 films from 20 countries, with themes ranging from transgender trailblazers to spectacular queer con artists. The festival will take place at various theatres, including the Vancouver Playhouse, Cineplex Odeon International Village, and SFU Woodward’s.

Since its inception in 1988, the festival has been a key player in the expansion of inclusive community in Vancouver. Not only were they the first to adopt the inclusive term ‘queer,’ but they have constantly paved the way in the arts community through their approach to film and social change.

Shana Myara, Director of Festival Programming, noted that over time, change is inflected in the stories, and that the festival producers “are always trying to be mindful of whose stories are still not being told.” She also noted that much of the power of the festival is the act of bringing people into common spaces that might not exist otherwise. As she stressed, “it sounds really simple, but that’s community development.”

When asked about the power of film as a medium for social development, Myara said, “film is unique, enticing, and spiritual. It’s got a magic unto itself to transform the viewer.”

The festival can be described as respective and inclusive, but also like a giant house party with a heavy dose of energy and fun. This year, the festival draws upon unique inspiration from Peter Greenaway’s latest film, Eisenstein in Guanajuato, and its theme of personal revolutions.

In our current society, we approach the world as consumers. However, art can unite us in ways that open our minds to questions that challenge the status quo. “Bringing people together through art is community development, but it is also transformative, especially in big cities,” explained Myara.

In addition to hosting an 11-day event every August, the Vancouver Queer Film Festival community knows that its real value is acting as a catalyst for something greater. As Myara stressed, “We don’t pretend to have all the answers — that is where many of our community members take over. What we do know is that we are here to illuminate. What we want is for our work to transcend our immediate communities and bring us together into action.”

Comic Connoisseur: Copperhead is the best sci-fi Western in stands

0
Photo courtesy of Image Comics.

Since the resurgence of the superhero genre, Westerns have taken a back seat in the medium of comics. Audiences are more likely to see capes and colorful spandex uniforms then they are to see six-shooters and cowboy hats these days. However, with the debut of Image’s new science fiction Western Copperhead, we might yet see the brand ride back to its former glory.

Copperhead follows the story of Sheriff Bronson, a single mother starting a new assignment in the mining town of a distant planetoid. Before she can even settle in, Bronson is tasked with quelling a bloody family feud with hillbilly aliens. Assisting on her assignment is an oversized alien deputy who harbours a petty grudge against his new boss. On top of this, Sheriff Bronson has to contend with a scummy mining tycoon and the presence of “arties,” a resentful and dangerous race of artificial humans. Matters only escalate further from there when the Sheriff’s son, Zeke, goes missing into the badlands outlying the town of Copperhead

Clara Bronson is a strong character who audiences can root for. She is a compassionate maternal figure with no tolerance for crime or corruption. For better or worse, Bronson does not back away from any fight — which, more often than not, leads to exciting situations for the character.

In a time when the cry for strong female leads is prominent, Copperhead is a strong name in this genre. But, those concerned that the character is a byproduct of marketing tactics can rest easier knowing that Sheriff Clara Bronson is the real deal. In the pantheon of strong female leads, this sheriff stands toe-to-toe with The Terminator’s Sarah Connor and Alien’s Ripley.

Jay Faerber concocts an enthralling serialized story, which is as entertaining as it is intriguing to see unfold. Copperhead is well-stocked with a rich and diverse cast of characters, each of whom harbours secrets and truths that are provocative to ponder. Faerber makes all his characters, major or minor, interesting enough to invest in each of their personal stories. In almost every capacity, Copperhead leaves audiences wanting to know more.

Another great component of this science fiction Western is its limited use of dialogue; the story is a smooth read from start to finish. Where some stories are clamoured with unnecessary exposition, Copperhead succeeds in its succinct and polished narrative. Likewise, the story never leaves one confused. It strikes the right balance between art and dialogue.

Scott Godlewski brings to life the world of Copperhead with his bright and colorful panels. The art is always dynamic and jumping out at readers; in a comic already gracing readers with a fun plot and interesting characters, Godlewski’s action-packed artwork is the cherry on top of an already delectable experience.

Not since Joss Whedon’s Firefly was tragically cancelled have audiences been graced with such an enjoyable and widely accessible science fiction Western. This graphic novel has ridden into town and served notice to the whole superhero genre.

There is a new sheriff in town and it’s called Copperhead, pilgrim.

A foodie’s paradise at the Vancouver Food Cart Festival

0
Photo courtesy of Arrival Agency.

Vancouver’s Food Cart Festival blasts groovy, retro tunes and really brings the beach to you. With False Creek only a stone’s throw away, there’s a manmade beach where you can kick back, relax, and enjoy one of the many delicious items from one of the dozens of food trucks parked at Olympic Village.

There are so many enticing smells it’s hard to choose between famous meals like Tacofino, Mogu Japanese Street Eats, or Mom’s Grilled Cheese. With over twenty local food trucks each week to choose from, you’d better come hungry. This is Vancouver’s largest celebration of street food offering everything from Indian to Thai to French cuisine, and it is guaranteed to leave you satisfied.

Every year Arrival Agency, Streetfood Vancouver, and Vancity put on this amazing event. Last year over 5,000 people attended, and a similar crowd is expected this year. On top of the festival featuring food trucks that are members of Streetfood Vancouver, a non-profit association that showcases the best food trucks in our city, it also boasts plenty of other great activities.

Have some fun in a ping pong tournament or just play a casual game, hosted by Ping Pong Club’s Michael Unger. If you have to bring a younger sibling along, or are taking the whole family out, there is a kids’ recreation zone put on by Bricks 4 Kidz. The latest feature in entertainment this year is the licensed live-music patio with a 400-person capacity. Enjoy local talent alongside BC’s best craft beer and wine.   

With this crazy summer heat, anything that can cool you down is bound to be popular and yield a decent sized line. Whether you’re in the mood for some freshly squeezed juice or a homemade freezie, they’ve got it.

At my recommendation, head over to Johnny Pop’s, who claim to have the best popsicle you’ve ever tasted (and I would have to agree). With flavours like Blueberry Mojito, Avocado Lime, and Blackberry Cheesecake it’s hard to choose; if you have the chance, though, try them all. It’s a perfect summer treat. 

For all those environmentally conscious people out there, not to worry; this is one of Vancity’s Zero Waste Events. Only compostable or recyclable packaging is used by the food trucks, and ambassadors from United We Can will be on standby to help direct people and assist in the efforts of maintaining a litter-free zone. Last year 93 per cent of the waste was diverted, and this year hopes to see the same level of environmental responsibility.

If you thought you missed this tasty event, fear not! It takes place every Sunday from June 28 until September 6, which gives you plenty of prime chow time. Come on over to 214 West 1st Avenue between 12:00 p.m. and 5:00 p.m. to grab lunch, dinner, or just a snack. Admission is $2.50, but is free for Vancity Members or for those who donate a nonperishable item to the Greater Vancouver Food Bank Society.

Try something new every week, and find your new favorite food truck to hunt down in Vancouver.