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BC can do better than Liquefied Natural Gas

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Photo courtesy of Pline (Wikimedia Commons)

Premier Christy Clark has summoned MLAs for a special summer session to pass through Bill-30, which will in effect approve a deal with Pacific Northwest LNG, a consortium led by Malaysian-owned firm Petronas, to extract and process Liquefied Natural Gas (LNG) in BC before shipping it to Asia.

The environmental repercussions of this project shouldn’t come as a shock to anyone. While LNG has been peddled as a less carbon-emitting alternative to Canada’s notoriously dirty oil sands, these projects are projected to account for 8.5 per cent of BC’s annual carbon emissions. The most galling part of this project, however, is not the environmental cost, but rather its vastly unequal trade-off between environmental damage and economic rewards.

One need only glance at the fine print of Bill-30 to see that this is a terrible deal. The bill ensures a consistent profit margin for Petronas by demanding that all corporate or industry-specific taxes or regulations remain unchanged for the 25 year duration of the deal.

This means BC cannot raise its corporate income tax, its LNG income tax, introduce a carbon tax, or impose more stringent regulations on carbon emissions in the LNG industry without compensating Pacific Northwest LNG for the increase in costs. These compensation costs are estimated to possibly amount to $25 million or more every year.

The province may be swayed against introducing any environmental regulations for the next 25 years.

The consequences of this could be significant. The provincial legislature may be swayed against introducing any sort of environmental regulations in the next 25 years if it is liable to foot LNG’s bill.

This is also a matter of principle, as the carbon-intensive LNG industry should not be immune to the harm it inflicts on the environment. Ironically, if 10 years down the line BC starts to see the spectre of a global climate shift and wants to take drastic action to mitigate its own carbon emissions, the most carbon-intensive industry will be sheltered from accountability.

Furthermore, the province has made it easy for Pacific Northwest LNG to evade current emissions standards. It has introduced an incentive program whereby the province will pay emissions standards non-compliance fees if a company just misses its mark. That could mean taxpayers fork over 50 to 100 per cent of fees, should a company be unable to meet the already lax standards.

And what is all this regulatory lackadaisicalness for? The price of LNG has dropped in conjunction with oil prices (now $10 per unit) and it is unclear if they will ever pop back up to $16 per unit. One need only look at Alberta’s current economic woes to see the foolishness of putting your hopes in revenue based on shaky commodity prices.

Over 25 years, the province would only collect $6.5 billion in taxes and royalties, which accounts for $200 million each year. For perspective, the annual budget is $46 billion and the debt is $43 billion.

The biggest mistake the province is making with Bill-30 is sacrificing future emissions reductions. According to Kathryn Harrison, UBC Political Science Professor, the province’s interest in LNG “will make it virtually impossible for British Columbia to meet its greenhouse gas targets.”

That’s a cost younger generations must bear for decades to come.

Twitch is a revolution in hardcore gaming

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Photo courtesy of Videogames (Flickr)

Twitch is a video platform similar to YouTube. Acquired by Amazon and introduced in June 2011, it broadcasts users playing all sorts of video games. As of last December, Twitch had averaged more than a whopping 100 million viewers per month, and this July it was reported that at any given time there are 50,000 to 100,000 users watching the professionals play. 

Currently a hot topic, this gaming website just might be a revolution in competitive gaming.

Twitch allows individuals to stream the games they play, and provide commentary via voice or video recording. Like YouTube, Twitch has channels and millions of subscribers who devoted their time to watching the most popular videos and channels. Twitch also lists the amount of views each video has and the amount of subscribers per channel. Perhaps what is most astonishing about Twitch is that, similar to YouTube, you can get paid for making videos if you manage to round up enough viewers.

Video games have generally been bereft of an easy, widespread platform for real-time broadcasting. YouTube features millions of videos of individuals playing everything from Mario Tennis to Counter-Strike, but these are always previously recorded. With Twitch, one can view players interacting in real-time from basically anywhere in the world: a true revolution in gaming.

The site has also broadcasted massive video game tournaments and assemblies. And because of its popularity, the site has attracted many businesses and advertising agencies.

I believe that Twitch is the catalyst that will bring gaming on par with major league sports.

But what is most interesting is that gaming is now truly being taken to higher level, and I forecast that it won’t be long until professional gaming actually goes professional. While there have been many famous individuals who make lots of money being the best at certain games, I don’t think it is a stretch to say most of these people live in Asia.

All of the top StarCraft players are from South Korea, and the top League of Legends players from Taiwan, for instance. Professional gaming seems more accepted in Asia. While North America may lag behind in this sense, Twitch is the catalyst that will bring gaming on par with major league sports.

I can envision flipping on my TV on and, similar to ESPN running highlights of major league sports, I’ll see the Major Gaming League, broadcasting highlights from a Super Smash Bros. competition or a Mario Kart race.

Unfortunately, a stigma still surrounds those who take gaming seriously. Personally, I don’t think that one should be too judgmental, as it takes a considerable amount of time to develop the kind of mental acuity with some of the strategies used in games such as Call of Duty.

To reach the level that some of these gamers play at takes years of practice, and now that Twitch is publicizing the talent of these individuals, they can finally be recognized for their devotion, and hopefully be able to do what they love for a living.

Point / Counterpoint

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Photo Credit: Rachelle Tjahyana

I’m a night owl!

By Max Hill

Tonight is going to be different.

Tonight, I’m going to set my alarm for eight. I know, I know, it’s already two in the morning, but I read an article that said that people who sleep for less time every night live longer. Or maybe it was an episode of QI. It sounds like something Stephen Fry would say. Anyway, I don’t want to die at age 50 because I sleep eight hours every night. How depressing would that be?

That’s right: I’m going to wake up early and make coffee and read my copy of The New Yorker and tidy up the kitchen, like a real adult. Maybe I’ll even have time to make myself an omelette. When was the last time I actually made an omelette on a weekday? Seriously, those mushrooms are going to go bad unless I eat them soon. And I can see that bell pepper shrivelling up every time I open the fridge. I can start the day right and be in the office by nine.

Damn it, how is it already three? All I did was check out that one Wikipedia article about the Great Emu War.

Okay, okay — maybe eight is a little unrealistic. It’s already 2:15. And I’ve still got to work on that paper proposal for tomorrow. Plus, I really wanted to transcribe that interview for my hitchhiking article. Not to mention I still have three or four pieces to approve, and I should probably read that Adorno essay and make some notes because I know by the time I hit the wall tomorrow afternoon I’m not going to want to do anything except crawl under the covers and sneak in a power nap before vacuuming the place and making dinner.

Nine. Nine I can do. I’ll take a quick shower and grab a banana and be out the door. I can make it up the mountain in time to get some work done before my office hour. I’ve got emails to respond to and I should probably get in touch with my group members before they start to think I’m blowing them off. I’ll just finish this one last Mental Floss article and then I’ll brush my teeth and get a cool seven hours.

Damn it, how is it already three? All I did was check out that one Wikipedia article about the Great Emu War. Well, and then the one about the history of Australia. And then there was that list of maps with the one that shows how only two per cent of Australians live in the middle part of Australia, and then the last half hour I’ve spent looking up a mod for Australia in Civilization V. . .

Blergh. Looks like it’s going to be another long night.


I’m an early bird!

By Joel MacKenzie

Tonight, I’m staying up late. Again.

Waking up at six or seven was a dream that I once dared to dream. I would walk into the rising sun, the morning smelling of blooming flowers, dew newly evaporating, heavy breath from sleeping houses, the unravelling of the string covering the day. Before there were assignments, dishes, rent, responsibility, etc., I could wake up early, and I could experience this.

Mornings are soft reverb on a hollow-body guitar. They’re an apple the hour it turned fully red. They’re a top held between two ready twisting fingers. They’re delicate and fleeting, meant to be enjoyed with careful tenacity.

When I stay up late, yeah, I could watch TV. I could spend more time on Netflix. I could watch Attack on Titan back to back to back, like that’ll make the next episodes come faster.

I could read, I could cook, I could do a number of activities that are a lot more comfortable in the light of day. Also, writing papers: more comfortable in the light of day; if I had any time in the light of day to do them.

Really, the problem here is all the unnatural light we’re looking at all the time. Apparently, and this makes sense if you think about it from a evolutionary standpoint, our eyes aren’t made for looking directly into light, so looking at light will make our entire generation blind within the next couple dozen years. Probably.

Mornings are feeling an aching body charging, bending, warming.

Can you die from looking at a screen for too many hours straight? I’m performing the experiment, if one hasn’t been done yet.

Can you die from the stress of writer’s block? It feels like I’m dying slowly, even when my writer’s block comes in the form of playing guitar, or chasing down important facts on YouTube or IMDb. With the deadline in the back of my mind, I can’t openly enjoy any of these. But. . . how many movies was Tom Waits in?

When I was young, early summer mornings were bike rides, walks to new a adventure, promises of a future of joy and passion; sometimes, they were not thinking of the future at all. Mornings were living, breathing; they were a natural rum in the belly, burning right above the belt.

Now, nights are deadlines and computer screens.

Mornings are the satisfaction of knowing you can do something difficult. Mornings are feeling, feeling an achy body charging, bending, warming. Mornings are breathing under a full tree in the rain in summer. Mornings are breathing  the green off the leaves.

University Briefs

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The Governing Council chambers at U of T - Photo courtesy of The Varsity

International students can govern at U of T

The first amendment to the University of Toronto Act in 37 years has made it so international students may now hold positions on the university’s Governing Council. This now allows students, faculty, and staff who are not Canadian citizens to run for seats and have a say in the way the university is run.

Many student groups are happy to see this development, as the act has been untouched since 1978.

With files from The Varsity

Retention rates are high at UBC

According to a report by David Farrar, UBC’s former VP Academic and Provost, the University of British Columbia boasts high retention rates across its faculties, from 72 to 100 per cent. What this means is that a high rate of first year, full-time students return for their second year and go on to complete their degrees.

Kate Ross, UBC associate VP of Enrolment and registrar, said, “The university is really putting a lot of focus in terms of how things are taught. It makes a difference in terms of how students perform.” She compared it to the national average across the United States, which is believed to be between 60 and 65 per cent.

With files from The Ubyssey

U of S students stifled by forest fires

Forest fires in Saskatchewan have affected University of Saskatchewan students, as the school’s Wellness Resources department reported that simply being outdoors posed a risk.

Toddi Steelman, executive director and professor of Environment and Sustainability said, “We are at the mercy of mother nature right now, so until the weather shifts, until we see some rain or until temperatures cool down a bit, we are not going to see a whole lot of relief from it.”

With files from The Sheaf

Satellite Signals

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WEB-woodwardWoodward’s

Supported by SFU Woodward’s for the fourth time, the Restaurant Rumble 2015 offers a wild night of boxing fun, where local service industry folks from around Vancouver drop their spatulas and pick up a pair of boxing gloves.

Aprons for Gloves is an organization that helps support East Van youth communities through this annual fundraiser. The event will be held at the Fei and Milton Wong Experimental Theatre, at the Goldcorp Centre for the Arts (149 W. Hastings St.) on Wednesday July 29 from 6 to 8 p.m. Limited tickets are available to see who will be declared the 2015 Rumble champ!

Surreysurrey

Why not try yoga for some Wednesday Wellness? Drop into SFU Surrey (Room 2740) for a free yoga class on July 29. No matter if you’re a newbie (try the class at noon) or a seasoned yogi (class at 12:55 p.m.), you can take a little zen time to get you through your week!

Teenage dreams and orphan adventures at Theatre Under the Stars

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Photo courtesy of Tim Matheson.

Hairspray

The sixties are brought to life in all their colourful, flamboyant glory in Hairspray. Peppy songs, bouncy dresses, and a feel-good story make this a classic musical everyone can enjoy.

When Tracy Turnblad (Erin E. Walker) auditions for the Corny Collins Show, Amber Von Tussle (Elyse Maloway) and her mother Velma, the show’s producer, put her down and tell her she’ll never be on TV due to her weight. She soon proves them wrong with her smooth dance moves, and becomes the hero of the show.

Tracy is also heroic because of her determination to make the Corny Collins show an integrated program. “I wish every day was negro day,” she declares. With the help of her friends and teenage heartthrob Link Larkin, she campaigns to have black dancers treated as equals on the show, much to the dismay of Velma.

This is a musical jam packed with catchy songs; I still have the infectious line, “stop, don’t, no, please!” from “Mama, I’m a Big Girl Now” stuck in my head, and this number was a highlight of the show. Tracy and her mom Edna, Tracy’s best friend Penny and her mom, and Amber and Velma stood in their own area of the stage, each pair having their own disagreement and singing their hearts out to plead with each other.

The dancing throughout was punchy and coordinated, with impressive partner work for the Corny Collins couples, as they burst forth from the stage in bright suits and dresses next to an even brighter set.

Not only is the show full of impressive dance moves of the era, but it also has some pretty darn impressive voices, including Motormouth Maybelle (Cecilly Day), the proprietor of Motor Mouth’s Record Shop. Her song, “I Know Where I’ve Been” would have blown the roof off Malkin Bowl if it had one.

Corny Collins (Chris D. King) and Velma Von Tussle (Lori Ashton Zondag) were very well-cast and portrayed their exaggerated, ignorant characters with zeal. Link Larkin (Dustin Freeland), Tracy’s love interest, was a character you were never sure if you loved or hated — one minute he was supporting Tracy, and the next he was about to run back to Amber. Edna (Andy Toth), Tracy’s mother was overbearing in an endearing way, and Toth played this cross dressing role with pizazz and plenty of class.

If you weren’t dancing in your seat yet, “Can’t Stop the Beat,” the lengthy, exuberant finale is sure to get you moving. With big hair, lots of heart, and loud colours galore, everything is exaggerated in this high energy musical, including the flouncy dresses, over the top songs, and of course Edna, Tracy’s large, lovable mother.

Oliver!

Photo courtesy of Tim Matheson.
Photo courtesy of Tim Matheson.

The iconic image of an orphan boy holding out his bowl and pleading, “please sir, I want some more,” is what comes to mind for many people when they hear mention of Oliver Twist. This musical has those iconic images of Oliver (Carly Ronning), Fagan (Stephen Aberle), and the Artful Dodger (Nathan Piasecki), along with rousing songs and plenty of British flair.

Before the show began, there was a prologue of a Village Fair, and this was done on the grounds in front of the stage surrounding the audience, allowing people to wander around as if at a real village fair. There were carnival games to play, snacks to buy, and jolly villagers passing by. This energy moved onto the stage for the opening scene in the workhouse.

Oliver is among the orphans at the workhouse eating gruel, while Mr. Bumble (Damon Calderwood) flirts with the Widow Corney (Kara McLachlan). The exaggerated gap between rich and poor is on display while Mr. Bumble stuffs his face with cakes, and Oliver is sold to an undertaker. He soon runs away from that frightening place and makes his way to London where the Artful Dodger picks him up and takes him to Fagin’s place.

Fagin takes Oliver under his wing and teaches him how to pick pockets, joining his band of thieves. There aren’t many memorable or overly catchy songs in this show, but “Pick a Pocket or Two” is one that might get your toes tapping. Granted, “Consider Yourself” may stick with the audience, too, but only because it is done as a singalong.

The set and costumes beautifully created scenes of a Chelsea Fair, a dingy pub, Fagin’s Lair, and the workhouse. With a large set piece on each side of the stage that moved on and off it, the set was flexible, and it was nice to see the musicians seated atop these structures.

While I didn’t enjoy this show as much as Hairspray, it did have some strong performances from Oliver, Fagin, and the Artful Dodger. Some of the other characters were bothersome, though, like a rose seller who sang “Who will buy my sweet red roses?” in between almost every scene. This repetitive refrain never really amounted to anything and seemed to serve little other purpose than setting a melancholy tone. Some performers’ Londoner accents fell flat or wavered at times, too, which was another downfall.

By far the most troublesome aspect of this musical is the storyline of Nancy (Elizabeth Marie West), Bill Sykes’ (Damon Calderwood) girlfriend. The character was terribly pathetic as she sang about staying true to Bill and never leaving him as long as he needed her. To make it worse, this follows right after he’s almost choked her friend to death and been abusive to her. Loving him is her tragic flaw, but it’s hard to feel sorry for her when he is so clearly deranged.

Hairspray and Oliver! are presented by Theatre Under the Stars on alternate nights from Jul 10 to Aug 22. For more information, visit tuts.ca.

Car crash at SFU sends five to hospital

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Photo courtesy of CBC News

Five men were taken to the hospital after a vehicular accident at Simon Fraser University’s Burnaby campus early on a Saturday morning.

“During the morning of Saturday, July 11, there was a motor vehicle crash at the roundabout located where University Drive East and University High Street intersect,” stated Katey Scott, the Communications Officer and central media contact for the SFU Safety & Risk Services.

According to CBC News, the driver of the Honda CR-V sped into the roundabout, but missed the turn and drove right into the center of it. Fortunately, all five men survived the crash. Officers at the site said that speed and alcohol were factors in the collision.

“BC Ambulance, BFD, RCMP and Campus Safety & Security Services (CSSS) staff responded to the crash,” Scott said. “Minor injuries were reported and all occupants of the vehicle were taken to hospital to be checked. The RCMP are further investigating the cause of the crash.”

The SFU Campus Safety and Security Services consider the public awareness of motor transportation safety to be a very important issue. In a statement on their website, the CSSS asserts that it is “dedicated to providing the best public safety and resource protection services to [the] University community.”

Scott confirmed that motor vehicle accidents on campus are a fairly common occurrence, despite various logical steps to prevent them. “There were 40 reported [motor vehicle accidents] in 2010, 56 in 2011, 69 in 2012, 51 in 2013, 55 in 2014 and 33 currently for this year.”

While these accidents “include occurrences, from minor fender benders to more serious crashes with persons being taken to hospital for treatment,” the statistics remain rather high for the CSSS.

“Campus Safety & Security Services want to remind motorists that the decisions drivers make while travelling on campus roads affect the safety of vehicle occupants and the public,” Scott stated.

She offered tips from the CSSS on how to stay safe while travelling in and around SFU. “Make good choices by following traffic signs posted along campus roadways. The speed limit within the campus core is 30 km/h.

“Be aware that the Burnaby RCMP actively enforce traffic violations on campus,” Scott continued. She hopes awareness of the increased attention from the RCMP will lead to a more concrete obedience for traffic rules, which in turn creates more careful driving.

“Watch for pedestrians and cyclists travelling along and across campus roads, and leave the phone and other handheld devices alone while operating a vehicle. These distractions cause crashes.

“Plan ahead,” Scott reminded potential partygoers. “Don’t drink and drive. Designate a sober driver to get to your destination safely.”

1D in Vancouver: even better than before

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Photo courtesy of TV Guide.

Friday July 17 proved to be a turning point for Vancouver Directioners as One Direction played their best and most energized Vancouver concert to date. It opened with a bang with “Clouds,” a song off their newest album Four, which left us with excitement nothing short of hysteria.

What truly set this concert apart from 1D’s previous visit in 2013 was the memorable fan interactions and genuine energy that the group brought to the stage. During the second half of the show, a young teen notified Harry Styles that she was celebrating her birthday with 1D that night. Harry, over the roar of screaming fans, mistakenly mistook her name for Jodie and after realizing her real name, nicknamed her “Chloe not Jodie.”

After some playful banter, Harry got over 54,500 people to sing this “Chloe not Jodie” a very “Happy Birthday.” It is moments like this which show that behind the marketing, the advertising, and the multi-million dollar paycheques lie four lads who genuinely love performing and are grateful for all the success that their fans have brought them.

As Niall Horan said before the group performed “Don’t Forget Where You Belong,” “This is absolutely amazing. When I was writing this one, I was thinking about you guys and what we’ve achieved and what you guys have done for us over the last five years. This one is for you!”

One Direction’s love towards their fans combined with their ability to never take things seriously (hence the never-ending dancing and rap battles during and between songs) have kept the group humble and sane in an abyss of fans and fame.

Memorable musical moments throughout the concert included performances like “Little Things” and “Best Song Ever.” Both of these used the massive space of BC Place to the utmost advantage. During “Little Things,” all the stadium lights were shut off except the spotlight on the four boys. This light with lights from the fans made the arena light up like the night sky. “Best Song Ever” closed the concert nicely by having a fan favourite fill the massive arena, allowing the fans and 1D to party it up one last time.

While it can be argued by some that missing Zayn Malik’s vocals was a huge blow to the group, his absence did not diminish 1D from delivering an entertaining, interactive performance without a dull moment. Really, they’ve proved that the one thing that keeps One Direction afloat and continuing to move in a singular direction is the full experience they deliver, including the quirky, playful personalities, the inside jokes, and the fan interaction during their shows.

If you are a fan of laughs, catchy tunes, and a good time, check out the One Direction performance the next time they come to town.

Peak Publications Society board meeting agenda

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Peak Publications Society Board of Directors Meeting Agenda

July 24, 2015

The Peak Offices

Chair: Max Hill

In attendance:

Editor-in-Chief, Max Hill

Collective Representative, Melissa Roach

Collective Representative, Tamara Connor

Employee Representative, Katherine Gillard

Maia Odegaard (Board Secretary, non-voting)

Guest, Adam Van der Zwan

Regrets

At-Large Representative, Natalie Serafini (proxy vote: Katherine Gillard)

 

  • Approval of Agenda

 

  • Approval of past minutes from June 18, 2015

 

  • Investment update
    Maia to report on the status of the Society’s investments.  See appendix A.

 

  • Financial update
    Maia Odegaard to summarize the Society’s finances through June 30, 2015. See appendix B.

 

  • Hiring board representation

 

The Board will elect one member to serve on the hiring panel for the fall editors and one alternate, to ensure there will be three individuals available during the hiring process.

 

  • 50th anniversary Peak reunion budget

 

Katherine and Maia will present a budget for the 50th anniversary reunion celebration to be approved by the board.

 

  • Request for access to The Peak material by SFU administration

 

Christine Lyons from the Faculty of Social Sciences and Ivana Filipovic from the Communication and Marketing Department have requested use of material from The Peak, including articles and images, for the school’s 50th anniversary celebrations. The board will decide whether to authorise their use of this material. See Appendix C.

 

  • Questions/concerns surrounding the current plans for the 50th anniversary Peak reunion

 

A member of the collective feels that the current collective should be included in the reunion. Upon the request of this member, I would like to open a discussion about inviting the collective. The board will decide whether the event should include collective members or not.

 

  • Clarification on multimedia pay policy

 

A contributor remains unsure how to properly invoice their hours spent assisting on a multimedia project. The board is to decide whether it can be logged on the same invoice as the print contribution invoice or if it constitutes a different multimedia contribution invoice. Furthermore, the board is to decide how much detailed information the contributor needs to include on an invoice.

  • Adjournment

 

——

 

Peak Publications Society Board of Directors Meeting Minutes

June 18, 2015

The Peak Offices

Chair: Max Hill

In attendance:

Editor-in-Chief, Max Hill

Collective Representative, Melissa Roach

At-Large Representative, Natalie Serafini

Employee Representative, Katherine Gillard

Maia Odegaard (Board Secretary, non-voting)

Guest, Brad McLeod

Guest, Austin Cozicar

 

  • Called to order: 4:57 p.m.

 

  • Approval of Agenda

 

Melissa/Natalie

 

  • Approval of past minutes from May 21, 2015

 

Natalie/Katherine

 

  • Investment update
    Maia reported that The Peak’s investments are up approximately $55 from April, and have been holding fairly steady through the first half of the year.

 

  • Financial update
    Maia presented the summer budget and fielded questions regarding various items, such as the purchase of business cards and replacement toner for the printer.

 

  • 50th anniversary  update

 

Maia and Katherine presented the current status of the plans for the 50th anniversary reunion. The date has been changed to Friday, August 14 to accommodate more out of town guests. The venue is still the Highland Pub. Katherine tasked to create a Facebook post reaching out to all former Peakies inviting them to get in touch with their current contact info so that they might be added to the invite list. Evite to be sent out instead of a Facebook event as we want formal RSVPs to ensure food and beverage numbers are accurate. Maia and Katherine to bring a detailed budget to the July board meeting.

 

  • Election of new collective representative

 

Leah Bjornson has now officially resigned from The Peak Board of Directors. Max will bring up the election of a new collective representative on The Peak’s week 8 collective meeting, to be elected at the week 10 meeting on Wednesday, July 8. Notice to be posted in the classifieds section of The Peak by Maia  and the Collective group Facebook page by Max Hill.

 

  • Multimedia pay policy

 

Whereas the current pay policy doesn’t specifically include contributions to multimedia content of any sort and,

Whereas some contributors spend a significant amount of time assisting the multimedia editor to produce online content.

Be it resolved to amend the “Contributor Pay Policy” document, to include an item 2. e) Filming, editing, and other contributions aiding in the production of multimedia content, excluding all acting or modeling, shall be determined to fall into one of the following categories by the Multimedia Editor, subject to review by the Editor-in-Chief:

  1. Small contributions such as a suggestion for a topic to be produced, or similar, shall not be paid;
  2. Brief contributions to a multimedia project, wherein the Multimedia Editor and/or the Multimedia Assistant is the primary producer or editor shall be paid $30;

iii. Large-scale contributions, wherein the Multimedia Editor and/or the Multimedia Assistant is not responsible for the majority of production shall be paid $50;

Natalie/Katherine

 

  • Adjournment: 5:19 p.m.

 

Approved by:  ______________________________________  &  _______________________________________ on May 21, 2015.

 

One orangutan, two orangutans, three orangutans, four

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It’s hard to get an accurate count of orangutans that are monkeying around. - Rachelle Tjahyana

SFU PhD candidate in the faculty of Resource and Environmental Management Brent Loken has co-authored a study which describes a new method for estimating orangutan density using camera traps.

According to census data gathered in 2003, there are about 45,000 to 65,000 of these apes remaining and are all found in either Borneo or Sumatra. The large margin between those figures is attributed to how difficult it is to count orangutans that are on the move, often monkeying around in the treetops.

To study the density of animal populations, researchers previously have relied on methods that convert nest counts to species densities. These methods require a substantial effort for reliable results, and researchers are especially challenged to study species which are endangered or in low densities.

Loken explained that obtaining more definite numbers will help with conservation efforts:

“It’s extremely difficult to protect an endangered species if we don’t know how many are there.”

Over the period of the study, which lasted for six months, 70 cameras captured a sample of 7,320 trap days, which resulted in a total of 658 photographs.

There were some repeats of the individuals or groups of orangutans due to the fact that three photos were captured per trigger. The photos were analyzed to determine whether the orangutans captured were the same individual apes they had seen before or different ones based on a number of different indicators such as body size, facial features, and secondary sexual characteristics.   

In addition to nest count surveys, data was collected using camera trapping and spatial capture-recapture (SCR) models, which, although imprecise, allow for a better estimate of orangutan encounters.

The results suggest that with methodological adjustments, camera trapping and SCR modelling could be successfully used to estimate the densities of orangutans and, potentially, other elusive primates.

Loken says that this is the first time this method has been used for orangutans and it has the potential to greatly improve our knowledge about the number of orangutans left in the wild.

“This is a big step forward in helping to better understand how many orangutans remain in the wild and where they live,” he said.