Omphile Molusi discusses his new political piece of theatre, Cadre

Inspired by Omphile Molusi’s uncle, who spent time in jail, Cadre is loosely based around two events of his uncle’s life as a soldier....

Woodward’s Watch: found object frescoes in the SCA office

Pulling Through, the current exhibition at the School for Contemporary Arts office at the Woodward’s campus, is a series of paintings on plaster by...

Shay Kuebler premieres Glory at the Chutzpah Festival

What does it mean to achieve glory? Shay Kuebler wrestles with this question in Glory, his new dance work premiering at this year’s Chutzpah!...

Vancouver International Mountain Film Festival provides inspiration through natural beauty

Are you finding yourself daydreaming about ditching the books and getting outside? Look no further for escape and inspiration than the 18th annual Vancouver...

Cinephilia: Jupiter Ascending doesn’t reach great heights

Two years ago, Cloud Atlas was released. Andy and Lana Wachowski made one of the best films of the decade. Now they have made...

Hot Tubbin’ in New Orleans

The gang from Hot Tub Time Machine return to the big screen on February 20. . . for the most part, anyway. Stars Rob...

The difference between hearing and listening at the Richmond Art Gallery

Painters today are faced with over 100 years’ worth of modernist experiments in painting on a flat canvas. For that reason, a select few...

Theatre and cinema blend in Cineastas

Like a mesmerizing foreign film, Cineastas is intriguing, profound, and captivating. Following four filmmakers in Buenos Aires, Argentina, the show was staged on two...

The Wilderness of Manitoba in constant flux

The Wilderness of Manitoba are not strangers to change. The only member remaining of the band’s original line up from 2009 — frontman Will...

The Tragically Hip have still got it

If Gord Downie had an extra spring in his step — some extra swagger in his leather pants — on February 6, that’s because...