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Amazing Grace N. Howl: Co-op D’État

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In the wake of a godawful and miserable loss to some nobody for SFSS president, I have decided that I, Grace N. Howl, will instead be setting my sights on something bigger. I have locked my hawk-eyes on something much more prestigious and rewarding than any silly presidential race. Why play imaginary president when you can take over the boss of your company and dominate your workplace, one measly co-worker at a time?

That’s right, nerds. Eat your heart out, because Grace N. Howl is coming to your workplace, destroying the competition, and coming out on top as queen of literally everything.

I’ve decided to take a break from school this semester and work with (hopefully) mature adults who won’t complain about microscopic things like endorsements, or who go around misplacing perfectly fine newspapers as a way to vent their anger. This is child’s play, and Grace has left the playpen.

Instead of flaunting myself around campus, I am currently on a co-op term with the City of Surrey. I work in this unit that focuses on Urban Planning and Community Development, but if you ask me, that sounds like a killer excuse to begin my eventual takeover of the city. It’s like fate that I’m here, working in a place that deals so closely with how to make the city a better place. I know that I will be just the person to do it.

I brought great ideas to my supervisor, like building walls around Surrey’s city borders and connecting our SkyTrain system to Coquitlam and getting them to pay for it, but she just laughed and shook her head and told me to scurry off to my little cubicle and continue my data entry. How am I supposed to thrive in this mind-numbing environment with straightforward numbers that even a raccoon can input? This is nonsense! The city won’t become great if you just keep track of how many bike parking spots we have or where we can put some stupid sculpture up.

With my expertise and cunning ability to be everything, to be the best, I will no doubt take over this ship. No problem. Call it the SS Surrey Storm.

*All documentation has been personally received by Rachel Wong*

Fierce Fencers: An interview with two SFU students gunning for a gold

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[dropcap]I[/dropcap]n late May, two SFU student athletes earned bronze medals at the 2016 Canadian Fencing Federation’s National Championships in the University Division.

If you’ve never heard about SFU’s fencing team before, it’s because we don’t actually have one. In fact, even as Marie-Rose Bruskiewicz and Isaac Velestuk stood up on the podium to represent SFU, the university was completely unaware of the talent in their halls, and the achievements that were being earned under their name.

The Peak itself might have never uncovered the story of these two athletes if it hadn’t been for the determination of Marie-Rose, Isaac, and their coach, Jonathan Hutchinson, to make their story known. I sat down with the trio to discuss fencing, life lessons, and hidden talent at SFU.

The beginnings

If you were to see Bruskiewicz, Velestuk, and Hutchinson sitting together around a table at a coffee shop, the comfort and ease they share would lead you to assume they had been lifelong friends. Even the three fencers themselves attest that it feels like they’ve known each other forever — even though it’s only been two years.

The three are all at various stages of their SFU careers. Velestuk will begin studying economics at SFU this upcoming fall, while Bruskiewicz is currently attending SFU as a kinesiology major; meanwhile, Hutchinson was in the criminology program at SFU three years ago, but after taking a kinesiology course that got him interested in coaching, he transferred to Douglas College to study sports science.

Bruskiewicz and Hutchinson met while both attending the university. “We met through residence,” Bruskiewicz said. The two started dating shortly after meeting, and six months into their relationship, Bruskiewicz began her fencing career.

Hutchinson and Velestuk met through Dynamo Fencing Club in Richmond, where they both competed. Velestuk got his start in fencing thanks to his mother, through a deal at their local club where parents got to fence for free if their children fenced as well. “I did two years of fencing so my mom could go for free,” he joked. Ultimately, it was the environment and the friends he made in the fencing community that made him stick around.

Bruskiewicz had competed in a multitude of sports in her life, including competitive figure skating and soccer, both of which she was becoming serious about at the time. She first tried fencing as a way to learn more about her boyfriend’s world. “[Jonathan] had his club on the Sunshine Coast, and so I decided to try it out,” she explained. “He thought it would be funny to watch his girlfriend try to fence.”

But it soon became apparent to Bruskiewicz that fencing was unlike any other sport she had played: “What draws you initially into the sport is the uniqueness of it,” she said. “I didn’t take it very seriously at first [. . .] but what keeps you in the sport is its competitive nature. It’s the most challenging sport I’ve ever taken up.”

“Masters of fencing, masters of life”

While pauses in the interview were always punctuated with jokes and laughter, there was a certain intensity that grew in the group as they explained their passion to me.

Hutchinson elaborated on how fencing stands apart from other sports: “[In combat sports], when the risk of losing is getting knocked out, you train very hard,” he pointed out. “[In fencing], if you lost, you would get hurt, stabbed, killed [. . .] That’s what factors into the brutal training. Strength, conditioning, and sprinting until you puke — that mentality bleeds into a lot of different training sessions.”

Bruskiewicz vehemently nodded her head at this, testifying to the brutal training sessions she’s been subjecting herself to since she began fencing.

“I was the only girl [at the club],” she explained. “Before [Jonathan] would teach me any fencing technique, he said, ‘We need to get you strong.’”

Perhaps the pinnacle of their training sessions would be what the group called “Mount Everest.” Mount Everest lives up to its name, and it goes something like this: you start with one sprint, three push-ups, three jumps, and three sit-ups. And then you double it and do it again. You keep doubling the routine until you’ve gone up to a rep that includes 32 sprints, 96 push-ups, 96 jumps, and 96 sit-ups. And then you go back to one sprint and three of each.

“When I started, I would do the mini version,” said Bruskiewicz. “I couldn’t keep up with the boys. But eventually I did.

“I started with knee push-ups, and now I can do 100 regular push-ups. I’m so much stronger than I ever was before. Mentally stronger, too.”

Fencing, for Bruskiewicz, is the most stressful endeavour she’s ever pursued. Her experience in competitive figure skating, soccer, and academics — another important part of her identity — pales in comparison.

“I was always so nervous coming into my first year of finals,” she recalled. “I wouldn’t be able to think straight. But there’s nothing more stressful than being down one point with 10 seconds on the clock in fencing. It teaches you to compose yourself.

“Finals are nothing anymore. I handle them like a champ,” she grinned.

“You’re not destined to become an Olympic athlete just because you started training [before] me” – Marie-Rose Bruskiewicz

Velestuk related to the mental control that fencing has allowed him to develop: “Outside of this competitive environment, I’d never have learned how to beat someone mentally in just 15 minutes.”

For Hutchinson, fencing led to him building his strongest relationships. Despite growing up in a very small community, he’s kept in touch with only a single person from that community. But to this day, he remains friends with the six or seven people he trained with, day in and day out, at the Dynamo Fencing Club — one of whom was Velestuk.

For Hutchinson and Bruskiewicz, balancing their romantic relationship with their professional one hasn’t always been an easy task. “It was tough at first,” Bruskiewicz confessed. When your boyfriend becomes your coach, it’s safe to assume there will be an adjustment period. When asked how they managed to make both partnerships work, Bruskiewicz and Hutchinson shared with me the concept of ‘the coaching cap.’ On a trip to Alaska, Hutchinson purchased a baseball cap. This cap is now how the two distinguish when Hutchinson is speaking to her as a mentor or as a boyfriend. When he puts on that cap, he means business. But when the cap comes off, she can turn to him for emotional support. “It can be tough to hear that you let your emotions get the better of you in a competition,” Hutchinson continued. But he stressed how valuable that feedback is. Hutchinson joked that sometimes Bruskiewicz just needs a hug before he puts on the cap and gives her technical critiques.

Despite hiccups in the beginning, the two are every bit as happy together now as they were when they first started dating.

Olympic aspirations

When describing the intense training sessions he prepped for his players, Hutchinson threw out phrases such as “high-performance athletes” and “dedication to reach the Olympic level.” When I inquired further into these notions, asking if Bruskiewicz and Velestuk were genuinely working towards fencing in the Olympics, I barely had a chance to finish my sentence before Velestuk responded.

“Yes,” he declared. “Having a good coach, working hard, financial hurdles, a healthy body and mind . . . I think those are all hurdles I can overcome. There are going to be challenges, but [if] I weren’t to make an effort, I’d feel like I was surrendering.

“If I’m [aiming for the Olympics], it’s because I can’t see myself stopping [fencing].”

Bruskiewicz added her own perspective on the Olympic-level dreams: “Olympians used to feel like celebrities to me, like ‘untouchables.’ But I was reading The Champion’s Mind once which said, ‘If you can spot greatness in others, you have greatness in yourself.’ And two years down the road, and I have a national medal which I’m very proud of.

“I have a lot left to do,” she admitted, “but I’m catching up, and I feel I’m on that path.

“You’re not destined to become an Olympic athlete just because you started training [before] me. It’s the hours and hours of deliberate practice that you put yourself through, that I believe I’m putting myself through, the mentality, you need to be hard-working and have that drive, and constantly make sacrifices,” she said.

SFU’s golden opportunity

It was made clear to me that one of the main reasons these three superstar athletes were so eager to sit down with The Peak was to raise awareness about their sport and get acknowledgement from the SFU community.

“We want to start a varsity team or club,” declared Bruskiewicz.

Velestuk, deemed the brains of the operation, mentioned that the research he’s been doing has led him to the conclusion that they could “easily start a club.” Getting into the National Collegiate Athletic Association (NCAA) is another issue entirely. “We wouldn’t be able to go to NCAA-sanctioned events,” he clarified. “But we could create and attend club competitions.”

At the minimum level, the athletes are urging SFU to provide training space and minor funding for basic equipment for training. In addition, Bruskiewicz and Velestuk want fencers at SFU to be recognized as athletes of the university, so as to receive similar academic accommodations as other SFU sports teams. They’re also hoping to gain financial support to have their coaches accompany them to their tournaments.

This year, Hutchinson was unable to pay for his ticket to the championships. “So our SFU student didn’t have her coach, the person who trained her. I ended up coaching her on Skype between rounds,” he said.

Bruskiewicz recounted an experience she had trying to secure a place to train as an independent party. She believed there to be a lack of cooperation: “I tried to rent out the squash court for one-on-one lessons with my coach, but [SFU Athletics] wouldn’t allow it.” For her, communication with SFU Athletics was not as easy as she was hoping. “So I tried a classroom, but the floors were too slippery. Eventually I found the Forum Chambers, and now I go there from 9 p.m. to midnight,” she added.

“We want to start a varsity team or club.” – Marie-Rose Bruskiewicz

For Bruskiewicz, currently attending SFU, and Velestuk, looking forward to attending SFU next year, just the commute to and from the university and their training studio drastically cuts into both their training and their studying time.

“Last term, my class ended at 3:20. I’d be carrying my fencing gear around school all day. And then I’d jump on transit for two hours to my fencing studio, and then two hours back,” recalled Bruskiewicz.

“That was four hours total on a regular school night. Four times a week.”

Hutchinson provided his perspective on the matter as a coach: “[Marie-Rose and Isaac] are high-performance athletes. They are unable to train, in my opinion, in a way that high-performance professionals train because of the travel time here and stuff like that.”

By creating an environment that nurtures fencing at SFU, the trio argued that the university could be taking advantage of the wealth of untapped fencing talent present in the Lower Mainland.

Bruskiewicz spoke about her fencing peers at Dynamo — “people on national teams,” interjected Hutchinson — who are interested in SFU, but dismayed at the lack of fencing opportunity. Velestuk corroborated her experiences by attesting to the multiple athletes who relocated to the States to fence in the NCAA.

Hutchinson passionately described his vision for SFU: “This place is such a wealth of talent, and has future potential for Olympians. When I talk to guys that I train with, they say the best wrestlers come from SFU. In half a second, the best fencers could come from SFU. Olympic medalists could come from SFU.”

FENCERS_WEB

NEW MUSIC FRIDAY

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By: Courtney Miller, Jessica Pickering, and Jessica Whitesel

Follow The Peak on Spotify to stay up to date on New Music Friday.

“Pick Up the Phone” – Young Thug feat. Travis Scott and Quavo

Jessica Whitesel: When T-Pain dies they will play this song to bring back his ghost to haunt the world. In place of a human sacrifice the blood from the ears of those unfortunate enough to hear this monstrosity will bind his ghost to this earthly plane. I wish I was being overdramatic, but I am not. Trust me.

Courtney Miller: Without the vocals, I could dig this after a couple rounds at the bar. With them, I am anywhere this song is not. Can’t discern what they’re saying most of the time, too much messing with the pitch and auto-tune.

Jessica Pickering: The backing track of this song is really distracting to me. The whole song all I could focus on was the weird auto-tuned piano. Seriously, I think I heard what he was saying in the chorus once and that was it. If that’s what you’re into, you’d probably love this song.

“Rabbit Hole” – Blink-182

JW: I feel like I am 12 again, which is never a good thing. I mean I used to love Blink-182 when I was 12, but now at 25 I just want something a little bit more. This will not give you more, but it will remind you of how awkward you were, and will make you wish Tom DeLonge was still in the band.

CM: Classic Blink-182 style. If you have a hole in your heart where pop punk used to be, this is exactly the song to get you whole again.

JP: As someone whose entire working knowledge of Blink-182 is “All the Small Things” and “Adam’s Song,” this song seems to maintain their style while being more upbeat. It’s the perfect length too: it’s kind of repetitive, but didn’t go on forever. Par for the course as far as Blink-182 goes.

“Lucky Black Skirt” – Blondage

JW: If you’ve been following NMF you will know that I love a laid-back electronic track, and this one fits the bill perfectly. It has enough of a beat to be catchy and slightly up-tempo, but isn’t so over the top that it makes you want to throw a rager and forget what your own name is the next morning.

CM: “Call me if you’re tipsy” is a place many of us have been, and something we’re probably not proud of. However, this song is pretty good and will help erase those residual feelings of stale regret. It’s got good rhythm, a bit of a groove, and a great beat to show off some less than sober dance moves.

JP: I really like the intro to this song, it feels very ’80s. Not sure about the guy’s voice though. Compared to the music, it’s kind of a buzzkill. The creepy whispering after the chorus is weird. If you meet this guy at a club, run.

“Bury It” – CHVRCHES feat. Hayley Williams

JW: So this is probably a weird opinion but I’m not a fan of Paramore but love Hayley Williams so this track was great for me. All around it is a solid track but nothing special. But it is better than having to listen to “Airplanes” when I want to listen to her.

CM: Awesome rhythm, spot-on vocals, I can totally see myself jamming to this in the car. Honestly, I can’t get over how much I like this. Usually there’s not a lot on this playlist I actually like. Maybe I’m just a sucker for Hayley Williams.

JP: I’m probably biased because I love Hayley Williams, but this song is one I will be listening to for the rest of the summer. I’m not sure how I feel about how they edited the vocals, especially in the chorus, but this is definitely a song I can see myself doing the dishes to.

“Heartlines” – Broods

JW: I like this one. It has a stripped down feeling while maintaining all the layers of a well-crafted song. It would be a good song for driving to, or sitting and thinking about things like life and love.

CM: A whimsical yet serious song, incorporating a heartbeat bass drumline. The vocals go perfectly with the music. No, it’s not like it’s a brand new sound no one’s ever heard before. But it’s still a great listen.

JP: This is going to be one of those songs that I can’t stand simply because one of the lines is trying too hard. “I want to feel your heartlines”? What does that even mean? This sounds like the same song every artist on Top 40 radio stations is putting out right now. It’s kind of nothing.

“Stressed Out” – Kina Grannis

JW: Nope. I really want to like covers of songs by people who have great voices — arguably better voices than the original artists in some cases — but I just can’t. Grannis has a really nice voice but, nope. I would love to hear her come out with some original music before I pass too harsh a judgement on her.

CM: My first thought after hearing the lyric “My name’s Blurryface and I care what you think,” is that Grannis must love twenty one pilots, because they have an album called Blurryface. There’s an emotional honesty, and I get the singer-songwriter vibe from this. The minimalistic approach, where it’s just Grannis and a guitar, is well-executed.

JP: Oh man, I love a good cover. This one starts out strong: Kina Grannis has great vocals and I like the slow, guitar-based music to start with but I think one of the strengths of the original is it sounds like someone who is stressed out.

“4000Hz” – Jaded

JW: I can relate to the name of the artist since I am pretty jaded at this point. However, this song makes me think of what a zoo would be like if some dipshit decided to feed all the animals molly. So, just like you shouldn’t feed zebras molly, you shouldn’t listen to this.

CM: I’m not sure what the point of the song is. There doesn’t seem to be any intent behind the lyrics. I mean, it’s a catchy track and it’s fun, but I’m not sure I would classify it as good per se.

JP: I don’t like this. What is happening? This is a girl saying nonsense in a baby voice accompanied by those sound effects radio stations use to make what they’re saying more interesting. I feel like this is the kind of music they play at clubs, which is probably why I’m so uncomfortable right now.

“Satan Pulls the Strings” – The Avett Brothers

JW: This is a nice country-rock type song. I didn’t think I would ever say that, but here I am saying it. It makes you want to kick back, drink beer, and see where the night will take you. But just be prepared for it to go either way: fucking or fighting.

CM: It’s pop, but there’s some fiddle that gives it a soft country edge, especially when combined with the slightly drawling singing. It does make you want to dance to a certain degree though, and I’m certain inebriation would magnify that greatly.

JP: It started out like a rock song but now there’s a banjo? It feels like a country song mixed with the White Stripes. Even that doesn’t feel accurate, but it’s the best comparison I have. I think this is a group that’s trying something weird to stand out and it’s not working. Jokes on me, I just looked it up and they have over 180K Twitter followers.

“Some Other Arms” – Benjamin Francis Leftwich

JW: I love Benjamin Francis Leftwich. I just find the music so calming that it doesn’t really bother me that all of his songs sound pretty much identical. Normally I am against same-y sounding music, but I think that since I find it very calming I’m OK with it in this case.

CM: The wispy vocals match the softness of the guitar, even melding into the guitar notes at times. Drums come in near the end to pick it up, but it’s a slow-burner through and through. If that’s your style, you’ll like this.

JP: I think the reason I’m not feeling this song is because I’m not in the mood for it. I like it, but it’s kind of slow and talking about hoping the person you love is happy even if it’s with someone else. It’s not what I’m looking for right now, maybe some other song will make me happy (I instantly regret this “joke” but I’m leaving it here).

“Auld Wives” – Bear’s Den

JW: I feel like this would be one of those songs that grows on you. It isn’t super spectacular, but I don’t find myself hating it. I want to hear more of their music. Ultimately I will probably listen to this one again, but if someone recommended I listen to another band I would probably listen to that first.

CM: Excellent for soulful head-banging. Confident and emotional vocals on top of melodic music make this a song worth listening to.

JP: I love the music: the intro was so good. I don’t know how I feel about the song as a whole. The vocals are good, but I don’t like the harmony. I’m really on the fence about this one. The longer I listen to it the more I like it, but the music just doesn’t match the vocals and it’s throwing me off. I’m probably going to listen to this song 10 more times though.

“The Ocean” – Mike Perry feat. Shy Martin

JW: The backing track has been done so many different ways recently that I think I might be beginning to experience Stockholm syndrome towards the music industry. The vocals weren’t that great either, leaving me with some pretty mixed emotions.

CM: The intro reminds me a bit of Owl City. Evocative vocals, sensual piano, and then a liberal dusting of synthesizer has me bopping along, but it doesn’t require more than one or two listens.

JP: I feel like a hypocrite because this song also sounds like every popular Top 40 song on the radio but I love this one. I don’t even know what I like about this song, I just know I do. I like the twinkly bits during the intro and ending. It’s fun.

“Into the Fire” – Vinai feat. Anjulie

JW: Oh man, I remember that Anjulie had a song in 2007 or 2009 that was on Much all the time. I was starting to wonder what happened to her, but then I was reminded that she wasn’t that great in the first place and was only just a hair above or below average, depending on how you were feeling that day.

CM: It took more than a couple of attempts to not zone out during the song. It’s unobtrusive and easy to ignore, which might make it good study music at best. Nothing popped out or caught my attention.

JP: There’s something about the vocals that reminds me of Gwen Stefani. It’s not bad but it’s not my favourite. You know those songs that come on the radio and it’s not bad enough for you to change the station but you wouldn’t listen to it in any other situation? That’s this song.

President Sharma’s resignation is a new low for the SFSS

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[dropcap]T[/dropcap]he Simon Fraser Student Society (SFSS) is described on its website as a “student-led organization that represents and advocates for the interests of the 26,000+ undergraduate students at SFU.” They provide food services, the U-Pass BC program, extended health and dental plans, and a legal clinic, among other things. But all these useful services aside, they certainly didn’t represent “the interests of students” when SFSS president Deepak Sharma resigned from his position last week.

In a plot twist that seems akin to House of Cards, Sharma apparently did not meet the “membership eligibility status,” as The Peak recently reported. The further I read, the more upset I became. According to the SFSS Constitution, a student’s membership in the Society will be deemed invalid if they fail to register for courses for two consecutive semesters. This, allegedly, is the reason for Sharma’s leaving office.

Sharma was able to run, and ultimately he won the election fair and square. But it wasn’t until May 19 that the board realized Sharma’s presidency was in question. While Sharma did not act as president from that point forward, he wasn’t officially relieved of his position until June 2 — it took nearly a month.

Further still, the SFU public wasn’t given an official notification of the issue from interim president Larissa Chen until June 3.

This all begs the questions: how did Sharma not know that his presidency would be in question when the term started? And once the SFSS finally discovered the issue, why did it take so long to inform the student population? Unfortunately, we probably won’t receive any potential answers or learn of further courses of action until the SFSS’s next board meeting on June 16.

This isn’t a high school student council where you plan one dance and have a budget of maybe $200.

Former SFSS president Enoch Weng posted a public Facebook comment in response to student anger and confusion, stating that “[Sharma’s] in-eligibility [sic] this semester has nothing to do with the [Independent Electoral Commission], as there would be no way for them to anticipate the future.” To me, this sounds a bit like he’s passing the buck. Sure, the IEC may not have a crystal ball and predict Sharma’s fall from grace, but as one commenter responded, “No one said ‘hey make sure you take a summer class so you’re eligible’?”

This isn’t a high school student council where you plan one dance and have a budget of maybe $200. The SFSS is able to provide all manner of fantastic and expensive services because we, the students, are paying for them. Our Student Services fee is expected to go up another two percent for the coming school year to a total of $44.37 per semester, which sadly means we’ll be giving more of our money to the hands of a group of unorganized and unprofessional students.

Beyond the many people working behind the scenes, Sharma himself should not have  continued with such a prestigious and important position if he suspected, in any capacity, that his eligibility might be in question. Given the fact that he was obligated to resign indicates that he was unaware of his eligibility status heading into his first term as president. A responsible president would have done their due diligence to research the requirements of the position before taking it.

For a group of students that holds so much influence over student life while managing copious amounts of money each semester, an oversight like this really makes me question the credibility and competency of the SFSS — a bunch of embarrassed undergraduates with already hectic lives as students. It’s true, we are all human and we all make mistakes. However, some mistakes have greater impacts than others, and this black mark will undoubtedly haunt the SFSS for the next while.

CENTRE STAGE: Pre-professional CatchingART Contemporary Ballet shows off aspiring talent in West Vancouver

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Pre-professional dancers get an opportunity to show off their skills.

Dancing a famous pas de deux from Le Corsaire at the Pro Arte Gala, Ethan Ponton and Cassia Slager of CatchingART Contemporary Ballet Theatre looked ready to step into professional roles. Slager effortlessly performed her turns and jumps while Ponton lifted her with ease and showed off his own powerful jetés.

The pre-professional company, part of Pro Arté Centre’s training program, prepares aspiring dancers for roles in professional dance companies or for further professional training. Two of this year’s graduates are heading to Les Ballets Jazz de Montreal, and one is off to the Rudra-Bejart’s ballet school in Switzerland. The dedication of these talented dancers was evident throughout the evening of both classical and contemporary works. Also featured in the show were younger students and those not yet part of the CatchingART group.

I thoroughly enjoyed the excerpts from Le Corsaire that were presented, as well as a beautifully romantic pas de quatre by Jules Perrot. Originally choreographed in 1845, its subtle beauty remains. Two younger dancers performed the always cute and crowd-pleasing Puss in Boots and White Cat pas de deux from Sleeping Beauty, and the first act of classical works flew by.

Act two was focused on contemporary pieces and featured live piano, violin, and vocals sharing the stage with the dancers. These musicians added to the emotional depth of the inventive choreography set to songs such as “Stay With Me” (Sam Smith) and “Cry Me a River” (Arthur Hamilton, not Justin Timberlake). We were also treated to a beautiful rendition of “Hallelujah,” paired with equally moving choreography.

The final number was a large group dance set to an instrumental version of the overplayed “Uptown Funk,” and while the choreography was playful and modern, I found it somewhat lacking in technical substance.

Before the classical ballet excerpts, the program notes, the ballet’s history, and a synopsis of the story were projected at the back of the stage, but after a few dense slides the wall of text was hard to get through. It would have been fine to leave that material in the program where we could read it at our leisure.

The almost full house at the Kay Meek Centre in West Vancouver cheered with approval as the dancers took their bows. While you could say that a lot of that applause is due to friends and family bias, it’s clear that these dancers have a solid base of training. With dedication to their craft, they’re going places.

SFU choir members perform in local opera

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Mark Pepe (left) plays the role of Turiddu as Santuzza watches on, played by Talia Ryne.

Alexandre Vasilchenko had a busy schedule last week. The criminology major had his regular classes, studying for exams, and also had two performances of Pietro Mascagni’s opera Cavalleria Rusticana.

You could say it wasn’t a typical week for an SFU student.

Vasilchenko is in his third year at SFU, and has been a part of the SFU Choir for the past year. The director of the choir, Melissa Ratcliff, was a principal in Opera Opulenza’s rendition of the opera. When they needed more singers for their chorus, they drew from a familiar source.

“I’ve loved everything about being in an opera,” Vasilchenko said. “I have enjoyed learning Italian, because I don’t know it and the entire opera was in Italian. I have enjoyed acting on stage, because you don’t get to do that when you stand in a line with the SFU Choir.”

Five of the 12 chorus members are singers in the SFU Choir, with none of them ever having been in an opera before. They didn’t join in typical audition fashion, either.

“It was a little bit weird, actually,” recalled Vasilchenko, laughing. “[Ratcliff] posted on Facebook saying ‘This opera desperately needs people.’ I just liked the post with no intent whatsoever to sing the opera. I kid you not, 30 seconds later  she messages saying, ‘Hey Alex, we need you in the opera.’”

Ratcliff clarified that they weren’t just taking anyone — the SFU Choir members are a known quality.

“When I first joined [Opera Opulenza], they found out I was the director of a choir. I invited them to a show,” she said. “I told them they were all non-music students. None of them are musicians by trade or study music. And they were like, ‘Holy crap!’ and enjoyed the performance so much and were so impressed, they said ‘If anyone wants to join the chorus, we’ll take them without audition.’

“If you want to do a principal role or join the company, you still have to audition, but for the chorus stuff they were great.”

Not only did Ratcliff get to watch her choristers “lose their opera virginity,” she also had a debut of her own: this was the first opera that she was a principal in. She played the role of Lucia, the mother of Turiddu, a soldier who has returned from war to find his love, Lola, has married Alfio, a village merchant. In turn, Turiddu seduces Santuzza, a peasant girl from the village.

Lola becomes jealous of Santuzza, and begins an affair with Turiddu. Santuzza becomes suspicious and tells Alfio, who challenges Turiddu to a duel. It ends with Alfio killing Turiddu, with Lucia left to pick up the pieces.         

The opera was a very enjoyable performance, especially given the $20 it costs adults to see the show, which took place in Minoru Chapel. The voices sounded phenomenal, and the blend was pleasing both to musically trained and audience ears.

Andrew Greenwood, who played Alfio, was a commanding presence for every scene in which he was featured, and was a treat to watch. He brings out the best in other characters, and demands other performers match his talent when on stage. The tension leading up to the duel between him and Turiddu, played by Mark Pepe, was palpable and engaging.

Another standout moment was Ratcliff’s final moment in the opera where she learns her son has been killed. Her grief and despair brought the audience to tears, and was a powerful moment to close the show on.

The major difficulty seemed to be that the stage was too small for the ensemble, with the backdrop frequently being hit by chorus members and looking like it was in danger of falling over. Vasilchenko said they knew the stage was going to be small, and rehearsed in an even smaller space to try and prepare for the spacial limitations.

All in all though, this was a special experience for Vasilchenko. He said he never thought of himself as someone who could do opera, but now hopes to be able to do it again someday.

“Oh no, heavens no, I didn’t think I was the opera type,” he said. “I want to go take some classes, learn how to sing a little better, and then definitely return to it. If you have an opportunity to sing in an opera, do it.”

First ground broken for new Student Union Building

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SFU President Andrew Petter (left) and SFSS VP University Relations Arr Farah participate in the groundbreaking ceremony.

It was a dreary, drizzling day, but ground has been broken for the construction of the new Student Union Building, and the next chapter of Build SFU begins.

With almost the entirety of the Simon Fraser Student Society (SFSS) present, as well as SFU President Andrew Petter, the groundbreaking was attended by only a handful of those who brought it forward, with a much larger celebration being planned for the fall.

After speeches from Elder Margaret George, Petter, and VP University Relations for the SFSS Arr Farah, the “groundbreaking” took place. It was more of a ceremonial event, as Farah and Petter donned hard hats and moved a shovelful of dirt each from a pile to underneath a bulldozer.

The event took place where the new building will exist by its projected fall 2018 opening, just outside the Maggie Benston Centre.

Despite the dreary weather — which reflected a “typical SFU day,” according to master of ceremonies Larissa Chen — there was a buzz of excitement in the air from those in attendance.

“It’s very exciting,” said Petter. “I know how hard the Student Society has worked over a number of years to get us to this point. But I also know it wouldn’t have happened without the support of the general student body over a number of years.

“I think it speaks volumes to the kind of students we have at SFU, how they’re really committed to not only their own education but to the future of students who will be here in years ahead.”

While this project has been in motion since 2012 with many SFSS members involved, it was Farah — only one month into his term as VP University Relations — representing the SFSS and by extension all students, as he shovelled the dirt.

“It’s been a long time coming,” he said. “It feels great. I remember being part of [student unions] running around campus and there being no space for us, so this solves this problem so I’m just really proud to be here.”

He admitted, though, that this isn’t exactly how he pictured the moment.

“I thought it was going to be sunny and beautiful, but this is BC. It rains a lot,” he laughed. “I’m happy that it happened anyway.”

With the groundbreaking underway, there was no time for all involved parties to stop and congratulate themselves. It’s one thing to hold a ceremony for starting the project, but it’s another to get the building finished.

“I think it’s a different kind of push,” acknowledged Petter. “Now it’s a matter of getting the building built and making sure it meets all the requirement[s] and that’s going to require some effort.
“It won’t be easy, but I think it’s going to go as smoothly as a project of this kind can.”

Album Reviews

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By: Courtney Miller and Jessica Whitesel

Skin – Flume

When I first listened to this album, I was instantly reminded of my best friend. The mix of wild and calm playing off of each other to create perfect balance, all the while managing to be soothing, just reminded me of the kind of relationship that we have.

Sappy stuff aside, this is a beautifully constructed album. Every song just seamlessly flows into one another creating this somewhat disorienting sense if you end up missing the subtle transitions between tracks. I am making this sound like a fault, but it isn’t. Most albums play like they are trying to be hit factories, and all thought that should go into creating them is just forgotten. This isn’t the case with Skin.

If anything the single “Never Be Like You” sticks out the most, not because it is a single but because it just feels different from the rest of the album. Since it’s the second track though, it doesn’t throw off the well-constructed feel of the album as much as it could.

This is the kind of album that proves the importance of thinking about how songs flow. It’s also one that even non-EDM fans could enjoy, just because of the balancing between wild and calm. –JW


7/27 – Fifth Harmony

The album 7/27 is Fifth Harmony’s hotly anticipated follow-up to their debut, Reflection. The new album has a confidence that wasn’t present in Reflection, and with that confidence comes a freshness that wasn’t quite there before. It’s filled with self-actualization, swagger, and a more mature, sophisticated sound.

Album openers “That’s My Girl” and “Work From Home” follow 2015’s “Worth It” in style, and echo Rihanna’s own lyrical success (“Work, work, work, work, work, work”). OK, so it’s not a magnum opus, but it has some winners that make up for the others.

A great thing about Fifth Harmony is that the vocals go around. No one does so much more than the others, and they’ve really nailed that with this album. You can tell they tried to be more vulnerable with this record, especially with “Write on Me.” But the album closer “Not That Kinda Girl” might just be the best song on the album, and hopefully a tease of what’s to come. –CM


I Am Your Man – Daniel Wesley

I Am Your Man is the seventh record from BC’s own Daniel Wesley. It’s the first release from his label Beachgrove Records, and was made possible via Kickstarter. The album is full of laidback, sun-splashed tunes perfect for the coming summer. The Caribbean definitely influenced the album’s sound, particularly in the single “Shake” and “Come at Me,” the album’s first song.

Well-crafted, tight, and more acoustic-based than some of his previous work, I Am Your Man is full of light melodies that’ll have you singing along in no time. He also does some experimental work: “Beautiful” sounds inspired by the ‘80s, and “Funky Jam” is a fun, jazzy instrumental that’ll have you whipping out the air instruments.

It’s a record full of happy, relaxing music. Life is a great thing, and Wesley really tries to share that high-up feeling with every listener. –CM

SFU lab designs an advanced rat trap

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Traditional rat traps can scare away rats rather than lure them.

For as long as humans and rats have co-existed, humans have tried to exterminate rats, and rats have repeatedly learned to thwart these attempts. Dr. Gerhard J. Gries, a professor in the department of biological sciences at SFU, wants this stand-off with rats to come to an end.

Rats provide a difficult challenge for population control: as a result of interacting with humans for thousands of years, they have developed a healthy dose of fear and apprehension when presented with new objects, called “neophobia.”

Therefore, even with the promise of food, it can be difficult to entice rats into entering traps. As a result, we depend on traps such as poison boxes that are efficient at killing but result in the poisoning of animals that consume rats, including domestic cats and dogs.

The Gries Lab studies the communication systems of animals. “[W]e want to understand how animals, including rodents in this case, communicate and once we understand their language we can talk back and manipulate them to our advantage,” explained Dr. Gries.

Therefore, in order to bypass the rats’ neophobia, the Gries Lab has developed a trap that uses a three-pronged approach to exploit rat senses and communication strategies. The first property of the trap is food bait: the team has developed bait that is laced with odorants so that no matter the rat’s craving — be it nuts, meat, or cheese — it will be emitted from the trap. The food bait is important because its manipulation is necessary to trigger the snap mechanism that results in almost instantaneous death for the rat.

The second tool used to attract rats is the promise of a mate. Male rats mark their territory using urine. This urine contains sex-attractants that lure females and deter males. The Gries Lab isolated these molecules, and by including them in the trap capture 10 times the number of females; however, males will be deterred by their presence, therefore these traps are used only to target females.

Lastly, Dr. Gries and his collaborators created a device that synthetically produces the sounds of rat pups. When mother rats leave their pups alone, they often get cold and express their discomfort by producing short ultrasonic bursts. These were recorded and an algorithm was developed that generates bursts that differ in pitch, intensity, and duration, with intermittent silence between the emissions. Therefore, it is very difficult for the rat to realize that the sounds are artificial.

The next stage in trap development is to make it a multi-killing trap so that it does not have to be serviced after every catch. The team is also looking for a sex-attractant produced by female rats, so that a similar trap can be developed to target males.

As Dr. Gries said, “We have tried to get rid of [rats] for a long, long time.” With his lab’s development of the rat trap, we may be at a new frontier in population management: “It smells like rat, it sounds like rat, it must mean someone is there and it is safe to enter.”

SFU alumnus appears on The Bachelorette

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Jon Hamilton (pictured) may be no longer on the show, but his quest for love lives on.

ABC’s The Bachelorette got a dose of SFU this season.

SFU alumnus Jon Hamilton appeared on the season 12 opener of The Bachelorette. Sporting traditional Scottish garb, complete with a kilt, he went all out in what he described as a “make or break” opportunity to impress Jojo Fletcher, this season’s bachelorette.

“[Jojo] was either going to like it or hate it [. . .] [and] I have no regrets doing it,” Hamilton said in an interview with The Peak.

At first, going on The Bachelorette wasn’t Hamilton’s idea. A past girlfriend nominated him to be on the show, and it was apparent that his Canadian charm appealed to the show’s producers, as they reportedly bombarded Hamilton with a number of calls while he was out to dinner one night.

“I was having dinner at Local [in Kitsilano] when I got a call from LA,” Hamilton recounted. “At first I thought it was a crank call, and I clicked decline at least three times. But then I finally answered and found myself talking with a girl from ABC [. . .] it kinda snowballed from there, and turned into like ‘holy shit, you have to do it!’”

An avid follower of the series, Hamilton was curious about the experience of being on a reality TV show. After going through a series of interviews and flying down to LA for further meetings with show executives, filming began. This enabled him to experience the other side of a show that he watched so regularly.

While Hamilton lived with his parents, he would watch the show every Monday night with his mom: “It was a bonding experience for my mom and I. When the show was on, I knew exactly what I was doing every Monday night.”

When asked about his choice of attire, Hamilton laughed and admitted that while it was unique, he was used to it. Hamilton, who is half-Scottish and half-Chinese, takes great pride in his heritage thanks to his dad, a proud Scotsman.

“I wore a kilt to my high school graduation and my sister’s wedding, so it’s kind of commonplace for me,” Hamilton remarked. As for the show, he had his doubts, but in the end some of the producers asked him to wear it to add extra interest.

Before his stint on The Bachelorette, Hamilton graduated in 2009 with a Bachelor of Arts, majoring in history and minoring in economics. During his time at SFU, he also played with the hockey team and made a lot of friends through the program, some of whom he still keeps in touch with to this day.

When asked to describe a perfect date with money being no object, Hamilton described a grand picture of going to Italy via private jet, wine tasting in Tuscany, and having Mario Batali cook him and his date dinner.

But for Hamilton, the best way to really get to know someone is to have easy and flowing conversation. “The perfect date [for me] would be getting pizza and watching movies,” Hamilton said. “It’s easier to talk that way.”

Even though Hamilton was sent home by Jojo Fletcher, this handsome alumnus likely won’t have any trouble finding a girl willing to take him up on that offer.