Happy Easter from The Peak! Created by Paige Smith & Eric Smith.
Why Students Don’t Vote
We asked SFU students if they vote in the SFSS elections. Turns out most SFU students don’t vote. Get out and vote!
Men’s basketball coach Virgil Hill resigns amidst allegations of misconduct
A number of former players who are departing SFU’s Men’s Basketball team have come forward with allegations against former Head Coach Virgil Hill. Hill resigned from his position earlier today.
SFU Athletics announced Hill’s resignation in a press release written by Steve Frost, Sports Information Director, less than a year after he was officially announced as SFU’s men’s basketball coach. He took over on April 15, 2015 after the resignation of former Head Coach James Blake.
Athletics Director Theresa Hanson said in a press release, “Virgil and I met to review and evaluate the basketball season and at that time he informed me that he has decided to resign his position as men’s basketball coach to spend more time with his young family.” Hill’s decision comes on the heels of several allegations against him, originating from several players who left the team this semester.
One of the players who left the team with four games remaining in the season spoke to The Peak about why he left. “It’s just such a horrible atmosphere. Losing never helps, but the coaching staff just does not look out for us.” The player asked to remain anonymous.
The “losing” to which the player refers is likely SFU’s results on the court. The team went 2–24 on the season, and 1–19 in the Great Northwest Athletic Conference. The team went through a 18-game losing streak, and got its first and only conference win on February 11 against Concordia University.
The player alleged that in one instance, the coaching staff did not provide the team with meals while on an away game. According to him, “Before Sonoma State, we passed around a XL bag of peanut M&M’s before we played, and that was the only thing we had eaten before a 2 p.m. game.”
A second player who wished to remain anonymous corroborated the first’s account. “It’s true,” the second player said. “We [were] told we would stop somewhere and then we just went straight to Sonoma. They told us to go to the locker room and just put a bag of M&M’s on the desk.”
Denver Sparks-Guest, one of the seven players who departed this season, said his reason for leaving was “100 percent coaching,” saying that “there was no other reason.”
The first anonymous put particular emphasis on Hill’s behaviour towards Pape Seck, a player from Senegal, recounting comments made about Seck’s language ability and religious beliefs.
“Losing never helps, but the coaching staff just does not look out for us.”
According to the player, those comments included, “‘Virgil countless times said things such as ‘this isn’t a language barrier, it’s a stupidity barrier,’ ‘my 10-year-old son is smarter than you,’ ‘you didn’t play in junior college, you haven’t played here, you’ll never play anywhere.’ He called him an idiot and retarded plenty of times.”
The second anonymous player also corroborated the first’s allegations of “[Pape] being called out in that manner” by Hill.
The first player added: “Ultimately the worst incident was when Virgil said to me in his office when it was just him and I [. . .] ‘Pape can pray eight times a day but he can’t make it to practice. . . His Muslim faith doesn’t fit in here in this culture.’”
The Peak reached out to coach Hill for his comments on the amount of players leaving the team. He provided the following statement: “Players and programs part ways for various reasons and we are no different. I wish the departed players the best of luck with the remainder of their collegiate careers.”
When asked to comment on specific allegations, Hill declined.
Seck said that he was “not comfortable” in practice and stopped practicing with coach Hill as a result. “It was more of the way he acted, [he was] not respectful,” he said. “You can’t take a high school coach [and bring him] to the NCAA. He’s not a good coach, he has to learn to talk to men.”
The first anonymous player also stated that people within SFU Athletics were aware of allegations against Hill. “Kelly Weber, Laura Reid, [and] the athletic director Theresa Hanson all know.”
Sparks-Guest stated that he talked to an unspecified Athletics Director before his departure, and Seck said that he “talked to Laura [Reid]” within SFU Athletics.
Athletics Director Theresa Hanson said that “I am aware of some challenges within our men’s basketball program. I was not aware of all of the allegations that you have brought forward. I am disturbed by them. It is unfortunate that student athletes from our men’s basketball program have had a negative experience.”
The announcement came after The Peak contacted SFU Athletics to provide comment on the allegations made against him the day before. It is unclear if these allegations factored into his resignation.
Frost in the press release added that, “The search for a new head coach of the SFU men’s basketball program will begin immediately.”
“I would like to thank Simon Fraser University for the opportunity to come back and coach at my alma mater,” said Hill in an official press release by SFU Athletics.
“At this time I am tendering my resignation. This decision was a difficult one as I wanted to bring this program back to a level of competitiveness that we know is possible. My decision is based on the needs of my young family and my need to support my wife in raising our children.”
All hail the iPhone SE
[dropcap]I[/dropcap]’ve heard some comments from people who are dissatisfied with the new iPhone SE release. “Nothing new,” and “can’t tell it apart from the iPhone 5S,” are just a couple of the things I’ve heard since Apple’s keynote event unveiling their new products.
Thirty million smaller format iPhones were sold in 2015. That is not a small number. With a general consensus toward phones with large screens (of which I stubbornly remain unconvinced), a strong segment of Apple’s market seems to prefer their phones being around the range of Steve Jobs’ ideal for screen size; perfect for typing with one hand as well as fitting in most pockets.
With the built-in guts of an iPhone 6S, the iPhone SE is an improvement for those who, like me, have been carrying around their dusty old iPhone 5s. One thing the new phone seems to be missing is the 3D Touch feature — something I honestly think is a functionality most people can live without. It’s sort of the best of both worlds: a much faster version of a legacy form factor. It’s a bold move, and I think it will resonate really well with the consumers Apple is attempting to target.
Critiques of Apple’s latest don’t understand that this is not, in fact, a step backwards for the brand. For price-conscious consumers, it’s a very solid introduction into the Apple ecosystem, which used to be, and what is now the much slower, iPhone 5S. With the phone geared to be the affordable choice in Apple’s 2016 cell phone lineup, this move is incredibly smart because the phone now provides an enticing option for those who have held on to their old phones, as well as those who prefer the smaller form factor.
Sure, they could have made the SE thinner, or it could have included a brand new feature. But, then again, that’s something Apple can always keep in their back pocket for their next keynote event. This Spring was more about giving the people what they needed rather than they wanted: usability by way of portability, and an improved phone that serves as an introduction to Apple’s other products and services.
Apple has now bought themselves at least a year to improve the phone for their next iteration, which I’m sure will likely have 3D Touch, and a few other bells and whistles, along with new software and security upgrades by the time it is released. And as usual, I will stand at the Apple altar and marvel at their latest offering, slightly improved, and largely imitated from Android offering.
But this time around, I’ll be lining up to acquire the 64 gigabyte edition (no, not the Rose Gold colour — blek!) quite momentarily.
CENTRE STAGE: Inspiring dance, a bold musical, and two upcoming shows
Program 2 – Ballet BC
March 17–19; Queen Elizabeth Theatre
Mehdi Walerski’s range and versatility as a choreographer was on display for this evening featuring one remount and one world premiere. Working with Arts Umbrella dancers to grow the company to over 25, Walerski’s extended version of Prelude explores the how to balance order and chaos.
Prelude is full of poetic movement that creates a dynamic spatial landscape on the stage. The dancers were dressed in black pants and bare chests, and the simple costumes matched Walerski’s simplicity of lines, patterns, and richly textured use of the space. The effect was calming and exemplified Walerski’s layered approach to choreography.
The world premiere, Natus, had a very different tone and explored the idea of celebration in many contexts including births, deaths, historical events, or special occasions. The state of celebration, varied and intense, was expressed through choreography that created a sense of unrest and uncertainty.
Dancer Peter Smida came down the aisle of the theatre to begin the piece, talking about tickets and dancing with an audience member before proposing to her. He talks directly to the audience throughout the piece, asking, “Where the hell is the party” and saying, “Happy Birthday” to numerous objects, people, and abstract concepts. There is a sense of desperation to find celebration and not miss that opportunity to acknowledge the occasion. Both of Walerski’s works were captivating and this evening was a wonderful addition to the Ballet BC season.
Vital Few – Company 605
Vancouver International Dance Festival
March 17–19; Roundhouse Performance Centre
Created over a two year period, this work was previewed at last year’s Vancouver International Dance Festival (when the company called themselves the 605 Collective), and it was back this year in its fully conceived form. The work explores the idea of working together — particularly relevant for the company as they choreograph as a collective — and also works with the idea of a few members of a group having more influence at any given time.
The piece began with one dancer walking on stage and looking directly at the audience. Another dancer joined her and they hugged. Then one by one the others joined them, their group hug growing, until they were all connected and moving as one. One dancer’s head would be coordinated with the arms of two others, emphasizing their collectivity and ability to work together as one being.
Moving through a few phases and sequences of one dancer starting a wave of movement that was passed to the others in a sort of domino effect, the energy moved from one to the other and they reacted to each other’s movements. The intricate formations and split second coordination required for the choreography are impressive, and it was awe inspiring to watch. Near the end of the piece, the themes seemed to be repeating and searching for a logical conclusion.
In the end, they peeled the reflective covering off of the stage, piling it at the back to create an interesting sculpture. The ending didn’t seem fitting, but it didn’t matter much — the show was impressive nonetheless.
Dogfight – Semper Fi Collective and Renegade Arts Company
March 16–19; Pacific Theatre
The US Marines have a sick tradition called a Dogfight. Each marine puts some money into the pot, and they each try to find the ugliest girl they can and bring her to a party. The marine with the ugliest date wins the pot of money. Based on the 1991 film starring River Phoenix and Lili Taylor, the musical is full of catchy tunes and emotional moments.
Eddie Birdlace and his friends Bernstein and Boland (known as the three bees) are in San Francisco for a couple of days before they ship out to Vietnam, and they are preparing for a Dogfight. Bernstein meets Rose working at her family’s diner. He decides she will do for his entry. The only problem is that soon after inviting her to the party, he begins to feel bad about it and he starts to like her. Boland’s entry is a prostitute, Marcy, who he arranges to split the prize money with if he wins. Marcy tells Rose about the contest, and she punches Birdlace before fleeing the party.
Birdlace’s emotional dilemma drives the plot, and with the effective choreography and staging in the very small Pacific Theatre space, it was enjoyable to watch their love story unfold. Rose, played by SFU theatre student Amanda Sum, has a beautiful voice and her character is an aspiring musician and avid music fan telling Birdlace (Stuart Barkley) all about Woody Guthrie and Bob Dylan. They share a hilarious dinner date scene where Rose inserts as many swear words as she can into her order to make a point about how much Birdlace swears.
My only complaints about the production are that it was sometimes hard to hear the actors with the music being so loud right beside them onstage, and ideally the show could have used a larger stage to maximize the choreography and provide a bit more breathing room for the scenes. Other than that this was an enjoyable production with a talented cast.
Royal Winnipeg Ballet’s Going Home Star – Truth and Reconciliation touring to Vancouver April 7–9
The Royal Winnipeg Ballet will bring their highly anticipated Going Home Star – Truth and Reconciliation to Vancouver this April. This original ballet, commissioned by RWB Artistic Director André Lewis, attempts to represent the recent Truth and Reconciliation Report through a human story and follows two main characters: Annie, a young First Nations women from the city, and Gordon, a trickster, a supernatural being, who appears to be a homeless man. This show is being hailed by the CBC as perhaps one of the most important shows in the RWB’s history, and I expect it will be a powerful show that tells an important message in a unique way.
Director Chelsea Haberlin talks Dead Metaphor at the Firehall Arts Centre April 2–23
George F. Walker’s play, Dead Metaphor, follows the story of Dean, a young ex-sniper who has recently returned to Canada from Afghanistan and is struggling to find work. Complicating things further are his aging parents and a pregnant ex-wife. Dean ends up working as an assistant to a politician. As Haberlin explained to The Peak, the show is rooted in three dimensional characters and is very grounded. There is also a lot of humour despite the dark themes. With themes such as the struggle to find work, how to cope with aging family members, and the effect of war on the mind, the story is relatable in many ways and hypothesizes what would happen to a war veteran returning home to these circumstances. A script from a respected playwright produced by a talented cast makes Dead Metaphor a show not to be missed.
Re-vote called to determine Science Representative
It turns out students aren’t quite done with the 2016 Simon Fraser Student Society election just yet.
One of the biggest stories from the election results was the tied vote for the Science Representative position, with Connected candidate Tomas Rapaport and independent candidate Jimmy Dhesa each receiving 280 votes.
Now students will go back to the polls for a one day-only re-vote, taking place from 12 a.m.–11:59 p.m. on April 7.
As posted on the website for the Independent Electoral Commission, the decision was made because “there is no language in the SFSS Policies, By-Laws, or related regulations” regarding what to do in the case of a tie.
Dhesa and Rapaport will be permitted to continue their campaign starting on April 4 and going until 11:59 p.m. on April 6, after which the vote will start immediately.
Eligible students will be able to vote for either Rapaport or Dhesa here. Students who are in the Science faculty or took a Science class this semester are the ones who will be able to vote.
SFU Fashion Week Presents Season 3 Line Up
For many, fashion is sometimes thought of as expensive, eccentric, or simply not meant for everyday wear. But the people behind SFU Fashion Week hope to revolutionize the way we think about fashion through their 3-day event.
Currently in its third season, SFU Fashion Week (SFUXFW) was originally created by Kayode Fatoba, an SFU student. Fatoba works with a team of students to bring the event to SFU to make fashion more meaningful and accessible to all students. The Peak spoke to Pooja Patel, SFUXFW’s Creative Director, about what students can expect from this year’s Fashion Week.
“[SFU’s Fashion Week’s] philosophy is to create university fashion culture, as well as to showcase the creative and artistic talents of students through self-expression,” Patel said. “Fashion is not just clothes, but a way of self-expression, a way of presenting one’s self.”
This year’s event will be expanding beyond Burnaby, with each of its days taking place at one of the three campuses. Day one will take place at Burnaby campus and will be a networking event, in which students can meet members of the fashion industry. There will be a panel like discussion in which students who are interested in finding out what the fashion industry is like can pose questions to professionals and get different perspectives. There will also be a social afterwards for students to network with professionals as well as other like-minded individuals.
Day two will be hosted at the Surrey campus, and will focus on a particular social issue that is prevalent in the fashion industry. Dubbed “social awareness day” by Patel, this year’s social issue will focus on heightism, or height discrimination. There will be a keynote speaker from the fashion industry telling their personal story and helping students to gain insight on the issue. As well, Patel hopes that the social awareness aspect of the day will serve as an initiative to bring that awareness to students, not just those who are thinking about stepping into the fashion industry but also students who may not be aware of the certain social issues that occur behind the smiling faces of models.
SFUXFW wraps up on day three at the Vancouver campus with a full blown fashion show. The show will feature local brands, such as Broken Halo, Chantz, Self Hired Lifestyle Co., and others, as well as local models styled by these designers, and some SFU students will be taking the runway in various fashions. As well, there will also be live entertainment throughout the duration of the show by local acts such as a performance by SpaceH, dance by Bobo the Robo, and live art by Jace Kim.
If you ever wondered what it would feel like to be present at an event to the likes of New York Fashion Week, then make sure you check out the third annual SFU Fashion Week, happening from March 30 to April 1.
Your exam survival guide
[dropcap]A[/dropcap]re you prepared for exam season? It’s that time of the semester when students mindlessly roam the hallway in search of snacks, and end up skipping class to study for the class they skipped last week. Follow our guide and make sure you have all the essentials at the ready to survive the fast-approaching exam season.
- Coffee
Caffeine should be the only thing in your bloodstream. The ideal formula is four venti coffees from Starbucks per exam. It also helps to stock up on some junk food and miscellaneous snacks — you will most likely attempt to eat your stress away.
- Pajama bottoms and Ugg boots
You won’t just be wearing pajamas to bed anymore — they’re a finals season wardrobe staple. The softer, fluffier, and cozier the pajama material, the better. If you’re preparing for a final that’s worth 40+ percent of your grade, strongly consider a onesie. Ugg boots are basically pajamas for your feet, so the two pieces naturally go hand-in-hand.
- Cell phone (With essential timewasters downloaded)
Make sure that your phone is near you at all times. After about five minutes of studying, you may need a break — a phone with the essential applications like Netflix, Chitter, and Candy Crush is the best way to procrastinate efficiently. Use this tool wisely, as it can be a catalyst for emotional breakdowns later.
- Toque
Did you stay up all night and wake up with your face in your textbook and your hair going in 12 different directions? Well that’s nothing that a handy toque can’t fix! Along with its ability to pass as a stylish accessory, it’s also an easy solution for hiding the fact that you haven’t showered in days and your hair is a greasy mess.
- Box of tissues
Many tears will be shed in frustration and exhaustion, so it is best to prepare for the aftermath of the waterworks. A general rule of thumb is to buy four-ply Kleenex tissues in bulk, and to carry a small pack of tissues on you at all times. It will also be there when your exams are finally over and you are able to cry tears of joy.
- Backpack
The backpack is the treasure chest of student essentials during final exam season. It should include, but is not limited to: a variety of salty and fattening snacks, any notes you managed to make in the two hours’ worth of studying you did, and your sticky and faded student ID card to show your professor before an exam that sadly, you are who you say you are.
The best animated shows on TV right now
There was a point as a child when I just stopped watching cartoons. I’m not entirely sure what nebulous social rule told me I needed to stop doing something that I liked, but I stopped watching nonetheless.
It wasn’t until I was older, wiser, and out of my “everything-that-I-do-must-be-cool-or-rebellious” phase, I came to realize that cartoons were cool. Specifically, ones that were created for an intelligent audience. That’s not to say that every episode of these shows is filled with references and humour that only the most educated will understand, but they do go beyond needing to be funny for the sake of having to be funny. They also avoid fart jokes as the main source of humour, which is always a win in my books. Here are five of my favourite animated shows currently on the air.
Before I start my top five list, I would like to throw out two honourable mentions of shows that are no longer with us.
The first goes to Futurama. Even though it was also created by Matt Groening, I’ve always felt that it was the far superior show. Don’t get me wrong, I like The Simpsons, but there was just something about the humour of Futurama that makes me wish it was the 20+ season show.
The second goes to Gravity Falls. Don’t let the fact that this is a Disney show fool you, there is just as much in it for adults as kids. While it saddens me deeply that this show was only two seasons long kudos to Alex Hirsch for killing it before it could get bad. That takes balls.
5. Archer
I won’t be the first or last person to say it, but this show has been on the decline since that disastrous Archer: Vice season. I get that you needed a way to get ISIS out of the show ASAP, but that season just sucked. It doesn’t look like the newest season will be loads better, although it does look like it will be returning to its James Bond-esque roots, but I will always hold out hope the it will reclaim the glory of its early seasons. Otherwise, the sugary and non-gritty plots will attract ants. That is how you get ants.
4. Steven Universe
Cartoon Network has had some hits (Adventure Time) and misses (Annoying Orange and Uncle Grandpa) in their kids programming as of late. Thankfully, Steven Universe is a hit. Each 11-minute episode usually ends with a neat and tidy solution, but that’s not why you watch it. You watch it for the host of relatable characters and the overarching plots. Sometimes it can get bogged down by the fact that this is actually a kids show, but those times are rare. Also can we talk about how Steven and Connie are the OTP of OTPs? Too cute.
3. Bob’s Burgers
I was sceptical of this show when I first heard the premise, mostly of the fact that it seemed like a waste of an animated show. A sitcom about a struggling family living above their restaurant? Please. The first season didn’t do much to ease my skepticism, but the seasons since haven’t disappointed. The characters are expertly crafted, especially Tina, Gene, and Louise. They provide the perfect balance of angst, comedic relief, and maniacal plots that keep the show moving forward. Also, the appreciation of butts will never go out of style.
2. Rick and Morty
A show about an alcoholic mad scientist who lives in his daughter’s garage, mostly ignores his granddaughter, hates his son-in-law, and goes on interdimensional adventures with his grandson. How did this get past the pilot? Because this show is relatable. Even though you might not have parties with Abradolf Lincler and Bird Person, the themes that are present throughout the show get you invested in the characters pretty quickly mostly because you can see a little bit of yourself in each of them. Also Rick’s phrases are pure gold, especially, “Riggity riggity wrecked!”
1. BoJack Horseman
This show is hands-down the best animated show on TV — well technically Netflix, but at this point they really are the same thing. I guess you could technically classify this as a comedy, but it has many aspects of other television genres expertly brought in. Again, it has the relatability factor going for it, but it is so much stronger in BoJack than in other shows. It deals with depression, substance abuse, and the overwhelming feeling that you might have peaked too soon. Also, the one episode when Todd actually gets to help and feel useful even though he fucks it up? That gets me everytime. I understand your pain, Todd.
