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FNMISA builds space for Indigenous students

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Peak Web
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a photo of FNMISA's space in SFU. Room 1440 in the Student Union Building
PHOTO: Daniel Salcedo / The Peak

By: Yildiz Subuk, Staff Writer

Room 1440 of the Student Union Building (SUB) is home to the First Nations, Métis and Inuit Student Association (FNMISA), a group that provides a space for Indigenous students to lounge, study, and create community. 

This wasn’t always the case. Before having this space, FNMISA was one of the original rotunda groups alongside Simon Fraser Public Interest Research Group (SFPIRG), CJSF 90.1 FM, the Women’s Centre, Out on Campus, and SFU Students of Caribbean and African Ancestry. For multiple years, alongside the rest of the rotunda groups, FNMISA fought for a space in the SUB and fair treatment by the SFSS — they won their current space in 2020. 

In November 2021, FNSA officially changed their name to FNMISA to ensure Métis and Inuit students knew they were also represented by the group. Today, FNMISA hosts plenty of events throughout the year focused on educating through cultural practices. The association also engages in advocacy, such as holding SFU accountable for its commitments to reconciliation. For example, FNMISA has repeatedly pronounced themselves against SFU’s lack of proper consultation with Indigenous students prior to the construction of SFU’s First Peoples Gathering House. 

Events and Socials

FNMISA has and continues to be a source of social events, activities, and activism for the community. FNMISA hosts the annual Indigenous Day events at SFU. “We have a really big community of Indigenous students here and we want to embrace [that] all Indigenous people are different,” said Matthew Provost, an event organizer during 2017’s annual Indigenous Day event at SFU. 2017’s Indigenous Day was intentionally meant to highlight women’s voices, with all headliners for the event being Indigenous women. 

During 2023, FNMISA organized the first inter-tribal Powwow at SFU. It was attended by 1,000 guests and had 40 vendors displaying Indigenous artworks. Powwows are a great way to engage with the Indigenous community as it is a celebration of culture. Those who attend Powwows choose to wear traditional handcrafted clothing, including beaded apparel. While this year’s Powwow event has already passed, there is always next year. Powwows are also open to the public, making them an ideal event to learn and experience Indigenous culture. The term “Powwow” originates from Algonquin tribes (whose traditional territory extends across so-called Quebec and Ontario), and fittingly refers to a healing ceremony. Powwows also have their roots in resistance, as many Indigenous gatherings were banned in Canada from 1884 to 1951. This was done to force assimilation onto Indigenous communities, yet many would still partake in the ceremonies. Powwows today signify reclamation of culture, a celebration of life and a collective engagement in spirituality.

Beyond major events, FNMISA regularly hosts other social gatherings such as, hosting a games night every other week from 6:30 p.m. to 10:00 p.m. in FNMISA’s room, dinner is also provided — the next event will take place on July 7. Other activities include “FNMISA Movie Nights,” movie viewing gathering at FNMISA’s room every other Friday, with pizza and snacks provided. FNMISA also promotes events such as the annual Skoden Indigenous Film Festival, which, this year coincided with FNMISA’s own third annual “Honouring Indigenous Students” Powwow. Apart from their regularly scheduled events, FNMISA also organizes beach days, camping trips, and other activities.

Bursaries, scholarships, and student support

Beyond social events, FNMISA assists students in learning and navigating through the many scholarships offered to Indigenous students. The BC Scholarship Society offers funding up to $5,000 per year, for any Indigenous student pursuing any form of education, whether it’s trades, a diploma, or a degree. The Ch’nook scholarships program, which contain $2,000 in funding, is catered to those studying business and anyone can apply and receive the award. These are just two of the many examples of financial aid listed on FNMISA’s website.

Another useful aspect to consider is the peer cousins mentorship program, which links newer students to older, more experienced students. Through this program Indigenous students not only get introduced to members of the community but also have a support system when it comes to navigating the daunting new space they enter for education. SFU can be confusing to navigate, but having someone else who is familiar can help ease new students into this environment. 

For those looking for financial aid, it is best to first consult with financial aid advising, which has both a remote and in-person option. Drop in appointments slots are available on Thursdays 1:00 p.m.–2:00 p.m. and Fridays 1:30 p.m.–2:30 p.m. Appointments can also be booked by contacting [email protected]. 

To join FMISA there are two requirements. You must first self-identify as Indigenous. This means students must indicate on their application that they are of Indigenous ethnicity, while also filling out a supplemental application. This application will also require a reference to verify. The second requirement is enrollment. You must be enrolled in a semester, or will be the following term they are granted access to FNMISA. Students who were enrolled a semester previously may also join, but no earlier than that. FNMISA is an important part of the SFU community, as it provides a safe space for many Indigenous students. It is a way in which many can get involved in cultural practices, and the organization offers a variety of engaging events all focused on the importance of community, while also providing Indigenous students the opportunity to have a comfortable transition into university life.

Monday Music: Songs for moving forward, healing, and letting go

By
Peak Web
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This is an illustration of a young adult walking towards the abyss along a deserted road with their car doors open
ILLUSTRATION: Stella Laurino / The Peak

By: Lucaiah Smith-Miodownik, News Writer

“19” by La Reezy

“I told my older self to let me go.” With infectiously uplifting beats and vocals, La Reezy raps on what it means to become the person you want to be. Layered over a sample from Willie Hutch’s “I Choose You,” the artist flips Hutch’s melodic voice to the introspective, choosing himself. Doing so often requires confronting what ails us most, and La Reezy does exactly that. “To be the man I am, me and my demons they had to tussle.” Listen to this track, and you might just find yourself plotting your own come up. Just don’t forget where to start, that is, with “the man in the mirror.”

“Healing” by Rahill

Rahill’s voice doesn’t demand. Instead, it gently beckons your ears to listen. With comforting vocals and a cascading soundtrack, this song sounds almost familiar even to the first-time listener. Perhaps it’s because it reminds you of an old memory — a nostalgia — and you are seamlessly whisked back to a time of peace. “Healing” is a reminder that when you’re in the middle of moving forward, it can be hard to stop and look at how far you’ve come. Only when the lyrics give way to an interlude of dialogue, perhaps between mother and child, is your attention drawn back to the here and now.

“Victory Lap” by Valley Palace

“I’m not in the backseat, now, I’m riding in the driver’s place.” Woven into Valley Palace’s lyrics is the sentiment of growth, of moving forward with both mind and body. The artist’s vocals offer a sound of serenity, but the message is clear: “I don’t need you chasing me around.” “Victory Lap” is a reminder that sometimes climbing to the front and taking position behind the wheel in life means showing others the car door, and that is OK. 

“King Konquer” by VNDRE

VNDRE is as much of a storyteller as he is an artist. His words, exuding confidence, flow straight off the tongue and into the listener’s veins. “I am worth more than any word that you’re speaking bout me,” he tells all. “King Konquer” emphasizes that if you’re sure of your path, then letting go of what others may think of you is the best thing you can do. “Don’t extend hands, germs be in the palms of those who can’t stand me, at least you could cough up truth.” VNDRE knows who he is, and in the face of doubt, that’s what matters most. At times, we could all use some self-conviction. Listen to this song when you need to borrow a little.

A call for revolution (and moving sidewalks) at blusson hall

By
Peak Web
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Joy Johnson and a raccoon thoroughly enjoying SFU’s newest installation of moving sidewalks inside of blusson hall. There are signs pointing to the upper bus loop and to Renaissance.
ILLUSTRATION: Bithi Sutradhar / The Peak

By: Katie Walkley, Peak Associate

HEAR YE, HEAR YE!

SFU storm bringers, we have gone on too long walking immeasurable distances from class to class. We are made to feel like hobbits trekking to Mount Doom when we should be trekking towards stable careers (unless you’re an English major . . . SIKE! English majors rule! Screw the haters). We cannot continue to operate under the control of our inhumanly planned architecture. It’s time to wake up and leave your NPC lives behind, sheeple!

I’m not the first free-thinker to awaken to the misery under our noses. A fringe, anti-traditionalist, anti-walking society has been scheming behind the scenes for generations. Now, they’re coming out of the shadows for their greatest heist yet, and we must join them. The plan? Implement moving sidewalks in blusson hall.

We need a hallway that works for us, not a hallway we have to work to get out of! The time we spend wandering around campus could be cut in half with a speedy track that sends us where we need to be, like groceries sliding towards the cashier. Do we not deserve to be treated equally, nay, better, than the Takis bags scooting oh so lavishly to their destination? 

Like you, I once thought this walk from the AQ to the upper bus loop was merely a mild inconvenience. During that dark time, my silly, ignorant mind couldn’t even comprehend the possible alternatives. Then, I escaped the matrix (took the summer semester off), and the unnoticed detriments to my well-being came to light. Let me tell you, the truth shines brighter than Edward Cullen’s sparkly jawline, except this time, instead of being hungry for blood, it’s hungry for justice.

Back when I braved the harshness of the Burnaby campus daily, I was forced to put my gains aside and skip leg day. I couldn’t risk getting injured from my alpha male workout routine. I feared that if my legs were too sore, I would collapse in that hall and never make it home. Now, all I have is eight–pack abs with too much mass for my noodle legs to hold. I still skip leg day — I need a rest day from these memories. 

Even though I sacrificed any possibility of buff calves, my efforts did not protect me from the unstoppable pain that hall wreaks upon innocent students. Coming out of those three-hour psychology lectures in the Images Theatre, legs numb, about to crash out, blusson hall became a final test of worthiness where I did not want to be worthy. 

So, SFU nation, after sharing my story, I ask you to think of all the ways this tunnel of despair has wronged you. Once you find the rage within, you will be ready to join us at dusk on the first half moon after exam season. Together, we will figure out how airports make those moving sidewalks. We will control the means of production! After that, we will be unstoppable!

I’m forever haunted by Harbour Centre Mall

By
Peak Web
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A picture of a man with a frightful face in front of the SFU Harbour Centre campus (inside of the mall). A hand is reaching towards him.
PHOTO: Emily Le / The Peak

By: Yulissa Huamani, Peak Associate

Look, there’s nothing better than waking up at the crack of dawn to attend a lecture. I don’t expect anything remotely interesting to happen at 8:00 a.m. as I commute and question my life decisions. Plus, I feel rejuvenated after a micro-nap on the SkyTrain. Slowly regaining consciousness, I have potentially 15 minutes of semi-functional brain activity left before facing my worst enemy — that damn mall. 

Do you know the small mall tucked under SFU’s Vancouver Harbour Centre Campus? The creepy place where haunted mall music (muzak) echoes through the deserted hallways and pension-receiving escalators plead for help like trapped souls trying to be released? Where looping muzak slowly increases its volume to combat the mournful sounds of lost souls?

A picture of a man with a frightful face in front of the SFU Harbour Centre campus (inside of the mall). A hand is reaching towards him.
PHOTO: Emily Le / The Peak

Seriously, has anyone walked through the mall without feeling like they could potentially become a protagonist in the new Final Destination movie? I hold my breakfast like my LIFE depends on it. Sometimes I can feel a ghoulish hand reaching towards MY rice krispie squares — spooky shit. Every sound echoes louder than my intrusive thoughts. Even empty store mannequins scream for help, like the chilling screams you feel in your bones. As if the vibes of this place aren’t spooky enough on their own, I’m often confronted by the frightening muzak that’s probably chosen by the ghost of a middle-aged woman. I hear J.Lo screaming “LET’S GET LOUUUUUUUUD” as if it were a war cry to rally the ghosts of the mall. On the day of an exam, while you frantically flip through your Quizlet, you can enjoy 10 seconds of a dramatic piano ballad by Céline Dion — so emotional that it felt like the Titanic was sinking again. All the while, you’re running like a desperate orangutan through the streets, praying to make it on time to the exam. And no, Jack, you don’t want to be saved to hear or see this.

I genuinely believe the mall is haunted. Are exorcisms on buildings even a thing? Just because the whole vibe feels like the opening of a horror movie where no one makes it past the first scene. And the music sets the tone. “Toxic” by Britney Spears can randomly start blasting through the speakers like the mall suddenly decided it was 2004. And the next song could either be “Conga” by Gloria Estefan or some random Christian pop hit. I either power walk to class or accidentally empower a ghost with some religiosity, which doesn’t seem to work as it still haunts me. Just like that one Canvas grade notification you avoid opening, you know you can run, you can escape, but it lingers patiently. In the shadows of your every thought, every step you take, the mall will find you. With no remorse.

On reading Dostoevsky

By
Peak Web
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It is an illustration of a portrait of Fyodor Dostoevsky writing his book under a candle light in a dimly-lit room
ILLUSTRATION: Victoria Lo / The Peak

By: Yildiz Subuk, Staff Writer

I have read a significant amount of Fyodor Dostoevsky’s work and found myself both exhausted and enlightened. His book Notes from Underground (1864) is hailed as the first existentialist novel, exploring the depths of an ill man’s psyche as he loses his sense of purpose. Crime and Punishment (1866) tackled intertwining themes between social inequality and crime, while The Brothers Karamazov (1880) told the sprawling tale of one of the most dysfunctional families in literature. Dostoevsky, who was born in Moscow, Russia in 1821 lived till the age of 59. He was involved in an anti-government group, which led to his arrest and death sentence in 1849. Just before his execution, he was instead transferred to a Siberian Labour camp, until he got his release in 1854. The tone and subject matter of Dostoevsky’s work feel like a manifestation of his bleak life experience and an examination of his own existence throughout different periods of his life.

When I first began reading Dostoyevsky, I jumped straight into Crime and Punishment,  and as I began reading I knew I immediately made a mistake. While the premise, — focused on a young man who is driven to murder and theft by his socioeconomic condition — seemed captivating, I realized the book was too focused on the guilt and inner turmoil of the character rather than a plot. It felt more akin to a diary than a novel and I put it down. I ended up leaving it unfinished, and decided to read his shorter first novel, Notes from Underground — personally, I think this is the best place to start with his work. 

Due to its shorter length, Notes was more accessible. It is split into two parts, one focusing on the inner ramblings of a man whose health is declining, causing him to become increasingly bitter. The second part explores his past and how he reached his breaking point. This book familiarized me with Dostoevsky’s writing style and voice. Afterwards, I eventually returned to Crime and Punishment, and finished it. While I was more appreciative of this novel the second time around, and found the exploration between crime and poverty to be interesting, it was still a bit of an exhausting read due to it focusing primarily on Raskolnikov’s view of the world for too long of a length.

The Brothers Karamazov fixed the problem I initially had with Crime and Punishment. The Brothers is my favourite of his works. It is nearly a thousand pages, but constantly compelling. Instead of focusing on one character’s psyche we see the perspective of four main characters — four brothers —  and their relationship with their tyrannical father. It unveils the abuse they experienced, and how each one of the brothers develops a different conflicting sense of morality. When they are re-united after years of being apart, this dysfunctional dynamic reaches a crescendo. The brothers explore the decay of morality, while also challenging the reader’s beliefs on redemption. It poses the question,“Can the most morally depraved individuals have a chance to redeem themselves, not just in the eyes of society, but also in their own eyes?”

While Dostoevsky’s more notable work can feel challenging due to its length and its rant-like quality, it is rewarding to those who enjoy the style of unfiltered writing. Starting with his shorter fiction before delving into his lengthier works will give the reader better insight into whether they like his writing or not. Dostoevsky’s ability to convey emotions like bitterness, angst, hatred, through his writing while exploring social issues makes him a writer that has stood the test of time. This does not necessarily mean his work will floor every reader. His continued popularity is, however, a testament to how timeless his writing feels, and for those looking for books that keeps their minds engaged with the philosophical elements of the story, Dostoevsky’s work will leave the reader constantly grappling with their own world view.

CARTOON: The Trump and Musk breakup

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Peak Web
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Trump and Musk sitting on opposite sides of the frame. They are both shedding a tear as they look beyond. The sky is black.
By: Christine Aumueller

By: Christine Aumueller

Our Bodies, Our Health tackles 2SLGBTQIA+ sexual and reproductive health

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Peak Web
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This is a vibrant illustration of people of various genders, body types, and skin tones holding pencils and pieces of paper. Sexual and reproductive health symbols (like condoms, IUDs, birth control) are patterned in the backdrop.
ILLUSTRATION: Angela Shen / The Peak

By: Lucaiah Smith-Miodownik, News Writer

A new survey titled “Our Bodies, Our Health” wants to better understand the sexual and reproductive health needs of 2SLGBTQIA+ Canadians. The study is headed by the Community-Based Research Centre (CBRC), in partnership with the Health Initiative for Men (HIM) and Investigaytors, among other organizations. The Peak spoke with Kartik Arora, a team lead for HIM and Investigaytors, about the survey and what it means for the future.

Both CBRC and HIM focus on the health of gender and sexually diverse community members. CBRC is a research and project-based organization, while HIM focuses on the latter. Similarly, Investigaytors is “a national community-based research program,” Arora said. “Specifically in BC, it’s a community health leadership program for 2SLGBTQIA+ community members who are interested in health research.”

The survey results will help HIM “create interventions or programs” designed to “address those gaps that we find in the data,” Arora said. “A lot of queer folks, especially younger queer folks, might share a primary care provider with their parents or their family members. And so sometimes people can still be worried about confidentiality and information getting out,” he explained. “A lot of times what we see is queer communities often have to educate their own healthcare providers on their specific queer health needs and sexual health needs as well.” Since the survey is still ongoing and all the data is yet to be obtained, it’s difficult to predict what these programs might look like, Arora said. 

Beyond local implications, the data will be shared on the provincial and national levels and with the Canadian Institutes of Health Research, which helped fund the study. “Once the data is collected and compiled, we’d be able to inform on policies and practices and take this data to those bodies that inform regulations and pass legislations and policies about the lives of 2SLGBTQIA+ members in Canada.” Arora emphasized that “it’s one thing just to collect data, but if you don’t do much with it, or have reciprocal means of sharing the data as well, it can often look like you’re tokenizing a specific community, especially a marginalized community.”

Lack of access to the HPV vaccine, which defends against both genital warts and various cancers, represents another challenge for some members of the 2SLGBTQIA+ community. Arora explained that the shot is “only free in BC up to 26 years of age and younger, even though it is recommended for queer men that are older than 27.” 

“I love that this survey allows community to lead community.” — Kartik Arora, team lead at Health Initiative for Men, Investigaytors 

What makes this survey special is its “community-driven” roots, Arora said. “A lot of times when you have surveys about our communities, they’re often created by certain bodies in the silo,” he explained. In the case of “Our Bodies, Our Health,” Arora said “there’s been so many voices and input going into designing this survey.” 

Designing the questions did not come without challenges. “Narrowing down the scope,” while “making sure that we had questions in each of the areas that we wanted to focus on and prioritize,” was one obstacle, he explained. Ensuring the survey was “accessible and can be finished in a certain allotted time frame” was a challenge as well.

The study is special in that “in contrast to previous queer research surveys, this one also tackles on endeavors related to sexual and reproductive care, gender affirming care, and sex and pleasure, which are often overlooked.” Additionally, “each province that is administering the survey will have their own unique questions” within the survey, to provide a better glimpse into “what’s going on in local communities,” Arora explained.

For instance, “in BC, our healthcare system is split into multiple health authorities spread across the region,” so some questions may ask which region participants live in and where they access services. He explained that such an inquiry will provide an idea of whether individuals are looking for services outside of their regional authority.

“It really does take all parts of the community and different people at different places to come together to be able to do this kind of work,” Arora added. “I love that this survey allows community to lead community.”

The “Our Bodies, Our Health” survey will be available in person at Vancouver Pride from August 2–3. The survey is also open until mid-September online.

The Peak investigates: Jugo Juice closure

By
Peak Web
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A personified coffee cup wearing Hello Kitty pajamas stands in front of a burning Jugo Juice. He is tipping his coffee lid as a sign of respect, almost remorseful for his actions.
ILLUSTRATION: Yan Ting Leung / The Peak

By: Coffee Brown, now in witness protection

Coffee Brown was recently faced with his most difficult task as a member of the Beverage Mafia. Brown had been loyal to the mafia family for decades, but after his last hit, he knew it was time to retire. Years of guilt caught up to him, and he realized he needed to free himself from the burden. 

He is set to testify against the Beverage Mafia next year (with a full pardon of his crimes), but has agreed to provide his statement regarding the suspicious closure of the Jugo Juice next to Renaissance Coffee in the AQ exclusively to The Peak. 

“It was some time ‘round last week. I’m at home, in my Hello Kitty jam jams, when I hear a knock on the door. It’s not just a normal knock, too; it sounded like a kangaroo on speed, ready to bring my door down. I know what it is — it’s serious, they gonna tells me ‘go paint a house.’ Well, I says to the guy, hold it, gimme a sec, but he’s banging away like my mom and pawp on Valentine’s Day. I need to change outta my jam jams, ‘cause no one is going to take a hitman who likes Hello Kitty seriously — society, am I right? Anyways, I suit up and open the door, and who do I see? Ol’ Thony Coca-Cola. ‘Hey, what’s the matter?’ I says to him.

“He comes in, sits down and lays it out for me. Started to bust my balls. 

“Turns out the old Jugo Juice factory the boss gave out loans to wasn’t doin’ too well — I guess they haven’t been since they took that loan from us. Thony tells me, ‘Hey pal, it’s time to go send a message.’ I’m sitting there nodding, but deep down I know I can’t do it. I wanna say, ‘Fogetta bout it!’ 

“I love that Jugo Juice — and here is Thony telling me to go literally beat the pulp outta the owner. I am bouts to tell him, keep your cash — I can’t do it, I like that place . . . especially ‘em kale smoothies . . .  and then he pulls out a brief case loaded with enough cash to buy a stupendous amount of Hello Kitty jam jams to last my grandchildren (totally not me) a whole lifetime. 

“I take the cash and do the job. I wanted to say no, but just when I thought I was out, they pulped me back in. I sent the owner a lil’ knuckle sandwich and set the place on fire right at closing time. The boss calls me just after I burn it down and tells me to . . . you know . . . whack that poor soul. Boss says to me he’s been juicin’ him for years, and he won’t pay the loans back. I’m lookin’ at the poor chap . . . he spilled a cup of the lemon juice on his pants while his shop burnt. I can’t do it. I don’t do it. I said to the poor chap, ‘Run, fogetta bout it.’

“I realize that I’ve been spilling the blood of too many in the name of the boss and the twisted Beverage Mafia. But no more. I’m takin’ it down with me. I decided to rat. I would’ve never thought I’d get to the point that I felt like a cannoli in Ol’ Paulie Piña Colada’s fridge, the way this guilt was eating me.

“I loved that Jugo Juice. I remember the first time I had a smoothie from there. I was saying stuff like splendid, somethin’ you don’t hear a guy like me saying. The Beverage Mafia— they expect too much. You gotta be a tough guy, you can’t drink a kale smoothie and enjoy it or they’ll calls you soft. You can’t be seen wearing your Hello Kitty jam jams either. The money was good, but my job was  miserable. I knew I had to scram faster than my mom makin’ her Christmas linguine.  

“It was the best decision of my life. I feel bad for beating poor Jugo, or whateva his name is, but I won’t be doing that no more. I can live my truth, wear what I wants to, and enjoy my jam jams.”

Monday Music: Songs to aid your astral journey

By
Peak Web
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It is an illustration of a girl sitting on a patch of grass staring into the night sky full of stars and other astronomical objects
ILLUSTRATION: Cassandra Nguyen / The Peak

By: Katie Walkley, SFU Student

Doing nothing should be considered as a human need just as important as eating or sleeping. To ease you into a camaraderie with your mind through the art of staring off into space, I have created this playlist that will guide you through the cosmic realm for the optimal zone-out experience. Please listen to these songs in their prescribed order for the best results.

“The Body is a Blade” by Japanese Breakfast

The ninth song in Soft Sounds from Another Planet gently lifts you from your daily struggles. The guitar’s hypnotic patterns seem to spin in circles around you. Meanwhile, Michelle Zauner’s ghostly vocals deliver brutally authentic lyrics that allow you to sit with both hope and melancholy. Using music to access your intense emotions perfectly prepares you for an astral realm where you can ponder your existence in a far-off space.

“Can I Sleep in Your Brain?” by Ezra Furman

Known from her work on the Sex Education soundtrack, Furman is a master of musical storytelling. The specific yet universally felt details make every lyric feel like a punch to the gut. The minimalist instruments and heart-wrenching singing will gently guide you to find a landing spot from the stars in someone else’s brain. However, the genre swap halfway through the song from a slow ballad to punk-style guitar and blaring saxophones indicates that the brain you’ve found may not live on our planet.

“Tapestry from an Asteroid” by Sun Ra

The jazz musician Sun Ra will help you wander through the alien’s brain that you dropped into. In a 1989 interview with SPIN, he claims to have been sent to Earth from Saturn to raise human consciousness. Whether or not you believe his origin story, you will feel his connection to the cosmos when hit with the otherworldly groove of this tune. 

“Secret Tongues” by The Moldy Peaches

Now that you have successfully travelled the astral plane, The Moldy Peaches are here to help you descend back to your body. The sweet voice of Adam Green delivering absurd lyrics such as, “just jiggling around like silly putty / and who are you and I?” will keep your adventurous whimsy alive as you take on the rest of your earthly tasks.

After taking your focus away from the urgent matters that were pressing down on you, you can come back and greet them with more clarity. We were never meant to be constantly stressing about work. We need time where we can feel human and vanish from everything that is being asked of us, so that when we return, we can discern what really matters.

What Grinds Our Gears: Hardcover books

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Peak Web
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A photo of an opened book on a bed with purple floral sheets.
PHOTO: Rhamely / Unsplash

By: Zainab Salam, Opinions Editor

Let me set the scene. It’s midnight. You’re cozy. Under layers of a blanket and a duvet. Swallowed whole like a sentient marshmallow. The lights are dimmed, just right. You reach for your book — the one you’ve been dying to start. But alas. It’s not a sleek paperback. It’s not digital. It’s hardcover — a glorified brick in disguise. 

Nothing — and I mean nothing — kills the vibe like trying to read a hardcover in bed. It’s the literary equivalent of wrestling a bear. One hand’s going numb from supporting the sheer weight of the thing, the other’s frantically flipping pages that refuse to stay open — unless you press them down like you’re conducting open-heart surgery. 

God forbid you want to lie on your side. Suddenly, you’re doing acrobatics, holding it up with one arm like you’re training for the Cirque du Soleil, only to be slapped in the face when it inevitably slips and decks you across the nose.

And the dust jacket! Why is it even there? What purpose does it serve except to slowly inch up the book like a tuxedo trying to make a run for it? If I wanted to be left at the altar by a man, I would’ve dated a man! Oh, and take it off, suddenly you’re left with a sad, naked cube that somehow feels even worse. 

Honestly, hardcover books in bed are a personal attack. They mock you with their spine-cracking stubbornness and sheer physical bulk. Want to get comfy? Too bad. This is a core workout now. 

I’m not saying ban hardcovers. They have their place in society, like as a murder weapon in cozy mysteries. But in bed? No. Just no. Reading in bed should be soft, floppy, and commitment-free. Like a paperback. Or a bad decision. 

Hardcovers for readers are the equivalent of throw pillows for interior designers; for display, not practicality. End of story!

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Simon Fraser University’s independent student newspaper since 1965.

Contact us: [email protected]

© The Peak Publications Society 1965-2024

Simon Fraser University’s independent student newspaper since 1965.

Contact us:
[email protected]

© The Peak Publications Society 1965-2024