Home Blog Page 21

Corporate cuts for the Vancouver Pride Parade

0
This is a photo of a rainbow heart on the ground.
PHOTO: Derick McKinney / Unsplash

By: Lucaiah Smith-Miodownik, News Writer

This August, the Vancouver Pride Parade will look a little different. The event, hosted annually by Vancouver Pride Society, recently lost half of its corporate sponsorships for this year’s celebration. Companies like Lululemon and Walmart have withdrawn. The Peak spoke with Michael Robach, director of development at the non-profit QMUNITY, for more information. 

QMUNITY was founded as “a community center for queer, trans, and Two-Spirit people to access low-barrier frontline mental health and social services, and that’s what we continue to do today,” he said. The initiative also “delivers programming all across BC,” and marches in different Pride events around the province. 

“We’re one of the oldest LGBTQ organizations in Canada, and so by virtue of that, we’ve always been very involved in the Pride movement and Pride advocacy, ensuring equal and basic human rights for queer and trans folk,” Robach added.

QMUNITY has been involved in the Vancouver Pride scene for decades, helping to facilitate the original Vancouver Pride Parade, which Robach described as a protest, around 50 years ago. Fast forward to 2025, and the organization still plays a significant role in the August celebration. “Most recently, we entered into a partnership with the Vancouver Pride Society and the West End Business Improvement Association to really ensure and secure Pride this year,” he said, speaking to the recent loss of corporate sponsorships. 

Like Vancouver Pride Society, Robach shared that QMUNITY also recently lost four sponsors for an annual breakfast the organization hosts. These groups were partners “for almost 17 years in a row.” 

“This built up tension and this over-politicization of gender, and trans people, and trans bodies, and trans kids has sort of really been the driving force behind shifts in attitude.” — Michael Robach, director of development, QMUNITY

As to why companies may be shying away from involvement, over the last “year and a half, there’s been a very transphobic and homophobic rhetoric that has been permeating all across North America, particularly outside of larger cities, and we see this in the cases that come through our door, we see this in the news,” he said.

Robach believes that large amounts of anger and frustration towards the government “on the more conservative side of the conversation” were heaped onto the trans community, and have been rising steadily. “This built up tension and this over-politicization of gender, and trans people, and trans bodies, and trans kids has sort of really been the driving force behind shifts in attitude.”

Robach also noted that in precarious financial times, businesses tend to cut down on their philanthropy and social investments.

Returning to the topic of funding for the Pride Parade, Robach considered what it meant to need to rely on large corporations in the first place. He spoke to pinkwashing, when groups or organizations support 2SLGBTQIA+ initiatives as a way to distract from harm or wrongdoing. “We should always hold conversations and be critical about understanding the ways that funding structures work and operate,” he said. 

Still, QMUNITY’s services are “so important to people’s livelihoods and sense of self, and ultimately in order for that to happen and for spaces like those to exist,” and the organization depends on the “funding structures that are in place to support it.”

Being sick shouldn’t cost this much

0
A girl sitting sideways, with her legs tucked underneath her. There are flowers growing out of her right abdomen. Her face is solemn. The background is green.
ILLUSTRATION: Sonya Janeshewski / The Peak

By: Zainab Salam, Opinions Editor

One day, two and a half years ago, I woke up with agonizing pain in my abdomen. After hours of attempting to get through it — thinking it might’ve been a muscle cramp — I made my way to the hospital. Long story short: it was a kidney stone. Resolving that issue with an operation wasn’t the end of my problem. Only eight months later, compounding issues began to occur with my kidney. One thing led to another, and I went from being a healthy-bodied individual to a chronically ill person. When I started to seek support from SFU, I found myself navigating a system that was fragmented, inconsistent, and ultimately unfit to address illness. By the time I accepted my new reality, it was too late to apply to receive accommodations from the Centre for Accessible Learning (CAL). There was no immediate, alternative institutional pathway. My case was left for my then four professors to decide. Two of them were very kind and understanding — the other two, not so much.  

The fight for my rights and protection that followed introduced me to the devastating gaps in SFU’s approach to student illness. This isn’t a novel realization, I fear. Having to fight for accommodations is likely on the forefront of every chronically ill student. It made me grasp the urgent need for SFU to implement a comprehensive, standardized system to manage illness and disability — both short-term and prolonged — that goes beyond the limited scope of CAL. 

Even in my conversations with a CAL representative, I was told that my health issues, which had been on-going for nine months at this point, would not qualify me for CAL accommodations. So where was I supposed to turn? There was no centralized process for handling these grey-zone cases. I was left to advocate for myself with individual instructors, each with their interpretations of fairness and responsibility. 

It’s clear that the lack of an institution-wide framework for instructors and students to follow not only allows but enables such transgressions to occur. The discrepancy in the interactions we as students have with our instructors is frustrating and discriminatory. Students don’t know what to expect when they reach out to instructors. And without a clear, universal protocol, accommodation becomes a lottery of luck rather than a guaranteed right. 

If my medical documentation was not enough to prove the legitimacy of my health issue, and did not garner enough empathy from my professors, what does that communicate about SFU’s values? There was no way for me to understand SFU’s values, other than upholding able-bodied norms as the only acceptable form of existing. In the absence of a unified policy, SFU effectively communicates that illness is rejected from educational spaces. 

The truth is, I’m no stranger to the ableist world we live in. 

Even now, I find myself needing to communicate personal information to my instructors on a regular basis. This feels highly invasive. Let alone that medical notes contain even more personal information — health number, birthday, along with my medical history. Information I don’t feel entirely comfortable divulging. Yes, instructors most likely don’t care about my personal health number or birthday, but I still feel a sense of invasion of privacy handing that medical note. Which I assume is kept in some file to document my extension. And for what? There’s no guarantee my vulnerability will be met with support. 

On top of the emotional and academic toll, there’s also the financial cost of being sick. I couldn’t work for months and had to go on sick leave — a break that significantly reduced my income. And then there’s the price of being believed: every medical note I submitted cost $50. Since I was expected to provide documentation every couple of months, this added up quickly. I was paying hundreds of dollars just to prove I was unwell. 

Worse still, the academic penalties I’ve faced due to this lack of systemic support have begun to impact my eligibility for post-bachelor programs. Missed deadlines, inconsistent attendance, and lowered grades — all stemming from circumstances beyond my control — now live permanently on my transcript. In essence, I’m being punished for being sick. My future academic and professional opportunities are being narrowed, not because I lack potential, but because I lacked institutional protection. And because SFU lacks a clear, compassionate system for dealing with medical crises. 

The truth is, I’m no stranger to the ableist world we live in. Disability justice clearly outlines that accessibility shouldn’t be a luxury but a baseline — a shared commitment to collective care, autonomy, and interdependence. Yet, SFU continues to operate under a reactive model that individualizes crises and burdens students with the responsibility of proving their pain. 

The reality is this: SFU’s current accommodation system is broken — it leaves students with health issues and disabilities at the mercy of instructor discretion and reinforces ableist norms. We need a centralized, and transparent process — one that trusts students, protects privacy, and acknowledges that illness and disability do not follow tidy deadlines. SFU must stop putting students in the vulnerable position of begging for basic support, and instead build a system that reflects respect for our shared humanity. Anything less is unjust.

Local gardens for local harvest

0
A brown wooden welcome signage on a fence, green plants in the back.
PHOTO: zanda.photography / Unsplash

By: Daniel Salcedo Rubio, Features Editor

Walking around Metro Vancouver, it’s likely you’ve found community gardens full of vegetables and plants. These spaces aren’t just pretty; they are a great way for people to strengthen their relationship with the land they inhabit, build community, and eat local food — how much more local can it get than harvesting with your own hands? 

Developing these plots of unused land into sources of locally produced food is one of Vancouver’s food security efforts. As part of the Vancouver Food Strategy and the Local Food Action Plan, the city harbors over 110 community gardens spread across parks and public spaces.

One of the biggest barriers to community gardens in Vancouver is the competition over available plots of land. In a city where every square foot is sought by developers to build high rises or is set apart for public infrastructure by the government, it’s likely community gardens aren’t very high on the priority list. Not only is developing new gardens an issue, but the process of being accepted into one can take a very long time as well. With limited spots available and long waitlists, many Vancouver residents are locked out of them. This is especially considering two-thirds of renters in Metro Vancouver live in apartments, most of which don’t have proper gardens for this activity. These factors make any community garden a highly coveted award. 

“How much more local can it get than harvesting with your own hands?”

However, solutions are already being implemented. Basel, Switzerland, started a program in the ‘90s mandating green roofs on new and renovated buildings. Not only is the mandate in place, but the city has provided subsidies and insists on using native seeds for the gardens. In San Francisco, another example of green roofs, started requiring solar panels on rooftops for most new constructions, so buildings will either have green rooftops, solar panels, or a combination of both. Not far from us, Toronto became the first North American city to require new buildings to incorporate green gardens in 2009. Unfortunately, this isn’t the reality of Vancouver. In a survey conducted by Living Architecture Monitor, only 283 of 9,526 of the mapped buildings had gardens in them. While it’s great that some buildings have dedicated space for gardening, these initiatives should really be implemented by the government. This can look like incentivizing or outright requiring developers to dedicate spaces for a community garden, whether it be on the rooftop or a dedicated amenity inside the building.

Even if you are lucky enough to have a private garden or balcony you could use to start your own harvest, it can be quite overwhelming. It’s not only the startup costs of soil, seeds, containers, watering systems, and whatnot — it’s the knowledge investment many people dread. Taking care of plants isn’t instinctive; not everyone has developed the skillset or acquired the knowledge required to bring a barren plot of land into a bountiful garden. If the City of Vancouver is really looking to ensure food availability, safety, and quality, then it must support residents not only with space, but with guidance. One solution could be the creation of an independent body dedicated to urban gardening support — offering practical education, hands-on workshops, and advice to individuals and communities. This same organization could serve as an auditor to ensure developers are meeting the requirements (if the city sets them) for harvest-friendly spaces in new buildings, while also being a consultant for residents. This initiative should also be built in collaboration with Indigenous communities; incorporating ecological and sustainable harvesting knowledge. Bringing Indigenous voices and expertise to the forefront is not only an act of reconciliation, it’s a way to ensure our gardens are grounded in respect for the land and the interconnectedness of the ecosystem living within. This way, the gap between barren plots and bountiful gardens can be closed while maintaining sustainable practices and even incorporating Indigenous knowledge into them. 

While this might sound idealistic, it’s important to remember that gardens are living, breathing ecosystems. They rely on the care and commitment of people and therefore fully rely on human responsibility. However, they don’t necessarily need to rely on manual labour; there are countless innovations already in use, from automated irrigation systems to vertical growing setups, and even the tried-and-tested scarecrow. With the right infrastructure, knowledge, and expertise growing food in the city can become less of a luxury and more of a shared, sustainable practice.

Vancouver punk’s role in creating community in an introvert’s city

0
This is a photo of a punk concert
PHOTO: Vitalina / Pexels

By: Katie Walkley, Peak Associate

When spending time in Vancouver’s public spaces, I notice it is common practice to avoid eye contact. Instead of engaging in other people’s lives, we tend to stay focused on our own.

I used to think all of Vancouver was like this — cold, distant, impersonal. Then, two years ago, I started going to some of the city’s punk shows. When my friends first introduced me to them, I did not understand the appeal of thrashing around with strangers, especially after hearing stories of bloody noses. However, once I finally built up the courage to join the mosh pit, I realized why they love it so much. It tends to the human need for community.

The focus everyone has on the present connects them all, unlike average interactions on the street, where people have their minds to themselves, thinking about their own worries. The punk dance style is so visceral that it takes us into an animal-like state where we have a rare opportunity to express ourselves freely beyond social norms in a public space. Since everyone there becomes connected through dancing together, it creates a place where you can go out by yourself and still feel like you belong.

When it feels like the world is cruel, that means it’s time to join a mosh pit to escape from our collective isolation.

At my first punk show, I discovered one of my now-favourite local bands: Luella. Their intense rhythm creates a hypnotic attachment to the music and the people around you. After their first song, they screamed at the crowd about how the world is awful and scary. They then reassured us that it is OK to be mad and invited us to let out our anger together. This was the first time in my life that I had seen an adult be fully honest about the painful state of the world and how it affects them. It wasn’t just aimless complaining — it was righteous anger that made me realize rage is an incredible tool which opens the door to caring. Sometimes it’s uncomfortable to care, but when surrounded by people who make me believe in a better future, it feels like a great relief to finally allow myself to feel the pain I have always ignored in my efforts to stay comfortable.

A part of our local scene that puts their anger into action is a group of artists under the name of Dumpster Fire Distro. They are often seen at shows giving away free zines with a goal of bringing forward suppressed knowledge. The content spans topics from Indigenous stories to 2SLGBTQIA+ history to anarchism, and beyond. Although punk shows are mostly filled with levity and fun, they have always been a space for speaking up against injustice. For instance, back in 1993, there was a punk show at the Commodore Ballroom in support of the protesters protecting oldgrowth trees in Clayoquot Sound. The relationship between live music and politics makes so much sense because they are both crucial ways that we connect with each other.

The communities made in the mosh pit encourage a faith in humanity that inspires people to pick up the fight for human rights. It removes the separation we tend to create between strangers and reminds us we are all part of something bigger. Thinking about the impact that punk shows have had on me reinforces my belief in the importance of the time we spend in public. The way we see others has the power to completely shift our entire worldviews. So, when it feels like the world is cruel, that means it’s time to join a mosh pit to escape from our collective isolation.

Katie’s local punk recommendations

Favourite venue: The Alf House is an outdoor venue in someone’s backyard. 
Favourite band: After the Fox has incredible stage presence.
Find more punk events at vancouverpunkcalendar.

EXCLUSIVE: McFogg the Dog comes out as gay

0
McFogg the Dog sitting outside of a closet with pride flags around him. He is holding a microphone.
ILLUSTRATION: Yan Ting Leung / The Peak

By: Katie Walkley, Peak Associate

With a studded collar and a lipstick stain on the cheek that he claimed to be from Gerard Way, McFogg the Dog sat in the doorway of a Lorne Davies Complex athletic storage closet for this exclusive interview. He’s called the closet home for the past seven years after mysteriously leaving the position of our school’s mascot. During this time, he was ferociously dodging Craigslist bidders who wanted to get his fabulous bod back into the mainstream for a revolutionary comeback tour. 

Meanwhile, the retired legend stayed away, trying to find a sense of self outside the limelight. Now, he’s here to tell us where he’s been and set the record gay — I mean, straight — on the countless speculations about whether he graces the 2SLGBTQIA+ community with his transcendent presence. After every SFU student has had a chance to label him, it’s time for this dog to label himself.

Katie: Good evening, Mr. McFogg the Dog. Thank you for inviting me to your closet. So, please tell me about your look — is this new, or is it true that you felt forced to hide while under the ruthless scrutiny of the public eye?

McFogg: I knew the world wasn’t ready for a sexually ambiguous Scottish mascot. Stacking my emo identity on top of that would have created a controversy I could never return from. So, I had to cater to the norms for the time and go along with the presumptions that I was nothing more than a big bear in a kilt.

Katie: Wow. Speaking of identity, where do you stand on previous News Writer Chloë Arneson labelling you as a “queer icon” back in 2022? Does that label suit you?

McFogg: While I disagree with publishing my story in the humour section, my iconicness is undeniable. 

Katie: Now, I hate to get so personal, but the people have to know — are you dating anyone?

McFogg: You know, it’s hard these days to find anthropomorphic creatures looking for a serious relationship. Mothman keeps leaving me on read.

Katie: Those beady red eyes must not be able to see what they’re missing.

McFogg: Exactly. I tried to find at least a hookup at a few furry conventions, but then I found out that there are people underneath the costumes.

Katie: Wait . . . is there not a person inside of you right now?

McFogg: How could you ask me that? Not everything is sexual, Katie! But yes, sometimes I do indeed have someone inside of me, wink, wink . . . You know what? This interview is OVER! I’m about to sashay away. Ugh!

He then kicked over his chair, did one iconic fur flip, and stormed out of the closet.

Squamish Nation and province sign land stewardship agreement

0
This is a photo of a riparian ecosystem on Sḵwx̱wú7mesh land. Many rocks and trees meet a small river.
PHOTO: Mike Benna / Unsplash

By: Lucaiah Smith-Miodownik, News Writer

On June 26, the Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) and the province of BC signed an agreement “intended to help the Nation assert its role as stewards” of their traditional land. 

The Nation reported that the agreement will allow them to protect “33 new Síiyaḿiin (cultural sites), Sneẃiyelh (cultural training areas), areas for fish and wildlife monitoring,” and the establishment of “six Special Cultural Management Areas.” It will also “increase protection for riparian ecosystems (land next to rivers, streams, and lakes), wetland ecosystems, and areas of old cedar forests.” 

Sḵwx̱wú7mesh Úxwumixw traditional territory totals 673,200 hectares. The agreement covers 20,000 hectares, “equivalent to 50 Stanley Parks,” and spans across the Lower Mainland from North Vancouver to Howe Sound. The Peak spoke with Ravi Parmar, BC’s Minister of Forests, who signed on to the agreement on behalf of the province, to learn more. The Peak was unable to hear back from the Sḵwx̱wú7mesh Úxwumixw by the publication deadline.

“This is years of meaningful work between the province and the Sḵwx̱wú7mesh Úxwumixw that have led to this moment,” Parmar said. The agreement, he explained, builds on two modern Land Back efforts from 2007 and 2017. 

The 2007 consensus “was built into the Sea to Sky Land and Resource Management Plan,” which recognized specific areas as Wild Spirit Places under Sḵwx̱wú7mesh Úxwumixw protection. These places include Nsíiyx̱nitem tl’a sútich (Upper Elaho Valley), Nexw Áyantsut (Sims Creek Watershed), and Estétiwilh (West Side Sḵwx̱wú7mesh River). In 2017, the Umbrella Agreement between Whistler Mountain Resort LP, Blackcomb Skiing Enterprises LP, and the Sḵwx̱wú7mesh and Líl̓wat Nations further outlined the scope of these Indigenous lands. 

“Our people, not just today but future generations, will be able to experience the gifts that our ancestors had for us, to be able to bathe in those creeks, to have a relationship with those mountains, to be in those forests, to harvest our medicines and our tools.” — Khelsilem, council chairperson, Sḵwx̱wú7mesh Úxwumixw

The latest agreement is “a major step forward in asserting our Nation’s role as stewards of our lands,” said Sxwíxwtn Wilson Williams, councillor and spokesperson for the Sḵwx̱wú7mesh Úxwumixw, on the day the agreement was signed. “These have been our lands for thousands of years, and the fact they are now back under our direct control provides a greater sense of security for our People and a strong optimism for our future.”

X̱ay Temíxw, the Sḵwx̱wú7mesh Úxwumixw’s Sacred Land Use Plan, will guide the approach towards safeguarding this area. The plan transforms “cultural and natural landscape values into four ‘zones’ of management: Forest Stewardship Areas, Sensitive Areas, Restoration Areas, and Wild Spirit Places.”

“We have very few places that we can call our own within our territory to practice our spiritual beliefs and our cultural practices,” Khelsilem, chair of the Sḵwx̱wú7mesh Úxwumixw, said during the signing event. 

“We have to stand together as Sḵwx̱wú7mesh people to protect those areas so that our people, not just today but future generations, will be able to experience the gifts that our ancestors had for us, to be able to bathe in those creeks, to have a relationship with those mountains, to be in those forests, to harvest our medicines and our tools.”

Parmar also emphasized that the path forward is one of “balancing economic opportunity and prosperity with environmental protection and stability.” This includes “unlocking lands that typically were not available for harvesting,” and “increasing the timber harvesting” while “protecting old growth trees,” he said. “This is forestry and reconciliation working hand in hand.”

TSSU speaks on latest updates to IP policy

0
This is a photo of the SFU Surrey Engineering Building from the inside. There are numerous levels to the building, artificial trees, and a wide staircase in the photo.
PHOTO: Victoria Lo / The Peak

By: Corbett Gildersleve, News Writer

As recently reported by The Peak, the Senate reviewed and discussed a new draft version of its intellectual property (IP) policy solely focused on the commercialization of inventions and software. Based on community feedback, they split the IP policy into two: one for inventions and software, and the other for educational material and general IP issues. The Peak spoke with Ciaran Irwin, Teaching Support Staff Union (TSSU) trustee, and Derek Sahota, TSSU member representative, to learn about their thoughts on the latest updates. 

Sahota said they met with Dugan O’Neil, SFU vice president research and innovation, and Kamaldeep Singh Sembi, director of technology licensing and IP legal counsel, to relay their concerns. Irwin said, “It’s nice to see that a lot of the concerns that we raised in the last policy/previous proposal have been addressed,” but “we still have issues not just with some of the aspects of this new policy, but in the process that they’re embarking on.”

When asked about their specific concerns, Irwin said that given TSSU wasn’t invited to be more involved, and with “glaring issues” like ambiguous language in the policy back in March, SFU scrapped that draft, which he deemed a “large waste of time and resources.” He added that SFU has now reworked the language in their policy and “explicitly addressed some of the issues around ownership.” 

SFU told The Peak that the current timeline is for the policy to be approved by the Board of Governors on September 25. However, Irwin said “it’s hard to feel confident that all the I’s are being dotted and all the T’s are crossed.”

One of the “fundamental problems with this new model is that it silos things. It tries to put software and innovation in one bucket with one policy, and then everything else aside,” said Sahota. However, “in an interdisciplinary university, in a university with emerging technologies like generative AI, these things are connected — not in all cases, but in some,” he continued. 

“You’ve got experts here, you have stakeholders at your fingertips [ . . . ] and to not leverage that resource and to not engage these folks early in the process makes no sense to me.” — Ciaran Irwin, TSSU trustee

The newest draft also recognizes that the collective agreements for TSSU and the SFU Faculty Association (SFUFA) apply, each with their own IP policies. Sahota explained that when faculty, graduate students, and staff conduct research, they need to navigate two separate IP policies and collective agreements when they have an invention. Now, when someone wants to license their invention, they’ll need to understand which policy it falls under — the SFUFA or TSSU collective agreements, the IP policy for inventions and software, or the upcoming IP policy for teaching materials that is yet to be developed. Sahota said it “is really unclear how that would play out on the ground.” He stressed these problems “need to be laid out before anything goes before the Board, because the Board needs to know what they’re actually implementing. 

“I would love to see a good, effective, well-thought-out policy that’s less than 21 years old. But the problem is that the last policy process we had [in March] failed because it was rushed, they hadn’t thought it through, and they hadn’t consulted with people properly,” said Irwin. He felt that SFU was “repeating the same mistakes” this time around.

When asked about the policy process, Sahota said they asked SFU not for consultation, but for inclusion in a policy affecting TSSU’s members. “We should be the ones that are talked to first before [they] consider any changes, and be included from day one in the thought process and development of what might be a policy change.”

Irwin added, “You’ve got experts here, you have stakeholders at your fingertips [ . . . ] and to not leverage that resource and to not engage these folks early in the process makes no sense to me.”

SFU pointed to the Policy on Policies within Board of Governors Jurisdiction and Associated Procedure as support for “policy developers and all members of the university community in streamlining the policy-making process while promoting consistency and coherence across the university.” They also acknowledged, “Outside the formal policy process, we recognize that informal discussions at early stages of policy planning could be helpful for some policies. We plan to keep that in mind as we plan our policy revisions in the future.”

Aurafarming the military through popular songs is ironic and wrong

0
This is a photo of someone watching an edit of a jet fighter on Youtube on their laptop
IMAGE: Gudrun Wai-Gunnarsson / The Peak

By: Yildiz Subuk, Staff Writer

Macarena by the Spanish band Los del Rio has been an iconic piece of pop culture since its release in 1993. The song has also spawned remixes, the most popular being that by Bayside Boys, but has also inspired slow and reverbed versions. It sparked a global dance phenomenon and is still popular at parties, sports games, and even school events. 

Recently, however, military edits with the slow and reverb version have surfaced across the internet. These videos are chilling and completely disconnected from reality. They often feature footage of military technology and vehicles, such as tanks and fighter jets, dropping bombs or attacking the enemy. There are clips of soldiers waving or looking busy with their mission. The way they are framed accentuates the imagined “coolness” of war and military life. It doesn’t feel like watching authentic war footage, but instead seems like a propagandized military photo-op. The way the music is incorporated is disturbing, as the most iconic part of the song (“ayyy macarena”) is juxtaposed with footage of bombs dropping or destruction being perpetrated. A lot of these videos are also about American imperialism in the Middle East, including the Gulf War and the invasion of Iraq

Co-opting upbeat nostalgia and merging it with footage glamorising the military becomes a vulgar yet horrifying tool aiding in the normalization of war and violence.

Aurafarming the military is the best way to explain it to those chronically online. For those who don’t know, aurafarming is a new meme amongst many TikTok users. It means exaggerating the swagger of someone or something through their poses and actions, and it often features some music in the background. This is what these military edits are doing. But there is also an element of nostalgia for the perceived glories of the past. While these edits exaggerate the aesthetic of war, they don’t show the damage caused. They don’t tackle the nearly half a million reported civilians who were killed in the wars being glorified, or the environmental annihilation in the region caused by the American military. The audience undoubtedly includes young, impressionable men. After analyzing the comments to some of the videos, it is clear many are appreciating the edits, but also the aesthetic of the military. Many comments are patriotic or focused on celebrating American victories. These edits are not just a piece of internet memorabilia, but an inadvertent dog whistle, looking to make easily-influenced social media users more appreciative of the American military — despite all the harm it has caused. 

These videos, which are not just co-opting the Macarena, but other songs with up-beat vibes (an example being Cheri Cheri Lady by Modern Talking), are not only disconnected from reality, but feeding into pro-war sentiments. There is nothing admirable about what conflict and imperialism did to the Middle East and beyond. Co-opting upbeat nostalgia and merging it with footage glamorizing the military becomes a vulgar yet horrifying tool aiding in the normalization of war and violence, both in the US and around the world, especially for the younger generation.

Rating MBC food choices based on how likely I am to recite Robert Frost whilst taking a shit after consumption

0
PHOTO (turned into EDIT): of someone sitting in the MBC food court (camera angle facing the restaurants) looking very constipated. In their hands should be a Robert Frost poetry book (should be available by request at the library). In front of the subject should be a prop that makes it look like they've just had some food at the caf.
IMAGE: Gudrun Wai-Gunnarsson / The Peak

By: Katie Walkley, Peak Associate

This is my long-awaited and highly requested ranking of the Maggie Benston Centre Food Court choices based on how likely I am to recite Robert Frost whilst taking a shit after consumption (in order from least to most). Yes, you read that right. This list includes constipation, which sometimes requires even more poetry to aid me in mourning the shit that could have been.

Ben Gong’s Tea: An unlikely appearance from Robert 

The first experience that lightly grazed my mind was my time after Ben Gong’s Tea. Just before the flush, I had a chance to whisper, “She dared no more than ask him with her eyes / How was it with him for a second trial. / And with his eyes he asked her not to ask. / They had given him back to her, but not to keep.” On this day, I saw the tapioca pearls in two ways. They came back to me after enduring the trials of my stomach. Then, just as soon as they reappeared in my life, I had to say goodbye again. 

Noodle Waffles: Bobby Frost is here to help you drop that deuce

While I appreciated Robert Frost’s timeless perspective on what it’s like when your shit looks the same as your food, I did not find his words as powerful as the time they coached me through the constipation experienced at Noodle Waffles.

A seemingly menial choice took hours for me to recover from. My lack of excretion led to a severe emotional depletion. I sat there, repeating like a prayer: “Where your face burns and tickles with cobwebs / broken across it, and one eye is weeping.” I heard others coming in and out of the washroom, but I was stuck there with tears streaming down my face, waiting for my turn to flee this hellscape. However, it wasn’t so bad since I had plenty of time to scroll the reels through my AirPods guiltlessly. The comfort this brought me also made me recite Robert Frost’s even more talented great granddaughter, Addison Rae: “Put your headphones on / guess I gotta accept the pain.

Grill Master: So likely to recite that Robert Frost actually rests his spirit here 

On the day I ordered from Grill Master, even the phenomenal songstress couldn’t save me. The weather was storming, but the true tempest took its toll in my bowels. My friend was driving me down Gaglardi and I had to force her to pull over. Without an explanation, I ran into the woods. Among the trees, I could smell her cheeto-flavoured vape from afar and thought aloud, “My little horse must think it queer / to stop without a farmhouse near / between the woods and frozen lake / the darkest evening of the year.” 

When I got back to the car, I repeated the lines to her because they were so potently accurate. She didn’t like that she was a “little horse” in this scenario, but she agreed with the rest and rerouted her GPS to take me home instead of our original plans to go to Denny’s.

The final boss: Mad Chicken 

My final battle took place at Mad Chicken, and to be honest, I can hardly even blame them. After a hard day’s work of wondering about the legitimacy of my degree, I had a ravenous appetite beyond compare. 

I ate so fast that “two roads diverged in a wood and I  / I took the one less travelled by, / and that had made all the difference.” A simple shit was not enough to end my pain. It had to come out the other way.

Four book recommendations for Disability Pride Month

0
This is a collage of the book covers of the books mentioned in the article
IMAGES: Courtesy of 1) Metatron; 2) Arsenal Pulp Press, 3) Second Story Press; 4) Purich Books

By: Phone Min Thant, Arts and Culture Editor

knot body by Eli Tareq El Bechelany-Lynch

knot body is a collection of poems, short stories, and letters that address various themes, along with how people with disabilities are treated unjustly by capitalist and discriminatory systems. For instance, in one of the letters, Bechelany-Lynch scrutinizes the lack of scientific research behind the medical diagnoses of trans people, a form of systemic injustice in itself. Combining deep philosophical reflections and light-hearted quips, knot body asks the readers to join along, in bringing awareness to many social challenges affecting the disabled community, such as ableism and fatphobia, but also in appreciating your own body. 

Care Work by Leah Lakshmi Piepzna-Samarasinha

Care Work is a selection of short writings by Leah Lakshmi Piepzna-Samarasinha, a Canadian American disability justice activist and author. As described by Piepzna-Samarasinha, Care Work is a “call to arms,” inspiring readers to educate themselves and take action on the issues surrounding disability justice, such as how to build a resilient community with mutual care. In dealing with such a broad and crucial topic, Piepzna-Samarasinha’s work looks from both the local to the global. The book includes tidbits of their experiences having lived among Toronto’s disabled community as well as awareness towards a world that pays more attention to a fair trade emotional labour economy. There is also a focus on issues of suicidality and intersectional oppression through many conversations with fellow activists. Care Work is a must read for anyone striving to build a better, more inclusive, accessible, and resilient society.

A World Without Martha by Victoria Freeman

Freeman’s work is a raw, painful, and impactful memoir where she recounts the experience of being separated from her sister Martha who was institutionalized before she turned two because she had Down Syndrome. The book dives deep into the effects this separation had on Freeman and her family, but also into how broken government responses to disability are. The book is a challenge against the status quo — the belief that people with disabilities should be shut off from the rest of society. It is also beautiful, showing how strong the ties that exist between siblings are. Coming from someone who is perpetually thinking about government policy processes and who one day aims to change them for the better, this book is a strong recommendation from me. It has exposed me to something that those in policy boardrooms tend never to see: the human suffering caused by misguided policies — in this case, in failing to give proper support to the disabled community. 

My Art, My World by Rita Winkler

My Art, My World is a hopeful, comparatively soothing narrative of someone with Down Syndrome enjoying their everyday lives, written and illustrated by an author who is experiencing it. Both the short texts, and the accompanying paintings show how Winkler goes about her life, full of passion and appreciation for finding the brightness and delight in what we would otherwise find mundane: public transportation, visiting a café, dancing, and many more. If you find yourself overwhelmed by too much reading, or if you simply want to take a break from your usual routine and enjoy a slice of happiness from Winkler’s enjoyment of the everyday, this book is for you.