Letter to the Editor – May 20, 2013
By Dave Dyck
Dear editor,
Re: “Forum a better choice for SFU politics”
Last week, former SFSS board member Kyle Acierno wrote a piece entitled “Forum a better choice for SFU politics.” In the article he bemoaned the current state of affairs within the SFSS executive board, specifically what he sees as a lack of accountability. This lack of accountability, as Acierno sees it, has led to the BuildSFU project as well as last year’s staff lockout being pushed through without enough student input.
Perhaps Acierno has been gone from SFU for long enough that he has forgotten his own support for the lockout, or the two hour Forum meetings where what type of chairs to purchase took up a significant portion of time. If it takes the members of Forum — most of whom sit on the council for one semester and then vanish — that long to come to a decision about chairs, how does Acierno expect them to deal with real problems like labour disputes and student union buildings?
If Acierno still believes that the lockout was necessary, as he has stated in this publication, I wonder how he would feel about taking that vote to a largely disorganized, uninformed body like Forum, and not only try to explain to them the different problems the university faces, but also seek useful input on the matters.
I understand that it is not a popular opinion, but anyone who has sat through a Forum meeting knows that this is the reality of the situation. Forum delegates are more often than not appointed from a small cadre of students in each department, arrive to the meetings with no knowledge of what is going on, and then proceed to vocalize that ignorance for what seems like forever. They are the ones who drown out or overpower any reasonable, rational, and experienced Forum members.
Acierno has the great boon of situational distance, where his recommendations will have no personal repercussions, and is no doubt chuckling away to himself with visions of longer and longer and more and more useless Forum meetings dancing in his head. And as funny as that would be, it’s not exactly practical, Kyle.
Sincerely,
Dave Dyck
Peak Associate
Arts About Town: Instant Coffee: The hero, the villain, the salesman, the parent, a sidekick and a servant
Abouts About Town is a new weekly photographic feature that focuses on the arts at or around SFU and Vancouver. If you’re interested in contributing to this, email [email protected].
Last week, Instant Coffee opened at the Teck Gallery at SFu Vancouver, Harbour Center. Running from May 11, 2013 to April 27, 2014, the exhibit operates as a set for “social framing and interaction”
Photos by Andrew Zuliani
Instant Coffee holds its opening night at the Teck Gallery.
Guests enjoy a glass of wine.
Album Reviews: Daft Punk, The National, and a Throwback to Neutral Milk Hotel
By Max Hill
Daft Punk — Random Access Memories
We all knew this was bound to happen, 2013 seems to be the year of the comeback: so far Justin Timberlake, David Bowie and even My Bloody Valentine have emerged from prolonged hiatuses to critical and popular acclaim. Later on in the year, Queens of the Stone Age and Boards of Canada are expected to do the same, but not all of these rebounds could have been successful.
Cue Random Access Memories, Daft Punk’s first proper album since 2005 and easily their most bloated and uninteresting. The French duo have exchanged their house music roots in favour of an extended tribute to the music of the seventies and eighties. Disco, funk and jazz fusion are all attempted here, along with several other rarely revisited genres.
But despite these forays into uncharted territory, very little of the material on Random Access Memories feels like a risk taken or a boundary pushed. The majority of the album’s 13 tracks, which stretch out over an astounding 74 minutes, are either cheesy slow jams or meandering electro-funk. Each track seems to overstay its welcome by at least two minutes, and might feel more at home in an elevator ride than a modern club.
The duo’s over-reliance on vocoder and uninspired guest performances — never have Julian Casablancas and Panda Bear sounded less committed or present — give the tracks an emotional detachment that completely kills any attempt at drawing the listener in. Even album highlights “Giorgio by Moroder” and “Contact,” which both attempt to inject a little energy into this beached whale of an album, are instantly forgettable and only hint at the vitality of the band’s earlier hits.
Whereas many absentee artists have taken 2013 as an opportunity to prove they’ve still got it, with Random Access Memories Daft Punk seem to have inadvertently proven the opposite. The album’s superficiality and lack of character seem to suggest that the duo might have been better off quitting while they were ahead.
The National — Trouble Will Find Me
Trouble Will Find Me, the latest album by Brooklyn foursome The National, is a lot like their last three albums. The band found their musical niche early on in their career and have been reaping the benefits ever since: a tightly wound rhythm section, measured guitars and lead vocalist Matt Beringer’s smoky, low-register croon have served them well in the past, and the sound they bring to their newest LP is no different.
A natural, effortless mix of propulsive barn burners and piano bar ballads make Trouble Will Find Me another in a consistent stream of highly enjoyable albums by the band. Each song seems to stand on its own, leaving the album feeling less cohesive but more accessible than those that have come before it.
One of the reasons that Trouble Will Find Me, and the band’s approach in general, has yet to become tiresome is the subtle variations to keep their sound fresh and inventive. Beringer’s vocals here seem less effortless and more fragile, which contributes to the emotional gut punch of tracks like “Heavenfaced” and “I Need My Girl.”
Guest vocalists Sharon Von Etten and St. Vincent are used sparingly on tracks like “This Is the Last Time” and “Hard to Find,” never distracting from the album’s tone and atmosphere. Beringer’s lyrics are as evocative and multi-layered as always, and his authentic delivery gives emphasis to his more obscure lines: “I am secretly in love with/ Everyone that I grew up with,” he sings on the early single “Demons,” an admission that’s somehow equally funny and heartbreaking.
This album probably won’t change anyone’s life, and that’s okay. The National have made great albums before, and they’ll make great albums again. In the meantime, Trouble Will Find Me is an enjoyable LP, and more than enough to tide the band’s listeners over until they record their next Boxer. (We can dream).
Neutral Milk Hotel — In the Aeroplane Over the Sea
Jeff Mangum is a force of nature. His lyrics are kaleidoscopic and unapologetically awkward. His voice is broken, but he reaches for the high notes anyway. His band, bushily bearded and draped in hand-knitted sweaters, accompany him on horns, accordions, seesaws and fuzzed-out electric guitars.
In the Aeroplane Over the Sea is what it sounds like inside Mangum’s head, populated with two-headed boys in beakers, boys who play flaming pianos and communist daughters. The album is remarkably strange, disarmingly honest and completely, uncommonly brilliant.
Drawing from influences as varied as Eastern European folk music and The Velvet Underground-style psychedelia, Neutral Milk Hotel’s sound is all their own, and despite their unusual instrumentation In the Aeroplane Over the Sea sounds as though it couldn’t have been put together any other way. From the carnivalesque march of “The Fool” to the acoustic guitar-propelled “Two-Headed Boy,” each note on the album feels completely natural and effortless.
Mangum’s performance has to be heard to be believed: his conviction and energy rival the likes of Freddie Mercury and Mick Jagger in their heydays. It’s no surprise he suffered a nervous breakdown in the aftermath of the album’s recording.
His lyrics are revealing, but what they’re revealing is harder to pin down: his contorted accounts of sexual encounters and domestic violence seem to mix autobiography with childlike imagination, resulting in a completely unique worldview that sets In the Aeroplane Over the Sea apart from its contemporaries.
In the Aeroplane Over the Sea is at once an incredibly personal statement from one of the most eccentric men ever to pick up an acoustic guitar and a universal expression of growing pains, sexual awkwardness, and misremembered nostalgia. If there’s one album you decide to listen to for the first time this week, make it this one.
Peak Week May 21 – 25
Eats
Long-standing Main St. fixture Habit has permanently closed its doors as of April 14th, reopening as Charlie’s Little Italian by the same owners. The new joint has just opened its doors, bringing an old school Italian vibe to the neighbourhood. Charlie’s is an affordable pasta place, reinvigorating that old-timey feeling of family dinners. You can expect traditional pasta dishes, antipasti, hand-tossed garlic breads, a small and cozy wine list, as well as Italian sodas, cocktails, and espresso. And for those regulars lamenting the end to their brunch service: don’t worry, it’s not going anywhere.
Beats
May 24th and 25th will see the 9th Annual International Jondo Flamenco Festival, co-presented by SFU Woodwards. The first night will be “Zyryab”, for a night of “soul, artistry and passion,” combining Persian and Flamenco song, dance and music traditions. Happening on the second night is “Camino Real,” featuring flamenco dancer from Madrid, Antonio Arrebola, joined by singers Cristo Cortes and Pirouz de Caspio. Guitarist Ricardo Diaz will also be joining the performance. If you’re looking for something lively and different, why not check out the festival and get your flamenco on this weekend?
Theats
If you’ve ever wanted to see a fusion of burlesque and musical theatre, this one’s for you. Grimm Girls: Once Upon a Tease is the third production by Concrete Vertigo, combining classic Grimm Brothers fables with the sexy stylings of burlesque performance. Expect to see a whole new side of Cinderella, Snow White, Red Riding Hood and the Evil Queen. Running until May 25th, you’ve got a few chances to partake in this one. There will be a cash bar and most certainly some nudity.
Elites
The Audain Gallery at SFU Woodwards is exhibiting The Biography of Images: Parallel Biographies from May 9–August 17. As part of a series of photography exhibitions from the Austrian Federal Photography Collection, this exhibit brings together artists from Vienna and Vancouver. Each photograph carries with it a story of production: what was the process of creating it? What kind of decisions were made? What kind of relationship is there between creator and photograph? By considering these processes, the viewer is then able to imagine a “biography” of the work itself, tying together art and artist.
Treats
If you’ve got a Saturday afternoon free, consider checking out the Trout Lake Farmers Market. Local produce and other goodies offer plenty to choose from, and if you’re looking for something a little hands-on and good for families, check out Aloe Designs DIY station. On May 25th, check out the Mason Bee Houses station, where you’ll be able to assemble your own Mason bee house out of reclaimed wood to take home. These little bees are great for creating biodiversity in the garden, and it’s a fun activity for little ones as well.
The “what,” “how,” and “huh” of implications
A two letter word packing a lot of heat
By Ben Buckley
Photos by Ben Buckley
It always astounds me that, in this day and age, the majority of people — including well-educated members of society — don’t seem to understand what the word “if” means. The concept of implication is a subtle one I hope to clarify in this column.
Suppose I say the following: “If there are unicorns, then you will hear hoofbeats.” What evidence would you need to determine whether or not this statement is true? There are two ways to go about doing this. The first, most obvious way to do it, would be to search the entire universe for unicorns, and where there are unicorns, listen for hoofbeats. If you always hear hoofbeats when unicorns are present, the statement is true. But if, even once, there are unicorns but no hoofbeats, the statement is false.
There is another, less obvious way to verify the statement. The sentence, “if there are unicorns, then you will hear hoofbeats,” means the same as, “if you do not hear hoofbeats, then there are no unicorns” (its contrapositive). Stare at those sentences until you’re convinced that they mean the same thing.
This gives us another way of checking whether the statement is true. Simply search the entire universe for places where you do not hear hoofbeats. If, in every one of those places, there are no unicorns present, the statement is true. But if even one case occurs where the absence of hoofbeats is accompanied by a unicorn, the statement is false.
Here’s where it gets tricky: Assume our statement about unicorns is true. Suppose that you’re in the middle of a field, and you hear hoofbeats. What do you conclude? Intuitively, one’s first instinct might be to conclude that there is a unicorn nearby.
One would be wrong. The hoofbeats could just as easily be coming from a horse, a zebra, a centaur, or a hallucination generated by your own mind. Implication is a one-way street — unicorns imply hoofbeats, but hoofbeats don’t necessarily imply unicorns. An interesting thing is, in any statement insisting, “if A, then B” in which we know that B is always true, the statement is true whatever A is. For example, the statement, “if the moon is made of cheese, then one plus one is two” is technically true.
Unfortunately, this means that you can pair any statement you want with a true statement to make an argument that might convince an unwary listener. For instance, start with the sentence, “if climate change is a hoax, then it will sometimes snow.” This is true as long as snow exists somewhere. But if the speaker concludes that, since snow exists, climate change is a hoax, their conclusion is unjustified.
To make this valid, they would first have to establish the less obvious converse, “if it sometimes snows, then climate change is a hoax.” This would require actual work, so you can understand why people often skip this step. This fallacy is sometimes referred to as “affirming the consequent” and is just one of the many errors people make with the word “if.”
For a simple two-letter word, it can do a lot of damage. Perhaps someday, we will move past this error and be able to think with more clarity. If only, if only.
Voter apathy needs to stop
Voting is important, so stop with the excuses
By Gloria Mellesmoen
Photos by Flikr
Those who choose not to participate in an election, because they equate voting for their preferred candidate to wasting their vote, are easily worse than those who vote for whichever party is currently the most hated.
In 2009 I participated in Student Vote BC — an official mock election for elementary and secondary schools across the province. It yielded 47 seats for the BC NDP, 24 for the BC Liberals, and 12 seats for the Green Party of BC. These “votes” were the voice of a new generation and reflected the issues that future voters cared about.
The media talked about our mock election and about what the changing political landscape would need to reflect as we came of age. We voted because we wanted our voices heard and believed that, even though it would not directly affect the results of the election, it was important.
I am 20 now and I still believe in the importance of voting, whether in a mock Student Vote election or the real thing. I voted for the Green Party because they represent several issues that I care about. I do not consider this to be a wasted vote like I have heard many of my peers refer to it as. Hell, the Green Party of BC won their first seat, which is pretty significant. Before I receive hate for not voting NDP in an election where it might have made a difference, my electoral district was called as NDP almost immediately after it appeared as the 85th to report.
Each vote is a word, and when you add them together at the end of the election, a story emerges. Though one vote for the BC Conservatives or Green Party of BC might not seem to matter in isolation, it does when added up. Abstaining on the grounds that your vote will not make a difference sends a message, too. A generation that does not vote is a generation that political parties will not have to worry about trying to please.
Through the majority of the campaign period, I heard my peers complain about the lack of attention to post-secondary education on the party platforms. We should not be surprised about this, given that the youngest demographic of voters generally has the lowest turnout. CTV is saying that the youth vote is virtually non-existent. This is a problem. Why should the election platforms focus on the issues important to a group that does not care enough to take five minutes to place a vote?
Many are also expressing disdain over social media for those who chose to vote for a candidate who was not affiliated with one of the main parties. Instead of directing anger at those who opted to vote for one of the smaller parties, blame should be rightfully placed on the shoulders of those who elected not to cast a ballot.
If I had a vote for every time I heard someone under 25 say their vote doesn’t matter, the election results would tell a markedly different story. This election proves that. If more people voted, I doubt we would have a Liberal majority.















