I’m afraid I just blue myself

Three years of working on the Blue Man Group show has changed Jesse Nolan’s perspective on the world. “It has changed the way that I...

Spaces of contestation: art, activism and the city

In a quiet room nestled in the SFU Woodward’s building, Stephen Collis addressed what it means to resist as a community in his lecture...

The Grand Budapest Hotel is immaculately immersive

Living in a Wes Anderson film is like living in a perfectly symmetrical doll’s house, but with complex characters and an overwhelming amount of...

The power of the vagina comes to SFU

“Vagina” is a sticky word. While it refers to part of the female anatomy, it is incredibly intimate in connotation. Unlike its male counterpart,...

A sneak Peak into the SFU Concert Orchestra

On the third floor of the Maggie Benston Centre, when the day is nearing its end and many people have headed home after a...

Salt and Paper: Cashew lime squares

I will be the first to admit that I love cheese and am in no way a vegan. If you’ve ever read the arts...

The dark Underbelly of the Beat Generation

William S. Burroughs, Jack Kerouac, and Allen Ginsberg represent the Beat Generation in American Literature. Full of drug-induced episodes, a rejection of authority, and...

Manufactured Landscapes

Do you ever think about where your cell phone will go once you throw it away? What about who made it, or who mined...

Author Spotlight: Joan B. Flood

Irish by birth and Canadian by choice, Joan B. Flood is a writer of fiction, non-fiction, and “even a poem or two.” Her first...

Stella and Garment play with gender

New York’s Sidra Bell Dance is a bold company that presents innovative works dealing with gender and identity. “My work lives in a world...