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The time I accidentally became a Tumblr porn star

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[dropcap]T[/dropcap]umblr is a huge website. According to Wikipedia, it hosts over 290 million blogs, with over 45 million new posts created daily. With such a huge site comes a huge diversity of people and interests, and like any community so complex, the world of Tumblr has a secret underbelly: porn.

I’ve been on Tumblr since the beginning of high school. With over 8,000 posts, my blog is full of images that reflect me. I find collecting these images useful as an artist and film student: anytime I need inspiration for colour or camera angles, I can turn to my blog. On the rare occasion I upload personal posts, they are usually random thoughts or pictures from my life — but on one fateful day, I posted something different.

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At the beginning of last year I grew my armpit hair out. To me, it was just another hairdo, but to almost everyone else, it was much more. My mother couldn’t understand why I would grow the hair out, and tried to coerce me into shaving it. Many friends, co-workers, and strangers thought it was gross, unnatural, or unfeminine. To me, it was truly just hair. It irked me that others felt they should get a say over my body, or that the image of a “natural” woman be hairless. I started to take pride in my armpit hair.

So, while at a public pool, I took a selfie in the mirror. I was proud of myself for going swimming with armpit hair. I wasn’t gonna let other people’s standards hold me back. I posted the picture on my personal blog with the caption: “Armpit hair pride. Gym swimming pride. Curves pride. Pride ride.”

As I was toweling off from my swim, I noticed I had a notification: a reblog. I sat down on the locker room bench, hair still dripping wet, to investigate. I was excited. My group of followers was small, and my posts didn’t get many reblogs. I clicked on to find that my selfie had been reblogged. “Even more exciting,” I thought at the time. Until I clicked the linking blog. . . I was blown away to see my picture on a fetish porn blog filled with hairy women.

Like I said, Tumblr is a huge site with hundreds of millions of blogs and tens of millions of daily posts. What might surprise you is that according to Wikipedia, “over 22 percent of all traffic in and out of Tumblr is classified as pornography,” and 16.5 percent of blogs on Tumblr exclusively contain porn. And now I was part of that percentage. My image was now porn. The notes continued to flood in, reblogs and likes from all sorts of porn blogs filled my notifications. As I scrolled through these sites, all the women started to blur into one single image. Just as my own blog was a collection of single images that collectively represent my aesthetic, these blogs seemed to encompass the owner’s sexuality.

It was weird to be one of those pieces. It was like I was just representational flesh. My armpit hair made me easily searchable and classifiable as a fetish that I never wanted to be a part of. I lost track of all the sites my image ended up on. I even received personal messages from people asking me to write back to them.

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Now, the story could end here: I accidentally ended up on a bunch of porn blogs, I felt what it was like to be objectified without my consent on the Internet, and I learned a little bit more about a fetish I didn’t know about before. The end — right? Well, the story is a little stickier than that.

I, myself, have my own personal porn blog. A blog where I do the exact same reblogging of people’s images to trace out the shape of my own sexuality, like the blogs that used my image. I wasn’t an innocent victim whose image was stolen from her and sexualized by evil porn bloggers. I understood why they used my post, and that as a public image they had every right to reblog it — but it still felt off to me.

It can be a confusing feeling to see both sides of a coin. Of the hundreds of images I had collected on my site — faces, bodies, intimate acts — I had no idea who any of them were, and no idea if any of them had consented to their images being posted on a porn blog. What if all these people, especially the women, felt the same way I did about my image being on porn blogs? Do they feel violated? Do they feel unsafe?

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I thought about closing my porn blog for a while. I thought about trying to delete my hairy armpit photo too, but neither seemed like the right answer. I pride myself on being pro-sex; that’s one of the reasons I created my porn blog in the first place. I want to be pro-sex just in the same way I want to be pro-armpit hair — spreading positivity where there isn’t enough.

I am not ashamed that people found my image sexual. I do not feel shame for myself or for them. The images on my blog are just that: images. They are not the people themselves. I never want to be seen just for my sexuality, but at the same time, I don’t want to demonize sexuality. It isn’t something to hide. It’s unsettling to think that something innocuous that you share with the world can become something else without you even knowing, let alone consenting; but maybe that’s the risk we take when we share things publicly in the Internet age. I want to advocate for a more open public perspective of sexuality, but with that comes risks. Not everyone would be OK with their image being spread on porn sites as I am, and not every image is as seemingly safe-for-work as mine. It’s a double-edged sword that we all have to hold carefully, and Tumblr is just one of those fighting grounds.

Bike to Work Week a success for SFU community

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Bike to Work Week was a success for SFU, with over 100 participants riding in

For the third year in a row, SFU took part in Bike to Work Week, convincing dedicated cyclists to trek up Burnaby Mountain, as well as the more inviting option of biking to Vancouver campus.

With folks attending the Vancouver campus on June 1 and Burnaby on June 2, the event seemed to have over 100 participants, according to the map of where cyclists were coming from.

The event was a joint project between the SFU Sustainability Office and Embark (formerly Sustainable SFU), putting together a “celebration station” for those taking the greener option to get to SFU.

That celebration station offered riders free Starbucks coffee, Timbits, some freebies from Bike Maps, and an entry into a raffle for a $50-Mountain Equipment Co-op gift card.

Amy Farahbakhsh, the program manager for Embark, acknowledged that there are some challenges to biking up Burnaby Mountain, but believes that if people learn about the rewards and the community that do it, they might find the challenge more appealing.

Those who biked in put a star on the map to show where they came from.
Those who biked in put a star on the map to show where they came from.

“I think by showing that there is a community that does it and it’s actually quite fun and doesn’t have to be a terrible, scary experience,” she said. “It doesn’t matter if you cycle every day and all the way. There’s nothing wrong with cycling partway or taking the bus, or even taking the bus up and just cycling down.”

She did acknowledge that there were some problems that they are trying to tackle up here on the mountain to make it more user-friendly.

“There was a survey that we put out last year that found that bike storage is an issue on campus. People don’t feel comfortable leaving their bikes on racks, and there aren’t enough racks, so that’s something we’re looking to address.”

She also hopes to see a bigger social aspect come along for cyclists, in the form of a network or support system for those who are interested in cycling, but are intimidated by it. She acknowledged that having a buddy who can bike up with you can make it a lot more appealing.

Keeping her expectations realistic, Farahbakhsh would like to see 5 percent of the SFU community bike to work. Still, she was happy with everyone who came out for this year’s big event.  

She said even though they were expecting a good turnout at the Vancouver campus, there had been a steady stream of attendees at Burnaby.

“In the fall, it was pouring rain and even still we got five cyclists, so we’re happy with the turnout today.”

Racing towards space with the Tourist Company

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The band can relate to astronauts going off into the unknown.

The Tourist Company, from the Lower Mainland, released their second EP entitled Mercury on April 29, and hosted a release party at the Biltmore Cabaret on May 26. The new record follows the same space-theme as their 2014 release, Space Race. As lead singer Taylor Swindells put it, “I’ve been stuck in that metaphor for life in general for the last couple of years.”

Swindells identifies a lot with astronauts who are venturing off into the unknown, saying that it feels a lot like life as a musician: “You spend a lot of time away from home and a lot of time away from community, away from everything that supports you and makes you sane. . . You’re adventuring out into the unknown all the time. You’re often at risk on the road, and there’s lots of risk in performing and being vulnerable before an audience.”

The dense crowd at their release party loved the Tourist Company’s rock mixed with some pop — moving, grooving, and singing along like the audience wrote the songs themselves. The same themes of exploration and risk can be expected on their upcoming full-length record. After that, Swindells said that he’s “starting to think about what the next focus is and what it’ll be like.”

All the way from Winnipeg, Adam Hanney and Co. opened first for the Tourist Company. Despite Hanney coming off of an illness, their groovy guitar and bass made for fun rock. Vocals full of swagger, uplifting guitar solos, and a bassist/keyboardist who was ecstatic to be there made for a great start to the night.

A little closer to home, Victoria-based band Isobel Trigger dominated the stage next with harder, more seductive rock. With lots of bass, kick-drum, and stellar vocals, this foursome performed their hearts out and the crowd knew it. Everyone was pumped and ready for the main event after they left the stage.

There’s a majestic quality to the Tourist Company’s music, something that shines through because of the great songwriting. It feels like you’re actually witnessing space history, complete with that childlike wonder at the vastness of space, and the miracle of the stars.

Fellow band members Jillian Levey, Josué Quezada, and Brenon Parry contribute strong vocals and keys, precise bass, and rollicking drums respectively. The group knows how to manage the stage, bringing out light-up drums during “Mercury 1” and engaging the audience to clap and sing along. They even told the story of Douglas the crow, an unfortunate casualty of the band’s touring. “Weightless and Stranded” off their upcoming LP was dedicated to their “fallen comrade.”

“Irrepressible Future” off of their Space Race EP was a fan favourite, and so was “Shouldn’t Believe,” the track they closed on before their encore. “Mercury 1” is one of Swindells’ favourite tracks to perform, but the group favourite is probably “Now What,” because it’s so much fun to play.

Swindells said that the process of making Mercury — though largely the same as making Space Race — “was definitely taxing, but in a good way. Definitely a challenge to write.” It took almost a year to put together, “but we were really lucky to work with the team we had in the studio. . . They really captured the vision of where we wanted to go and took it to places we would never have been able to take it with our own knowledge and our own creativity.”

Catch Mercury and the Tourist Company’s amazing harmonies at their website.

COLUMN | LIST BITCH: Eight times Republicans made me shit myself

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List Bitch is a new web-exclusive column featuring feisty, unapologetic listicles on life. Click here for more, and check back each week for new content!


 

[dropcap]I[/dropcap]n case you thought having Donald Trump as the prospective nominee is the scariest thing the Republican party has done this year, then think again. These guys are all fucking scary and we should all be afraid. Very afraid. And here’s why.

1) The discussion of Donald Trump’s penis size during the Republican debates (drawn-out and disturbing). Clearly, Republicans need to stop reading Freud and get some real therapy — as if we need a bunch of dicks discussing dicks. That’s exactly why I don’t go to clubs any more.

2) Representative Todd Akin has been quoted saying, “If it’s a legitimate rape, the female has ways to try to shut that whole thing down.” Legitimate rape, guys. Opposed to what — fake rape? I don’t think I have ever read something that has made me feel quite as murderous as this. Akin should pray he never runs into an angry me on the street. Shit will go down.

3) Virginia’s gubernatorial candidate Ken Cuccinelli wanted to make oral and anal sex illegal. What’s next, dancing? Where’s Kevin Bacon when you need him?

4) Trump proposing to build a wall between the US and Mexico, then saying Mexico will pay for it. That’s like me getting a giant pet grizzly bear for my backyard and saying my neighbours should pay for the fence.

5) Republican Mike Huckabee wrote in his own book that Beyoncé’s music is “toxic mental poison.” If female empowerment and civil rights are “toxic mental poison,” then pass the Kool-Aid. Clearly Huckabee missed the boat on Lemonade or he’d be singing a different tune.

6) In case you weren’t already convinced of the party’s unequivocal hatred of women, Ben Carson had the audacity to publicly compare abortion to slavery. Trust me, you can’t make this shit up (I wish I was lying).

7) Not only are Republicans anti-choice, anti-gay, and seemingly anti-vagina, they are also anti-science. Several Republicans have publicly denied the existence of climate change.

Trump claimed global warming is a mere scam dreamed up by China, while Marco Rubio answers inquiries about climate change with the verbal equivalent of dog shit on your shoes: “I don’t have a plan to influence the weather.” I guess it doesn’t matter that these idiots are allowed to run for president, if there’s no world to live in anyway. Silver lining.  

8) I shit myself with relief that Canada doesn’t have to deal with any of this bullshit; instead we have the prime minister elbowing chests in Parliament while the media has a frenzy.

 

So basically, whether Donald Trump is the presidential candidate or not, America is going to be screwed by Republicans. In the words of Mexico’s former president Vicente Fox, “I am not going to pay for that fucking wall.”

Spring TV was a rollercoaster of emotion

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Even after its seventh season Modern Family is still going strong.

Elementary

Well, this season has been a whirlwind. Starting off with Holmes and Watson being fired from the NYPD and Morland Holmes appearing back in New York to deal with his son’s mess, we’ve been on a rollercoaster. Some nefarious things involving Morland cropped up. This resulted in Holmes and Watson being reinstated with Captain Gregson, and resurrecting the cold case on the death of Morland’s sweetheart.

A bunch of crap hit the fan: we got stories about Joan’s family, Sherlock attempted a relationship with the neuro-atypical Fiona, and Joan worked hard to spy on Morland.

The yarns spun together to form a picture of Morland’s less-than-legal business dealings. We saw the return of Moriarty’s shady organization, this time helmed by Joshua Vikner. The season finale ended with an off-screen confrontation between Vikner and Morland, leaving Vikner dead and Morland the new head of the organization. Next season should see how our duo brings down Moriarty’s crew.

Faking It

In the surprise turn of events that saw this season as the series finale, MTV’s Faking It did not disappoint. Karma and Amy were a mess for the first couple of episodes. Once they made up, the sibling bond between Amy and Lauren was set on the backburner. Shane was a mess as per usual, and Liam returned to his hook-up lifestyle after a brief turn with Judaism.

The show didn’t lose its laughter, mixing seriousness and humour together to make this dramedy unique. They introduced Noah, a trans man, into the fold. This led to a quick yet helpful tale about Noah and Shane falling for each other, that should help viewers understand the trials involved.

Amy made a great speech about how labels suck (hear, hear!) and the show ended on New Year’s Eve. Amy and Sabrina got together for real (that was a dramatic pairing), and two new couples appeared that evening: Liam and Lauren (WTF), and Karma and Felix.

Fresh off the Boat

This show makes 20 minutes fly right by because of how enjoyable it is to watch. The family dynamic between the Huangs and their constant struggle to fit in while still being themselves, are the reasons people keep coming back. They tell real stories. After all, the show is based off of the real Eddie Huang’s memoir of the same name.

There is so much to relate to in this show, and the comedy consistently hits home. It also depicts diversity and critiques the underrepresentation of Asian-Americans in media. While the show is set in 1995, this critique still rings true for media today.

This season dealt with all of these issues and more: masculinity, parents projecting their own wishes onto their kids, and Santa Claus’ identity. The third season ended with the Huangs flying back to Taiwan for a wedding.

Modern Family

Most shows by the seventh season are petering out; they only seem to be watched by those who don’t know how not to keep watching. This is not the case for this hit mockumentary comedy.

Oh, so much happened this season. Haley and Andy finally got together after a few more hiccups (including a funny reunion with Haley’s ex, Dylan), Claire took over Jay’s closet business, and Cam and Mitch rented the upstairs of their home to a Christian rock band. Cam even helped replace their drummer, performing a song about how man should not lie with man.

All in all, it was another solid season, providing many laughs and a lot of relatability with its ridiculous family dynamics. The season ended with a funny miscommunication between family members, resulting in everyone leaving town and hoping the others will cover for their absences.

Liam Scarlett’s Frankenstein is a thrilling new work for the Royal Ballet

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The Creature's depiction is a departure from Hollywood's green monster.

Hollywood has taken Frankenstein and turned it into a horror story featuring an iconic green monster with bolts sticking out the sides of his neck. But Mary Shelley’s original novel, as choreographer Liam Scarlett emphasizes, is more of a love story than anything else.

Broadcast live from the Royal Opera House in London to cinemas in 26 countries around the world, this new three-act ballet was co-commissioned by the San Francisco Ballet and the Royal Ballet, and will be seen in San Francisco in February 2017. At only 30 years old, Scarlett has not long transitioned from the role of dancer to choreographer, and he is the youngest artist to have a full-length work commissioned for the Royal Ballet.

Set in 18th century Geneva, the story begins in Victor Frankenstein’s youth, where he is a curious child already interested in science. His family adopts Elizabeth, an orphan, and over the years she and Victor become very close. They eventually fall in love, and realize that they have loved each other all along. Federico Bonelli and Laura Morera were both perfectly suited to these roles and share many tender moments onstage during their pas de deux scenes.

The most impressive set piece of this production is the anatomy theatre at the University of Ingolstadt where Victor is studying. Full of strange animals and body parts in glass cylinders, the room is spooky to begin with, but when Victor begins to sew together a cadaver and bring it back to life, it’s chilling. This stunning set also featured pyrotechnics and lightning projections to add to the drama.

Suddenly, the Creature (Steven McRae) begins to move on the operating table, and he flees out of the room to close the first act. In act two, the Creature is a constant threat and thoughts of him torment Victor. The Creature seeks revenge and begins to wreak bloody havoc on the Frankenstein family. Through it all, McRae’s performance was spot-on, with the perfect inquisitive yet evil stare as he slinked through the woods and spied on the family. Victor, tormented with guilt, pushes Elizabeth away, and they share a tense pas de deux full of vulnerability and restrained passion.

A work of art in the making for three years, this is a massive achievement for Scarlett and the entire creative team including composer Lowell Liebermann and all of the designers. I am sure this will become a classic production in the Royal Ballet repertoire.

If you haven’t had the chance to see a ballet or play at the cinema, I highly recommend it. Not only is it much cheaper than being at the theatre, you are treated to behind-the-scenes extras, there is no dress code, and you can snack to your heart’s content. I look forward to the next season of ballets broadcast from the Royal Opera House.  

Daniel Wesley is a stage performer through and through

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The White Rock native is a master at keeping the crowd engaged at his shows.

If you haven’t heard of Daniel Wesley before now, let me assure you that you’re missing out.

Wesley recently performed at the Commodore Ballroom in an anniversary event to mark his 10 years in the music business. In that time he’s released seven albums, and toured with Matthew Good across Canada in 2011. The Commodore show doubled as a live recording, and featured both an acoustic warm-up set and a rockin’ plugged-in performance that went into the wee hours of the morning. It was one large, crazy, and fun party — shame if you missed it.

Wesley’s childhood friend, Jeremy Allingham, opened the floor for the new father of two. Allingham’s whiskey-soaked voice perfectly complemented his easy-to-listen-to rock. Toe-tapping beats, coupled with an almost oldies-like vibe took Allingham’s walking basslines and confident voice to a whole other level. His big sound — consisting of two guitars, a bass, drums, and keys — was a great choice to kick off Wesley’s celebratory performance.

White Rock native Daniel Wesley delivered hit after hit, the crowd never ceasing to treat every track as a campfire singalong. The only exception was a new “little ditty” the songwriter had crafted specially for the show. Wesley’s laidback, beachside alternative rock — with a hint of reggae and ska — is excellent summer music to chill to. The Commodore’s speakers had the bass drum beating deep in my chest long after I’d left the Ballroom and navigated through the drunken Granville throng.

His vocals never wavered, but the true power behind his voice was elusive through the majority of his two sets. The times where he had to dig deep for his lower notes were the best, and his falsetto was flawless. Wesley’s songs have sultry basslines and lyrics that are built for audience repetition, like “Ooo Ohh” from Sing + Dance, which features multiple spots for ooh-ing. During “You Ain’t Shit”  from Outlaw, which is all about weed, the haze was strong over the crowd. The audience was at their loudest while yelling, “You ain’t shit unless you and me are together.”

The intent of the show was pure fun — no better shown than in his rendition of Ginuwine’s “Pony.” Despite not having any guys taking off their shirts, the crowd got rowdy and dancing anyway. The crowd followed Wesley’s lead and didn’t stop, even for a minute. Grooving to the music, waving hands to the beat, the audience engagement was top-notch.

There are some people who are great performers. They’re the acts you go to where you don’t really like their music, or you aren’t sure; but you come out of that venue sweaty and exhilarated, just because they are such excellent show people. Daniel Wesley is one such act, and you don’t want to miss him.

To tide you over, his latest album, I am Your Man was released in 2015. So far his next show is in Port Alberni, June 17 at Blue Marlin.

Town halls to be held regarding sexual assault and misconduct at SFU

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SFU will be having three concurrent town halls on May 31.

A series of town halls will be held to begin the process of developing a sexual misconduct and assault policy at SFU today.

All three will be taking place concurrently on May 31 from 2–4pm on all three campuses.

Dr. Jon Driver, VP Academic and Provost of SFU, will be overseeing the development of the policy. “We are hearing that there are questions of [how to address] sexual violence and misconduct — universities should respond to these concerns,” he said. “There should be a policy addressing that. A standalone policy signifies that the university takes these concerns seriously, and that those who are affected will know what to do and how to get help.”

Dr. Driver mentioned that university attention is being put on this subject because of the recent incidences of sexual assault that were covered in the media, some of which were on Burnaby Mountain.

Furthermore, the provincial government introduced a bill into the legislature at the end of April that would make it mandatory for post-secondary institutions to have a standalone sexual violence and misconduct policy. Because of that, according to Driver, there is “a growing discussion between students, advocacy groups, and university administrators what the right way to address sexual violence is.”

The Town Hall will be comprised of the following components: an introduction to the process, an overview of what policies SFU currently has in place, and an invitation for people to participate in a variety of ways. As drafts of the policy are made, SFU students, faculty, and staff will have the opportunity to provide input and feedback on them. Participants will also have the option to submit anonymous comments online.

An advisory group is also being formed that will provide feedback on the wording and development of the policy. The group will consist of individuals from a diverse range of backgrounds and expertise. Former Simon Fraser Student Society board member Kathleen Yang is one of the members of the advisory group. “The main purpose of the advisory group is to represent the needs of the community as a whole,” she said. “I, personally, am committed to updating students.”

Yang is hopeful about the possible outcomes of this process. “I hope we can take a survivor-centered approach, and that there’s enough presence in the Town Hall to convey to the university that we truly need this policy, as it affects the whole community. I hope we see a transformative message come out of this policy,” she said.

Flicker magnifies indigenous dance in a multimedia performance

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Flicker fuses the traditional with the modern.

Culture is always evolving, ‘flickering’ between what it was and what it is becoming.

Dancers of Damelahamid carefully negotiate this in-between space in their new work Flicker, which premiered at the Cultch Historic Theatre on May 25. The work is named after the flicker, a woodpecker frequently pictured in indigenous art. The show weaves a narrative through a multimedia performance, combining indigenous dance in traditional Gitxsan regalia with projected environments of light and sound.

I chatted with artistic director Margaret Grenier about the upcoming show. She explained that Flicker has been a two-year process, involving more collaborators than the company has ever worked with before. In particular, working with theatre production artist Andy Moro on videography and lighting design has opened up the work visually, strengthening the dance’s ability to communicate its stories.

The innovative choreography in Flicker fuses contemporary, indigenous dance with powwow and coastal dances. Its hybridity reflects the intersecting cultural identity of many First Nations families, including Grenier’s background of both Gixtan and Cree heritage.

Grenier noted that the collaboration with dramaturge Charles Koroneho has been influential to the dancers’ process. Koroneho’s own career as a Maori performing artist, trained in both traditional dance and Western contemporary, brought an outside voice to the piece. This allowed the Dancers of Damelahamid to reflect on their own practice and step boldly into new places.

In its essence, Flicker has not broken from the indigenous dance form. However, its use in a highly multimedia performance raises questions — how can an indigenous artist maintain the essence of a cultural dance form while creating something new? Grenier explained that the use of cultural dance must begin with a true understanding of the form itself, received from the older generations. Only from there can one begin to take artistic risks.

Flicker is a work of intersection between past and present. Ancient forms of movement magnified by videography and lighting meet onstage in performance to perhaps forge new narratives.

SFU men’s basketball names Steve Hanson new head coach

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SFU Athletics announced on May 26 that Steve Hanson will be the eighth head coach of the men’s basketball team. He was the lead assistant coach last season at SFU under former head coach Virgil Hill, and previously was the coach at Terry Fox Secondary.

“We have to re-establish stability and re-establish credibility with our men’s basketball program,” said Theresa Hanson, SFU Athletics director, in a press release. “Steve has demonstrated technical expertise in his coaching and teaching abilities, and he displays the personal character that Simon Fraser values so highly.”

Steve Hanson will be tasked with rebuilding the struggling men’s basketball program. Last season, the team had a 2–24 overall record, and 1–19 within the Great Northwest Athletic Conference. Hanson said he knows that in the beginning, there will be many challenges.

“I think one of my strengths as a coach is communication.” – Steve Hanson, SFU basketball head coach

“Well, I think in the short-term I think the most important thing is getting a group of guys who are willing to stick out some tough times,” said Hanson. “I think in order to do that you need some guys with some long-term vision like I have.

“I think the number one thing is we have to build culture. That has to be around some core values. I have some core values of my own, [but] I’m going to let the players and future captains bring out what the core values of the team are going to be.”

While core values can be a good idea, nailing down what that means can be a bit of a challenge. Hanson said he believes he has a good vision of what those values might be.

“I think trust is huge between players and coaches. I think one of my strengths as a coach is communication,” he said.

“Letting players know that you care about them outside of practice is really important. This is a tough school, it’s eaten a lot of people trying to get their degree up, and when you pile on athletics and the pressures of being a varsity athlete, it’s tough.

“I understand that, and I can help the players get through it.”

A change of direction for this program will be the focus on recruiting. Former head coach Virgil Hill stated when he was hired that he was going to focus heavily on local recruiting. Hanson is planning to open up more to international recruiting, but still wants the core of the team’s talent to be BC players.

“With [the] Internet and YouTube, there’s so many devices now that recruiting is international,” he explained. “It really doesn’t matter where the players are from, as much as [it does] having a common vision of what they want.”

Hanson said he is expecting to announce two new recruits in the next 10 days, to add to Vinnie Safin and Kedar Wright, who were announced on April 7.

A big challenge for Hanson will be erasing the memories of last season for the returning players, as well as the fans. On April 1, former head coach Virgil Hill resigned amidst numerous allegations of misconduct. Hanson indicated that they are “focusing on the future,” and the fallout with coach Hill is not affecting his ability to recruit players.

“I think it’s a fresh start for everybody,” said Hanson when asked about his idea for the future of the program. “[Every] head coach brings a [different] element, different type of leadership. [. . .] I expect to bring a different type of leadership.

“With good culture, I think we can surprise people, whether it’s next season or the season after.”