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Sloan attracts young and old to Commodore

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For their new album, Commonwealth, each member of Sloan helms one side of the record representing the four suits of a deck of cards. The band has always collaborated on songwriting, and on this album each of them has a chance to be the front man. In this same spirit, their live show had the band members switching places and sharing the limelight.

They began playing the Spade side of the record, followed by the Shamrock, Diamond, and Heart sides, with older songs in between such as “It’s Plain to See” and “Unkind” from Double Cross. “Unkind” had the crowd clapping along to the beat and singing the infectious lyrics.

From Jay Ferguson’s Diamond side of Commonwealth, they played “You’ve Got a Lot on Your Mind” which fit right in with their older hits and had the crowd nodding along in approval. This moved right into the following song off the record that references the theme of the album directly with lyrics like “She played a diamond where a heart should land” and “The house will always win.” This is a very well written song, and sounds as though Sloan just crossed the pond from Britain.

Of course, the members of Sloan are not from Britain, but from Halifax, and are now based in Toronto. Their patriotic side comes out on “The Rest of My Life” as they sing “One thing I know about the rest of my life, I know that I’ll be living it in Canada.” Screaming that along with everyone brought me back to Canada Day a few years ago when Sloan performed in Surrey.

Chris Murphy’s Heart side has a different tone, but it suits the band nonetheless. Songs like “Carried Away” were very easy to sing along to. They brought out “Believe in Me” from 1988, and the older fans in the crowd were very pleased.

The range in audience ages was really nice to see at this show, as Sloan have managed to keep their fans from the ‘90s while also attracting some new fans along the way. Maybe not everyone could relate when they sang “I Hate My Generation,” but everyone enjoyed this 1994 hit.

After taking a break, the band came back for round two and got everyone pumped back up with their 2001 hit, “If It Feels Good Do It.” “Misty’s Beside Herself” from the Heart side of Commonwealth slowed the pace down, and then they switched gears once again to play one of my favourites, “Who Taught You To Live Like That?” and “Ill placed trust” from 2006’s Never Hear the End of It.

With such a large discography, the band has a lot of material to draw on, and they played a well-rounded and lengthy set. Before the encore, they played two more that everyone could sing along to: “The Other Man” and “Money City Maniacs.”

They thanked the crowd for allowing them to do an encore, and expressed that they still love that feeling of being called back on stage. The group is still humble, and clearly loves making great rock music. They ended the night with the first song off Commonwealth, “We’ve Come This Far,” “The Marquee and the Moon,” and “She Says What She Means.” It was a fitting way to end a night of visiting their extensive discography.

Quantum is dance inspired by particle physics

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Swiss choreographer Gilles Jobin’s Quantum represents a blending of art and science. Jobin participated in Collide@CERN, an artist residency initiative of The European Organization for Nuclear Research, where he was inspired by particle accelerators and physics.

Quantum is what came out of that residency, and it demonstrates an awareness of patterns, clusters, and the idea that we are all made of these particles that are constantly moving. The piece begins with six dancers shaking frenetically on the spot, as the lights above them sway back and forth.

The lights are a work of art in themselves, and are a lumino-kinetic installation by Julius von Bismark. This made the lighting extremely dynamic, as the three large bulbs swung in different patterns and at varying speeds throughout the performance.

The dancers’ movements seemed to be influencing the movements of the lights, and they added an extra element to the work as they too had to be choreographed. The way the circles of light moved as the lights swayed was an effective way of changing the mood and pacing of the work and, at times, added an extra pulsing, rhythmic element.

In tight jumpsuits with a detailed geometric pattern, the dancers moved around the stage in various clusters, with one dancer beginning a movement and the others following suit until the chain reaction of movements changed their formation. These sections were reminiscent of atoms moving in clusters and affecting each other in a chain reaction.

The soundscape of this work was not melodic at all, and contained a few sections of very piercing sounds that had a few audience members grimacing as they covered their ears. This only added to the scientific, clinical feeling of the work as the dancers moved around a bare, starkly lit stage.

With impressive contact work and inventive choreography, this is a fascinating work that blends the two fields of art and science into a unique creation.

For more information, visit thedancecentre.ca.

A day at the Art/Book fair

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During the month of September, local artist-run culture gets into the full swing of things with an annual swarm of show openings throughout the Vancouver area. One centre, however, is creating a new tradition in the first week of October.

The Peak sat down with founder Tracy Steffanucci, as she prepares for the third annual Vancouver Art/Book Fair, which is produced by Project Space and takes place on October 4 and 5.

The Peak: Could you start by giving us a bit of background information on Project Space? How did it come about and who was involved?

Tracy Steffanucci: Project Space is a non-profit organization dedicated to publication as an artistic medium. Our main projects are the Vancouver Art/Book Fair, Project Space Press, OCW Magazine and projectspace.ca.

The organization evolved out of a magazine I co-founded in 2006. In 2011, under the leadership of Jaz Halloran and I, we opened a bookshop/gallery in Chinatown and began operating under the name Project Space. We closed the storefront in 2013, but we are still very active with our other projects.

Peak: Why the Vancouver Art/Book Fair as an event? This is the third installation of the fair — have you noticed anything changing in the Vancouver publication community now that the fair is a mainstay?

Steffanucci: VA/BF was founded in response to an absence of art book fairs in Canada and on the West Coast (though after we founded the fair we were pleased to see Printed Matter launch an LA Art Book Fair). Our city and country have active and vibrant artist publishing communities, and fairs are an ideal place to circulate books, generate discourse, engage new publics, and foster relationships between artists, publishers and the public. VA/BF acts as an invaluable piece of cultural infrastructure; it seemed absolutely necessary to launch one here.

In Vancouver in particular, we have a fairly sizable and active community that is producing art books — though we are still working on helping to make the various smaller communities that make up this broader community more visible and connected. I do see results and am excited for ongoing development in this regard.

For example, Nathan Jones and Michael Lachman’s Print Ready exhibitions at Dynamo Arts Association are fostering a community around artists’ zines. Or 221A’s recent collaboration with Brick Press for Dan Starling’s bookwork The Part of No Part is a good example of an artist-run centre collaborating with another art publisher. We’ve also been posting art publishing–related events to our blog at projectspace.ca, and are impressed by the number of groups hosting such events and how frequent they are.

Peak: They say the third time’s the charm. What can visitors expect, or be surprised by, at this year’s VA/BF?

Steffanucci: VA/BF takes over three floors of the Vancouver Art Gallery Annex to present works by hundreds of artists and publishers — from exhibitor tables to installations and other displays — as well as hourly talks and performances, an art and coffee lounge (with free organic, fair trade coffee from our official coffee sponsor Ethical Bean) and more.

This year, some highlights include Jordan Abel, award-winning Nisga’a poet and author of a new artist book we’ve published titled Un/inhabited; Hugh Frost of Landfill Editions, a Stockholm-based publisher that produces books as well as various other art objects.

Other highlights include Rachel Gontijo Araujo of A Bolha Editora, a Sao Paulo–based publisher that is committed to disseminating under-represented Brazilian works in other countries, Lauren Mackler, founder of Los Angeles’ Museum of Public Fiction, which produces an art journal that compiles print artist projects and texts in connection with thematic group exhibitions; and Helena Keeffe, a San Francisco–based artist whose project Standard Deviation discusses valuation of artistic labour.

The passion evident in the work on display at VA/BF is palpable. There is nothing quite like talking directly to an artist or publisher about the work they’ve created — hearing the back-story and the intention from someone who is incredibly passionate about it.

The range of work on display is outstanding, meaning there is something for all kinds of book lovers and also that it is almost impossible to not discover anything new and exciting.

Of course, there are also things like free tote bags given out at the door — which doesn’t hurt. Give yourself lots of time, as there are many rooms of books and artists’ projects to explore, as well as hourly talks and performances.

The Vancouver Art/Book Fair opens with a Members Preview October 3 and runs October 4 and 5 from 12:00 to 5:00 p.m. For the real book aficionados, be sure to check out Artists’ Books Week, which is a series of events in parallel to VA/BF that runs September 29 to October 5. For more information, visit vancouverartbookfair.com.

Bad batch of candy corn could harm trick or treaters’ taste buds, warn police

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There could be striped disappointment lurking in your child’s trick or treat bag.

Police are warning trick or treaters about a particularly uninspiring batch of candy corn that could pose a risk to children’s taste buds.

“No one is in immediate danger of being disappointed,” police announced to candy enthusiasts earlier this week, “but we are monitoring things closely. We’re taking a ‘better safe than bummed out’ approach to the situation. Anyone with any information about the subpar candy corn should contact us immediately.”

The candy has already disappointed Vancouver teens Trevor Smith and Todd Chan, and police are saying similar incidents could be on the horizon.

According to a police report, Smith and Chan purchased the alleged candy corn from a bulk aisle at Superstore. Instead of just being content with how average the candy was, the youth told police that they were unsatisfied with how bland it tasted.

“At first we thought it tasted like regular candy corn, which I guess tastes like sugar but not as good,” Smith recounted to The Peak. “After a couple of pieces, neither of us were really feeling it though. I still have most of the bag so I might just give the rest to my parents. I’d feel bad just throwing it away.”

A junk food belonging to the ‘sweet’ family, candy corn is a popular treat for this time of year — which police say makes it especially prone to disappointment.

“People get excited that they can buy candy corn in stores again and they immediately think back to eating it when they were kids. When people are nostalgic, they’re more susceptible to be underwhelmed by something. Just because a candy is seasonal doesn’t mean it can’t be mediocre.

“It’s Halloween, so of course people are going to be hopped up on Tootsie rolls, miniature chocolate bars, and anything else they can get their hands on. It’s important that people are aware of what kind of candy they’re ingesting so this doesn’t happen to them.”

The situation is similar to an incident in 2012, where police issued an advisory on all Sun-Maid Raisins, after reports flooded in about raisins that were drier and more stale-tasting than usual. Sun-Maid representatives responded by saying that that’s just how raisins are supposed to taste and the allegations were eventually dropped.

Until more is revealed about the dispiriting candy corn batch, police are advising trick or treaters to stick with candies that they already know will be disappointing, like Almond Joys or those little suckers with the shitty gum in the middle.

Satellite Signals

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Woodward’s

Last Wednesday, October 22, SFU Woodward’s hosted a panel discussion on the book, Red Skin, White Masks: Rejecting the Colonial Politics of Recognition, written by Glen Sean Coulthard, an assistant professor in the First Nations Studies Program and the Department of Political Science. According to the event description, the book challenges the “now commonplace assumption that settler-colonization can be reconciled through a process of cultural recognition and accommodation.”

Surrey

SFU Surrey hosted its 7th annual Diwali event at Surrey’s Crown Palace Banquet Hall on Tuesday, October 21. The event celebrated Indian culture and attempted to engage with the local South Asian community.Over 300 South Fraser business, government and community leaders, as well as SFU alumni, faculty, students, and staff attended the dinner.

Harbour Centre

A lecture by Brown University’s Rebecca Schneider on October 22 discussed contemporary performance-based art alongside Paleolithic cave art, exploring performance as a historical artifact. Schneider asked questions such as: How long is the live? How live are the dead? And why are these questions surfacing now?

The NDP’s childcare plan may not be easily accessible

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The NDP hasn’t shed light on how the plan will reach out to those impoverished.

Last week, Leader of the Opposition Thomas Mulcair announced a proposal to launch a nationwide childcare program that would seek to provide affordable and quality childcare services to families across Canada. Mulcair’s announcement looked to set up what will be the NDP’s key platform issue come election time next year.

While the promise of affordable and universal childcare is an obvious boon to the Canadian economy and serves to only further gender equality, the true accessibility of this plan remains unclear.

The issue of childcare is, at its heart, a gender equality issue. Too often, families are unable to either find or pay for daycare, and too often, women are expected to assume the responsibilities of primary caretakers due to patriarchal cultural norms; thus, the government’s inaction to provide such care disproportionately burdens women.

This is of particular concern considering the staggeringly high number of women pursuing post-secondary education and poised to take on leadership roles in all industries in Canada. However, the realization of gender equality will be stagnant until systemic barriers to employment and career advancement for women can be negated by an effective childcare system.

Most importantly an effective  childcare policy would be self-sustaining. The surplus of women who would be able to enter the workforce would not only significantly grow the economy, but their income would also provide crucial tax revenue for the government.

The blind nature of such a policy will not help the most vulnerable people in our society.

In Quebec a similar childcare policy has been in place for quite some time and the outcomes have been encouraging. Economist Pierre Fortin argues that “[the] ripple effect of [women’s] employment pumped an additional $5.2 billion into the Quebec economy, boosting the province’s Gross Domestic Product by 1.7 per cent” which easily pays for the “$1.6 billion annual child-care costs” the province incurs to pay for such a plan.

One thing remains abundantly clear; the current status quo of childcare in the form of the Universal Child Care Benefit makes no economic sense. One hundred dollars per month is not nearly enough to cover the exorbitant price of childcare (which on average can surpass $1,000 per month).

The NDP’s policy will cost $5 billion dollars a year  by 2023. This policy not only subsidizes the cost of daycare to $15 a day, but also involves providing a million additional care spaces for just double that amount.

However rosy universal childcare may seem, I remain concerned that the NDP policy will, like the troubling majority of social policies, only be enjoyed by the most privileged groups in our society. The policy seems to invoke a universal language but I am doubtful that such language is appropriate given the starkly different economic realities that Canadians face.

An OECD study found that in Canada “low-income, single-parent families[. . .]pay, on average, 48 per cent of their net income” on childcare services. What has the NDP said as to how these families are to benefit under this new plan? Nothing. The waiting lists for these care spaces will give no preference to families who need such subsidized services in order to subsist.

The blind nature of such a policy will not necessarily help to ameliorate the conditions of the most vulnerable and impoverished people in our society, which is what a truly socially minded social policy ought to do. If it fails to do so, it takes its place as just another empty political gesture and we have plenty of those in Ottawa, Mr. Mulcair.

Genetic engineering takes steps towards building superhumans

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The superpowers of heroes such as Spiderman, Captain America, and the Hulk have become a frequent sight in movies and TV shows, but new technology may mean that you could see them in your day to day life, sometime in the near future.

A paper recently released by Stephen Hsu, a professor of theoretical physics at Michigan State University, asserts that by tweaking our genomes, we could make humans drastically smarter. He explained that by modifying gene variants, human intelligence could be increased to 10 times what it is now.

The paper has inspired renewed discussion in the academic community around the issue of genetic modification and how it might be used to give people ‘superhuman’ powers.

Last week, a man who had been paralyzed for two years walked again following a transplant to his spine. The treatment involved the injection of olfactory ensheathing glial cells (OEGs) into the man’s spine, which were able to create new nerve cells and repair damaged ones.

Michel Leroux, professor in SFU’s Department of Molecular Biology and Biochemistry, acknowledged the uses of stem cell technology: “It’s simply basic biological principles that multicellular animals, such as us, employ to grow from a single cell to an adult.”

However, he speculated that, “we will require 50 plus years to get closer to really understanding mechanisms at the molecular level inside our cells.”

Human engineering is not just limited to comic books anymore. John Gurdon and Shinya Yamanaka, who won the Nobel Prize in Physiology or Medicine in 2012, discovered that adult cells can be reprogrammed back into stem cells.

These stem cells can then be pushed to develop into a huge variety of adult cells: skin, bone, muscle, or even nerve.

The technique, called induction of pluripotency, has made previously impossible therapies a reality. A short list of examples includes repairing damage to the heart after a heart attack, creating new insulin producing cells for diabetic patients, and even constructing a kidney from scratch.

Human engineering is not just limited to comic books anymore.

Such advances in the use of genetic engineering are reminiscent of a ‘healing factor’ that allows superheroes like Wolverine and Deadpool to heal their injuries supernaturally fast. When asked whether reprogramming a human’s body like this would ever be possible, Leroux suggested that it represents a logistical challenge.

“The main issue there is delivery,” he said.

Currently, there are many methods for modifying cells’ behaviour, but most involve somehow getting foreign genes into the cell. There is even a ‘gene gun’ currently on the market, which fires DNA-coated gold particles into cells. Despite the innovation, physically getting DNA into many cells in a living organism is extremely difficult, at least for now.

Gene editing tools like CRISPR — clustered regularly interspaced short palindromic repeats which take advantage of natural DNA repair machinery to engineer the genome — might mean that scientists are that much closer to giving humans supernatural healing or amplifying the abilities that we already have. For instance, infants under a year old that have lost a finger tip can regenerate the finger, much like how a salamander can regenerate a lost limb.

Leroux explained that the excitement behind CRISPR is due to its incredible versatility and that “remarkably, it works in everything that’s been tried.”

However, with these powerful tools also come ethical challenges. Leroux had his own opinions on the matter. “Personally, I could say that if you know that your children will have a particular genetic disorder and you’re able to fix that, I think that’s ok,” he said. “So is that where you draw the line? You can pre-fix problems but you can’t enhance existing traits.”

For good or bad, Marvel or DC, the capabilities to engineer superhumans are already here.

SFSS AGM results allow SUB plans to continue

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This SFSS AGM was the first to make quorum since 2008.

At the Simon Fraser Student Society’s (SFSS) Annual General Meeting (AGM) last Wednesday in the SFU Theatre, students voted in favour of a special resolution which will allow the society to obtain a loan for the Student Union Building (SUB).

The students also approved an addition to the by-laws that will ensure that the Build SFU levy, which will be used to pay back any loan related to the project, will not be cancelled before the loan is repaid.

The AGM was the first since 2008 to reach the necessary quorum of 250, with over 400 students present and many more lined up outside the theatre. “It’s a huge accomplishment,” Chardaye Bueckert, SFSS president, said of the turnout. “I just want to thank all the students who came out. That was really fantastic to see.”

This AGM was particularly important because, under the Society Act, the issuance of any debenture by the SFSS must be approved by its membership. If the AGM had failed to meet quorum, or if the motions hadn’t passed, the SFSS would have had to hold a Special General Meeting (SGM) in January to ask the same questions of the membership, delaying the construction of the SUB significantly.

Students had the opportunity to voice their opinions about the Build SFU special resolution and the addition to the by-laws. Most of the students who spoke asked for clarification regarding the student levy to be used to pay for the building, as well as how space will be allocated inside of the building.

Clayton Gray, a fourth year criminology student, raised concerns that the finished SUB will be owned by SFU and not the SFSS. “I’d just like to make sure that everybody here is aware that, if it’s analogous to taking on a mortgage, then we’re taking on a mortgage for the university,” he said.

After the discussions, students voted in favour of the special resolution with 328 votes in favour and 26 in opposition. They also voted in favour of the addition to the by-laws with 283 votes in favour and nine in opposition.

The AGM addressed other regular business, including the receipt of reports from the board of directors, VP finance Adam Potvin on the society’s finances, and the auditor, as well as the appointment the same auditor for the following year.

Former SFSS president, Jeff McCann, the proud father of the SUB and Stadium projects which began in 2012, had this to say: “The AGM turnout and margin of yes votes cast is an incredible demonstration of support for Build SFU. Credit to the current board and Marc Fontaine for their efforts and success at this pivotal moment in SFU history.”

Smiling, Bueckert summed up how she felt the AGM went: “We’ve set a high bar, and we’re going to need a bigger room for next year.”

No one should dictate how I dress on Halloween

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To take on the identity of another person or character should be fun and creative.

Halloween, the best holiday in existence, is officially upon us. As children, we would dress up, shout at people’s doors, and demand chocolate from strangers. Now that we’re older, dressing up for Halloween has changed ever so slightly.

For many who wish to dress up, Halloween costumes are a source of body stress. There is so much pressure to have the perfect costume, and to have the perfect body to execute it. ‘Body policing’ is prevalent during Halloween, and can be very destructive to a person’s well being.

Surprisingly, Urban Dictionary provides the best definition of body policing, calling it “[t]he practice of policing one’s physical appearance because it does not conform to social norms, or is not deemed appropriate for a particular setting.” Body policing happens constantly, especially to women.

My first experience with body discrimination occurred while I searched for my current Ginger Spice costume. Without the tightest mini-skirt, the costume would not be perfect, and the search was much more difficult than I had anticipated. After searching two malls worth of stores, I still hadn’t found what I was looking for.

My stress-levels were already a little too high, when I received a comment from a random stranger with regards to my body. The moment was quick and I smiled, nodded, then swore not so quietly under my breath.

Thank you random woman for implying that I am too fat to pull off my favourite Spice Girl.

When a stranger tells someone that they are a little too chunky to be Ginger Spice, their implications are clear. Thank you, random woman, for implying that I am too fat to pull off my favourite Spice Girl. Thank you for ruining this costume for me. I have witnessed my body change over time, and I know how much chocolate I have consumed in my life. But, this does not give anyone the right to tell me how my body looks, or what parts of it I can show off.

This practice is prevalent across today’s culture, and the fact that beauty is so narrowly defined does not help matters. To take on the identity of another person or character should be fun and creative. But, depending on the costume, Halloween has consistently shifted ‘dress-up’ from fun to unnecessarily critical.

Nothing beneficial comes from the expression of unproductive and abusive opinions. With the potential to cause mental and even physical illness, comments such as this are an enormous issue for anyone who does not fit into mainstream ideals of beauty.

My body is not on display for random strangers, or even the people I love, to comment on. I understand what is right for my body and others should not feel so entitled to their opinions on it. While everyone has personal preferences as to what they find attractive, these preferences should not be forced upon individuals as the ‘proper’ way to be.

Sooner or later, these ideals are internalized and become destructive. People become damaged, which causes them to monitor or change their beliefs about who they are. Halloween is about dressing up, being silly, and having fun, and isn’t about changing who we are and what we look like to appease others. I am confident with who I am, so please, let me let me rock my mini mini-skirt without feeling guilty about it.

Students catch z’s in Build SFU nap zone

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Although Marc Fontaine was not present to read bedtime stories, students were able to stop in for quick naps throughout the day.

Build SFU offered students the opportunity to take a nap on couches, hammocks, and actual beds in a makeshift ‘nap zone,’ which was set up in the Forum Chambers during the afternoon of October 20.

Entitled Build SFU’s Nap Zone, the event was held in order to give students “a taste of what’s to come in 2017.”

The Student Union Building, slated to finish construction in 2017, will contain a so-called ‘napping room.’ Build SFU has regularly referenced the planned space in their project documentation and promotional materials.

“Students are one of the most sleep deprived demographics of the population,” said Ross MacMillan, consultation coordinator for Build SFU. “Part of our mandate for the [SUB] is to facilitate overall health and wellness, and students have been very interested in the idea of the nap room.

“It was not us that proposed [the nap room]; it was SFU students. They have been bringing it up during consultations ever since we started the project,” MacMillan said.

Adam Potvin, VP finance for the SFSS, acknowledged that the event was designed to promote the planned SUB space, but added that it was also a mental health initiative.

“The idea had stemmed from an initiative about getting enough sleep,” Potvin said. “We ended up collaborating with a bunch of people like HiFIVE and Health and Counselling. It was appropriate to pursue something, and what better way to do so than to create a nap room.”

The napping space in the Forum Chambers during the event was unlit, with a projector displaying visuals of oceans on the wall. Relaxing music played quietly in an otherwise silent room. Build SFU personnel were on scene to manage the nap-takers.

Although the room was configured as such for this event, the SUB nap room will be a little different. “The nap room in the SUB will have furniture that is comfortable, but [it] will not be beds,” Marc Fontaine, general manager of the project, said. “They will be more like comfortable couches or day beds.”

Despite the differences, Fontaine emphasized that the event reflected the spirit of the future napping space.

“Today’s event serves two purposes. First, to indicate that there will be a napping space in the SUB. Second [. . .] to promote the fact that sleeping and proper rest is important for wellness,” said Fontaine. “The space in the SUB will be a bit different from today, but the motivation is the same.”

Despite indications that the event was well received, some concerns were raised by students. Amelia Hill, a third year political science student, brought up the issue of hygiene.

“I’m concerned that it will not be sanitized enough [. . .] People drool, they smell, and they don’t shower. It could be gross,” said Hill. “It could be wonderful; it has potential to be really great. But it has got to be clean.”

On these concerns, Fontaine responded, “Just like lounges on campus are cleaned regularly, the nap room will be maintained by the custodial staff. I cannot comment on the details since the project is still under development, but it is something we are keeping in mind.

“The space will not have sheets or pillows, which will help with this. Beyond hygiene, we are also determining how to promote safety. These
decisions haven’t been made yet, but we know that they are really
important decisions,” Fontaine concluded.