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SFU student Ally Baharoon to present one-act play The Examination at SFU Theatre

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Photo courtesy of Sarah Race.

On stage at the SFU Theatre March 29, SFU student Ally Baharoon presents his first theatrical production. He says that his aim is to “offer a cosmic view” of student life, and to explore the relationship students have with measures of intelligence.

The Examination is a dramedy featuring six main characters taking an exam: an imaginative dancer, a narcissistic sociopath, a self-righteous A+ student, an average student, and a confident snob, and the exam is presided over by a hyper-vigilant invigilator.

The play is presented in a single scene, focusing entirely on the revelations within an exam setting. Baharoon, a fourth-year English major, wrote, directed, and produced the play to loosely represent key moments in his life.

One experience that inspired him was when he recieved “the award for the best fourth grader in school back in Tanzania.” It was everything he wished for — until he actually got it. Baharoon realized at a young age just what a fleeting experience it can be to pin your entire happiness on external approval.

Another experience that left a lasting impression on him occured after he arrived 20 minutes late for an accounting quiz. Baharoon felt the pressure to perform by either accepting help from a neighboring student or taking the high road and answering honestly. “Why would this person give me his answers? Is there a particular value to this?” reflected Baharoon.

There is often pressure to either pass or fail, to “be a cheater or champion,” he continued. Ultimately, the goal for the play is to philosophically explore how we identify with the quest for knowledge. As students, Baharoon hopes we can “humour ourselves” and not compare ourselves to each other.

Baharooon’s vision for his first play does not stop on stage. The burgeoning director hopes the audience will share the experience with the characters by having them seated as if they were actually at an exam — on every other seat.

The last three years of planning for this play have been challenging for the soon-to-be graduate. However, he credits having come this far to “playing to people’s strengths, trusting the actors and receiving a lot of help from the SFU community.”

Through this collaborative project, Baharoon attempts to “diversify the entertainment here at SFU and show that there is a lot more going on.” Working with volunteer performers and other individuals who dedicated their free time to the production, he thrives in the beauty of community theatre.

As director, one of the things Baharoon has realized is that “when you have a vision of a character on a piece of paper and an actor portrays them differently, you learn to trust the process.”

SFU students can see the director’s debut come to life on stage near the end of the month, as The Examination is presented to the SFU community free of charge.

Visit shwanga.ca/the-examination to reserve your tickets to The Examination March 29.

It Follows explores our innermost fears

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Photo courtesy of Animal Kingdom.
Photo courtesy of Animal Kingdom.
Photo courtesy of Animal Kingdom.

What are you afraid of? Economic hardship, alienation, feelings of guilt because of sexual promiscuity? Most horror movies are just retreads of The Exorcist or Halloween with jumpy editing and loud violin screeches. The great ones take these conventions and morph them into something unique and personal; they tell us about our own fears.

Directed by David Robert Mitchell (The Myth of the American Sleepover), It Follows combines the storyline of a coming-of-age movie with a spooky story where the antagonist is an invisible force continually creeping out the characters. The suburban streets, swimming pools and condemned buildings are this movie’s haunted houses. This movie exists within its own timeless mythology as different elements from the scenery reflect different periods. It’s timeless because the fears are universal.

The central image of a classic car parked in the unmaintained parking lot of an abandoned building as a blonde teenage girl has sex inside is a send-up of ‘80s slasher flicks. Anyone who has seen those kinds of movies knows it’s all downhill from there. For example, after the opening scene of Friday the 13th where two teenagers leave a campfire to have illicit coitus, the campers are murdered one by one.

Similarly, John Carpenter’s Halloween follows a murderer as he kills teenagers in 1970s American suburbia who partake in sexual promiscuity and substance abuse.

In It Follows, the blonde teen, Jay, resides in a dark suburban neighbourhood with empty streets. She’s a loner with no serious friendships. We know her more through surroundings than through any dialogue.

Jay is plagued with visions of people who ominously follow her. Her troubles are a result of sex with a virtual stranger, who passes on this malaise that she can conquer only by having sex with someone else. The remainder of the film is essentially Jay being frightened by this elusive force while a group of teens lounge around deciphering Jay’s condition.

The film is also about a self-reflexive attempt to rejuvenate the trite formula of horror movies by finding heart in the character archetypes. Characters are seen watching black and white horror movies. Other allusions include an ‘80s-style synth score, a pool scene reminiscent of Let The Right One In, and an invisible force that comes to punish teenage debauchery. 

Unfortunately, the film isn’t very scary in a typical sense. A scary movie that doesn’t scare is like a car that doesn’t move. We are given little information about the characters and little reason to empathize with them, so it is hard to care for them and be scared with them.

That being said, the more I think about It Follows, and the more I appreciate the way it morphs genre conventions to examine a longing for intimacy in a fallen world, the more I feel the poignancy that I may have missed on first viewing. The slow pace that was initially boring and the detached camerawork that seemed self-indulgent is, in hindsight, hypnotic and touching.

The titular “It” is the same force that seems to be in every formulaic slasher flick. But more importantly, “It” is the embodiment of teenage fears, such as alienation and intimacy. A scary guy popping out of a dark corner with a knife who slashes someone’s throat is not scary; we’ve become desensitized. What’s scary is a film that brings to the surface all the fears that we hold deep inside, the ones that continue to follow us.

SFU authors nominated for BC Book Prizes shortlist

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Photo courtesy of Coach House Books.
Photo courtesy of Jen Currin.
Photo courtesy of Jen Currin.

The West Coast Book Prize Society announced the 31st annual shortlist for the BC Book Prizes on March 11, 2015. The nominations include both emerging and established writers in seven categories, including fiction, non-fiction, poetry, and children’s literature. The prizes are given annually to celebrate the achievements of British Columbian writers and publishers.

Several authors with SFU connections are on the 2015 shortlist, including Jen Currin, alumni and mentor for SFU’s Writers’ Studio. Currin received her MA in English, and is shortlisted for the Dorothy Livesay Poetry Prize for School.

Currin describes School as a “collection of poetry focused around the idea of life as a spiritual school, which uses the tropes, metaphors, and symbols typically associated with academics and classrooms.” It stemmed from looking for learning everywhere and anywhere, and finding it in unlikely places. “My process [for writing] is just try to be open, throughout days and life: everything is a potential lesson, every situation a potential classroom, every person a possible teacher,” she says.

As a teacher herself, Currin has taught at the college and university level for approximately 15 years, and finds that student writers can be far too critical of their own work.

But this isn’t isolated to new writers. Currin recently felt similarly about her own writing as she moved from prose to poetry.

“I’ve been working at prose for some years, but haven’t given it my all. It’s slow, and really difficult — poetry is difficult in a different way — because our hopes and expectations of ourselves are quite high, so you have to work within what you can achieve.”

Another finalist, Kevin Chong, is also a writing instructor and a mentor for the Writer’s Studio. Chong has been shortlisted for the Hubert Evans Non-Fiction Prize for Northern Dancer: The Legendary Horse That Inspired a Nation.

WEB_Book Prize 2
Photo courtesy of Lee Henderson.

In the Writers’ Studio, the cohort of 36 students is divided into four genres — adult fiction, narrative non-fiction, poetry and lyrical prose, and young adult and genre fiction. Each mentor is then assigned nine students in a particular genre.

“It was my first year teaching [at SFU] last year,” says Chong, “I mainly teach non-fiction at UBC, but I teach fiction at SFU, so it was really interesting.” Chong has authored five books of fiction and non-fiction.

Northern Dancer developed out of his previous non-fiction book, My Year of the Racehorse: Falling in Love with the Sport of Kings. The book began as a casual interest when going to the track with a friend.

“I was never a good gambler, I just enjoyed the ambiance — the old man ambiance. . .and it’s quite a high to have a winning horse.

“The bloodline of Northern Dancer is in about two-thirds of Thoroughbreds alive today, but most books are about his racing career instead of his breeding career,” explains Chong. Northern Dancer was a Canadian-bred Thoroughbred racehorse and one of the top champions of the 20th century in Thoroughbred competitions. The book was released last year to coincide with the anniversary of Northern Dancer’s win at the Kentucky Derby.

Northern Dancer was a move away from Chong’s more autobiographical non-fiction books, where “everything needed to be more grounded in personal experience.” As his confidence as a writer has increased, so have his writing interests. Next month, Chong will be travelling to China to write a food story for En Route magazine.

The BC Book Prizes hosts a free Soirée on Thursday, April 2, 2015 at Joe’s Apartment (919 Granville St, Vancouver) to celebrate the shortlisted authors, where the recipient of the Lieutenant Governor’s Award for Literary Excellence will also be announced. This honour is awarded annually to one author who has contributed to the development of literary excellence in the province.

Following the annual Soirée, the BC Book Prizes On Tour will kick off, taking select authors, including Kevin Chong, to visit schools, bookstores, and libraries around the province from April 8–24, 2015.

The winners of the 2015 BC Book Prizes will be announced April 25 at the Lieutenant Governor’s BC Book Prizes Gala at the Pinnacle Vancouver Harbourfront Hotel. The event will be attended by British Columbia’s Lieutenant Governor, the Honourable Judith Guichon, OBC. For the full list of nominees, visit bcbookprizes.ca.

Nominees with SFU connections

Caroline Adderson, a former Writers’ Studio mentor and writing instructor in the Continuing Studies department, is shortlisted in two categories for two different books. Ellen in Pieces (HarperCollins Publishers Ltd.) is shortlisted for the Ethel Wilson Fiction Prize, and Norman, Speak!, illustrated by Qin Leng (Groundwood Books) is shortlisted for the Christie Harris Illustrated Children’s Literature Prize.

Kevin Chong, a current mentor for SFU’s The Writer’s Studio, is shortlisted for the Hubert Evans Non-Fiction Prize for Northern Dancer: The Legendary Horse That Inspired a Nation (Viking).

Jen Currin, a former Writers’ Studio mentor, received her MA in English at SFU. She is shortlisted for the Dorothy Livesay Poetry Prize for School (Coach House Books).

Margaret Horsfield, who received her BA in English from SFU, is shortlisted for the Roderick Haig-Brown Regional Prize for Tofino and Clayoquot Sound: A History (Harbour Publishing), with co-author Ian Kennedy.

Christine Lowther studied English literature and women’s studies at SFU for one semester before returning to the rainforest. She is shortlisted for the Roderick Haig-Brown Regional Prize for Born Out of This (Caitlin Press).

Roy Miki, professor emeritus in English at SFU, is shortlisted for the Christie Harris Illustrated Children’s Literature Prize for Dolphin SOS (Tradewind Books), co-written by Slavia Miki and illustrated by Julie Flett.

Michael Springate, who received an MFA in Interdisciplinary Arts at SFU and has been an instructor for the School of Contemporary Art, is shortlisted for the Ethel Wilson Fiction Prize for The Beautiful West & The Beloved of God (Guernica Editions).

SFSS candidate fines raise concerns around electoral policies

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Most candidates with fines have received them for misplaced posters. - Erik Sagmoen
Most candidates with fines have received them for misplaced posters. - Erik Sagmoen
Most candidates with fines have received them for misplaced posters. – Erik Sagmoen

Two weeks into the Simon Fraser Student Society (SFSS) 2015 elections, the independent electoral commission (IEC) has issued $501.50 in electoral violation fines, 46 per cent of which have been personally incurred by one of the presidential candidates.

As of March 20, $232.50 worth of fines had been given to presidential candidate Kayode Fatoba. Last year, the highest personal fines incurred by a candidate totalled $105. Only $20 in fines were incurred in total during the 2011, 2012, and 2013 elections, although several candidates were disqualified.

The IEC also issued a collective total of $210 in fines to members of Fatoba’s slate, School Spirit. Each member was fined $15 for failing to submit their logo for approval and for copyright infringement.

On March 14, the IEC received a complaint from Marija Jonavovic around the possible use of slander against the REAL Slate by Fatoba. The statement in question was posted to his Instagram and Facebook accounts. It read: “#Realregnizereal and I don’t recognize y’all.” Fatoba received a warning, which was later appealed and retracted.

Further complaints about Fatoba interrupting lectures unannounced in order to campaign were made on several occasions. On two of the three occasions the professors “seemed completely surprised, and irritated with the interruptions,” according to the IEC decision. On one occasion the interruption occurred after class had already begun.

We spoke to Fatoba shortly after he met with the IEC to debate his current infractions. “I definitely think that some of the infractions were ridiculous,” he told The Peak. “There are some that I would agree constitute an infraction.”

Fatoba emphasized that these reports shouldn’t be the focus of the election period. “It shouldn’t take away from the issues,” he said.

The IEC reduced several of the fines that had been previously issued to Fatoba after speaking with him on Friday, leaving him with the $232.50 total. Chief Electoral Officer (CEO) Oscar Sanchez explained, “There have been some concerns around how appeals have been communicated to candidates. [. . .] With that in mind we decided to just accept the [appeals] that came in.”

Since the 2014 SFSS elections, many of the rules and regulations have been revised. “Multiple pages’ worth,” Sanchez explained. As such, Sanchez said some of the new rules have contradicted policies from SFU Facilities, creating confusion.

“How our system is set up, it’s a little hard to keep on top of everything,” he continued, noting the tight time frame this year’s IEC had in which to organize the elections. “We do occasionally struggle.”

Fatoba is also concerned with the office of the IEC — specifically, how it communicates with candidates and its process of announcing infractions publicly before candidates have the chance to appeal them. “There seems to be a need for the SFSS itself to look at its IEC,” he stated. “[The number of infractions] doesn’t necessarily show that I’m not aware of the policy. In fact, it just shows that [there needs to be procedural change].”

The campaign period for the election ends on Monday at midnight. Students will be  able to vote from Tuesday to Thursday using their SFU Connect accounts.

Quiz: Are you a candidate in the SFSS elections or are you running a scam?

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Photo courtesy of Wikipedia
Photo courtesy of Wikipedia
Photo courtesy of Wikipedia

Are you a forward-thinking SFU student ready to bring change and sustainability to your university? Or are you a fast-talking scam artist looking to take advantage of the unsuspecting? Find out by answer yes or no to each of the statements below that apply to you and comparing to the answer key at the end.

1. You’re always making promises that are either too good to be true or that you have no real control over.

2. Your posters are plastered across every available surface on campus.

3. Vulnerable and easily influenced young people are your primary demographic.

4. Charisma and likeability go a long way for you.

5. You’ll say anything to get five minutes of a person’s time.

6. You make yourself suspiciously available to anyone who might want to reach out and contact you.

7. Half of your job is approaching total strangers passing by — no matter how much they avoid making eye contact.

8. After you’ve gotten what you want out of a stranger, chances are you’ll never see, think about, or talk to that person again.

9. It helps to have a great-sounding name.

10. You’re not interested in getting people to like you; they just have to believe in you.

11. You might be working alone or you might have a whole group of people working on your operation.

12. You’ve shaken more hands than is hygienically sound.

13. You’re probably wearing a costume or dressed too nicely, considering what you’re doing.

14. You claim to have a person’s best interests in mind, despite not really knowing a thing about them. 

15. You’re hoping to get several hundreds of dollars out of me.

If you answered “Yes” to most of 1, 2, 4, 7, 8, 9, 12, and 15, then you’re probably a candidate in the SFSS election. If you answered “Yes” to most of 3, 5, 6, 10, 11, 13, or 14, then you’re probably hustling people. If you answered “Yes” to an equal number of both, then you’re running the biggest long con of all: pretending student politics matter.

SFU’s growing role in the fossil fuel divestment movement

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divestment

When you think of SFU, images probably come to mind of students staying up late at the library, bagpipes, First Nations art or the sparkling view from Burnaby Mountain park. You might think the dark grey of the Burnaby campus, late night escapades on the 135, windowless labs, and the fact that despite being 20 minutes late to class, Renaissance Coffee is always a necessity.

You probably don’t associate our university with the expansion of the tar sands and furthering reliance upon multi-billion dollar corporations.

If anything, you may associate our Burnaby Mountain campus with protests against Kinder Morgan expansion proposals and continual debates and lectures about climate change and resource extraction.

If you know a little bit about our history, you may know that Simon Fraser University was once a notable hotbed for political discourse by anti-war activists who were frustrated with the failures of the Canadian education system. However, contrary to this human rights-focused reputation, SFU holds ties with contentious corporations.

MOVEMENT ON THE MOUNTAIN

Upon realizing the serious discrepancy between the school’s sustainability branding and their close connections with the oil, gas, and mining industries, SFU student Tony Nguyen started volunteering with Divest SFU and is currently the president of SFU 350, a climate justice organisation on campus.

Divest SFU is a group of students, faculty, and staff that believe that SFU needs to stop investing in dirty energy, and clean up our school’s reputation and carbon footprint.

Although Divest haven’t been able to specifically campaign on any one investment, as they are waiting for the release of the custodial reports of SFU’s investment portfolio on April 1, they believe that there is reason for concern. SFU has a traditional investment portfolio, which in Canada typically includes corporations such as Suncor, Cenovus, Husky Energy, Syncrude, Shell, BP, and Imperial Oil.

The idea of ‘divestment’, simply put, is to take funds out of one investment, and put them into another.

“For SFU, it means realigning the university’s values of sustainability and its research record on climate change with its investment practices by pulling its money out of the fossil fuels industry,” Nguyen explained. “It means rising up and acknowledging that staying invested in the industry is just as political as divesting and recognizing what message that sends to students and to others in the community.”

Akin to voting with your dollar at the grocery store, divestment works on the principle of reclaiming consumer power to change the market. By investing in green technology, the school or public institution is buying value for a solutions-oriented future and sending a signal to shareholders that the age of fossil fuel extraction is over. Collectively, divesting companies are putting wind turbines in our shopping baskets instead of oil infrastructure.

Divestment gained international traction back in the 1980s during the South African apartheid, when the global community decided that it was unethical to invest in a country that allowed such a system to occur within their borders. Divestment was also used in the battle against the tobacco industry, which is notable because many environmentalists have drawn parallels between the tobacco industry and the oil and gas industries, including false marketing.

DIVESTING DEVELOPMENT

In SFU’s case, divestment is about taking money out of fossil-fuel companies, to address the fact that our continued extraction is causing a mass extinction, and climate catastrophe. According to The Guardian, 32 million people displaced by climate change in were 2012 alone. Without shifting our system away from reliance upon carbon intensive energy, these stark numbers will only continue to climb.

According to a report by the Office of the Auditor General of Canada published in The Globe and Mail, the Canadian government isn’t realistically responding to the threat of climate change. The federal government is working to expand the tar sands through encouraging projects like Keystone XL, TransMountain, Energy East, pipelines facilitating approvals for natural gas wells, and funding multi-billion dollar oil extraction sites. Conservatives and Liberals alike are pushing Bill C-51, which could criminalize environmental groups and implement mass surveillance measures.

Meanwhile, in BC, the provincial government is promoting fracked gas and the LNG industry with tax dollars by using Science World’s engagement tour to reach remote communities and youth throughout the province. The Conservative government has consistently gutted environmental review protection through legislation from Budget Bill C-38 to Bill C-4, slackening resource project requirements, and allowing oil projects to move through BC’s parks — even though, according to a 2015 Nature report, we need to leave approximately 33 per cent of oil, 49 per cent of gas, and 82 per cent of coal unused in order to survive a warming world.

On March 15, The Guardian reported that the United Nations supported the divestment movement, stating that Nick Nuttall, the spokesman for the UN framework convention on climate change, commented “we support divestment as it sends a signal to companies, especially coal companies, that the age of ‘burn what you like, when you like’ cannot continue.”

As Naomi Klein wrote in her critically-acclaimed book This Changes Everything, fossil fuel stocks are consistently under-performing, making our continued investment in them foolish. To paraphrase Klein, fossil-fuel projects will continue to be volatile investments, and will see diminishing returns over the coming years.

In the long term, many believe it makes little moral or financial sense to continue to invest in the large-scale destruction of our planet, as this behaviour will result in major losses. According to investment manager James Cameron, a member of British prime minister David Cameron’s business advisory group: “investors continue to pour cash into unsustainable assets without understanding the risks associated with these investments, such as climate change, local pollution, fossil fuel price volatility, political risk and catastrophes such as Deepwater Horizon.”

If our planet’s temperature rises by two degrees Celsius, some island nations will not survive rising ocean levels. According to the Intergovernmental Panel on Climate Change, if the current rate of extraction projections continues, Earth will eventually reach that temperature, resulting in food shortage, increased poverty, coastal flooding, and displacement of people.

The number of climate refugees, as well as the shortage and movement of arable land, means that fossil fuels will continue to be a poor investment even through a capitalist framework, as we will face disruption of an unknown cost at an unknown but staggering scale. In Bloomberg Business, writer Alex Morales compares investing in fossil fuels to be akin to “running off a cliff they can’t see. As these investors face the possibility that untapped deposits of oil, gas and coal — valued at trillions of dollars globally — they could become stranded assets as governments adopt stricter climate change policies.

SFU’s reputation is one of innovation, forward thinking, science, political science, and smart business. As part of an academic institution, students and faculty are responsible for educating the public, a role that comes with a moral responsibility.

YOUTH ACTION

The Divestment Day of Action was held internationally February 13 and 14 to mark the necessity of moving away from fossil fuels, with over 450 actions and thousands of activists participating worldwide. Harvard’s students organized a 24-hour sit-in, while hundreds of people switched bank accounts over their bank’s investment policy.

“Divestment is one of the fastest growing movements in history and it is an incredible showing of people power,” Kelsey Mech, the Director of the Canadian Youth Climate Coalition, told The Peak. “But it goes beyond people, it uses large institutions in the world of finance to target the systems in place: economic, energy and political, and call for change.”

For a campaign begun in 2012, the fossil fuel divestment movement is going strong. With over 800 institutions and investors committed to divesting from fossil fuels, the most recent large-scale divestment commitment comes from the Norwegian Sovereign Fund, a portfolio worth almost 900 billion dollars.

A notable aspect of the fossil fuel divestment movement worldwide is that it is largely youth-led. As with many prominent historical social movements, students have been able to mobilize and organize incredibly quickly when they see their future is at risk.

Student-led movements are something to keep an eye on, as the people organizing them often wind up shaping the political system in later years. Mech reports that, in Canada, there are “30 student-led campaigns, from BC to Newfoundland and everywhere in between, including two in Calgary. There are also a number of municipal, faith-based, union, and community campaigns beyond that.”

Some of the most impressive work is being done by twentysomethings, new to the game and eager to protect their future. Mech describes her fellow student mobilizers as “fantastically badass, truly marvellous, passionate, dedicated, and just plain awesome. We have some incredibly skilled young organizers all across this country and I am so proud and honoured to work with them every day.”

Perhaps the fossil fuel divestment campaign is growing so rapidly because distant politicians are not representing local interests. Grassroots campaigns and influential local institutions are responses to what many environmentalists consider to be a flawed democratic system.

“The fact that we have a government that has been elected by a minority of votes is incredibly problematic,” Mech explained. “Especially when that government is dismantling environmental protection, violating indigenous rights, and continuing to heavily promote the expansion of the tar sands.”

TAKING CLIMATE CHARGE

Divestment is simple, and can be applied to anywhere that people keep their savings. If you are a member of a school, a church, a company, or even a customer at a bank or a corporation, you can demand that they divest.

This accessibility — that anyone can start a divestment campaign for the institution that they most care about — is akin to crowdfunding for organizing, empowering students newly involved in environmental campaigning.

“Divest SFU was the first campaign I ever joined, and it’s now become an essential part of my learning experience here at SFU,” Nguyen said of his experience. “It’s hard to imagine what university would have looked like for me if I hadn’t involved myself in organizing.”

Organize BC and Canadian Youth Climate Coalition held a campaign training in mid-February with leaders of divestment campaigns in the Lower Mainland. They discussed the power of sharing stories, strategy and structure in environmental and social justice organizing, and historically successful social movements.

This kind of training is what has made the divestment movement successful, and it will the result is an influx of graudates with a penchant for organizing activists and running meaningful environmental movements.

“As a sociology major, at least in my experience, we speak all the time about systems of power and resistance,” Nguyen said.  “Being involved in the divestment campaign really allowed me the opportunity to not just absorb these ideas passively, but act and apply.”

Here at SFU, the stand-off is just beginning. As a student, staff, or faculty member, you will likely be hearing a lot of noise from the Divest SFU group over the coming terms until SFU commits to an ethical investment portfolio.

Recent contact by media, environmental organizations, and further student outreach demonstrates that SFU’s divestment movement is quickly gaining ground both on and off campus. All of SFU’s major student societies and more than 100 faculty members support Divest SFU. Commitments by the Board of Governors have been made,  both to guarantee financial transparency and to release where their funds are currently invested.

The ripple of divestment means that a small difference in fossil fuel money can go a long way. As these companies realize that people can organize beyond their lobby power with government, and as governments realize that their voters are interested in seeing substantial funds being invested into renewable energy, the rise of successful green tech competition on a more even playing field with oil money will likely occur.

The Divest SFU group has built a collaborative system for student and faculty contribution, along with a series of interactive workshops and events to highlight our need to divest from dirty energy. These allow students to consider how we want the future of our energy use to look.

As our generation shifts towards a future free from fossil fuels, there is an opportunity to invest in the types of energy that our generation will rely upon. Divest SFU is currently collaborating with the SFSS, SFPIRG and local ENGOs on a project called Reinvest in Our Future, building momentum for investment in climate solutions at SFU.

Eoin Madden, Climate and Energy campaigner from Wilderness Committee, explained that he helps organize events with SFU students because they “paint the vision of the world we are fighting for, and demand that SFU play its role in ensuring that vision becomes a reality.

“It is the youth of today who will pay the true cost of climate change. In the fossil fuel industry, we have a collection of very large organizations whose business plan depends of depriving youth of a stable, livable climate,” Madden continued. “The means by which the industry can be confronted, the creativity and energy it takes to challenge the world’s most powerful corporations, is present on every campus in Canada.”

As the divestment movement gains ground both locally and internationally, it will remain a campaign to watch. Engaging students, faculty, professors, and administration in a language of financial responsibility, divestment is a creative response to a lack of government action on issues that affect our species, and indicates a huge market shift well on its way.

Blagojevic and Koch return to face former team

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Jovan Blagojevic described the pre-season matchup as “business” and not “friendly.” Image Credit: Hamed Yaghoubi Shahir /The Peak
Jovan Blagojevic described the pre-season matchup as “business” and not “friendly.” Image Credit: Hamed Yaghoubi Shahir /The Peak
Jovan Blagojevic described the pre-season matchup as “business” and not “friendly.” Image Credit: Hamed Yaghoubi Shahir /The Peak

Former SFU men’s soccer head coach Alan Koch and last year’s Great Northwest Athletic Conference (GNAC) player of the year Jovan Blagojevic have returned to Burnaby Mountain to face off against their former team last Thursday, March 19.

Koch, who left the program to head the Whitecaps’ USL PRO affiliate in January, and Blagojevic, who was drafted by the Whitecaps and subsequently signed by the affiliate, helped the Whitecaps FC 2 win 5–1 against the SFU men’s team last Thursday at Terry Fox Field.

“It was nice seeing them — before the game I said hi to them,” Blagojevic reflected on playing against his former teammates. “But on the field it was definitely business, it wasn’t very friendly.”

Despite the final score, SFU had a great start, controlling the play for much of the first half with solid defence. Clan forward Justus Hogback opened the scoring, giving SFU an early 1–0 lead.

“It’s all players I used to coach, it’s pretty new — you don’t get that opportunity often,” said Koch. “It’s nice to see [SFU] play, they worked very hard, they deserved to score, they deserved to be up for a while.”

However, the Whitecaps FC 2 slowly took control of the game. Striker Mackenzie Pridham scored his first of the day to tie up the game — he would end up with four of the team’s five goals. Goals two and three for the FC 2 sealed the deal, with the second coming right before halftime and the third scored immediately after halftime, both by Pridham.

“I’m happy we came and clawed our way back and won the game, otherwise I’d be pretty disappointed with my Whitecaps group, but it was a fun experience,” Koch said with a laugh.

New SFU men’s head coach Clint Schneider, who spent seven seasons on Koch’s coaching staff, was proud of his team’s effort.

“I’m proud of the way the guys played. [. . .] We played the right way, and the results don’t really matter at this point in the apring, it’s the performance that matters,” he said.

“We could sit in — it’s a better team — and play it that way [but] I’m not a believer in that. I want our guys to try to do things they would do in the fall: go out and play, and try and do the right things in a match. If you do that against a good team, and you make mistakes, you get punished for it — that was what happened today.”

Blagojevic, who donned number 47 for the Whitecaps FC 2, however, went goalless, citing the stress of playing against his former team.

“It was weird, I couldn’t really relax today for some reason. It felt like [there was] extra pressure on myself with playing [against] SFU,” he said. “It was weird, I kept feeling like I should be on the other side, but that’s just how the world goes, it’s on to the next team.”

White women can’t speak to all sectors of feminism

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Photo Credit: Anosha Ashfaq
Photo Credit: Anosha Ashfaq
Photo Credit: Anosha Ashfaq

It is often highly contentious when  one voice tries to represent oppressed people from all areas of life. Feminism is no exception.

Earlier this year, Boyhood actress Patricia Arquette received major backlash for her Oscar acceptance speech. In an attempt to clarify what her speech meant, Arquette added backstage that it was time for gay people and people of color, who have been fought for in the past, to join her in the fight for women in America’s right to equal pay.

Unfortunately, Arquette’s words only reinforced the reasons for the public outrage against her. Firstly, the actress seems to be suggesting that the struggles of gay people and people of color were somehow over, and it was up to them to take up a new battle. Secondly, her statement displayed the potential for feminism to exclude those who do not fit the dominant, white female narrative.

By virtue of mainstream culture, as well as other systems in place having been historically structured around white privilege, many aspects of our society favour white individuals. Because of this, people falling under this category have somewhat of an upper hand in their various endeavors. However, let me clarify that the existence of white privilege does not exempt minority groups from privileges of their own.

Patricia Arquette’s words only worked to reinforce the reason there was public outrage in the first place.

Take myself for example: an African male. By virtue of being a black man, it would seem as though I have the right to speak on the struggles of oppressed black men — however this thinking is flawed, and something I have previously had to check myself for. Having lived a relatively comfortable life, I cannot wholly communicate the plight of the millions of oppressed black men in the world.

With this reasoning, it is clear why statements like Patricia Arquette’s are flawed. She is indeed a woman, and speaks from the position of oppression — however, she also benefits from white privilege. The point is, the white female experience cannot be used as a blueprint to interpret all possible intersections.

Unfortunately, a lot of people are quick to claim that feminism is all-inclusive and uniformly covers all the bases. However, as white women have a wider platform than other women to speak on the issues, we still encounter this problem of exclusion. As an educated, cisgender person who enjoys relative economic safety, my perspective is similarly limited by my privilege. This is something everyone should consider when formulating an opinion on social issues.

I do not aim to speak for women on what they should or shouldn’t do with feminism. However, I feel like some aspects of the movement can and should be scrutinized, even by non-females. It is up to everyone to responsibly advocate for social causes and consider the space from which they do so.

The complexities of unequal social systems prove that there is still work to be done. Rather than shy away from doing the work, we should embrace these challenges as opportunities to grow.

SFU’s fitness centre should definitely keeps its women-only hours

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Photo courtesy of Popsugar
Photo courtesy of Popsugar
Photo courtesy of Popsugar

Last week’s The Peak article “SFU’s fitness centre should remove its women-only hours” ignores the many reasons that the women-only hours are necessary in gyms.

The article argues for gender equality, which is a noble aspiration: it would be great if our society recognized men and women as completely equal, and they were expected to act more or less exactly the same. Gender is not that simple, though. It comes with a history that rsults in males and females raised in different ways with vastly different expectations. This makes some women feel uncomfortable around men, especially while wearing workout clothes.

To ask for all women to immediately feel comfortable in a gym environment is ignoring the fact that not a lot of women do. Because they don’t, and because they experience much less privilege than men do in our society, women who feel uncomfortable in the gym deserve women-only hours.

Like the author of last week’s article, I also visit the SFU gym regularly, and I also see men being polite and helpful to women there. Further, I also see the majority of men being polite and helpful almost everywhere. Does this mean that I know what it feels like to be a woman? Nope. It’s not even related.

It takes a whole lot of empathy to imagine being one in an environment traditionally dominated by males, and imagine the many societal pressures women feel there.

Some cultural differences also make women feel uncomfortable about men in a gym setting. For instance, I work at a pool that has a women-only swim time, which is used mostly by a group of Islamic women. They will not get changed into bathing suits until every man has left the area.

To ask for all women to immediately feel comfortable in a gym environment is ignoring the fact that not a lot of women do.

It’s not always easy for men to leave so quickly on Sunday nights, but we can’t just tell them, “hey, you know, men and women are equal, and we can all swim together, don’t worry so much.” Even if I believe that,  and even if I believe that I’m a pretty nice guy and I know lots of nice guys, telling them so won’t instantly make these people constantly feel comfortable around men.

I agree that gender equality is the tops, and I agree that men and women aren’t so different, psychologically and physiologically. But my belief doesn’t mean that every woman at SFU will always feel comfortable while I am present.

What it does mean is that I need to recognize many men, such as myself, have never even had to worry about finding a gym separated by gender or sex.

Of course, this isn’t true for all men. But guys, let’s keep our empathy hats on: we’re talking about women.

Our student funds pay for many different projects and groups, not all of which we have to agree with to make them necessary. When it comes to the women-only time, I would gladly pay for something that makes a large group of the SFU population feel more comfortable in a threatening domain.

Yes, an hour and a half is an absurdly, unreasonably huge amount of time, and early Saturday morning is an extremely, cataclysmically convenient exercise time slot in the week.

But I think we can manage.

Which prolific director should make a live-action version of your favourite Disney movie

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Image by Rachelle Tjahyana
Image by Rachelle Tjahyana
Image by Rachelle Tjahyana

Earlier this month, Disney announced that Tim Burton had been tasked with bringing a live-action version of Dumbo to the silver screen. Perhaps even more surprising is how unsurprising the announcement is, given the continuous string of reboots audiences have been subjected to over the past decade.

With the release of Cate Blanchett’s live-action Cinderella this month and a live-action version of Beauty and the Beast slated for next year, it would appear we’re entering the era of classic Disney films getting the real-life reboot. Here are a few of our wishlist match-ups when it comes to directors helming live-action Disney movies. 

The Fox and the Hound (directed by Seth Rogen and Evan Goldberg)

Over the years, Seth Rogen and frequent collaborator Evan Goldberg have given us some of the most bromantic films around: Superbad, Pineapple Express, 50/50, This is the End. Given their impressive track record, it would only make sense for them to tackle the timeless film of star-crossed friends, The Fox and the Hound. Rogen and James Franco could co-star as the titular fox and hound; throw in some jokes alluding to marijuana use and you’ve got a hit on your hands.

The Little Mermaid (directed by Woody Allen)

Have you ever thought to yourself, “I wonder what The Little Mermaid would look like from the guy’s perspective?” Let’s recast Prince Eric as a precocious twentysomething and focus on the tribulations of having a romantic relationship with an attractive sea-based mammal. Take out the musical numbers and replace them with commentary on post-modern relationships, while Oscar-winner Eddie Redmayne and Emma Stone could do Eric and Ariel serious justice. Plus, if Stone is in it, people have to like it.

Mulan (directed by Quentin Tarantino)

Some Disney stories were just meant to get the R-rated treatment. Mulan has all the quintessential traits of a Quentin Tarantino classic, so he’s the ideal candidate to handle the reboot. Action scenes would become at least 150 per cent bloodier, and perhaps Samuel Jackson could take a stab at voicing everyone’s favourite wise-cracking dragon, Mushu.

The Sword in the Stone (directed by Christopher Nolan)

No one helms a trilogy quite like Christopher Nolan. The man behind the acclaimed Batman Begins trilogy could add a darkness to The Sword of the Stone tale, and maybe even spin it into a King Arthur franchise. It’s got tortured protagonists, trials to face before becoming a hero, and plenty of older male characters for Michael Caine to play. It’s a match made in reboot heaven.

The Aristocats (directed by Wes Anderson)

As if a film about jazz-loving felines wasn’t quirky enough, Wes Anderson could bring the concept into a modern setting by replacing jazz with contemporary indie music. Stop-motion animation similar to 2009’s Fantastic Mr. Fox would help maintain The Aristocats’ surreal nature, and Anderson regulars like Tilda Swinton and Bill Murray could voice the romantic leads of Duchess and O’Malley.

Mary Poppins (directed by Michael Bay)

Sure, why the hell not? It doesn’t matter what iconic story you charge Bay with, he’s going to steer that ship into the nearest iceberg and make it a disaster. Cast Megan Fox in the title role and see which way Bay’s signature creative direction takes things. (Maybe the children will be reimagined as sword-wielding robots and it’ll be Fox’s job to end the cybertronic war before the children’s parents get home from work?)